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Star Wars: Aftermath: Empires End PDF Book
STAR WARS: AFTERMATH: EMPIRES END PDF, EPUB, EBOOK Chuck Wendig | 384 pages | 23 Feb 2017 | Cornerstone | 9781780892634 | English | London, United Kingdom Star Wars: Aftermath: Empires End PDF Book Though she was already a fantastic character even going back to her first appearance in A New Dawn, much of her growth has been seen in the Aftermath trilogy. The fighting is interrupted when Rax's Imperial forces begin bombarding Niima's convoy with turbolasers. Are we really not past this gimmick yet? Resistance Reborn This concluding entry features the same poor prose--writing that makes it sound like Wendig spends all of his time reading social media instead of good books. When it comes to storytelling, whether in film or in literature, a trilogy is hard to beat. He had not only ONE flagship Sloane is chasing Rax there, and Norra is chasing Sloane. The longer the war goes on for the Republic, the better for the criminals. Instead, if you're the creator of this series, you double down and make this error as dementedly egregious as possible! Digital Spy. Their efforts provide Chancellor Mon Mothma with the votes she needs, and the motion passes. I also got very emotionally involved in all the hateful online backlash over Wendig's inclusion of some gay characters, and that only bolstered my opinions of Chuck Wendig, and made me want to support him and this trilogy even more. Eventually, after the Empire loses on Jakku and Imperial ruling council member Mas Amedda crawls out of where Rax tried to imprison him, Amedda contacts the New Republic to surrender on behalf of the Empire, ending the war. -
Culture Wars' Reloaded: Trump, Anti-Political Correctness and the Right's 'Free Speech' Hypocrisy
The 'Culture Wars' Reloaded: Trump, Anti-Political Correctness and the Right's 'Free Speech' Hypocrisy Dr. Valerie Scatamburlo-D'Annibale University of Windsor, Windsor, Ontario, Canada Abstract This article explores how Donald Trump capitalized on the right's decades-long, carefully choreographed and well-financed campaign against political correctness in relation to the broader strategy of 'cultural conservatism.' It provides an historical overview of various iterations of this campaign, discusses the mainstream media's complicity in promulgating conservative talking points about higher education at the height of the 1990s 'culture wars,' examines the reconfigured anti- PC/pro-free speech crusade of recent years, its contemporary currency in the Trump era and the implications for academia and educational policy. Keywords: political correctness, culture wars, free speech, cultural conservatism, critical pedagogy Introduction More than two years after Donald Trump's ascendancy to the White House, post-mortems of the 2016 American election continue to explore the factors that propelled him to office. Some have pointed to the spread of right-wing populism in the aftermath of the 2008 global financial crisis that culminated in Brexit in Europe and Trump's victory (Kagarlitsky, 2017; Tufts & Thomas, 2017) while Fuchs (2018) lays bare the deleterious role of social media in facilitating the rise of authoritarianism in the U.S. and elsewhere. Other 69 | P a g e The 'Culture Wars' Reloaded: Trump, Anti-Political Correctness and the Right's 'Free Speech' Hypocrisy explanations refer to deep-rooted misogyny that worked against Hillary Clinton (Wilz, 2016), a backlash against Barack Obama, sedimented racism and the demonization of diversity as a public good (Major, Blodorn and Blascovich, 2016; Shafer, 2017). -
Review of Rogue One: a Star Wars Story
