JACK NATHAN RICHARDS JACK NATHAN RICHARDS [email protected] | jacknathanrichards.com | 917.705.8386

PORTFOLIO

GROVES & CO. COLLATERAL (p.2) FREELANCE PROJECTS (p.8) INDEPENDENT WORK (p.13) PHOTOGRAPHY (p.1 8 ) ABOUT ME (p.23)

(1) JACK NATHAN RICHARDS [email protected] | jacknathanrichards.com | 917.705.8386

GROVES & CO. COLLATERAL

MARKETING MATERIALS AND PRESENTATIONS DEVELOPED FOR THE LUXURY INTERIOR DESIGN STUDIO OF GROVES & CO.

(2) [email protected] jacknathanrichards.com | 917.705.8386 MAILERS

Print Collateral Materials sent to potential clients to introduce the work of Groves & Co., developed in tandem with a company style guide and templates for use by the staff

(3) [email protected] jacknathanrichards.com | 917.705.8386 PRESS KIT

Printed Booklet A curated selection of editorial articles and awards from the Groves & Co. publication library, where each feature is scanned, cataloged, and reformatted to emphasize the studio’s work

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ABOUT RUSSELL GROVES

Russell Groves was born in a remote town on the coast of Nova Scotia and raised in the New York metropolitan area. Exposure to both rugged landscape and city skyline alike firmly established his singular design vision: a reverence for nature and materiality balanced by a highly sophisticated sensibility.

Russell received his Architecture degree from the Rhode Island School of Design, an education which encompassed a rigorous and broad range of illustrative subjects including: fashion design, filmmaking, cultural history and classical literature. The multi-faceted curriculum provided a remarkable insight into an array of design disciplines and the ability to synthesize a multitude of creative methods.

Dedicated to his profession, Russell began his career at Richard Meier Architects, followed by tenure at Kohn Pederson Fox. Soon after, he joined Peter Marino Architects, where he created and managed commissions for an array of important clients, including Giorgio Armani, Donna Karan and Barneys New York.

His eponymous firm was launched with the incredible success of his first project, The Tea Box at Takashimaya. This innovative design led to a prestigious American Institute of Architects award, among many others.

A long standing resident of Manhattan, Russell’s philanthropic efforts focus on the rehabilitation of New York and its inhabitants—for people and animals alike, supporting New Yorkers for Children, God’s Love We Deliver, Empire State Pride Agenda Foundation and numerous animal rescue and shelter programs.

When taking the rare break from his busy schedule, Russell finds time to collect rare and eclectic early- modernist art, photography, furniture and decorative items for his New York, Los Angeles and East Hampton homes. GROVES & CO.

architectural digest ad100 2017 architectural digest ad100 2016 selected press

architectural digest ad100 2014

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the new york times august 2009 vogue living october 2017

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totally in sync Though he’s known for his cool and restrained rooms, Russell Groves turns out to be the ideal designer to transform a glassy Manhattan duplex into a stylish yet kid-friendly home. But for the owners, that was no surprise

TEXT by NANCY HASS PHOTOGRAPHY by BJÖRN WALLANDER PRODUCED by ROBERT RUFINO

Like the classic observation that dogs tend to resemble their owners (or vice versa), it’s not uncommon for homeowners, by the end of a big project, to notice that their taste has magically merged with that of their decorator or architect. The design process is arduous and involved, after all, and the avalanche of decisions, large and small, tends to drive you close. But the relationship between David and Laurie Rosenblatt and designer Russell Groves goes beyond the typical synergy born of spending a lot of time together mulling aesthetics and door hard- ware. As the story of this airy yet nuanced Manhattan penthouse illustrates, it’s possible to achieve virtual symbiosis. The Rosenblatts first discovered Groves’s work in 2009 when they were looking for a weekend home in bucolic Litchfield County, Con- necticut. They fell in love with a 19th-century barn that had been moved from Canada and rebuilt in the Colonial-era town of Wash- ington. They were enraptured by the sleekly casual finishes; the rich, warmly neutral color scheme; and every bit of the furnishings, down to the cashmere throw strewn artfully across the daybed. The house, they learned, had been done by Groves, who worked with Peter Marino and Richard Meier before starting on his own, and who is responsible for the Coach flagship store in Manhat- tan, Tiffany & Co.’s Shanghai outpost, and Michael Kors’s beach house. The Rosenblatts, who have four young children and consider

LEFT: In the living room of David and Laurie Rosenblatt’s Upper East Side Manhattan duplex, which was designed by architect S. Russell Groves, the daybed, covered in an Hermès fabric, and sofa, in a Great Plains fabric, are custom made, the Milo Baughman–style chairs are covered in a Great Plains linen, and the cocktail table is by Roman Thomas; the light sculpture over the piano is by Soledad Arias, the rug is by Fort Street Studio, and the walls are painted in Benjamin Moore’s Decorators White. ABOVE: A custom-made Swarovski-crystal light fixture hangs above a stainless steel–and-glass stair- case; the bronze spheres are by Hervé Van der Straeten, and the photo- graphs are by Sam Samore. For details, see Resources.

