A Lively and Delicate Blackletter Modelled on a Bâtarde Flamande
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Sig Process Book
A Æ B C D E F G H I J IJ K L M N O Ø Œ P Þ Q R S T U V W X Ethan Cohen Type & Media 2018–19 SigY Z А Б В Г Ґ Д Е Ж З И К Л М Н О П Р С Т У Ф Х Ч Ц Ш Щ Џ Ь Ъ Ы Љ Њ Ѕ Є Э І Ј Ћ Ю Я Ђ Α Β Γ Δ SIG: A Revival of Rudolf Koch’s Wallau Type & Media 2018–19 ЯREthan Cohen ‡ Submitted as part of Paul van der Laan’s Revival class for the Master of Arts in Type & Media course at Koninklijke Academie von Beeldende Kunsten (Royal Academy of Art, The Hague) INTRODUCTION “I feel such a closeness to William Project Overview Morris that I always have the feeling Sig is a revival of Rudolf Koch’s Wallau Halbfette. My primary source that he cannot be an Englishman, material was the Klingspor Kalender für das Jahr 1933 (Klingspor Calen- dar for the Year 1933), a 17.5 × 9.6 cm book set in various cuts of Wallau. he must be a German.” The Klingspor Kalender was an annual promotional keepsake printed by the Klingspor Type Foundry in Offenbach am Main that featured different Klingspor typefaces every year. This edition has a daily cal- endar set in Magere Wallau (Wallau Light) and an 18-page collection RUDOLF KOCH of fables set in 9 pt Wallau Halbfette (Wallau Semibold) with woodcut illustrations by Willi Harwerth, who worked as a draftsman at the Klingspor Type Foundry. -
Background a Short Introduction to Font Characteristics
fonts: background A short introduction to font characteristics Maarten Gelderman Hardly anyone will dispute the statement that proporion- ally spaced fonts are more beautiful and legible than mono- abstract spaced designs. In a monospaced design the letter i takes as Almost anyone who develops an interest in fonts is bound to much space as a letter m or W. Consequently, some char- be overwelmed by the bewildering variety of letterforms acters look simply too compressed, whereas around oth- available. The number of fonts available from commercial ers too much white space is found. Monospaced fonts are suppliers like Adobe, URW, LinoType and others runs into the simply not suited for body text. Only in situations where it thousands. A recent catalog issued by FontShop [Truong et al., is important that all characters are of equal width, e.g., in 1998] alone lists over 25.000 different varieties.1 And listings of computer programs, where it may be important somehow, although the differences of the individual letters are that each individual character can be discerned and where hardly noticable, each font has its own character, its own the layout of the program may depend on using mono- personality. Even the atmosphere elucided by a text set from spaced fonts, can the usage of a monospaced font be de- Adobe Garamond is noticably different from the atmosphere of the same text set from Stempel Garamond. Although fended. In most other situations, they should simply be decisions about the usage of fonts, will always remain in the avoided. realm of esthetics, some knowledge about font characteristics may nevertheless help to create some order and to find out Romans, italics and slant A second typeface character- why certain design decisions just do not work. -
JAF Herb Specimen © Just Another Foundry, 2010 Page 1 of 9
JAF Herb specimen © Just Another Foundry, 2010 Page 1 of 9 Designer: Tim Ahrens Format: Cross platform OpenType Styles & weights: Regular, Bold, Condensed & Bold Condensed Purchase options : OpenType complete family €79 Single font €29 JAF Herb Webfont subscription €19 per year Tradition ist die Weitergabe des Feuers und nicht die Anbetung der Asche. Gustav Mahler www.justanotherfoundry.com JAF Herb specimen © Just Another Foundry, 2010 Page 2 of 9 Making of Herb Herb is based on 16th century cursive broken Introducing qualities of blackletter into scripts and printing types. Originally designed roman typefaces has become popular in by Tim Ahrens in the MA Typeface Design recent years. The sources of inspiration range course at the University of Reading, it was from rotunda to textura and fraktur. In order further refined and extended in 2010. to achieve a unique style, other kinds of The idea for Herb was to develop a typeface blackletter were used as a source for Herb. that has the positive properties of blackletter One class of broken script that has never but does not evoke the same negative been implemented as printing fonts is the connotations – a type that has the complex, gothic cursive. Since fraktur type hardly ever humane character of fraktur without looking has an ‘italic’ companion like roman types few conservative, aggressive or intolerant. people even know that cursive blackletter As Rudolf Koch illustrated, roman type exists. The only type of cursive broken script appears as timeless, noble and sophisticated. that has gained a certain awareness level is Fraktur, on the other hand, has different civilité, which was a popular printing type in qualities: it is displayed as unpretentious, the 16th century, especially in the Netherlands. -
