Barbican Cinema, Barbican Centre November 2018 Highlights Curated

Total Page:16

File Type:pdf, Size:1020Kb

Barbican Cinema, Barbican Centre November 2018 Highlights Curated Barbican Cinema, Barbican Centre November 2018 highlights barbican.org.uk/whats-on/cinema Curated by the Barbican: • New Suns: A Feminist Literary Festival • Britten Nocturne and introduction by Tony Palmer • Science on Screen: Melancholia + presentation by Valerio Lucarini • Framed Film Festival • EFG London Jazz Festival • Silent Film & Live Music: The Cohens and The Kellys + live music by Dermot Dunne and Nick Roth Also screening at the Barbican: • Doc’n Roll Film Festival • BBC SO Total Immersion: In Remembrance World War I The Poet Who Loved the War: Ivor Gurney Film • Fringe! Queer Arts & Film Festival • Palestine Film Festival • Underwire Film Festival • Afternoon Arts: Exhibition on Screen: Cézanne – Portraits of a Still Life Performance Cinema: • NT Live: Allelujah! • MGC presents RED • Afternoon Arts: Stage Russia: King Lear • Met Opera Live in HD - Marnie • Royal Opera House Live: La Bayadère • RSC Live: Troilus and Cressida • NT Live: The Madness of George III Curated by the Barbican: New Suns: A Feminist Literary Festival Sat 3 Nov, Cinema 2 Taking place across the Barbican, a day of talks, workshops and screenings exploring our feminist futures, including Arwen Curry’s Worlds of Ursula K.Le Guin a new documentary about the trailblazing author Ursula K Le Guin. Britten Nocturne PG* UK 2013, dir Tony Palmer, 135 mins Sun 11 Nov, 3 pm Cinema 2 Tony Palmer’s 2013 documentary explores Benjamin Britten’s life, music and commitment to pacifism against the backdrop of two world wars in the twentieth century - perhaps the bloodiest century in human history. ‘One of the most brilliant anti-war documentaries I have ever seen… It is an absolute masterpiece, definitive, original and very moving.’ (Andrew Billen, The Times) Melancholia 15 + presentation by Valerio Lucarini Science on Screen Denmark, Sweden, France & Germany 2011, dir Lars von Trier, 135 min Tue 13 Nov 6.30pm, Cinema 2 Lars von Trier’s profound vision of destruction follows two sisters as the planet Melancholia hurtles towards Earth. A major focus of contemporary science deals with the understanding of critical transitions – situations, like the close encounter of Earth and Melancholia, where forecasting the outcome is extremely challenging. Lucarini’s presentation will focus on the challenges of prediction and how this is reflected in the film's climactic structure. Presented in partnership with the London Mathematical Laboratory. Framed Film Festival 17–18 Nov, Cinema 2 The Barbican’s celebration of films from around the world for our youngest audience is back. Highlights include specially curated shorts programmes, the charming new international hit My Giraffe - about a young boy and his pet giraffe - and the classic Michel Ocelot silhouette animation Princes and Princesses - six captivating stories of love and adventure. There will also be a range of Creative Learning activities throughout the weekend to engage and inspire a new generation of filmgoers. Full details to be announced on 10 October. EFG London Jazz Festival 17–25 Nov, Cinema 3 Highlights from the film strand of this year’s EFG London Jazz Festival includes two screenings which are part of Anthony Joseph’s series of events celebrating the Windrush generation and Carribean spirit: a brand-new collection of documentary portraits, 1000 Londoners: Windrush Generations; and a presentation of Pressure, Britain’s first black feature film from 1978 written by Horace Ove. The Cohens and The Kellys PG* Silent Film & Live Music UK 1926, dir Harry Pollard, 80 mins Sun 25 Nov 3.30pm, Cinema 1 + live music by Dermot Dunne and Nick Roth Tensions between two quarrelling families bubble over when one daughter falls in love with the other’s son. Accompanied by an Irish and Jewish folk music inspired live score. Presented in partnership with The Irish Film Institute in association with Irish Film Festival London and UK Jewish Film Festival. Also screening at the Barbican: Doc’n Roll Film Festival 1–12 Nov, Cinema 2 & 3 Passionate about independent film and music across all genres, Doc'n Roll provides the opportunity to watch great music documentaries as they were designed to be seen - on the big screen and at full volume. The UK’s music documentary festival returns with five events at the