1 Variation in Voiced Stop Prenasalization in Greek AMALIA
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Typesetting Classical Greek Philology Could Not find Anything Really Suitable for Her
276 TUGboat, Volume 23 (2002), No. 3/4 professor of classical Greek in a nearby classical high Philology school, was complaining that she could not typeset her class tests in Greek, as she could do in Latin. I stated that with LATEX she should not have any The teubner LATEX package: difficulty, but when I started searching on CTAN,I Typesetting classical Greek philology could not find anything really suitable for her. At Claudio Beccari that time I found only the excellent Greek fonts de- signed by Silvio Levy [1] in 1987 but for a variety of Abstract reasons I did not find them satisfactory for the New The teubner package provides support for typeset- Font Selection Scheme that had been introduced in LAT X in 1994. ting classical Greek philological texts with LATEX, E including textual and rhythmic verse. The special Thus, starting from Levy’s fonts, I designed signs and glyphs made available by this package may many other different families, series, and shapes, also be useful for typesetting philological texts with and added new glyphs. This eventually resulted in other alphabets. my CB Greek fonts that now have been available on CTAN for some years. Many Greek users and schol- 1 Introduction ars began to use them, giving me valuable feedback In this paper a relatively large package is described regarding corrections some shapes, and, even more that allows the setting into type of philological texts, important, making them more useful for the com- particularly those written about Greek literature or munity of people who typeset in Greek — both in poetry. -
[Μελέτες] Modern Greek Dialects
[Μελέτες] Modern Greek Dialects Peter Trudgill: Modern Greek Dialects Greek is the only surviving member of the Hellenic branch of the Indo-European language family. It is not known if there ever were any other members, although scholars have variously speculated that the original language of the ancient Macedonians, before they became assimilated into mainstream ancient Greek culture, was (a) a dialect of Ancient Greek, (b) a Hellenic language related to but distinct from Ancient Greek, © not Hellenic at all but some other language altogether, such as Illyrian (which may or may not have been the ancestor of modern Albanian). In historical times, the Ancient Greek dialects were subject to levelling, leading to the formation of an interdialectal koiné, which almost all modern Greek varieties are descended from (Browning 1969). Unlike Latin, Ancient Greek did not give rise to a number of different daughter languages. The only descendant of Ancient Greek is Modern Greek. However, there are some varieties of Greek that are radically different from all others. One is Tsakonian (see Newton 1972), a Hellenic variety spoken in the eastern Peloponnese which is descended from ancient Greek but not by way of the koiné. Although Tsakonian is reported to be dying out, some schools in the area have acknowledged the degree of difference between it and other forms of Greek by providing pupils with teaching materials written in this variety. Another aberrant variety is Pontic - Black Sea dialects of Greek spoken mainly in Georgia and northern Turkey. This is generally distinguished from varieties of Greek originating in central areas of Turkey, which are known as Cappadocian (see Dawkins 1916; Sikkenga 1992; Janse 2005). -
Working Papers in Linguistics
___________________________ The Ohio State University ___________________________ Working Papers in Linguistics No. 59 Edited by Marivic Lesho Bridget J. Smith Kathryn Campbell-Kibler Peter W. Culicover The Ohio State University Department of Linguistics 222 Oxley Hall 1712 Neil Avenue Columbus, Ohio 43210-1298 USA Winter 2010 ii © reserved by individual authors iii The Ohio State University WORKING PAPERS IN LINGUISTICS Working Papers in Linguistics is an occasional publication of the Department of Linguistics of Ohio State University containing articles by members (students and faculty) of the department. To download back issues of the OSU WPL series, please see our web page at: http://linguistics.osu.edu/research/publications/workingpapers/ Information Concerning OSDL OHIO STATE DISSERTATIONS IN LINGUISTICS Since October of 1994, dissertations that have been written by students in the OSU Linguistics Department since 1992 have been distributed by the graduate student-run organization OSDL. As of September 2006, we no longer provide hard copies of dissertations. Instead, we provide them in downloadable format at the following web page: http://linguistics.osu.edu/research/publications/dissertations/ If you have any questions about OSDL or any of the dissertations it distributes, please email: [email protected] iv INTRODUCTION This volume of the Ohio State Working Papers in Linguistics continues to build on the revival of the Working Papers, which started with issue 58. This issue reflects the diversity of interests within the department, and wraps up the backlog caused by the hiatus in publishing. The issue is, as we used to name them, a varia issue, combining some older papers (Joseph & Lee, Riha,) with some newer papers (Klippenstein, Sampson, Baker & Brew), and representing multiple sub-disciplines in the field of linguistics. -
The Case of Cyprus*
