Juliet Rylance

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www.hamiltonhodell.co.uk Juliet Rylance Talent Representation Telephone Christian Hodell +44 (0) 20 7636 1221 [email protected], Address [email protected], Hamilton Hodell, [email protected] 20 Golden Square London, W1F 9JL, United Kingdom Film Title Role Director Production Company ARTHUR THE KING Helen Simon Cellan Jones Lionsgate JILL Joann Steven Michael Hayes Hugofilm Features THE ARTIST'S WIFE Angela Smythson Tom Dolby Greyshack Films LOVE AFTER LOVE Rebecca Russell Harbaugh Secret Engine/Weedon Media A DOG'S PURPOSE Ethan's Mom Lasse Hallström DreamWorks/Amblin Entertainment AMOK Lisa R.E. Rodgers Glass Eye Pix DAYS AND NIGHTS Eva Christian Camargo Slated Group SINISTER Tracy Scott Derrickson Alliance Films FRANCES HA Janelle Noah Baumbach Pine District Pictures ANIMAL Maria Nielsen Roselyne Bosch Studio Légende/Canal+ THE BURL Julie Toby Tobias New Moon Television Television Title Role Director Production Company PERRY MASON Della Street Timothy Van Patten HBO THE HYPNOTIST'S LOVE STORY Ellen Francesca Gregorini ABC MCMAFIA Rebecca Harper James Watkins AMC/BBC AMERICAN GOTHIC Alison Hawthorne-Price Matt Shakman Amblin Television/CBS THE KNICK Cornelia Robertson Steven Soderbergh Cinemax Stephen Lyons/Muffie THE MYSTERY OF MATTER: SEARCH FOR THE ELEMENTS Marie Curie PBS Meyer Theatre Title Role Director Theatre/Producer THE WINSLOW BOY Catherine Lindsay Posner American Airlines Theatre IVANOV Sasha Austin Pendleton Classic Stage Company THE CHERRY ORCHARD Varya Andrei Belgrader Classic Stage Company THREE SISTERS Irina Austin Pendleton Classic Stage Company AS YOU LIKE IT Rosalind Sam Mendes BAM/The Bridge Project Winner of the Village Voice OBIE Award for Best Off-Broadway Performance, 2010 THE TEMPEST Miranda Sam Mendes BAM/The Bridge Project OTHELLO Desdemona Arin Arbus Theatre for a New Audience Nominated for the Lucille Lortel Award for Outstanding Featured Actress, 2008/2009 THE WINTER'S TALE Perdita John Dove Shakespeare's Globe Theatre TROILUS AND CRESSIDA Cressida Giles Block Shakespeare's Globe Theatre ROMEO AND JULIET Juliet Tamara Harvey Middle Temple Hall, London Chichester Festival Theatre/UK I AM SHAKESPEARE Mary Sidney Matthew Warchus Tour BASH-LATTERDAY PLAYS Medea Tamara Harvey Trafalgar Studios, West End Skills Skills MUSIC: Violin, Alto Singer DANCE: Elizabethan and Period Dance SPORTS: Horse-riding, Skiing, Swimming OTHER: BASSC Certificate in Stage Combat Characteristics Characteristic Info Height 5'7" Hair Blonde Eyes Blue Training RADA [email protected] +44 (0) 20 7636 1221.

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pressinformation finboroughtheatre Lucifer Saved The world premiere of a new play by Finborough Theatre Playwright-in-Residence Peter Oswald Directed by Reuben Grove. Designed by Louie Whitemore. Lighting by Scott McMullin. Music by Alastair Putt. Cast: Penelope Dimond. Richard Franklin. Ria Jones. Jacob Krichefski. Tom Sangster. Pericles Snowdon. Liana Weafer. The world premiere of a new play by Peter Oswald, Finborough Theatre Playwright-in-Residence, opens on 30 October 2007 for a four week run as part of the multi-award-winning Finborough Theatre’s [ new work season 2007 ]. Lucian Willow has a dark past; so dark he can’t remember it. Twenty years after the end of the Second World War, a former Army Chaplain lives in a state of amnesia on his old comrade Lord Brook’s country estate, deep in the slumbering fields of England. The arrival of a circus from across the channel - with its anarchic forces of magic and comedy - impels these wounded men to confront their horrifying and entangled past. Written in verse and prose, Lucifer Saved is an astonishing interweaving of modern story and Christian myth, of tragedy and comedy, by the UK’s foremost verse playwright. Peter Oswald was writer-in-residence at the Globe Theatre where his plays The Storm, The Golden Ass and Augustine’s Oak were all produced. In 2005, his version of Schiller’s Mary Stuart, directed by Phyllida Lloyd, transferred to the West End after a sell-out run at the Donmar Warehouse. Other London credits include The Odyssey and Shakuntala (Gate Theatre), Dona Rosita: The Spinster (Almeida), Fair Ladies at a Game of Poem Cards (National Theatre), and Don Carlos (Lyric).
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Φ Mark Rylance Φ
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DIPLOMARBEIT Veronika Mandl
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Contents More Information
Cambridge University Press 978-0-521-19523-2 - The Cambridge Shakespeare Guide Emma Smith Table of Contents More information Contents List of illustrations vii Acknowledgements x THE WORKS 1 All’s Well that Ends Well 3 Antony and Cleopatra 8 As You Like It 13 The Comedy of Errors 18 Coriolanus 24 Cymbeline, King of Britain 30 Hamlet 35 Julius Caesar 41 King Henry IV Part 1 47 King Henry IV Part 2 52 King Henry V 57 King Henry VI Parts 1, 2 and 3 62 King Henry VIII, or All is True 69 King John 75 King Lear 81 King Richard II 87 King Richard III 93 Love’s Labour’s Lost 98 Macbeth 104 Measure for Measure 110 The Merchant of Venice 116 The Merry Wives of Windsor 121 A Midsummer Night’s Dream 126 Much Ado About Nothing 132 Othello, the Moor of Venice 138 Pericles 144 The Phoenix and the Turtle 149 The Rape of Lucrece 151 Romeo and Juliet 156 The Sonnets and A Lover’s Complaint 162 v © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-19523-2 - The Cambridge Shakespeare Guide Emma Smith Table of Contents More information List of contents The Taming of the Shrew 169 The Tempest 175 Timon of Athens 180 Titus Andronicus 185 Troilus and Cressida 190 Twelfth Night, or What You Will 195 The Two Gentlemen of Verona 201 The Two Noble Kinsmen 206 Venus and Adonis 211 The Winter’s Tale 214 THE CONTEXT 219 Shakespeare’s life 221 Shakespeare’s theatre 227 Shakespeare in print 232 Shakespearean apocrypha 235 Shakespeare’s language 237 Further reading 240 Index 242 vi © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-19523-2 - The Cambridge Shakespeare Guide Emma Smith Table of Contents More information Illustrations 1.
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