DVD reviews Rogue One: A Star Wars Story (Gareth Edwards US 2016). Walt Disney Studios 2017. Region 1. 2.39:1 widescreen. US$23. Sean Guynes-Vishniac After the release of Revenge of the Sith (Lucas US 2005), the third film in the Star Wars prequel trilogy in 2005, George Lucas and Lucasfilm had no plans to add further feature films to the multi-billion-dollar franchise. This was in part because fans of the original Star Wars trilogy (1977–83) hated the prequels, and because Lucas was now interested in television, starting with the animated series The Clone Wars (2008–14, 2019). When Disney bought Lucasfilm, they announced a new trilogy extending the saga of the Skywalker family, and several standalone non-saga ‘anthology’ films to fill narrative gaps in the universe; Rogue One: A Star Wars Story is the first of these anthology films. Its position raises important questions about the contemporary state of the transmedia sf franchise, while its narrative looks at the limits and possibilities of sf blockbusters’ political work. To provide an easy entry into the franchise’s storyworld, Rogue One offers a cast of new characters that fit (and slightly modify) well-known franchise types: protagonist Jyn Erso (Felicity Jones), for example, pairs the scruffiness of Han Solo with the paternal drama of Luke Skywalker; Chirrut Îmwe (Donnie Yen) takes on the Jedi mystique and mentor role of Obi-Wan Kenobi; K-2SO (Alan Tudyk) is the non-human, comedy-relief sidekick, a cynical update of C-3PO. Cassian Andor (Diego Luna), however, stands out thematically, mixing the scoundrel qualities of Solo with the risky charm of Lando Calrissian, and bringing a moral ambiguity to the normally black-and-white world of Jedi and Sith; perhaps these qualities have led to Andor’s being named as the protagonist of one of the upcoming Star Wars series on the new streaming service Disney+. -
Star Wars: Rise of the Resistance Makes Galactic Debut at Walt Disney World Resort
Star Wars: Rise of the Resistance Makes Galactic Debut at Walt Disney World Resort Groundbreaking new attraction brings guests into a battle between the Resistance and First Order beginning Dec. 5 at Disney’s Hollywood Studios and Jan. 17, 2020, at Disneyland Park LAKE BUENA VISTA, Fla. (Dec. 4, 2019) – This is the Disney attraction you’re looking for. Star Wars: Rise of the Resistance makes its public debut Dec. 5, 2019, inside Star Wars: Galaxy’s Edge at Disney’s Hollywood Studios in Florida, and at Disneyland Park in California on Jan. 17, 2020. After years of anticipation for this groundbreaking new attraction, guests will now become heroes of the Resistance in a climactic battle with the First Order. During a special dedication ceremony Wednesday night inside Star Wars: Galaxy’s Edge at Disney’s Hollywood Studios, Disney Parks, Experiences and Products Chairman Bob Chapek lauded the attraction’s immersive storytelling and technological innovation. “Star Wars: Rise of the Resistance sets a new standard for what a theme park experience can be,” Chapek said. “Tonight, we’re welcoming the world to experience the Star Wars galaxy like never before, with the opening of the most ambitious, immersive, advanced, action-packed attraction we’ve ever created.” Star Wars: Rise of the Resistance is one of the most ambitious attractions ever created for a Disney park. The thrilling action takes place in massive sets that give guests the feeling of stepping inside a Star Warsfilm as they elude the clutches of Kylo Ren and the First Order in a mad dash through a Star Destroyer. -
Spencer Sunshine*
Journal of Social Justice, Vol. 9, 2019 (© 2019) ISSN: 2164-7100 Looking Left at Antisemitism Spencer Sunshine* The question of antisemitism inside of the Left—referred to as “left antisemitism”—is a stubborn and persistent problem. And while the Right exaggerates both its depth and scope, the Left has repeatedly refused to face the issue. It is entangled in scandals about antisemitism at an increasing rate. On the Western Left, some antisemitism manifests in the form of conspiracy theories, but there is also a hegemonic refusal to acknowledge antisemitism’s existence and presence. This, in turn, is part of a larger refusal to deal with Jewish issues in general, or to engage with the Jewish community as a real entity. Debates around left antisemitism have risen in tandem with the spread of anti-Zionism inside of the Left, especially since the Second Intifada. Anti-Zionism