Barbican, all featuring ScreenTalks with special guests. Highlights include Shut Up and Play the Piano, an insight into the virtuoso pianist Chilly Gonzales’ whirlwind life - as he embarks upon on a worldwide tour - which is followed by a Q&A with Gonzales himself; and Anorac, a cinematic ode to Welsh- language music by Radio 1 DJ Huw Stephens, as he travels across his native country to explore musicians who choose to sing in Welsh, rather than the industry’s anglophone default setting. BBC SO Total Immersion: In Remembrance World War I The Poet Who Loved the War: Ivor Gurney Film UK, 2013 Dir Clive Flowers 60 mins 10 Nov, Cinema 3 10.45 am A remarkable story of the First World War soldier-poet who broke all the rules. Ivor Gurney wasn't an officer but a private who bizarrely joined up in the hope that the ordered army life would help ease a mental health condition. Initially this shock therapy worked, but he was eventually shot and gassed and spent the last 15 years of his life in an asylum. Yet the poetry he wrote there is uniquely powerful - capturing the experience of the ordinary soldier - and the film argues that it is the equal of the work of any of the more well-known soldier-poets of WWI. Gurney was also an accomplished composer and all the music used in the film is his, some of it hauntingly written on the Western Front. Fringe! Queer Arts & Film Festival 15 – 18 Nov, Cinema 2 Two special events from the festival rooted in London’s queer creative community, including a double bill of films exploring the legacy and teachings of black lesbian writer Audre Lorde, with live poetry readings. Palestine Film Festival 16 –18 Nov, Cinema 1& 2 Returning with a diverse programme connecting audiences with international filmmakers and thinkers on Palestine-related issues, the festival will open at the Barbican with Ghost Hunting, Palestine’s selection for the Oscars and also features a Screentalk with the film’s director Raed Andoni; also screening is the film Recollection, with a Screentalk with filmmaker Kamal Aljafari. Underwire Film Festival 18–24 Nov, Cinema 3 Underwire Festival is the UK’s biggest film festival celebrating and spotlighting female talent working across the crafts, celebrating women both on and behind the screen. Afternoon Arts: Exhibition on Screen: Cézanne – Portraits of a Still Life PG Thu 22 Nov 2pm, Cinema 2 Dedicated to the portrait work of postimpressionist Paul Cézanne, this film goes behind-the-scenes of the Musée d’Orsay’s exhibition to reveal one of the 20th century’s most important artists. Performance Cinema: NT Live: Allelujah! 12A Thu 1 Nov 7pm, Cinema 2 Filmed live at London’s Bridge Theatre during its limited run, Alan Bennett’s tenth collaboration with director Nicholas Hytner is set in a country hospital threatened with closure. MGC presents Red # Wed 7 Nov 7pm, Cinema 2 Michael Grandage directs the UK revival of John Logan’s Tony award-winning play starring Alfred Molina as Mark Rothko. Stage Russia: King Lear 15* Thu 8 Nov 2pm, Cinema 2 Afternoon Arts Renowned Russian actor Konstantn Raikin takes on the role of Lear in this encore screening of Yury Butusov’s brilliant, award winning staging of Shakespeare’s tragedy. Met Opera Live: Marnie 12A Sat 10 Nov 5.55pm, Cinema 1 Met Opera Live in HD Based on the novel that inspired Hitchcock’s thriller, composer Nico Muhly’s opera of deceit stars mezzo-soprano Isabel Leonard in the title role, opposite baritone Christopher Maltman as her husband. Royal Opera House Live: La Bayadère Tue 13 Nov 7.15pm, Cinema 3 Natalia Makarova’s production of Marius Petipa’s 19th-century classic ballet brings an exotic world of temple dancers and noble warriors to life. RSC Live: Troilus and Cressida 12A Wed 14 Nov 7pm, Cinema 2 Virtuoso percussionist Evelyn Glennie collaborates with RSC Artistic Director Gregory Doran to create a satirical futuristic take on Shakespeare’s play. NT Live: The Madness of George III 12A Tue 20 Nov 7pm, Cinema 3 Mark Gatiss is King George III in Alan Bennett’s multiple award-winning drama, broadcast here from Nottingham Playhouse. New Releases: Peterloo 12A UK 2018, dir Mike Leigh 164 min From Fri 2 Nov Widows # UK 2018, dir Steve McQueen, 128 min From Fri 9 Nov Fantastic Beasts: The Crimes of Grindelwald # UK 2018, dir David Yates, 92 min From Fri 16 Nov Shoplifters # Japan 2018, dir Hirokazu Koreeda, 121 mins From Fri 23 Nov Disobedience # UK/ Ireland & the USA 2017, dir Sebastian Leilo, 114 