About Us  Hi‐Tech Aadioudio Ssstemsystems Pptvt

Total Page:16

File Type:pdf, Size:1020Kb

About Us  Hi‐Tech Aadioudio Ssstemsystems Pptvt About Us Hi‐Tech AdioAudio SstemsSystems PtPvt. Ltd. was established in Year 1990 by Mr. P. K. Gupta and Mr. Rajan Gupta as Dealers of Philips CSI for Public Address and Conference Systems. With Strategic thinking, training, investment in new technologies and resources through a clear focus, today the company has a consistent turnover of 100 Crore+ and growing every year in Professional Audio, Video , Communication & Security verticals making it India’s one of the biggest Pro Audio‐Visual Company. About Us OUR MISSION Hi –Tech is committed to provide Quick Optimum Design Solutions & Products, Timely Delivery, Complete Customer Satisfaction & Continuous Improvement of QQyuality Management System. About Us Hi‐Tech Audio Systems has Two Strategic Business operations System Integration ‐ We have been fortunate enough to of bibeing System Integration partner for • Government departments like CPWD, PWD , R&B , NBCC , RajCom , AAI and many more across the country . • We expertise in providing Solutions in the verticals of Auditoriums, Educational Institutions, Conference Rooms, Parliament & Assemblies, Airports, Hospitality , Stadiums and many more. AV Distribution‐ • Importers and Distributors for Internationally acclaimed brands of Professional Audio & Video products • Cater to Entertainment, Rental Industry and Retail through a wide dealer network and SI market segment in PAN India. About Us Strengths – • PAN India Presence with 220+ Professionals with in‐ house Trained Installation and Service team. • Offices in 3 Major States –New Delhi , Uttar Pradesh , Mumbai with GST Registration in 22 States. Techno‐ Sales and service team present in all major States of the country. About Us Strengths – • In‐house team of Engineering & Design team of 25+ professionals including certified Pre‐design Engineers, AutoCAD Engineers, Audio 3D Simulation, AV application & Field Engineers. • In‐house service center Equipped with trained staff hihaving necessary MiMeasuring & TtiTesting tltools – Professional Audio Analyzers, Cable testers, Meters, Oscilloscope for even handling component level repairs. About Us Strengths – • Projects experience in almost every vertical in PAN INDIA like Government Buildings, Hospitality, Enterprise & Corporate, Stadiums, Retail chains, Malls, Educational Institutions, Airports, Night clubs, Convention centers, Museum and many more. • One Stop Design, Supply, Installation, Testing, Commissioning and Annual maintenance. About Us Strengths – • Wide Distribution Network with dealers in all major states. • Experience & Training Center for Clients to experience various product and services offered. Hi‐Tech HQ Facility, New Delhi Training/ Experience Center Capacity of 50+ Pax for Regular Training of Clients , Inhouse Engineers , Channel Partners and Dealers Live Demo of all Products from our OEM partners like Bose, RCF, Sennheiser , Digico , L‐ Acosutics Hi‐Tech HQ Facility, New Delhi Warehouse Two Story warehouse spread over 12000 Square feet Covered space Equipped with Car Lift for Material movement Digital Inventory Management System Enough stocking space for all OEM partner equipments. Hi‐Tech HQ Facility, New Delhi Work Space – Seating Capacity of 60 Persons wihith idiidlindividual CbilCubical Meeting room with all AV facilities Recreation Room Complete Team under one roof Hi‐Tech HQ Facility, New Delhi Service Center – Trained Service Engineers for repaiiiring to Component LlLevel Tools like Audio Precision , Oscilloscope and other necessary tools Spare parts Inventory for quick resolution of problems Independent room allocated for storing unrepaired equipments. Services Offered • Professional Sound Reinforcement Systems • Professional Communication Systems • Professional Video Display, Switching and Control Systems • Professional Security and Safety Systems • Stage Lighting and Furnishing Systems • Distribution for Professional Audio – Video Products • After sales Support –CAMC and Operation Professional Sound Reinforcement System • Features & Products Offered • BGM Speakers – Wall