is not, by itself, antisemitism. One can call for the Right of Return, as well as dissolving Israel as a Jewish state, without being antisemitic. But there is a Venn diagram between anti- Zionism and antisemitism, and the overlap is both significant and has many shades of grey to it. One of the main reasons the Left can’t acknowledge problems with antisemitism is that Jews persistently trouble categories, and the Left would have to rethink many things—including how it approaches anti- imperialism, nationalism of the oppressed, anti-Zionism, identity politics, populism, conspiracy theories, and critiques of finance capital—if it was to truly struggle with the question. The Left understands that white supremacy isn’t just the Ku Klux Klan and neo-Nazis, but that it is part of the fabric of society, and there is no shortcut to unstitching it. -
How White Supremacy Returned to Mainstream Politics
GETTY CORUM IMAGES/SAMUEL How White Supremacy Returned to Mainstream Politics By Simon Clark July 2020 WWW.AMERICANPROGRESS.ORG How White Supremacy Returned to Mainstream Politics By Simon Clark July 2020 Contents 1 Introduction and summary 4 Tracing the origins of white supremacist ideas 13 How did this start, and how can it end? 16 Conclusion 17 About the author and acknowledgments 18 Endnotes Introduction and summary The United States is living through a moment of profound and positive change in attitudes toward race, with a large majority of citizens1 coming to grips with the deeply embedded historical legacy of racist structures and ideas. The recent protests and public reaction to George Floyd’s murder are a testament to many individu- als’ deep commitment to renewing the founding ideals of the republic. But there is another, more dangerous, side to this debate—one that seeks to rehabilitate toxic political notions of racial superiority, stokes fear of immigrants and minorities to inflame grievances for political ends, and attempts to build a notion of an embat- tled white majority which has to defend its power by any means necessary. These notions, once the preserve of fringe white nationalist groups, have increasingly infiltrated the mainstream of American political and cultural discussion, with poi- sonous results. For a starting point, one must look no further than President Donald Trump’s senior adviser for policy and chief speechwriter, Stephen Miller. In December 2019, the Southern Poverty Law Center’s Hatewatch published a cache of more than 900 emails2 Miller wrote to his contacts at Breitbart News before the 2016 presidential election. -
Merchandise Extends Storytelling in Star Wars: Galaxy's Edge
Merchandise Extends Storytelling in Star Wars: Galaxy’s Edge Merchandise available in Star Wars: Galaxy’s Edge at Disney’s Hollywood Studios in Florida and Disneyland Park in California plays a vital role in the overall storytelling within the land. The Disney Parks product development team was integrated with the overall project team throughout the creation of the land to ensure the retail program delivers an immersive, authentic and connected Star Warsexperience. Unique merchandise expands the fun of playing in this land, allowing guests to live their own Star Wars adventures through new story-driven retail experiences, role-play products and environments. Retail comes to life for guests as they construct a lightsaber or build a droid in authentic spaces. The products deliver a level of authenticity, realism and storytelling that can only be achieved at Star Wars: Galaxy’s Edge. Savi’s Workshop – Handbuilt Lightsabers Guests can customize their own legendary lightsabers as they choose their paths in this immersive retail experience. A group known as the Gatherers ushers guests into a covert workshop packed with unusual parts and whimsical pieces collected from the far reaches of the galaxy. Under the Gatherers’ guidance, guests construct one-of-a-kind lightsabers and bring them to life through the power of kyber crystals. Guests select from the following lightsaber themes: Peace and Justice– Utilize salvaged scraps of fallen Jedi temples and crashed starships in Republic-era lightsaber designs that honor the galaxy’s former guardians. Power and Control– Originally forged by warriors from the dark side, objects used in this lightsaber style are rumored remnants from the Sith home world and abandoned temples. -