mins From Fri 30 Nov FAMILIES Framed Film Club Every Saturday 11am, Cinema 2 This month the Barbican’s family film club presents animated escapades; with animal adventures in The Big Bad Fox and Other Tales and the super Parr family in Incredibles 2. No unaccompanied adults or children. Parent and Baby Screenings Enjoy the best new films every Monday and Saturday at 11.15am with your little ones of twelve months and under, at the Barbican’s specially tailored screenings. Sign up to the mailing list at barbican.org.uk/parentandbaby. ENDS Notes to Editors For further information contact: Ian Cuthbert, Communications Manager, Cinema [email protected]/ 07980 925 352 Sarah Harvey, Press Consultant [email protected]/ 020 7732 7790 Ticket prices: Box Office: 0845 120 7527 New releases/Film festivals: https://www.barbican.org.uk/whats-
Recommended publications
  • Event Planner Guide 2020 Contents
    EVENT PLANNER GUIDE 2020 CONTENTS WELCOME TEAM BUILDING 17 TRANSPORT 46 TO LONDON 4 – Getting around London 48 – How we can help 5 SECTOR INSIGHTS 19 – Elizabeth Line 50 – London at a glance 6 – Tech London 20 – Tube map 54 – Financial London 21 – Creative London 22 DISCOVER – Medical London 23 YOUR LONDON 8 – Urban London 24 – New London 9 – Luxury London 10 – Royal London 11 PARTNER INDEX 26 – Sustainable London 12 – Cultural London 14 THE TOWER ROOM 44 – Leafy Greater London 15 – Value London 16 Opening its doors after an impressive renovation... This urban sanctuary, situated in the heart of Mayfair, offers 307 contemporary rooms and suites, luxurious amenities and exquisite drinking and dining options overseen by Michelin-starred chef, Jason Atherton. Four flexible meeting spaces, including a Ballroom with capacity up to 700, offer a stunning setting for any event, from intimate meetings to banquet-style 2 Event Planner Guide 2020 3 thebiltmoremayfair.com parties and weddings. WELCOME TO LONDON Thanks for taking the time to consider London for your next event. Whether you’re looking for a new high-tech So why not bring your delegates to the capital space or a historic building with more than and let them enjoy all that we have to offer. How we can help Stay connected Register for updates As London’s official convention conventionbureau.london conventionbureau.london/register: 2,000 years of history, we’re delighted to bureau, we’re here to help you conventionbureau@ find out what’s happening in introduce you to the best hotels and venues, Please use this Event Planner Guide as a create a world-class experience for londonandpartners.com London with our monthly event as well as the DMCs who can help you achieve practical index and inspiration – and contact your delegates.
    [Show full text]
  • Now We Are 126! Highlights of Our 3 125Th Anniversary
    Issue 5 School logo Sept 2006 Inside this issue: Recent Visits 2 Now We Are 126! Highlights of our 3 125th Anniversary Alumni profiles 4 School News 6 Recent News of 8 Former Students Messages from 9 Alumni Noticeboard 10 Fundraising 11 A lot can happen in 12 just one year In Memoriam 14 Forthcoming 16 Performances Kim Begley, Deborah Hawksley, Robert Hayward, Gweneth-Ann Jeffers, Ian Kennedy, Celeste Lazarenko, Louise Mott, Anne-Marie Owens, Rudolf Piernay, Sarah Redgwick, Tim Robinson, Victoria Simmons, Mark Stone, David Stout, Adrian Thompson and Julie Unwin (in alphabetical order) performing Serenade to Music by Ralph Vaughan Williams at the Guildhall on Founders’ Day, 27 September 2005 Since its founding in 1880, the Guildhall School has stood as a vibrant showcase for the City of London's commitment to education and the arts. To celebrate the School's 125th anniversary, an ambitious programme spanning 18 months of activity began in January 2005. British premières, international tours, special exhibits, key conferences, unique events and new publications have all played a part in the celebrations. The anniversary year has also seen a range of new and exciting partnerships, lectures and masterclasses, and several gala events have been hosted, featuring some of the Guildhall School's illustrious alumni. For details of the other highlights of the year, turn to page 3 Priority booking for members of the Guildhall Circle Members of the Guildhall Circle are able to book tickets, by post, prior to their going on sale to the public. Below are the priority booking dates for the Autumn productions (see back cover for further show information).