Perceptions of difference in the Greek sphere The case of Cyprus* Marina Terkourafi University of Illinois at Urbana-Champaign Cypriot Greek has been cited as “the last surviving Modern Greek dialect” (Con- tossopoulos 1969:92, 2000:21), and differences between it and Standard Modern Greek are often seen as seriously disruptive of communication by Mainland and Cypriot Greeks alike. This paper attempts an anatomy of the linguistic ‘differ- ence’ of the Cypriot variety of Greek. By placing this in the wider context of the history of Cypriot Greek, the study and current state of other Modern Greek dia- lects, and state and national ideology in the two countries, Greece and Cyprus, it is possible to identify both diachronic and synchronic, as well as structural and ideological factors as constitutive of this difference. Keywords: Modern Greek dialects, language attitudes, ideology, identity, Cypriot Greek 1. Introduction: Gauging the difference A question frequently asked of the linguist who studies the Cypriot variety of Greek is “Why is Cypriot Greek so different?”1 The sheer phrasing of this question betrays some of its implicit assumptions: ‘different’ being a two-place predicate, the designation of Cypriot Greek as ‘different’ points to the existence of a second term to which Cypriot Greek is being implicitly compared. This second term is, of course, Standard Modern Greek (henceforth SMG), which, nevertheless, being ‘Standard,’ also represents the norm — or, if you prefer, the yardstick — by which divergences are measured. As Matsuda (1991, cited in Lippi Green 1997:59) points out, “[w]hen the parties are in a relationship of domination and subordination, we tend to say that the dominant is normal, and the subordinate is different from normal” (emphasis added). -
Velar Softening: an Acoustic Study in Modern Greek
ICPhS XVII Regular Session Hong Kong, 17-21 August 2011 VELAR SOFTENING: AN ACOUSTIC STUDY IN MODERN GREEK Asimina Syrikaa, Eun Jong Kongb & Jan Edwardsb aCallier Center for Communication Disorders, UT-Dallas; bWaisman Center, UW-Madison, USA [email protected]; [email protected]; [email protected] ABSTRACT fronted velar, and affricate) variants in the different dialects of Greek are scarce and mainly In (Modern) Greek, velar consonants become impressionistic [3, 6, 7]. palatalized before front vowels following an Velar softening is a particularly interesting allophonic rule. In many southern dialects, the dialect feature because it is also a common sound variants that result from palatalization further change in the world’s languages [4, 8, 11]. Two undergo softening in this same position. While explanatory hypotheses for velar softening have velar softening is well-documented in Greek been proposed. First, the articulation-based dialectology studies, most previous work is based hypothesis claims that the sound change from velar on impressionistic data. In the present study, to an affricate is triggered by particular anterior, several acoustic and psychoacoustic measures were (alveolo) palatal realizations of the velar stop in applied to examine the characteristics of velar several contextual and positional conditions. Thus, palatalization/softening in voiceless plosives of velar softening (a change in manner) is necessarily two regional varieties of the language: a ‘non- preceded by velar palatalization (a change in place softening’ dialect spoken in Thessaloniki and a of articulation) [8, 11]. Second, the acoustic- ‘softening’ dialect spoken in Crete. The effects of equivalence hypothesis claims that velar softening is speaker’s sex, word position, and stress placement due to the acoustic similarity and subsequent on velar palatalization/softening were also perceptual confusability between the spectral cues examined. -
The Greek Alphabet Sight and Sounds of the Greek Letters (Module B) the Letters and Pronunciation of the Greek Alphabet 2 Phonology (Part 2)
The Greek Alphabet Sight and Sounds of the Greek Letters (Module B) The Letters and Pronunciation of the Greek Alphabet 2 Phonology (Part 2) Lesson Two Overview 2.0 Introduction, 2-1 2.1 Ten Similar Letters, 2-2 2.2 Six Deceptive Greek Letters, 2-4 2.3 Nine Different Greek Letters, 2-8 2.4 History of the Greek Alphabet, 2-13 Study Guide, 2-20 2.0 Introduction Lesson One introduced the twenty-four letters of the Greek alphabet. Lesson Two continues to present the building blocks for learning Greek phonics by merging vowels and consonants into syllables. Furthermore, this lesson underscores the similarities and dissimilarities between the Greek and English alphabetical letters and their phonemes. Almost without exception, introductory Greek grammars launch into grammar and vocabulary without first firmly grounding a student in the Greek phonemic system. This approach is appropriate if a teacher is present. However, it is little help for those who are “going at it alone,” or a small group who are learning NTGreek without the aid of a teacher’s pronunciation. This grammar’s introductory lessons go to great lengths to present a full-orbed pronunciation of the Erasmian Greek phonemic system. Those who are new to the Greek language without an instructor’s guidance will welcome this help, and it will prepare them to read Greek and not simply to translate it into their language. The phonic sounds of the Greek language are required to be carefully learned. A saturation of these sounds may be accomplished by using the accompanying MP3 audio files. -