Integrating Quotes
EXAMPLE: Wilfred Owens says that the only prayer said for those Integrating Quotes: "By necessity, by proclivity, and by delight, who die in battle is the "rapid rattle of guns which spatter out their hasty we a" quote." -Ralph Waldo Emerson orisons" (line 7). One of our great American authors, Emerson recognized the usefulness Note: When quoting poetry, just give the line numbers in parentheses and importance of quoting. Likewise, as a student writer, one of the best after you have established that the numerals in the parentheses refer to ways to strengthen your essays and research papers is to use quotations lines rather than to pages. from reliable sources. Quoting involves citing the exact words of another 2. Use an indirect statement with "that." writer. By quoting other writers, you lend credibility and support to your own ideas. Study this handout and learn the appropriate times and ways EXAMPLE: Margaret Mead feels that "the use of marriage contracts to integrate quotations into your writing. may reduce the divorce rate" (9). Think of the quotation as a rare gem that loses its value if found in 3. Blend your lead-in and quotation. abundance. EXAMPLE: Knight views the symbolism in Jones' play as a "creation 1. Use quotations to serve as examples of your main points and and destruction pattern" (164). observations. Remember that a quotation by itself has little significance. 4. Use a complete sentence lead-in followed with a colon before It needs your commentary to provide context and meaning. In general, the quotation. your commentary on anything you quote should be longer than the quotation itself. -
Use Advanced Punctuation
Elftmann Student Success Center Use Advanced Punctuation “ - • Using known marks “ • Punctuation rules ; > Advanced Punctuation Punctuation plays a vital role in writing, and using more advanced marks can increase the maturity of your writing significantly. Why can’t I use basic punctuation marks I already know? The most important reason why these marks are essential to know is that they are required for the proper citation of sources in most format styles. As a writer, you need to be able to give due credit to the original author, or your work will be considered plagiarized. Using these advanced marks not only stretches you as a learner, but allows you to have more flexibility as a writer. However, many of these marks are often left behind because they are options, and writers can choose to use more familiar marks instead. What you say is as important as how you say it, and using these marks will give you more tools to make your message clear. What are the rules for using advanced punctuation marks? Mark (symbol) Purpose Examples Apostrophe (‘) The apostrophe She is -> She’s should stand Should not -> shouldn’t for any omitted I will -> I’ll letters, when you form a contraction. To indicate The teacher’s books possession. James’s house James and Joe’s house James’s and Joe’s houses Colon (:) To separate the His time for completing the marathon hours and minutes was 4:15:36. in an expression of 10:25 p.m. time. To set apart a Students should bring three tools to series or list within class: textbook, pen, and laptop. -
Download Eskapade
TYPETOGETHER Eskapade Creating new common ground between a nimble oldstyle serif and an experimental Fraktur DESIGNED BY YEAR Alisa Nowak 2012 ESKAPADE & ESKAPADE FRAKTUR ABOUT The Eskapade font family is the result of Alisa Nowak’s unique script practiced in Germany in the vanishingly research into Roman and German blackletter forms, short period between 1915 and 1941. The new mainly Fraktur letters. The idea was to adapt these ornaments are also hybrid Sütterlin forms to fit with broken forms into a contemporary family instead the smooth roman styles. of creating a faithful revival of a historical typeface. Although there are many Fraktur-style typefaces On one hand, the ten normal Eskapade styles are available today, they usually lack italics, and their conceived for continuous text in books and magazines italics are usually slanted uprights rather than proper with good legibility in smaller sizes. On the other italics. This motivated extensive experimentation with hand, the six angled Eskapade Fraktur styles capture the italic Fraktur shapes and resulted in Eskapade the reader’s attention in headlines with its mixture Fraktur’s unusual and interesting solutions. In of round and straight forms as seen in ‘e’, ‘g’, and addition to standard capitals, it offers a second set ‘o’. Eskapade works exceptionally well for branding, of more decorative capitals with double-stroke lines logotypes, and visual identities, for editorials like to intensify creative application and encourage magazines, fanzines, and posters, and for packaging. experimental use. Eskapade roman adopts a humanist structure, but The Thin and Black Fraktur styles are meant for is more condensed than other oldstyle serifs. -
SOPHIA BAUERIN, Child's Calligraphy Sample Book