    [Show full text]
  • ACM LONDON: ARTS in CONTEXT – Spring 2014 [Note: This Is a Preliminary Syllabus, Prepared During the Summer and Autumn Months of 2012 and Updated in Spring 2013
    ACM LONDON: ARTS IN CONTEXT – Spring 2014 [Note: this is a preliminary syllabus, prepared during the summer and autumn months of 2012 and updated in spring 2013. It will be developed with a great deal more specificity nearer the spring term of 2014 as theatre bookings fall into place] Course: Theatre in London: the Art of Adaptation Instructor: Steven Marc Weiss, PhD Associate Professor of Theatre Arts Coe College, Cedar Rapids, Iowa e-mail: [email protected] phone: Course Description: This course will provide both an in-depth examination of the astonishing variety of theatre offerings available in London during each seven-week term and an equally penetrating look at the literary (or other) source materials that, directly or indirectly, inspired each production. As we consider various ways in which most theatrical productions are developed—either based on other source material or on writers’ original ideas—our ongoing focus of study will be on the intertextuality between the page (drama) and the stage (theatre). “Adaptation” is the key concept underlying the investigation, and the term will be broadly defined to include: (1) how playwrights sometimes adapt non-dramatic source materials (historical events, narrative fiction, etc.) into dramatic texts; (2) how theatre collaborators sometimes attempt to adapt for viable stage production dramatic source material from another medium (film, for instance); (3) how playwrights sometimes adapt existing, older playtexts to craft more contemporary “versions” of them; (4) how contemporary playwrights sometimes, either consciously or inadvertently, alter playtexts they “translate” from other languages; (5) how theatrical practitioners “translate” words on a page into action on the stage after carefully studying the texts for clues that will help them conceptualize and eventually actualize productions based on those clues; and (6) how playtexts are, by necessity, “adapted” by directors, designers and actors to “work” for the space(s) in which they are presented.
    [Show full text]
  • What's New in London for 2016 Attractions
    What’s new in London for 2016 Lumiere London, 14 – 17 January 2016. Credit - Janet Echelman. Attractions ZSL London Zoo - Land of the Lions ZSL London Zoo, opening spring 2016 Land of the Lions will provide state-of-the-art facilities for a breeding group of endangered Asiatic lions, of which only 400 remain in the wild. Giving millions of people the chance to get up-close to the big cats, visitors to Land of the Lions will be able to see just how closely humans and lions live in the Gir Forest, with tantalising glimpses of the lions’ habitat appearing throughout a bustling Indian ‘village’. For more information contact Rebecca Blanchard on 020 7449 6236 / [email protected] Arcelor Mittal Orbit giant slide Queen Elizabeth Olympic Park, opening spring 2016 Anish Kapoor has invited Belgian artist Carsten Höller to create a giant slide for the ArcelorMittal Orbit. This is a unique collaboration between two of the world’s leading artists and will be a major new art installation for the capital. The slide will be the world’s longest and tallest tunnel slide, measuring approximately 178m long and will be 76m high. There will be transparent sections on the slide so you can marvel at the view. For more information contact Victoria Coombes on 020 7421 2500 / [email protected] New Tate Modern Southbank, 17 June 2016 The new Tate Modern will be unveiled with a complete re-hang, bringing together much-loved works from the collection with new acquisitions made for the nation since Tate Modern first opened in 2000.