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The kitchen island and counters are topped with a Caesarstone surface, the Bertoia barstools are by Knoll, and the 1950s pendants are Italian; the refrigerator is by Thermador, and the sink by Elkay has Rohl fittings. FACING PAGE, FROM TOP: In the living room, the swivel chairs’ upholstery is by Jerry Pair Leather and the vintage ottomans are covered in a Great Plains mohair; the painting is by Jackie Battenfield. A set of 1954 chairs by Osvaldo Borsani surrounds the custom-made dining table; the light fixture is by Lindsey Adelman, and the painting is by Robert Melee. For details, see Resources.

themselves resolutely down-to-earth, wound up buying the house and its entire contents, closing the deal in a week. “We had every- thing from rugs to ice cream scoops, and it was perfect,” says Laurie. “There just wasn’t anything we could imagine changing.” Soon after, the couple were getting ready to buy an apartment in Manhattan, so David—who had been CEO of the digital ad agency DoubleClick, which was sold to Google in 2008—called Groves. “We were really naive about the process, and Russell had to tell us, ‘I’m not a real estate agent, but if you find an apartment you like, I’d be glad to look at it.’” After an exhaustive search, they called him to say they’d found a space in the Lucida, a new building on the Upper East Side; would he come see it? Groves laughed: He’d designed the building’s public spaces, including the lobby, and all the interior finishes of the units. The Rosenblatt apartment, two duplexes stitched together, is clas- sic Groves: a sophisticated, light-filled refuge that is utterly grown- up but, due to its lack of fussiness, surprisingly kid-friendly. Both an architect and a designer, Groves was able to solve the challenges of combining the two apartments in ways that make the rambling 7,500-square-foot space seem completely unified. The couple, who met in graduate school nearly 20 years ago, made things easy by trusting so completely in his vision. Their layout needs were simple: separate, if small, rooms for all the kids in their own “wing”; a guest room on the main floor; and lots of open spaces where the family could gather, but with some separation so they wouldn’t be on top of one another. “They aren’t formal types,” says Groves. “They didn’t want anything to be stiff.” Midway through the project, David took a new job that made decorating the place even more resonant and fun for everyone: He

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In David’s office, a desk by Room & Board is paired with an Eames chair, covered in a Spinneybeck leather, from Design Within Reach; the shelving unit is a custom design, and the Harry Bertoia sculpture was found at Lost City Arts. For details, see Resources.

became CEO of 1stdibs, the global antiques website that is indis- pensable to high-end designers. Formerly a happy naïf in the land of lamps and vintage tables, the guy who wrote the checks suddenly became the perfect focus group for his new position, able to experi- ence the company from the inside out. “I called Russell and asked, ‘Do you know what 1stdibs is?’” David recalls. “And he said ‘Know it? Half the things in your apartment came from there.’” Mastery of metals is Groves’s calling card: He juxtaposes them as boldly as Mario Buatta does chintzes, creating a dialogue among the materials that changes tenor with the light over the course of the day. The entryway, with an atrium created by a grand, mirror-finish stainless steel–and-glass staircase leading up to the private areas on the second floor, is the apartment’s showpiece. Hung from the ceil- ing of the upper landing is a nearly 14-foot-long custom Swarovski chandelier that looks like a crystal rain shower. At night, the city lights reflect off the staircase, rendering it almost invisible, and the crystals glisten as brightly as a waterfall. Although there is an “everyday” staircase near the kitchen, at night, when Laurie comes in from walking their dog, Roxy, she ascends the main stairs to her bedroom and looks out on the vast cityscape below. “I just stop and stare for a moment,” she says. “This is my fantasy of living in New York.” ◾

CLOCKWISE, FROM TOP LEFT: A son’s bedroom features a bed by DucDuc, a Saarinen Womb chair by Knoll, and a pendant light by Kartell; the map decal is by Dezign With a Z, and the felt rug is by Patterson Flynn Martin. The mas- ter bedroom’s built-in white-oak bed and nightstands are custom made, the bedding is by Calvin Klein Home, and the lamps are by Stephen Gerould. A table and chairs by Jean Prouvé in David’s office; the wood sculpture by Mario Dal Fabbro is from Maison Gerard. For details, see Resources.