Early Modern Greek /B D G/: Evidence from Rebétika and Folk Songs Amalia Arvaniti and Brian D
Early Modern Greek /b d g/ 73 Early Modern Greek /b d g/: Evidence from Rebétika and Folk Songs Amalia Arvaniti and Brian D. Joseph Abstract In Arvaniti and Joseph (2000) we studied the variability in the pronunciation of the Greek phones spelled mp, nt, gg/gk, which in speech are said to consist of a nasal consonant, e.g., m, and a “voiced” stop consonant, e.g., b. Our data showed that the presence of the nasal depended largely on age, with younger speakers producing many more nasalless instances of these phones than older speakers. Here we examine the pronunciation of mp, nt, gg/gk in original recordings of early twentieth-century Greek rebétika and folk songs to see if these show similar variation, as linguistic theory would predict, or not (as traditional studies of Greek dialectology suggest). Our new data show variation in the pronunciation of these phones in a period for which no variation had been reported before. This early twentieth-century variation confirms our earlier conclusion that variation at the end of the twentieth century betokens a change to a new nasalless pronunciation, away for a previously stable variation pattern. This study reports on variability in the way in which speakers of Modern Greek pronounce the phones spelled mp, nt, gg/gk, which in speech are typically said to consist of a nasal consonant (m, n, or Ω1 ) and a “voiced”2 stop consonant (b, d, g). Our starting point is the situation found in the contemporary standard language, drawing on quantitative sociolinguistic data presented in Arvaniti and Joseph (2000). -
The Brill Typeface User Guide & Complete List of Characters
The Brill Typeface User Guide & Complete List of Characters Version 2.06, October 31, 2014 Pim Rietbroek Preamble Few typefaces – if any – allow the user to access every Latin character, every IPA character, every diacritic, and to have these combine in a typographically satisfactory manner, in a range of styles (roman, italic, and more); even fewer add full support for Greek, both modern and ancient, with specialised characters that papyrologists and epigraphers need; not to mention coverage of the Slavic languages in the Cyrillic range. The Brill typeface aims to do just that, and to be a tool for all scholars in the humanities; for Brill’s authors and editors; for Brill’s staff and service providers; and finally, for anyone in need of this tool, as long as it is not used for any commercial gain.* There are several fonts in different styles, each of which has the same set of characters as all the others. The Unicode Standard is rigorously adhered to: there is no dependence on the Private Use Area (PUA), as it happens frequently in other fonts with regard to characters carrying rare diacritics or combinations of diacritics. Instead, all alphabetic characters can carry any diacritic or combination of diacritics, even stacked, with automatic correct positioning. This is made possible by the inclusion of all of Unicode’s combining characters and by the application of extensive OpenType Glyph Positioning programming. Credits The Brill fonts are an original design by John Hudson of Tiro Typeworks. Alice Savoie contributed to Brill bold and bold italic. The black-letter (‘Fraktur’) range of characters was made by Karsten Lücke. -
NOSTALGIA, EMOTIONALITY, and ETHNO-REGIONALISM in PONTIC PARAKATHI SINGING by IOANNIS TSEKOURAS DISSERTATION Submitted in Parti
NOSTALGIA, EMOTIONALITY, AND ETHNO-REGIONALISM IN PONTIC PARAKATHI SINGING BY IOANNIS TSEKOURAS DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Musicology in the Graduate College of the University of Illinois at Urbana-Champaign, 2016 Urbana, Illinois Doctoral Committee: Associate Professor Donna A. Buchanan, Chair Professor Emeritus Thomas Turino Professor Gabriel Solis Professor Maria Todorova ABSTRACT This dissertation explores the multilayered connections between music, emotionality, social and cultural belonging, collective memory, and identity discourse. The ethnographic case study for the examination of all these relations and aspects is the Pontic muhabeti or parakathi. Parakathi refers to a practice of socialization and music making that is designated insider Pontic Greek. It concerns primarily Pontic Greeks or Pontians, the descendants of the 1922 refugees from Black Sea Turkey (Gr. Pontos), and their identity discourse of ethno-regionalism. Parakathi references nightlong sessions of friendly socialization, social drinking, and dialogical participatory singing that take place informally in coffee houses, taverns, and households. Parakathi performances are reputed for their strong Pontic aesthetics, traditional character, rich and aesthetically refined repertoire, and intense emotionality. Singing in parakathi performances emerges spontaneously from verbal socialization and emotional saturation. Singing is described as a confessional expression of deeply personal feelings -