    [Show full text]
  • Document.Pdf
    LONDON IS EVOLVING A CITY OF COLLIDING FORCES A CULTURAL CITY A CITY FOR CHALLENGERS AND EXPLORERS A CITY TO MOVE FORWARD WELCOME TO GRESHAM ST PAUL’S MOVE FORWARD THIS IS S T PA U L' S B WOW FACTOR Gresham St Paul’s has something a little different — unparalleled proximity to the global icon that is St Paul’s Cathedral. The building has a privileged location between some of London’s most prominent cultural landmarks, vibrant amenity and a global financial centre. An unofficial logo, St Paul’s Cathedral is our compass point for central London, marking the meeting point of cultural and commercial life in the city. Gresham St Paul’s enjoys A GLOBAL exceptional proximity to this icon. ICON A busy streetscape 340 St Paul’s receives over 1.5m visitors each year years as London’s most recognisable centrepiece 3 minute walk from Gresham St Paul’s View of the Cathedral from the 8th floor of Gresham St Paul’s 4 5 Barbican Centre GRESHAM ST PAUL'S Bank of England St Paul's Cathedral Liverpool St / Moorgate St Paul’s CUTTING EDGE Tate Modern The world’s most popular art museum is connected to St Paul’s by the Millennium Bridge CULTURE 8 Some of London’s leading cultural institutions are just a lunch break away. And there is more to come. A number of high-profile new cultural projects are set to open in 8 the immediate area, including the new Museum of London world-class cultural venues form the opening at West Smithfield Market in the coming years Culture Mile, all within and new concert hall for the London Symphony Orchestra.
    [Show full text]
  • Boris Godunov Biographies
    Boris Godunov Biographies Cast Stanislav Trofimov (Boris Godunov) began his operatic career in the Chelyabinsk Opera House in 2008, and went on to perform leading bass roles at the Ekaterinburg Opera House (the Bolshoi Theatre) and other opera theaters across Russia. He became a soloist at the Mariinsky Theatre in 2016. Mr. Trofimov has portrayed numerous leading roles including Boris Godunov (Boris Godunov), Philip II (Don Carlos), Procida (I vespri siciliani), Fiesco (Simon Boccanegra), Konchak (Prince Igor), Ivan Susanin (Life of the Tsar), Sobakin (Tsar’s Bride), Prince Yuri Vsevolodovich (The Legend of the Invisible City of Kitezh and the Maiden Fevronia), Prince Gremin (Eugene Onegin), Ferrando (Il Trovatore), Don Bartolo (Le nozze di Figaro), and Old Hebrew (Samson et Dalila). Recent performances include Procida in Mariinsky’s new production of I vespri siciliani, Zaccaria in Nabucco at the opening of Arena di Verona Summer Festival, a tour with the Bolshoi Theatre as Archbishop in The Maid of Orleans in France, and performances at the Salzburg Festival as Priest in the new production of Lady Macbeth of the Mtsensk District. Mr. Trofimov will appear at the 2018 Salzburg Festival and at Teatro alla Scala in 2019. These performances mark his San Francisco Symphony debut. This season, Cuban-American mezzo-soprano Eliza Bonet (Fyodor) made her debut at the Kennedy Center as a member of the Washington National Opera’s Domingo-Cafritz Young Artist Program, singing the role of Bradamante in Handel’s Alcina. As a part of this season’s nationwide Bernstein at 100 celebrations, Ms. Bonet performs as Paquette in Candide with the WNO, and with National Symphony Orchestra in West Side Story.
    [Show full text]
  • The Annual 2016/17
    THE ANNUAL REPORT 2016/17 Primary school children celebrating 10 years of ROH Thurrock with Alice (in Wonderland) Reimagined TRUSTEES’ ANNUAL REPORT INTRODUCTION STRATEGIC REPORT FINANCIAL SUMMARY GOVERNANCE ACKNOWLEDGEMENTS 326 performances at the Royal Opera House; UK Theatre Awards 2016 for ‘Achievement On the main stage: 7 new operas, in Opera’ for Contemporary opera and Royal 3 new ballets Philharmonic Society Award for large-scale 31% of tickets at £30 or less composition for 4.48 Psychosis; 2017 Critics’ 38% of tickets at £40 or less Circle National Dance Awards for Principal of 47% of tickets at £50 or less The Royal Ballet, Francesca Hayward, Fellow 20,900+ attended a subsidized 75% of income Principal Zenaida Yanowsky and Soloist of performance with low-cost tickets for generated from ticket The Royal Ballet, Reece Clarke families and schools sales, fundraising and commercial activity; £4+ generated through ticket sales, fundraising and commercial activity for every pound of grant received 670,500 attendances at our Covent Garden theatre: 95% occupancy 29,800+ people took part in 806,900+ creative projects; 11,700+ young attendances of ROH people experienced cultural Cinema screenings activities as a result of ROH LAST YEAR IN worldwide in 41 attendances Bridge; 20,900+ SUMMARY countries; Live at low-priced, enhanced cinema screenings in performances for families, schools the UK at 459 cinema and students; 20,800+ registered screens; 727,000+ for the ROH Students’ ticket people viewed World scheme; 13,600 registered on Ballet
    [Show full text]
  • One Year on Goodness Knows What the Weather Is Like Out­ JAMES SARGANT Side, Is the Thing That Can Never Be Solved and Would Be Top of Many Users List of Concerns