Mount , Ceiling, Column array • Line Array Speakers • Point Source Speakers • Outdoor Weatherised Speakers • Garden Speakers • Analog and Digital Audio Mixers • Various kind of Microphones – Instrumental, Wired, Wireless etc. • Analog & Digital Amplifiers • Digital Signal Processors • PfProfess iona l CblCables and CtConnectors Professional Sound Reinforcement System • Application • Auditoriums • Stadiums • Educational Institutions • Mall/ Retail chains • Hospitality • Night clubs and pubs • Parks and Museums • Houses of Worship Professional Sound Reinforcement Systems • 3D Audio Simulation • Commercial spaces of exact shape and Size can be created. • Acoustics wall material can be simulated to calculate the RT time • Speaker slection and simulation can be done to calculate results • MblMeasureable RltResults like SPL & STI can calltdlculated to confirm the design Services Offered • Professional Sound Reinforcement Systems • Professional Communication Systems • Professional Video Display, Switching and Control Systems • Professional Security and Safety Systems • Stage Lighting and Furnishing Systems • Distribution for Professional Audio – Video Products • After sales Support –CAMC and Operation Professional Communication Systems Public Address and Evacuation Systems • Features and products • IP Based system • Digital PA & Evacuation System • 6 Zone to 128 Zone system • Normal & EVAC Compliant Speakers • Digital & Analog Amplifiers. Professional Communication Systems Conference System • Features and Products • Digital Multimedia Conference System with Touch Screen, video Integration • Digital Conference system with Voting, Interpretation, Attendance , Operator Controller • Wireless Conference systems with Voting and Interpretation • Digital Audio Conference systems • Microprocessor Based Audio Conference System • Analogue Audio Conference • Wireless Langgguage Distribution Systems • Audio Recording and Transcription systems • Camera Control , Voting Display Professional Communication Systems Conference System Application • Parliaments • Assembly Hall • Council Room • Board Room • Convention Center • Meeting room • Court Room Services Offered • Professional Sound Reinforcement Systems • Professional Communication Systems • Professional Video Display, Switching and Control Systems • Professional Security and Safety Systems • Stage Lighting and Furnishing Systems • Distribution for Professional Audio – Video Products • After sales Support –CAMC and Operation Professional Video Systems Display • Video Projector –LCD/ DLP/ 3 DLP/Laser (WUXGA, Full HD, 2K, 4K) • Video Disppylay LCD/LED disppylay (32”‐105”) • True LED Video wall for indoor or outdoor (1.2 mm – 20mm) • LCD based Video wall (46”/55”/1.8mm/3.5mm/500/700 Nits) • Interactive Display 22” – 85” • OdOutdoor Disp lay Professional Video Systems Control & Switching • Video Over IP • VGA/HDMI Switcher, Scalar, Distribution • All In One Multi‐format Presentation Switcher/Scaler • Modular Matrix Switcher • Range Extender • Video wall Processor • Multi window processor • HDBaseT Extender • Wired /Wireless Keypad/Touch Panel • Recording and Streaming Professional Video Systems Application • AdiAuditor ium • Convention Center • Museum • Projection Mapping, Holography, Water Screen • Signage Display • Huddle Room, Meeting Room. • Public Display – Airport, Railways Station, Stadium etc • E Classroom Services Offered • Professional Sound Reinforcement Systems • Professional Communication Systems • Professional Video Display, Switching and Control Systems • Professional Security and Safety Systems • Stage Lighting and Furnishing Systems • Distribution for Professional Audio – Video Products • After sales Support –CAMC and Operation Professional Security and Safety Systems Surveillance CCTV Feature & Products • IP Based Surveillance Systems • Camera with EDGE analytics • iSCSI Recording Solution • Full HD/4K camera • All In One Recording Solution • Enterprise Video management Systems • Analogue Camera, DVR, Switching Systems Professional Security and Safety Systems Fire Detection and Alarm Feature & Products • Video Fire Detection Systems • Addressable Fire Detection systems –2 ‐ 32 Loop, Networkable • Optical, Thermal, Chemical Multi , Invisible Detector • Dual Ray Detector • Beam Detector • Strobes, Sounder, Manual Glass Break • Non Addressable Fire Systems Services Offered • Professional Sound Reinforcement Systems • Professional Communication Systems • Professional Video Display, Switching and Control Systems • Professional Security and Safety Systems • Stage Lighting and Furnishing Systems • Distribution for Professional Audio – Video Products • After sales Support –CAMC and Operation Stage Light and Drapery Feature & Products • Different PAR/ Fresnel/ Halogen/ LED Light • Moving Head • Profile Spot • Lighting Bars • Dimming Panel • Lighting control and Mixers • Motorized Stage Curtain • Wings • Frills • Cyclorama Screen Services Offered • Professional Sound Reinforcement Systems • Professional Communication Systems • Professional Video Display, Switching and Control Systems • Professional Security and Safety Systems • Stage Lighting and Furnishing Systems • Distribution for Professional Audio – Video Products • After sales Support –CAMC and Operation Distribution for Professional Audio –Video Product Feature & Products • Line Array Speaker setup • DJ SkSpeaker • Powered Portable Speaker • Wired and Wireless Microphone • Bulk and Snake cables • Microphone, Speaker and
Recommended publications
  • Owner's Manual Contents • I
    DIGITAL AUDIO HARD DISK RECORDER OWNER’S MANUAL MODEL DR-2750 SOFTWARE VERSION 3.xx FIRST EDITION SEPTEMBER 2000 P ROFESSIONAL DIGITAL AUDIO www.360systems.com [email protected] Safety Compliance DigiCart/II Plus complies with the following safety standards: • UL 1950, Standard for Safety of Information Technology Equipment, Including Electrical Business Equipment. • EN 60950, Standard for Safety of Information Technology Equipment, Including Electrical Business Equipment. EU Declaration of Conformity Type of Equipment: Professional Use Audio Equipment. Conforms to the Following Standards: • EN55103-1 (1997) (Emissions) Electromagnetic compatibility – Product family standard for audio, video, audio-visual and entertainment lighting control apparatus for professional use. • EN55103-2 (1997) (Immunity) Electromagnetic compatibility – Product family standard for audio, video, audio-visual and entertainment lighting control apparatus for professional use. FCC Compliance This equipment complies with part 15 of the FCC rules. These limits are designed to provide reasonable protection against harmful interference when the equipment is operated in a commercial environment. This equipment generates, uses and can radiate radio frequency energy and if not installed and used in accordance with the owners manual, may cause interference to radio communications. Operation of this equipment in a residential area is likely to cause interference in which case the user will be required to correct the interference at his own expense. This device will accept any interference received, including interference that may cause undesired operation. The user is cautioned that changes made to the equipment without the approval of the manufacturer could void the user's authority to operate this equipment. It is suggested that only shielded and grounded cables be used to ensure compliance with FCC rules.
    [Show full text]
  • Concert Avr-4 Home Theater Surround Sound Receiver User Functionality Manual
    Home Theater SYSTEM CONCERT AVR-4 Home Theater Surround Sound Receiver User Functionality Manual For those who consider perfection possible® AudioControl ® 22410 70th Avenue West • Seattle, WA 98043 USA Phone 425-775-8461 • Fax 425-778-3166 www.audiocontrol.com ©2012. All Rights Reserved Home Theater SYSTEM Home Theater Surround Sound Receiver User Functionality Manual For those who consider perfection possible® ® 22410 70th Avenue West • Seattle, WA 98043 USA Phone 425-775-8461 • Fax 425-778-3166 www.audiocontrol.com ©2012. All Rights Reserved This page was intentionally left blank. Please enjoy it! 4 ® Phone 425-775-8461 • Fax 425-778-3166 TABLE OF CONTENTS INTRODUCTION . .7 KEY FEATURES AND HIGHLIGHTS . .9 A GUIDED TOUR OF THE CONCERT AVR-4 Front Panel Features .................................12 Rear Panel Features .................................13 SET-UP & CONFIGURATION Unit Placement .....................................15 Speaker Considerations and Placement ..................15 Power Wiring. .16 Audio Connections ..................................16 Video Connections ..................................17 NAVIGATING THE SET-UP MENUS’ Initial Display Configurations ..........................19 Input Configuration .................................21 General Setup ......................................24 Auto Setup ........................................25 Speaker Types ......................................27 Speaker Distance ...................................27 Speaker Levels .....................................28 Video Inputs
    [Show full text]
  • Broadcast Studio Microphones
    BROADCAST STUDIO MICROPHONES NEUMANN #NEBCM104 BCM104 $82999 With precision engineering and design, the Neumann BCM104 is a natural sounding large diaphragm, cardioid condenser microphone, specifically tailored for the demands of today’s digital broadcast studios. • Cardioid microphone for broadcast & studio • Easily switchable color coded head grilles • Internal switchable low-frequency roll-off • Unique shock mount assembly • 14dB pad • 152dB SPL • Switchable proximity compensation • 20Hz-20kHz frequency response RODE #ROB BROADCASTER $39900 An affordable choice for today’s modern digital broadcast facilities, the RODE BROADCASTER is a large diaphragm cardioid condenser microphone that features a true full-range response especially suited for voice over use. • Low noise handling • Power indicator • 135dB SPL • Unique “On-Air” LED indicator • 20Hz-20kHz frequency response • Internally shock mounted capsule with pop filter • Custom case with microphone holder (included) SHURE #SHSM7B SM7B $34995 The Shure SM7B is a large diaphragm dynamic microphone designed for studio broadcast applications. It has a smooth, flat, wide-range frequency response, and provides excellent shielding against electromagnetic hum generated by computer monitors, neon lights, and electrical devices. • Selectable tone controls • Internal suspension shock mount • High sound pressure level handling capabilities • Graphic display of bass and mid-range adjustments • Rugged steel construction • Improved bracket design • 40Hz-16kHz frequency response ELECTRO-VOICE #ELRE20
    [Show full text]
  • Digital Audio Standards
    Digital Audio Standards MINUTES OF THE MEETING OF THE DIGITAL would consider the possibility of using the 45-kHz fre- AUDIO STANDARDS COMMITTEE quency proposed by Heaslett. 1.5 Mr. Willcocks gave the available technical details of Date: 1977 December 1 und 2 some 14 presently-used digital audio systems. He sub- Time: 1830 hours sequently prepared a report containing this information for Place: Snowbird Resort, Salt Lake City, Utah distribution to the committee (see page 56). 1.6 Several members expressed the urgency for sampling Present: Chairman, John G. McKnight (Magnetic Refer- frequency standardization because of the number of digital ence Laboratory); members, Stanley Becker (Scully/ audio recording systems- both studio and consumer Dictaphone); Gregory Boganz (RCA Records); Vic Goh types- now nearing completion and commercial availa- (Victor Company of Japan (JVC)); Thomas Hay (MCI, bility. Inc .); Alastair Heaslett (Ampex Corporation); M. Carlos Kennedy (Ampex Corporation); William Kinghom (Telex 1.7 The committee was unable to find an acceptable single Communications); K. Kimihira (Akai America); Masahiro frequency, given the conflicting requirements of the pres- Kosaka (Wireless Research Lab, Matsushita Elect. Inc. ent TV-compatible proposal, the 3M studio recorder, and Co.); Alfred H. Moris (3M Company); Thomas G. Stoc- the Japanese consumer recorders. The committee asked kham, Jr. (Soundstream, Inc.); Martin Willcocks Messrs. Heaslett, Youngquist and Kosaka each to prepare (Willcocks Research Consultants); James V. White (CBS a report giving details explaining why they chose the Technology Center); Yoshito Yamagudi (Melco Sales Inc. frequency they did, and what penalties the other frequen- Mitsubishi Electric Corp.); Robert J. Youngquist (3M cies discussed would entail.