The Alphabeta Package
The alphabeta package Günter Milde 2020/10/30 Abstract The alphabeta package makes the standard macros for Greek letters in mathematical mode also available in text mode. This way, you can input Greek letters “by name” everywhere in the document. The mode deter- mines whether the characters are taken from the text or math font. With 8-bit TeX and greek-inputenc, literal Unicode charactes can also be used in mathematical mode. 1 1 Requirements and Conflicts The alphabeta package depends on textalpha (both are part of greek-fontenc). It can be used under 8-bit TeX as well as XeTeX/LuaTeX (this document is typeset with 8-bit TeX and fontenc with TeX fonts). Depending on the converter and fonts, different limitations apply. The package conflicts with unicode-math. It also fails, if the utf8x input encoding is selected (interface to the ucs package using a non-compatible definition of \DeclareUnicodeCharacter). 2 Usage Load this package in the preamble of your document (after font and math setup) with \usepackage{alphabeta} Now you can write a single Greek symbol (like Y or m) or a logoc in non-Greek text as well as ISO-conforming formulas with upright symbols for constants like A = pr2 (instead of A = πr2).2 Just like Latin letters, the Greek counterparts are by default italic in math mode3 and upright in text: 1This document was compiled using the font encoding T1 (8-bit fonts). For a version using Unicode fonts, see alphabeta-tu.pdf. 2The isomath documentation describes more alternatives for upright Greek symbols in math mode. -
Netscape: Submit-06
Prev: Table 05 Up: Index Next: Table 07 Submission 1998/12/01 STIX Submission for Alphabetics: greek; miscellanea; blackboard bold; script; fraktur I/X UniqID Glyph Class STIX Name Description (top) Synonyms (bottom) /straightepsilon - small epsilon, Greek I E629 A epsi \epsilon; epsi; egr; \epsilon; Epsilon capital Theta, Greek, straight bar (not Fita, 04E8/27A3) I E664 A Thetav Thgr digamma, old Greek I E360 A gammad \digamma; gammad; diag; Digamma stigma I F710 A stigma Stigma koppa I F712 A koppa Koppa sampi I F713 A sampi Sampi capital C with stroke X E624 N buc function of (italic small f) I E364 N fnof fnof I/X UniqID Glyph Class STIX Name Description (top) Synonyms (bottom) /hbar - Planck's over 2pi X E2D5 A plank \hbar small j, no dot I E2D4 A jmath \jmath; jnodot; jnodot; \jmath; ScriptDotlessJ turned capital G (sans serif) I E81C N Game \Game sans serif capital L I EA52 N sfL rotated sans serif capital L I EA3C N isfL reversed sans serif capital L I EA51 N rsfL S-sign (sans serif cap S) I E659 N bji inverted sans serif Y I EA5E N yinvert I/X UniqID Glyph Class STIX Name Description (top) Synonyms (bottom) not partial differential X E390 N npart open face 0 I E804 N opf0 \bbzero open face 1 I E803 N opf1 \bbone CapitalDifferentialD I F74B A CapitalDifferentialD DifferentialD I F74C A DifferentialD ExponentialE I F74D A ExponentialE ImaginaryI I F74E A ImaginaryI ImaginaryJ I F74F A ImaginaryJ I/X UniqID Glyph Class STIX Name Description (top) Synonyms (bottom) open face gamma I F74A A opfgamma DoubledGamma open face Pi I E801 -
The Nature of Phonetic Gradience Across a Dialect Continuum: Evidence from Modern Greek Vowels
Original Paper Phonetica 2017;74:157–172 Received: January 5, 2016 DOI: 10.1159/000450554 Accepted after revision: August 22, 2016 Published online: March 7, 2017 The Nature of Phonetic Gradience across a Dialect Continuum: Evidence from Modern Greek Vowels Charalambos Themistocleous Centre for Linguistic Theory and Studies in Probability, Department of Philosophy, Linguistics and Theory of Science, University of Gothenburg, Gothenburg, Sweden Abstract This study investigates the acoustic properties of vowels in 2 Modern Greek varieties: Standard Modern Greek (SMG) and Cypriot Greek (CG). Both varieties contain in their phonetic inventories the same 5 vowels. Forty-five female speak- ers between 19 and 29 years old participated in this study: 20 SMG speakers and 25 CG speakers, born and raised in Athens and Nicosia, respectively. Stimuli con- sisted of a set of nonsense CVCV and VCV words, each containing 1 of the 5 Greek vowels in stressed and unstressed position. Gaining insights from the controlled experimental design, the study sheds light on the gradient effects of vowel var- iation in Modern Greek. It shows that (1) stressed vowels are more peripheral than unstressed vowels, (2) SMG unstressed /i a u/ vowels are more raised than the corresponding CG vowels, (3) SMG unstressed vowels are shorter than CG unstressed vowels, and (4) SMG /i o u/ are more rounded than the corresponding CG vowels. Moreover, it shows that variation applies to specific subsystems, as it is the unstressed vowels that vary cross-varietally whereas the stressed vowels display only minor differences. The implications of these findings with respect to vowel raising and vowel reduction are discussed.