Arena Placements Resistance Trooper Boba Fett Sabina HR Soldier 5*Jawa FOST Finn Farmboy FOTFP Rey+MF Aim for Character Arena Top-100 and Fleet Arena Top-20
30 days 48 days 64 days 80days 96 days 112 days 145 days Ezra Hera mods KRU TFP Wedge 5*Jawa FO Executor 5*Captain Han Solo\then Veterans Chopper Boba Fett 5*Jawa Scavenger HRScout FOO Cassian U Wing Gather everything needed for big events\journeys. Zeb Ships Biggs 5*Dathcha K2SO Ships Take and hold good place in both Arenas. Have Fun! Achieve all of this with as small roster as possible. Kanan Tarkin ST Han 5*Nebit Princess Leia Admiral Akbar\Cassian Jyn 5*Jawa Engineer Old Ben Farmboy Finn Ships Wedge FOTFP Vader Ships Wampa Arena placements Resistance Trooper Boba Fett Sabina HR Soldier 5*Jawa FOST Finn Farmboy FOTFP Rey+MF Aim for Character arena top-100 and Fleet arena top-20. R2D2 team Commander Luke team BB-8 team Rey Jedi Training team Grand Admiral rawn team You’ll need every possible crystal rawn Old Ben Unmasked Kylo Ren BB-8 Hera Palpatine R2D2 First Order Executor Finn Ezra Tie Fighter Pilot Princess Leia First Order Tie Fighter pilot Rey Kanan Cantina 3x100, Energy 3x50 Grand Moff Tarkin ST Han First Order Stormtrooper Veteran Smuggler Chewbacca Zeb Darth Vader Farmboy Luke First Order Officer Veteran Smuggler Han Solo Chopper Palpatine team Scoundrels Ships to 3* zeta challenge Ships for Chimaera event Yoda team Executrix Ackbar Ackbar Boba Fett Tie Fighter Ghost Biggs Han Solo Phantom II First Order Tie Fighter Just 5 7* jedi Wedge ST Han Biggs X-Wing Biggs X-Wing Princess Leia Captain Han Solo Slave I Wedge X-Wing 10 Days for 50 level. -
Complete Catalogue of the Musical Themes Of
COMPLETE CATALOGUE OF THE MUSICAL THEMES OF CATALOGUE CONTENTS I. Leitmotifs (Distinctive recurring musical ideas prone to development, creating meaning, & absorbing symbolism) A. Original Trilogy A New Hope (1977) | The Empire Strikes Back (1980) | The Return of the Jedi (1983) B. Prequel Trilogy The Phantom Menace (1999) | Attack of the Clones (2002) | Revenge of the Sith (2005) C. Sequel Trilogy The Force Awakens (2015) | The Last Jedi (2017) | The Rise of Skywalker (2019) D. Anthology Films & Misc. Rogue One (2016) | Solo (2018) | Galaxy's Edge (2018) II. Non-Leitmotivic Themes A. Incidental Motifs (Musical ideas that occur in multiple cues but lack substantial development or symbolism) B. Set-Piece Themes (Distinctive musical ideas restricted to a single cue) III. Source Music (Music that is performed or heard from within the film world) IV. Thematic Relationships (Connections and similarities between separate themes and theme families) A. Associative Progressions B. Thematic Interconnections C. Thematic Transformations [ coming soon ] V. Concert Arrangements & Suites (Stand-alone pieces composed & arranged specifically by Williams for performance) A. Concert Arrangements B. End Credits VI. Appendix This catalogue is adapted from a more thorough and detailed investigation published in JOHN WILLIAMS: MUSIC FOR FILMS, TELEVISION, AND CONCERT STAGE (edited by Emilio Audissino, Brepols, 2018) Materials herein are based on research and transcriptions of the author, Frank Lehman ([email protected]) Associate Professor of Music, Tufts -
Star Wars Video Game Planets
