Western Esoterism : Ultimate Sacred Postulates and Ritual Fields
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International Yearbook of Aesthetics Volume 18 | 2014 IAA Y Earbook
International Yearbook of Aesthetics Volume 18 | 2014 IAA Yearbook edited by Krystyna Wilkoszewska The 18th volume of the International Yearbook of Aesthet- ics comprises a selection of papers presented at the 19th International Congress of Aesthetics, which took place edited by Krystyna Wilkoszewska in Cracow in 2013. The Congress entitled “Aesthetics in Action” was in- tended to cover an extended research area of aesthet- ics going beyond the fine arts towards various forms of human practice. In this way it bore witness to the transformation that aesthetics has been undergoing for a few decades at the turn of the 20th and 21st centuries. edited by Krystyna Wilkoszewska International Yearbook of Aesthetics 2014 Volume 18 | 2014 ISBN 978-83-65148-21-6 International Association for Aesthetics International Association for Aesthetics Association Internationale d'Esthetique Wydawnictwo LIBRON | www.libron.pl 9 788365148216 edited by Krystyna Wilkoszewska edited by Krystyna Wilkoszewska Proceedings of the 19th International Congress of Aesthetics, Cracow 2013 International Yearbook of Aesthetics Volume 18 | 2014 International Association for Aesthetics Association Internationale d'Esthetique Cover design: Joanna Krzempek Layout: LIBRON Proofreading: Tim Hardy ISBN 978-83-65148-21-6 © Krystyna Wilkoszewska and Authors Publication financed by Institute of Philosophy of the Jagiellonian University Every efort has been made to obtain permission to use all copyrighted illustrations reproduced in this book. Table of contents Krystyna Wilkoszewska -
Volume Xl - Number 48 - April 14, 1979
www.americanradiohistory.com www.americanradiohistory.com VOLUME XL - NUMBER 48 - APRIL 14, 1979 THE INTERNATIONAL MUSIC RECORD WEEKLY COSH BOX GEORGE ALBERT President and Publisher If The Price Is Right MEL ALBERT EDITORIAL Vice President and General Manager of records by these un- In the wake of discussions on alternative pricing structures for is a way to increase exposure and sales CHUCK MEYER and similar com- known artists, while at the same time encouraging the consumer Director of Marketing new artists at the recent NARM convention, ments from rack jobbers in this week's survey article (page 8), we to be more willing to take a chance on lesser known acts. to DAVE FULTON believe that the following editorial from the Oct. 7, 1978 issue of We propose a sliding scale of suggested retail list prices Editor In Chief The Cash Box warrants reprinting. While a number of industry ex- cover the various career stages that artists pass through. the J.B. CARMICLE ecutives responded favorably to the concept presented therein, easiest way to establish such a scale would be to base it on Manager. East Coast General no concrete action has yet been taken on this or any other sales history of the respective act. might list for $6.98, a JIM SHARP variable pricing proposal for new acts. For example, a completely unknown artist Director, Nashville proven 250,000 unit seller would list for $7.98, a gold album for $9.98, and so on. The East Coast Editorial New artists are the lifeblood of the music business. -
Fine Art + Antiques Art Fine
BRUUN RASMUSSEN FINE ART + ANTIQUES FINE ART + ANTIQUES International auction 880 AUCTION 880 • SEPTEMBER 2018 879_antik_omslag.indd 1 23/08/2018 17.22 FINE ART + ANTIQUES International auction 880 AUCTION 18 - 20 September 2018 PREVIEW Thursday 13 September 3 pm - 6 pm Friday 14 September 11 am - 5 pm Saturday 15 September 11 am - 4 pm Sunday 16 September 11 am - 4 pm Monday 17 September 11 am - 5 pm or by appointment Bredgade 33 · DK-1260 Copenhagen K · Tel +45 8818 1111 [email protected] · bruun-rasmussen.com 880_antik_s001-015_start.indd 1 23/08/2018 17.32 Lot 10 880_antik_s001-015_start.indd 2 23/08/2018 