Contemporary Jewish Music in America
Contemporary Jewish Music in America BY MARK KLIGMAN J EWISH MUSIC IN AMERICA has become a growth industry over the past few decades. Over 2,000 recordings of Jewish music are cur- rently available, with close to 250 new releases produced each year. And although most listeners and consumers are aware of only a few per- formers, more than 400 artists and groups are engaged in creating and performing this music.1 Beyond the impressive numbers, the Jewish music being created, per- formed, preserved, and disseminated today in America not only reflects the vast changes that have taken place in American Jewish life, but rep- resents a quintessentially American Jewish phenomenon. The scope of contemporary Jewish music encompasses a wide range of genres and styles, including music for the synagogue, folk and popular music on religious themes, Yiddish songs, klezmer music, Israeli music, and art music by serious composers. Every sector of the Jewish commu- nity—from the most right-wing Orthodox to the most secular—partic- ipates in the Jewish music endeavor, creating, performing, and listening to the particular music that meets its taste and needs. Jewish music is sung and performed in synagogues of all sizes and types, in schools, commu- nity centers, and summer camps, at organizational conclaves, and in col- lege campus auditoriums or in concert halls as august as Carnegie Hall. Ironically, at a time when Jewish commitment is declining,2 Jewish musi- cal self-expression is on the upswing. Note: The author gratefully acknowledges the following
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