    before ten o'clock in the morning to leave well after eleven o'clock at night and One Year On goodness knows what the weather is like out­ JAMES SARGANT side, is the thing that can never be solved and would be top of many users list of concerns. Ventilating and lighting these subter­ Amidst all the criticism that has been levelled three circles suffered in this way, which with ranean areas has also not proved ideal. At at some aspects of the Barbican Centre, the the total comfort elsewhere, is regrettable. the planning stage, cooling as an element of Theatre has remained relatively unscathed. The problem is perhaps less acute in the top airconditioning was a luxury rather than the The main auditorium in particular seems to circle (3) where the audience is inclined to norm in this country. That the Barbican have acquired a reputation as something of a lean forward in their seats to get the best view Theatre and Hall were going to be cooled was haven in a troubled sea. Before going on to of the action, so sacrificing a little seat depth a feature item. For the rest normal air­ look at the areas that work less well and to and seat back comfort is not such a loss. In conditioning would have to suffice as an speculate as to the reasons why, it is perhaps the ideal world the view from this top circle is aspect of keeping down already high costs. worth recording why the auditorium has perhaps 2° too steep, according to textbook Being a complex with a central plant room, remained such a particularly successful ele­ ideals, but the nearness to the stage com­ the long runs of ducting have potential pro­ ment in the Centre.
    [Show full text]
  • RHIANNON FAITH – Choreographer/Director / Writer
    RHIANNON FAITH – Choreographer/Director / Writer Rhiannon Faith is a boundary-breaking Artist whose work and experiences cross artforms. She is an exciting British female voice, making waves in directing, choreography and most recently as a published author. In 2021 she has been nominated for a Woman in Dance Award. Rhiannon’s current project is a new gritty dance-theatre show entitled DROWNTOWN set in an unnamed coastal town covering isolation, loneliness, shame and failed support systems. The run at the Barbican in London for 2020 and the tour has been postponed due to COVID-19 and meanwhile as the show explores similar themes to those that are affecting people during lockdown, Rhiannon has created DROWNTOWN LOCKDOWN, a digital prologue film. The cast are filmed in their own homes, before they leave for the beach, the setting for the show. It was launched online by the Barbican Centre in July 2020. In 2019 Rhiannon was Movement Director for the spectacular award-winning outdoor event experience entitled FIRST TO FIGHT at Muzeum 1939 in Gdansk, Poland, in recognition of the 80th Anniversary of the beginning of World War II (The Drum Experience Awards). Video can be seen here. Rhiannon is the first ever Associate Artist at Harlow Playhouse. She was appointed in 2018 and has developed two new productions with Harlow including DROWNTOWN supported by DanceEast and Arts Council England. SMACK THAT (a conversation), also developed at Harlow Playhouse, toured from February 2019 and played at the Ovalhouse in London. The show also toured the UK in 2018 to critical acclaim and was nominated for Innovation in Dance at the One Dance UK Awards.
    [Show full text]
  • Year 12 A-Level Summer Bridging Work Fine Art Assignment
    Year 12 A-Level Summer Bridging work Fine Art The main purpose of any course in Art and Design is to develop your ability to appreciate the visual world and respond in a personal and creative way. The skills you will explore will be varied. Amongst them you will develop a working knowledge of materials, practices and technology within art and learn the skills to interpret and convey your ideas and feelings using art and design. You will improve your imaginative and creative powers and your experimental, analytical and documenting skills. You will also develop a specialist vocabulary and the knowledge and understanding of the place of art, craft and design in history and in contemporary society. This bridging unit is to allow you to practice and build upon some of the core skills needed in Art and Design as well as show us just how creative you can be. We suggest that you purchase an A5 sketchbook for your work this summer, although you are welcome to produce some larger scale pieces if you wish. Assignment Observational drawing is an integral component of all Art courses. For many students, drawing is the core method of researching, investigating, developing and communicating ideas. It is usually advantageous to demonstrate competent, realistic observational drawing and painting skills to the examiner (particularly in the early stage of a project). Below are variety of themes, from which to select; select a minimum of 2, although you can do more. We are looking for quality not quantity. You may work using any drawing/painting media; pencil, biro, felt pen, watercolour, pastels, charcoal etc.