17.32 DAYS OF SALE FINE ART AND ANTIQUES Tuesday 18 September 4 pm Paintings 1 - 117 Books and letters from H.C. Andersen 118 - 141 Wednesday 19 September 2 pm Antiquities, furniture, clocks and bronzes 142 - 236 Silver and ceramics 237 - 259 Oriental carpets 260 - 313 Thursday 20 September 3 pm Jewellery 314 - 570 7 pm Wristwatches and pocket watches 571 - 627 MODERN ART AND DESIGN Tuesday 25 September 4 pm Modern paintings and sculptures Wednesday 26 September 2 pm Modern paintings and sculptures Prints and photos 5 pm Glass Collection Thursday 27 September 3 pm Silver Ceramics Furniture, lamps and carpets DEADLINE FOR CLAIMING ITEMS: WEDNESDAY 10 OCTOBER Items bought at Auction 880 must be paid no later than eight days from the date of the invoice and claimed on Bredgade 33 by Wednesday 10 October at the latest. Otherwise, they will be moved to Bruun Rasmussen’s storage facility at Baltikavej 10 in Copenhagen at the buyer’s expense and risk. -
Malerier Og Tegninger 1 - 174
BRUUN RASMUSSEN FINE ART + ANTIQUES FINE ART AND AN TIQUES AUCTION 899 • DECEMBER 2020 899_antik_omslag.indd 1 05.11.2020 19.47 MALERIER + ANTIKVITETER Traditionel Auktion 899 AUKTION 1. - 4. december 2020 EFTERSYN Torsdag 26. november kl. 11 - 17 Fredag 27. november kl. 11 - 17 Lørdag 28. november kl. 11 - 16 Søndag 29. november kl. 11 - 16 Mandag 30. november kl. 11 - 17 eller efter aftale Bredgade 33 · 1260 København K · Tlf. +45 8818 1111 [email protected] · bruun-rasmussen.dk 899_antik_s001-015_start.indd 1 05.11.2020 18.19 Vigtig information om auktionen og eftersynet COVID-19 har ændret meget i Danmark, og det gælder også hos Bruun Rasmussen. Vi følger myndig- hedernes retningslinjer og afholder den Traditionelle Auktion og det forudgående eftersyn ud fra visse restriktioner og forholdsregler. Oplev udvalget og byd med hjemmefra Sikkerheden for vores kunder er altafgørende, og vi anbefaler derfor, at flest muligt går på opdagelse i auktionens udbud via bruun-rasmussen.dk og auktionskatalogerne. Du kan også bestille en konditions- rapport eller kontakte en af vores eksperter, der kan fortælle dig mere om specifikke genstande. Vi anbefaler ligeledes, at flest muligt deltager i auktionen uden at møde op i auktionsalen. Du har flere muligheder for at følge auktionen og byde med hjemmefra: • Live-bidding: Byd med på hjemmesiden via direkte videotransmission fra auktionssalen. Klik på det orange ikon med teksten ”LIVE” ud for den pågældende auktion. • Telefonbud: Bliv ringet op under auktionen af en af vores medarbejdere, der byder for dig, mens du er i røret. Servicen kan bestilles på hjemmesiden eller via email til [email protected] indtil tre timer før auktionen. -
Fine Art + Antiques Art Fine
BRUUN RASMUSSEN FINE ART + ANTIQUES FINE ART + ANTIQUES International auction 865 AUCTION 865 • JUNE 2016 865_antik_omslag2.indd 1 04/05/16 12.42 FINE ART + ANTIQUES International auction 865 AUCTION 31 May - 6 June 2016 PREVIEW Thursday 26 May 3 pm - 6 pm Friday 27 May 11 am - 5 pm Saturday 28 May 11 am - 4 pm Sunday 29 May 11 am - 4 pm Monday 30 May 11 am - 5 pm or by appointment Bredgade 33 · DK-1260 Copenhagen K · Tel +45 8818 1111 · Fax +45 8818 1112 [email protected] · bruun-rasmussen.com 865_antik_s001-013_start.indd 1 04/05/16 14.48 Lot 27 865_antik_s001-013_start.indd 2 04/05/16 14.48 DAYS OF SALE ________________________________________________________ FINE ART + ANTIQUES Tuesday 31 May 4 pm Paintings and drawings 1 - 135 ________________________________________________________ ORIENTAL SALE Wednesday 1 June 2 pm Oriental art 150 - 233 ________________________________________________________ FINE ART + ANTIQUES Wednesday 1 June 4 pm Oriental carpets 234 - 287 Thursday 2 June 2 pm Russian sale 288 - 333 Silver, glass and ceramics 334 - 363 Furniture, clocks and bronzes 364 - 494 Monday 6 June 3 pm Jewellery and handbags 495 - 662 Wristwatches 663 - 704 ________________________________________________________ MODERN ART Tuesday 7 June 4 pm Modern paintings and sculptures Wednesday 8 June 2 pm Modern paintings and sculptures Prints ________________________________________________________ NORDIC DESIGN Wednesday 8 June 4 pm Silver Ceramics Thursday 9 June 4 pm Furniture, lamps and carpets ________________________________________________________ DEADLINE FOR CLAIMING ITEMS: WEDNESDAY 22 JUNE Items bought at Auction 865 must be paid no later than eight days from the date of the invoice and claimed on Bredgade 33 by Wednesday 22 June at the latest. -