    [Show full text]
  • Getting Started with Smaart® V7: Basic Setup and Measuremen T
    Updated 8/10/12 for release 7.4 Getting Started with Smaart® v7: Basic Setup and Measurement This guide is an introduction to the basic measurement and operational concepts embodied in Rational Acoustics’ Smaart® v7. While in no way an exhaustive study, this document serves as a starting point for users to familiarize themselves with the fundamentals of Smaart’s single- and dual-channel capabilities, and provide instruction in the configuration and operation of basic measurement setups. Regardless of past measurement experience with previous versions of Smaart, or other analysis systems, users should take the time to familiarize themselves with the process of Configuring Smaart v7 for Measurement detailed in this document. Unlike previous versions which assumed a simple two-channel I/O, Smaart v7 can interface with multiple I/O devices simultaneously, each with multiple input and output channels. Accordingly, Smaart v7 makes no assumptions about a user’s measurement requirements and upon first run, begins its operation un-configured. As in previous versions however, following initial setup, Smaart retains its measurement configuration for subsequent sessions. Please note: in the case of the free/public demo version of the software, the Smaart measurement configuration is not retained from session to session, and must be rebuilt for each new session. Consider it practice. This guide assumes a reader with a basic understanding of professional audio equipment and engineering practices. It concludes with a list of recommended additional sources of information where users can further their understanding of these concepts. Rational Acoustics LLC is not responsible for damage to your equipment resulting from improper use of this product.
    [Show full text]
  • Studio Headphones K 141 Studio K 171 Studio K 240 Studio K 271 Studio New! New! New! New!
    STUDIO HEADPHONES K 141 STUDIO K 171 STUDIO K 240 STUDIO K 271 STUDIO NEW! NEW! NEW! NEW! Less Is More. Lower impedance for higher power. STUDIO HEADPHONES Professional Studio Headphones for a host of applications Founded in Vienna, Austria in 1947, AKG has built a legendary reputation in the professional audio industry for products that perform flawlessly. The reputation of AKG and its celebrated quality are built on more than 55 years of experience, incredible design, meticulous craftsmanship and a clear understanding of what truly sounds right. AKG introduced the K 140 in 1974 and the K 240 Monitor in 1975, which became the most widely used headphones in recording studios and broadcast facilities worldwide. Generations of musicians and audio engineers use these AKG products to create great mixes, hit songs and albums cherished by millions around the world. The new AKG Professional Studio headphones carry on the tradition of these audio tools and are a sound investment that will pay handsome returns with years of flawless sonic performance for professional recording engineers and demanding users of high quality home or portable audio equipment. 2-Year Warranty Thanks to the excellent workmanship and high-quality components, AKG headphones come with a 2-year warranty (see our warranty statement for details). AKG Professional Series headphones can stand up to the demands of rough handling, stage use and transportation. XXL transducers with Varimotion diaphragm The new XXL transducers use AKG’s patented Varimotion (PAT. AT 403.751, US 6,185,809) diaphragm to ensure extremely accurate re- sponse at any listening level.
    [Show full text]
  • RC-F82 Fader Controller for HS-P82
    RC-F82 Fader Controller for HS-P82 • Dual Compact Flash recording media supports backup, TASCAM’s HS-P82 offers 8 tracks of the highest quality recording, yet mirroring and seamless A/B recording it’s built for the rigors of location recording with reliable solid-state per- • Long battery life through low power usage • Easy to read and operate using pivoting TFT Color Touch formance. The HS-P82 is built for location television and film production Panel interface audio, with eight microphone inputs for big shoots or reality programs. • All-aluminum chassis is rugged yet lightweight The standard XLR microphone inputs include phantom power and analog • 8-track recording plus stereo mix for a total of 10-track limiting, with trims controlled from recessed front-panel controls. In addition recording • 8-track recording at up to 96kHz/24-bit to the eight individual tracks, a stereo mixdown can be recorded for instant • 4-track recording at 192kHz/24-bit use during editing. • Broadcast WAV (BWF) support with iXML metadata • Various power options include AA batteries (x10), NP Audio is recorded at up to 192kHz/24-bit WAV format to a pair of Com- type, AC adaptor, external DC input and optional V- mount adaptor for ENDURA batteries pact Flash cards. This solid state media is completely reliable with no • Up to 5-second pre-record buffer moving parts, and you can record to both cards simultaneously for extra • Internal microphone for slate recording security. The Broadcast WAV files include iXML metadata for quick import • Limiter and low-cut filter per track into nearly any video or audio editing system via the USB 2.0 connection • Auto or manual cue points • Alert signal to headphone output or a standard card reader.