    [Show full text]
  • Hannah Ballou
    Hannah Ballou Tel: 07964431835 Email: [email protected] Education: PhD, Royal Central School of Speech and Drama, 2011-2015 (currently writing up, expected completion: March 2015) Thesis title: hoo:ha: Illuminating and exploiting a dissonance between funniness and sexiness with the female comic body in performance. (Funded by a Central Research Bursary) Supervisors: Dr. Stephen Farrier and Dr. Experience Bryon Brief synopsis of research: hoo:ha is the development of a practice that defines, illuminates, and exploits a dissonance between laughter and desire, funniness and sexiness, and amusement and seduction in order to 1. create comic strategies at the expense of said dissonance, and 2. challenge heteronormative and patriarchal strands of humour theory. The research utilizes practice as research (PaR) methodology. The practical element of the thesis takes the form of three devised solo performances which manifest the proposed dissonance by various methods. A detailed synopsis is in the attached appendix to this CV. MA, Royal Central School of Speech and Drama, 2007-2008 Advanced Theatre Practice: Distinction Thesis project: La Petite Mort, wherein I developed a method for ensemble devising using cabaret structures and auto-cours to direct MA students in an original production. Professional Training Program, Dell'Arte International School of Physical Theatre, 2003-2004 Modules: clown, commedia dell'arte, melodrama. Skills: acrobatics, tango, contact improvisation, mask-making and performance (neutral and commedia), tai chi, mime, ensemble-devising Bachelor's Degree, University of Kansas, 1999-2003 Theatre & Film, minor concentration: Dance Departmental honors thesis project: Bharatanatyam-inspired choregraphy of Jungalbook, director: Dennis Christilles Modules included: acting, Meyerhold & biomechanics, musical theatre, directing, theatre history Winner University Theatre Kulkhe Humanitarian Award, 2003.
    [Show full text]
  • SAMPLE of a PAST ITINERARY-- London Theater: Saturday, July 22 – Saturday, July 29 (Updates to This Schedule to Be Provided Throughout the Week)
    --SAMPLE OF A PAST ITINERARY-- London Theater: Saturday, July 22 – Saturday, July 29 (Updates to this schedule to be provided throughout the week) Saturday, July 22 Hotel check-in Haymarket Hotel, 1 Suffolk Place, London SW1Y 4HX T (011) +44 20 7470 4000 http://www.firmdalehotels.com/london/haymarket-hotel 1:00 p.m. Meet at Haymarket Hotel lobby - introductions 1:45 p.m. Car service for group to Hampstead Theatre, Eton Avenue, Swiss Cottage, London NW3 3EU 3:00 p.m. Gloria by Brenden Jacobs-Jenkins at Hampstead Theatre 6:30 p.m. Opening cocktails/dinner at Haymarket Hotel - Rocklin Room (G Level) Special guest: Henry Goodman, British actor Sunday, July 23 9:00 a.m. Harkness discussion of Gloria – Haymarket Hotel, Nash Room (G Level) 6:30 p.m. Much Ado About Nothing by William Shakespeare at Shakespeare's Globe Theatre, 21 New Globe Walk, Bankside, London SE1 9DT Monday, July 24 9:00 a.m. Harkness discussion of Much Ado About Nothing – Haymarket Hotel, Nash Room 2:30 p.m. Meet at Royal Academy of Dramatic Arts, 62-64 Gower St., London Workshop with Adrienne "Ade" Thomas, vocal coach at RADA. Exploring the language of Shakespeare. 7:15 p.m. The Tempest by William Shakespeare (Royal Shakespeare Company) at the Barbican Theatre. Barbican Centre, Silk Street, London EC2Y 8DS Tuesday, July 25 9:00 a.m. Harkness discussion of The Tempest – Haymarket Hotel, Nash Room 10:30 a.m. Travel as a group to Blenheim Palace, Woodstock, Oxfordshire. 12:30 p.m. Guided Tour – The State Rooms of Blenheim Palace.
    [Show full text]