COLLECTING the MODERN Copy for Review
COLLECTING THE MODERN copy for review — please do not redistribute for information, please contact author: Rasmus Kjærboe, [email protected] RASMUS KJÆRBOE COLLECTING THE MODERN ORDRUPGAARD AND THE COLLECTION MUSEUMS OF MODERNIST ART PhD dissertation submitted to Aarhus University April 2016 Main supervisor: Jacob Wamberg Proofreading: Claire Neesham Contents Acknowledgments 9 Information for the reader 12 Introduction 15 1. A little history of Ordrupgaard 17 2. Research and theory background 26 3. Object of study and empirical material 31 4. Key concepts and initial departure 34 5. Research question and dissertation structure 41 PART ONE DISPLAYS Chapter I: A visit to Ordrupgaard, c. 1919 47 1. The first hall 51 2. The large hall 61 3. The library 74 4. Leaving Ordrupgaard 83 Chapter II: Why study Ordrupgaard? Aims and methods 89 1. Interpretation and the tensions of interpreting 93 2. Framing and the spectators 97 3. Interpretive communities; some hidden 103 4. Stagings at Ordrupgaard 106 5. Performative rituals in the museum 111 6. Why do people visit Ordrupgaard? A summary of exhibition rhetorics 117 Chapter III: Looking to Sweden 125 1. Klas Fåhraeus’ villa and gallery 133 2. The man who would be bourgeois 142 3. The bourgeois who would be superman 157 4. Collecting in Stockholm and Ordrup 168 Chapter IV: A collector’s horizon 175 1. Danish collectors in the Ordrup looking glass 181 2. The international horizon of a collector 193 3. The idea of donation, duty and the domestic gallery 200 4. Spiritual donation 207 Chapter V: Collecting, display, ideology 217 1. Outliers: Reinhart, Barnes and aesthetic formalism 222 2. -
A Short History of Germany's Finest Silver Manufacturer
A Short Germany’sHistory ofFinest Silver Manufacturer By Karolina Stefanski Since its beginning almost a century and the Flensburg Fjord, an inlet of the Baltic display window for sales on Flensburg’s a half ago, Robbe & Berking silver flatware Sea, is only four miles from the Danish bor- Angelburger Street.4 and hollowware (cutlery and tableware) has der (Figure 2). In 1875, Robbe married Luise become one of the world’s leading and most After Robbe completed his apprentice- Singhofen and eventually had four children: distinguished silver suppliers. ship,3 he became a journeyman, traveling two daughters, Henriette Robbe and Dora Master silversmith and company found- throughout Germany for several years to Robbe, and two sons, Arnold Robbe (1883- er Nicolaus Christoph Robbe (1843-1916) cultivate and refine his skills at different sil- 1956) and Johannes Robbe (1913-1989). was born in Flensburg, the northernmost ver workshops. He received his master’s title During his first twenty years of business, town in Germany’s province Schleswig- at the age of thirty-one, and permanently Nicolaus Robbe worked alongside his wife Holstein (Figure 1). He learned the art of settled in Flensburg. In 1874, he founded Luise who helped by creating and polishing silversmithing in a master’s workshop in the a silver workshop that included a small silverware, while Robbe produced popular Katsund section of Flensburg, an area non- existent today. From 1460 until 1864, Flensburg belonged to the Kingdom of Denmark. But after years of conflict between Denmark and Germany, Flensburg changed nationali- ties. In the sixteenth century, Flensburg became one of the most important north- ern European trading settlements with Scandinavian countries and was frequented by international tradesmen and merchants who dealt in luxury items such as silver.1 By the mid-nineteenth century, after the Second Schleswig War, the province of Schleswig had become part of the Kingdom of Prussia (Schleswig Peace Treaty, 1864). -