Terrestrial Planets Appearing in Star Wars Video Games In order of release. By LCM Mirei Seppen 1. Star Wars: The Empire Strikes Back (1982) Outer Rim Hoth 2. Star Wars (1983) No Terrestrial Planets 3. Star Wars: Jedi Arena (1983) No Terrestrial Planets 4. Star Wars: Return of the Jedi: Death Star Battle (1983) No Terrestrial Planets 5. Star Wars: Return of the Jedi (1984) Outer Rim Forest Moon of Endor 6. Death Star Interceptor (1985) No Terrestrial Planets 7. Star Wars: The Empire Strikes Back (1985) Outer Rim Hoth 8. Star Wars (1987) Mid Rim Iskalon Outer Rim Hoth (Called 'Tina') Kessel Tatooine Yavin 4 9. Ewoks and the Dandelion Warriors (1987) Outer Rim Forest Moon of Endor 10. Star Wars Droids (1988) Outer Rim Aaron 11. Star Wars (1991) Outer Rim Tatooine Yavin 4 12. Star Wars: Attack on the Death Star (1991) No Terrestrial Planets 13. Star Wars: The Empire Strikes Back (1992) Outer Rim Bespin Dagobah Hoth 14. Super Star Wars 1 (1992) Outer Rim Tatooine Yavin 4 15. Star Wars: X-Wing (1993) No Terrestrial Planets 16. Star Wars Chess (1993) No Terrestrial Planets 17. Star Wars Arcade (1993) No Terrestrial Planets 18. Star Wars: Rebel Assault 1 (1993) Outer Rim Hoth Kolaador Tatooine Yavin 4 19. Super Star Wars 2: The Empire Strikes Back (1993) Outer Rim Bespin Dagobah Hoth 20. Super Star Wars 3: Return of the Jedi (1994) Outer Rim Forest Moon of Endor Tatooine 21. Star Wars: TIE Fighter (1994) No Terrestrial Planets 22. Star Wars: Dark Forces 1 (1995) Core Cal-Seti Coruscant Hutt Space Nar Shaddaa Mid Rim Anteevy Danuta Gromas 16 Talay Outer Rim Anoat Fest Wildspace Orinackra 23. -
The Alt-Right on Campus: What Students Need to Know
THE ALT-RIGHT ON CAMPUS: WHAT STUDENTS NEED TO KNOW About the Southern Poverty Law Center The Southern Poverty Law Center is dedicated to fighting hate and bigotry and to seeking justice for the most vulnerable members of our society. Using litigation, education, and other forms of advocacy, the SPLC works toward the day when the ideals of equal justice and equal oportunity will become a reality. • • • For more information about the southern poverty law center or to obtain additional copies of this guidebook, contact [email protected] or visit www.splconcampus.org @splcenter facebook/SPLCenter facebook/SPLConcampus © 2017 Southern Poverty Law Center THE ALT-RIGHT ON CAMPUS: WHAT STUDENTS NEED TO KNOW RICHARD SPENCER IS A LEADING ALT-RIGHT SPEAKER. The Alt-Right and Extremism on Campus ocratic ideals. They claim that “white identity” is under attack by multicultural forces using “politi- An old and familiar poison is being spread on col- cal correctness” and “social justice” to undermine lege campuses these days: the idea that America white people and “their” civilization. Character- should be a country for white people. ized by heavy use of social media and memes, they Under the banner of the Alternative Right – or eschew establishment conservatism and promote “alt-right” – extremist speakers are touring colleges the goal of a white ethnostate, or homeland. and universities across the country to recruit stu- As student activists, you can counter this movement. dents to their brand of bigotry, often igniting pro- In this brochure, the Southern Poverty Law Cen- tests and making national headlines. Their appear- ances have inspired a fierce debate over free speech ter examines the alt-right, profiles its key figures and the direction of the country. -
Women, Sf Spectacle and the Mise-En-Scene of Adventure in the Star Wars Franchise
This is a repository copy of Women, sf spectacle and the mise-en-scene of adventure in the Star Wars franchise. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/142547/ Version: Accepted Version Article: Tasker, Y orcid.org/0000-0001-8130-2251 (2019) Women, sf spectacle and the mise-en- scene of adventure in the Star Wars franchise. Science Fiction Film and Television, 12 (1). pp. 9-28. ISSN 1754-3770 https://doi.org/10.3828/sfftv.2019.02 Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Women, science fiction spectacle and the mise-en-scène of space adventure in the Star Wars franchise American science fiction cinema has long provided a fantasy space in which some variation in gender conventions is not only possible but even expected. Departure from normative gender scripts signals visually and thematically that we have been transported to another space or time, suggesting that female agency and female heroism in particular is a by-product of elsewhere, or more precisely what we can term elsewhen.