SOPHIA BAUERIN, Child’s Calligraphy Sample Book: ANONYMOUS, Drei junge Reisende (Three Young Travellers); ANONYMOUS, Der Menschenfreunde (The Philanthropist); arithmetic table In German, decorated manuscript on paper Germany, dated 1792 8 folios on paper (4 bifolios in a single quire), complete, with watermark: 2 crossed keys with 2-line stems, within a wreath that may contain letters or words, unidentified in the Bernstein database, and countermark: a banderole with ICL in simple serif script, similar contemporary countermark reading ‘ICL’ (same size and lettering but with a slightly different frame) is found in Berlin, Singakademie zu Berlin, SA 3343, where it is paired with a watermark labeled ‘Dresden’, first folio serves as a front cover with title and date in red and green blackletter script, surrounded by a painted baroque frame with a floral wreath, ff. 2-6 ruled in pencil, text written on recto only in long line, in two calligraphic scripts (f. 2 in German Kanzleischrift with first line in blackletter, ff. 3-6 in kurrent with first lines in Kanzleischrift) in black ink with large decorative initials in green, blue, and red, variable number of lines (7-12) and justification (90-130 x 180-185 mm.), generous margins contain decorative borders of filigree lozenges and swirls, f. 7 holds only a table of sums in 4 columns (11 lines), booksellers’s marks in pencil on f. 1v (‘8 Kr’) and f. 2 (‘142|69|5’). No binding; the quire is tacketed through the center fold with silk thread of twisted yellow, pink, blue, and green, with the folded edge at the head of the text and opening edge at bottom (i.e. -
A Brief History of the Blackletter Font Style
A Brief History of the Blackletter Font Style By: Linda Tseng ● Blackletter font also called Fraktur, Gothic, or Old English. ● From Western Europe such as Germany, Germany use Gothic until World War II. ● During twelfth century to twenty century. ● Blackletter hands were called Gothic by the modernist Lorenzo Valla and others in middle fifteenth century in Italy. ● Used to describe the scripts of the Middle Ages in which the darkness of the characters overpowers the whiteness of the page. ● In the 1500’s, blackletter became less popular for printing in a lots of countries except Germany and the Countries that speaking German. ● The best Textura specimen in the Gutenberg Museum Library’s collection is comes from Great Britain. Overview ● Rotunda types, the second oldest blackletter style never really caught on as a book type in German speaking lands, although twentieth century calligraphers, as well as arts and crafts designers, have used it quite well for display purposes. ● Cursiva- developed in the 14th century as a simple form of textualis. ● Hybrida( bastarda)- a mixture of textualis and cursiva, and it’s developed in the early 15th century. ● Donatus Kalender- the name for the metal type design that Gutenberg used in his earliest surviving printed works, and it’s from the early 1450s. Blackletters are difficult to read as body text so they are better used for headings, logos, posters and signs. ● Newspaper headlines, magazine, Fette Fraktur are used for old fashioned headlines and beer advertising. ● Wilhelm Klingspor Gotisch adorns many wine label. ● Linotext and Old English are popular choices for certificates. -
Style Guide for Graduate Students
THE STYLE GUIDE FOR GRADUATE STUDENTS Presentation is vitally important. This is not because there is any virtue in following rules for their own sake, but because the rules make sense - an essay or dissertation that is well written and properly laid out will gain your readers' confidence and convey your message to them as efficiently as possible. Getting the presentation right is an essential part of the historian's craft. The rules in this guide should be followed in all class essays and assessed work, as well as in the dissertation or thesis. The standard authority on all matters of presentation and format is Judith Butcher, Copy-editing for Editors, Authors, Publishers, 3rd edn, (Cambridge, 1992), and the MHRA Style Guide (2002), of which there is a copy in the Graduate Programme Office. The MHRA Style Guide can also be accessed at http://www.mhra.org.uk/Publications/Books/StyleGuide/. A FORMAT a) The thesis should be typed (or printed), on A4 paper, on one side only. b) There should be a 4cm (1½-inch) margin at the left-hand side of the page, and an adequate margin on the other three edges. c) Spacing: The text of your essay should be double-spaced. The footnotes (or endnotes) should however be single-spaced. d) Indentation: Except for the very first paragraph under a new heading, the first line of every paragraph should be indented. You do not need to add extra spacing between paragraphs: the indentation alone tells the reader that you have begun a new paragraph. e) Pagination: Number each page of your essay. -
How to Use Typography to Im