Download Catalog
BRUUN RASMUSSEN FINE ART + ANTIQUES FINE ART AND AN TIQUES AUCTION 902 • JUNE 2021 902_antik_omslag.indd 1 06.05.2021 15.41 MA LERIER + ANTIK VITETER Traditionel Auktion 902 AUKTION 1. - 3. juni 2021 EFTERSYN Torsdag 27. maj kl. 11 - 17 Fredag 28. maj kl. 11 - 17 Lørdag 29. maj kl. 11 - 16 Søndag 30. maj kl. 11 - 16 Mandag 31. maj kl. 11 - 17 eller efter aftale Bredgade 33 · 1260 København K · Tlf. +45 8818 1111 [email protected] · bruun-rasmussen.dk 902_antik_s001-015_start.indd 1 06.05.2021 18.28 Vigtig information om eftersynet og auktionen Verdenssituationen er gennem det seneste år blevet ændret som følge af COVID-19, og hos Bruun Rasmussen har vi løbende måtte justere på afholdelsen af vores auktioner. Genåbningen af det danske samfund gør, at du igen kan besøge vores eftersyn og auktion. Det ligger os meget på sinde, at du kan færdes trygt og sikkert i vores auktionshus, og vi overholder sundhedsmyndighedernes udmeldingerne om hyppig rengøring, afstandskrav og håndsprit. Du skal huske at medbringe et mundbind eller visir, som skal bæres, når du står op eller går rundt i auktionshuset. Hold dig opdateret om eventuelle ændringer på bruun-rasmussen.dk Sådan oplever du udvalget og byder med hjemmefra Foretrækker du at opleve eftersynet og auktionen hjemmefra, har du flere muligheder. Du kan orientere dig i auktionens udbud i nærværende katalog og på bruun-rasmussen.dk, hvor du også kan besøge vores virtuelle eftersyn. Samtidig kan du bestille en konditionsrapport og kontakte en af vores eksperter, der kan fortælle dig mere om specifikke genstande. -
Art Nouveau/Jugend, Art Deco and Modern Marks Jan Gadd
Art Nouveau/Jugend, Art Deco and Modern marks Jan Gadd England No. Maker Marks 1 Liberty, London. Founded in 1875 by Arthur Lasenby Liberty (1843-1917), the firm imported Jugend-style pewter from several German firms until 1903 when the Birmingham firm W.H. Haseler were commissioned to cast Liberty's own designs under the name "Tudric". Designers: Archibald Knox from 1901 and later Rex Silver and Jessie M. King. The below from Mark Golding’s Website: “Archibald Knox (1864 - 1933) Born in Cronkbourne on the Isle of Man, Knox, the principal silver and pewter designer for Liberty & Co, created Celtic designs of the highest quality for the Cymric and Tudric schemes. He had previously worked for the Silver Studio and for Christopher Dresser's Design Studio in Barnes, south-west London, and had taught design at the Wimbledon and Kingston-on-Thames School of Art. At Kingston his teaching methods were considered too unorthodox by the South Kensington Examiners and he resigned his post in 1911. A description of Knox's new Celtic range from a Liberty catalogue of 1899 - 1900 shows how keen Arthur liberty was to promote his work: The especially interesting feature… is its complete and unmistakable differentiation from all other descriptions of modern silverwork. The suggestion, as it were, having its origin in the work of a far earlier period than the greater part of the gold and siler plate ornaments to be found even in the Royal Collections today, the bulk of which only dates back to the Restoration. Cymric silver, although original and initiatory of a new school of work, is suggestive of a more remote era than this, and simplicity is the keynote of its design… After 1912, when Knox ceased to work for Liberty's, he went to America where he designed carpets for Bromley & Co of Philadelphia.” Arthur Silver (1853 - 1896) Designer and craftsman, founder of the Silver Studio in 1880 and father of Reginald 'Rex' Silver and Harry Silver.