    [Show full text]
  • Powerlight™ 3 Series
    PowerLight™ 3 Series 2500 to 8000 watt, lightweight, 2RU amplifiers for use in the most demanding concert and live-sound reinforcement applications. WideLine-8 shown Power, fl exibility, pristine audio quality and legendary QSC reliability — the ultimate concert amplifi ers. Perfect for portable live sound and installed sound applications, including outdoor events, stadiums and arenas, casinos, nightclubs, restaurants, hotels, houses of worship, corporate campuses and convention centers. The concert stage is Concert audio performance has to be impec- Ultimate Audio Performance cable. Reliability, unshakable. Effi ciency, un- the ultimate test of beatable. Factory support, unstoppable. For One world class power supply, decades, QSC has set the standards in every two output technologies. professional audio one of these mission critical dimensions. Over four decades of R&D, we’ve learned technology. to take innovative leaps one at a time. Top grossing concert performers are the Since PowerLight™ remains the world’s most demanding clients in the world. most effi cient supply, we developed new There’s no room for compromise among output stages. the professionals who provide the techni- cal foundation that allows those artists to PL340 & PL325: express their creativity. Time after time, tour Ultimate Class H Technology after tour, show after show, these industry We design for the total show: load-in to leaders stake their reputations — and their load-out and everything in between. That’s businesses — on QSC technology, without why the 2-tier linear PL340 and PL325 not second chances or retakes. Night after only have ruler-fl at response into 8 ohm night, venue upon venue across the globe, loads, but similar transparency and detail QSC professional audio systems do exactly into 2 ohms.
    [Show full text]
  • Made in the USA AMPLIVOX CARES....WE DONATE to CAUSES in the COMMUNITY
    MadeMade Madeinin thethe USAUSA in the3/1/20 USA 2021 PRODUCT CATALOG8/27/21 OUR DECLARATION OF VALUES FOR 2021 Through the challenge of the past year, AmpliVox has endeavored to uphold the values which have guided us for nearly 70 years, and which we continue to pledge for the upcoming year: • Superior quality products, most designed and build in the USA. • Constant innovation, including such technology as 96-channel wireless communication, • Unmatched customer service • New product development based on the needs of the marketplace, in portable PA systems, lecterns, and multimedia furniture • Treating people with respect • Supporting worthy causes in our community and across the nation, including research and treatment of ocular melanoma, breast cancer awareness (AmpliVox Pink Podiums), American Red Cross, YMCA, and many others • Honoring the beliefs of others We are humbly proud of many honors and recognitions for our work, including Northbrook Chamber of Commerce Business of the Year. We dedicate this new year to you! How can we serve your needs? Sincerely, Don Roth, CEO, and the entire AmpliVox Staff Don Roth, President and CEO of AmpliVox ABOUT US AmpliVox Sound Systems is a leading U.S. manufacturer of portable sound systems, lecterns, and multimedia workstations. Our goal is to provide top quality professional presentation equipment that sets up easily, delivers perfect performance, and stands the test of time for reliability and durability. Businesses and organizations across the country choose AmpliVox as their portable audio
    [Show full text]
  • Audio Systems Guide for THEATER PERFORMANCES
    A Shure Educational Publication AUDIO SYSTEMS GUIDE THEATER PERFORMANCES By Crispin Tapia Audio Systems Guide for Table of Contents THEATER PERFORMANCES Introduction . 4 Microphone Design . 5 Dynamic Microphones . 5 Condenser Microphones . 5 Microphone Directionality . 6 Microphone Selection And Placement . 8 Lavalier Microphones . 9 Headset Microphones . 13 Overhead Microphones . 13 Boundary Microphones . 15 Wireless Microphone Systems . 16 Frequency Coordination . 16 Bodypack Transmitters . 18 Batteries . 20 Receivers And Antennas . 21 Automatic Frequency Selection . 23 Intercom Systems . 24 Assistive Listening Systems . 24 Personal Monitor Systems . 25 Conclusion . 26 Other Recommended Reading . 28 About the Author . 29 Glossary . 30 Theater Performances 3 Audio Systems Guide for THEATER PERFORMANCES Introduction Proper microphone selection and placement in theater applications can dramatically improve and reinforce the impact of the action and emotion on stage. On Broadway as well as on small community stages, in large productions and small, the theater experience relies as heavily on good sound as on any other feature. In small, acoustically pleasing venues, simply projecting your voice may be all that is necessary for everyone to hear. That was how it was done for hundreds of years before the development of electricity and microphones. However, in modern larger theaters and for more complex productions, microphones and sound reinforcement systems often become absolutely necessary. While the physical design of the theater environment and its acoustic qualities must be considered in the design of a sound reinforcement system, the topics we will focus on in this book include microphone selection and placement, and wireless microphone systems. This text will examine how microphones, both wired and wireless, can be used to insure that every word spoken or sung is heard while taking into account some of the complexities of costuming or staging.