Table of Contents Introduction 3 Pay Attention to Size 28 What’s the Perfect Size for 29 Typography Matters 6 your Type? Put a Face to Your Type 9 Throw Your Weight Around 30 Set the Mood with a Good 11 Set Leading to Control 32 Typeface Scanning Is Your Typeface Easy to Read? 13 Apply a Good (Medium) 34 Line Length The Difference Between 14 Typeface and Font 5 Tried-and-True Follow the “Rule of Three” 15 Typography Tips 36 Are Your Typefaces Doing 16 Create a Visual Hierarchy 37 Their Jobs? Left Align Your Text 39 The Art of Take the Guesswork out 40 Selecting a Typeface 18 of Design with a Grid Stick with What Your Learners 19 Already Know Use Your Best Judgment 41 Familiarize Yourself with Serif 19 and Sans Serif Pay Attention to the 21 Little Details When it comes to your online courses, can you think of anything more important than your learner’s attention? When you have it, you can teach any topic under the sun. But when you lose it, well, you don’t have a learner anymore. You’ve probably heard that the key to getting—and keeping—a learner’s attention is the engaging, meaningful, and utterly fascinating content in your courses. This is very true. But you might be missing an important piece of the puzzle. The way you present that content also makes a big difference. Enter typography—a valuable e-learning tool. 4 Typography is really just a fancy term that describes how we make our words look good. -
Fonts for Latin Paleography
FONTS FOR LATIN PALEOGRAPHY Capitalis elegans, capitalis rustica, uncialis, semiuncialis, antiqua cursiva romana, merovingia, insularis majuscula, insularis minuscula, visigothica, beneventana, carolina minuscula, gothica rotunda, gothica textura prescissa, gothica textura quadrata, gothica cursiva, gothica bastarda, humanistica. User's manual 5th edition 2 January 2017 Juan-José Marcos [email protected] Professor of Classics. Plasencia. (Cáceres). Spain. Designer of fonts for ancient scripts and linguistics ALPHABETUM Unicode font http://guindo.pntic.mec.es/jmag0042/alphabet.html PALEOGRAPHIC fonts http://guindo.pntic.mec.es/jmag0042/palefont.html TABLE OF CONTENTS CHAPTER Page Table of contents 2 Introduction 3 Epigraphy and Paleography 3 The Roman majuscule book-hand 4 Square Capitals ( capitalis elegans ) 5 Rustic Capitals ( capitalis rustica ) 8 Uncial script ( uncialis ) 10 Old Roman cursive ( antiqua cursiva romana ) 13 New Roman cursive ( nova cursiva romana ) 16 Half-uncial or Semi-uncial (semiuncialis ) 19 Post-Roman scripts or national hands 22 Germanic script ( scriptura germanica ) 23 Merovingian minuscule ( merovingia , luxoviensis minuscula ) 24 Visigothic minuscule ( visigothica ) 27 Lombardic and Beneventan scripts ( beneventana ) 30 Insular scripts 33 Insular Half-uncial or Insular majuscule ( insularis majuscula ) 33 Insular minuscule or pointed hand ( insularis minuscula ) 38 Caroline minuscule ( carolingia minuscula ) 45 Gothic script ( gothica prescissa , quadrata , rotunda , cursiva , bastarda ) 51 Humanist writing ( humanistica antiqua ) 77 Epilogue 80 Bibliography and resources in the internet 81 Price of the paleographic set of fonts 82 Paleographic fonts for Latin script 2 Juan-José Marcos: [email protected] INTRODUCTION The following pages will give you short descriptions and visual examples of Latin lettering which can be imitated through my package of "Paleographic fonts", closely based on historical models, and specifically designed to reproduce digitally the main Latin handwritings used from the 3 rd to the 15 th century. -
Book Binding Ideas Over the Past 5 Months
CAREERS We have been exploring career Book Binding ideas over the past 5 months. If you missed those issues, you Beautiful Journals Dr. Barbara J. Shaw can find activities 38 through 42 located here: http://tra.extension.colostate. edu/stem-resources/. How did your project go? Did you enjoy it? What aspects were the easiest? What were the hardest? Write down your thoughts and add them to your journal. Now is the time you compile all your information about you. Spend some time looking at everything you have done (the interest test, the 2 projects, and your journal) exploring your interests, skills, and talents. What are the common themes BACKGROUND you find running through Information everything you have done? Bookbinding probably originated in India, What came to you easily? where sutras were copied on to palm leaves What parts were most fun? with a metal stylus. The leaves were dried and rubbed with ink, which would form a stain in Unfortunately, every job has the wound. Long twine was threaded through something that is hard for us. each leaf and wooden boards made the palm-leaf book. When the book For me, it is paperwork. I am was closed, the twine was wrapped around the boards to protect it. so grateful to Kellie Clark, A codex (plural codices) is a book constructed of a number of sheets of paper, vellum, papyrus, or similar materials. The term is now usually because she helps me with my paperwork. (Kellie is Colorado only used of manuscript books, with hand-written contents, but describes State University Extension the format that is now near-universal for printed books in the Western Western Region Program world.