    [Show full text]
  • The Numark Mixdeck Express: Helping Disc Jockeys in the Modern Era Take the Easy Way Out
    The Numark Mixdeck Express: Helping Disc Jockeys in the Modern Era Take the Easy Way Out As reviewed by Hunter Most Numark Mixdeck Express Technical Review 2 Table of Contents Audience & Purpose……………………………………………………………………………3 Introduction……………………………………………………………………………………………3 Reviewers………………………………………………………………………………………………4 Best Uses………………………………………………………………………………………………6 Software & Accessories………………………………………………………………7 Costs………………………………………………………………………………………………………8 Equipment Features……………………………………………………………………………9 Turntable………………………………………………………………………………………………9 Mixer……………………………………………………………………………………………………11 Front Face…………………………………………………………………………………………12 Back Face……………………………………………………………………………………………13 Other Feedback………………………………………………………………………………14 Conclusion………………………………………………………………………………………………15 References………………………………………………………………………………………………16 Numark Mixdeck Express Technical Review 3 Audience & Purpose This review is targeted towards Disc Jockeys, or DJs, who are in the market for mobile professional audio equipment and are interested in the Numark Mixdeck Express (NME). The most common potential customer base for such products are DJs who are relatively new to the field and are looking to purchase professional equipment for either the first or second time. Potential readers will be familiar with basic technique and terminology commonly used in the Mobile Entertainment industry. The purpose of this document is to give an unbiased technical description of the system features as well as both positive and negative opinions from more experienced professional
    [Show full text]
  • Audio Systems for Music Education
    AUDIO SYSTEMS GUIDE MUSIC EDUCATORS By Gino Sigismondi A Shure Educational Publication Audio Systems Guide for Table of Contents MUSIC EDUCATORS Introduction . 4 Recording . 5 The Parts of a Recording System . 5 Microphones . 5 Recording Devices . 10 Mixers . 11 Hooking it up . 12 Sound Reinforcement for Music . 12 A Basic Sound System . 12 Microphones . 13 Mixers, Amplifiers and Loudspeakers . 17 Signal Processors . 19 Hooking it up . 22 Sound Reinforcement for Theater . 23 The Realities of Theater Sound . 23 Lavalier Microphone Techniques for Theater . 25 Summary . 27 Recommended Shure Microphone Models . 28 Appendix . 29 About the Author . 29 Glossary . 30 Music Educators 3 Audio Systems Guide for MUSIC EDUCATORS Introduction An often overlooked yet vital part of modern musical performances is the sound reinforcement (PA) system. In a perfect world, a trained professional would always be available to purchase, setup, and operate the sound system. In reality, the funds are not always available for such a luxury. The responsibility then falls to the next most likely person available to run the sound system, the music director. After all, you just need a few microphones and a couple of loudspeakers, and it’s time to go on tour! And we want it recorded as well! Unfortunately, sound system setup is not quite that simple. It doesn’t, however, need to be overly complicated. While the extreme quantity of choices available at your local music shop may seem daunting (Cardioid? Dynamic? Low Impedance! Help!), with a few basic guidelines, you can learn what you need, how to connect it, and even how to make it sound good.
    [Show full text]