187 elle decor september 2015 gentlemen’s quarterly may 2017

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(4) [email protected] jacknathanrichards.com | 917.705.8386 WEST 22ND STREET

Printed Project Brochure A booklet sent to media outlets to pitch a West Chelsea apartment after its completion; also responsible for the photo shoot planning and on site coordination and styling.

GROVESGROVES & & CO. CO. GROVESGROVES & & CO. CO. GROVESGROVESGROVESGROVES & & CO. & CO. & CO. CO.GROVESGROVES & & CO. CO. GROVESGROVES & & CO. CO.

west 22nd street residence

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west 22nd street residence westwest 22nd west22nd street street22ndliving residence street residence room residencewest 22nd street residence livingdining room roomstudy master bedroomwestwest 22nd 22nd street street residence residence masterkitchen bath

west 22nd street residence study

westwest 22nd 22nd street street residence residence vestibuleentrywest 22nd street residence west 22nd streetentry residence dining room

210210 eleventh eleventh avenue avenue no. no. 502 502 new new york york ny ny10001 10001 t 212 t 212 929 929 5221 5221 f 212 f 212 929 929 4463 4463 grovesandco.com grovesandco.com210210 eleventh eleventh avenue avenue no. no. 502 502 new new york york ny ny10001 10001 t 212 t 212 929 929 5221 5221 f 212 f 212 929 929210 4463210 4463 eleventh210 eleventh grovesandco.com 210 eleventh grovesandco.com eleventh avenue avenue avenue avenue no. no. 502 no. 502 newno. 502 new 502210 york new210 york eleventh new nyyork eleventh nyyork10001 ny10001 avenue ny10001 t avenue 21210001 t 212 929 t no. 212 929 t 5221 no. 212502 929 5221 502 929 f 5221new 212 f 5221new 212 929yorkf 212 929yorkf 4463 212 929ny 4463 929ny 10001 4463 grovesandco.com 10001 4463 grovesandco.com grovesandco.comt 212 grovesandco.comt 212 929 929 5221 5221 f 212 f 212 929 929 4463 4463 grovesandco.com grovesandco.com210210 eleventh eleventh avenue avenue no. no. 502 502 new new york york ny ny10001 10001 t 212 t 212 929 929 5221 5221 f 212 f 212 929 929 4463 4463 grovesandco.com grovesandco.com

Digital Project Brochure An interactive PDF set to open full screen with clickable arrows that guide the user through the images, telling the story of the apartment, moving through the space from public to private

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west 22nd street residence

GROVES & CO.

west 22nd street residence vestibule west west22nd street22nd street residence residence entryentry west 22nd street residence dining room

GROVESGROVESGROVESGROVES & CO.& CO.& CO.& CO. GROVESGROVESGROVES & CO.& CO.& CO.

west west22nd streetwest22nd streetwest22nd residence street22nd residence street residence residence livingliving roomdiningmaster room room bedroom west west22nd streetwest22nd street22nd residence street residence residence mastermaster bedroom bedroommaster bath (5) [email protected] jacknathanrichards.com | 917.705.8386 HALCYON

Project Presentation A PDF of the design process from concept imagery and materials to plans, sketches, renderings, and photos

CASUAL GLAMOUR CASUAL GLAMOUR CASUAL GLAMOUR CASUAL GLAMOUR

PARCHMENT EARTHENWARE

CALACATTA VISION GREY EARTHENWARE PEBBLE LACQUER

BURNISHED BRONZE SILVER TRAVERTINE MOSAIC TRAVERTINE

BRUSHED BRUSHED DURA SATIN AGED SILVER CLEAR GLASS NICKEL NICKEL BRASS NICKEL NICKEL NICKEL SILVER TRAVERTINE CHROME BLACKEND STEEL

BRONZE GLASS BACK PAINTED GLASS

ANTIQUE MIRROR GOLD SILK VELVET SILK NABUCCO HAND RUBBED OIL WHITE OAK

METALLIC WOOD CERUSED WALNUT WHITE OAK MANDARIN WHITE

HALCYON HALCYON HALCYON CONCEPT - SKY LOUNGE CONCEPT - SKY LOUNGE HALCYON CONCEPT - AQUA SPA MATERIALS GROVES & CO. 210 eleventh avenue no. 502 new york ny 10001 t 212 929 5221 GROVES grovesandco.com & CO. 210 eleventh avenue no. 502 new york ny 10001 t 212 929 5221 grovesandco.comGROVES & CO. 210 eleventh avenue no. 502 new york ny 10001november t 212 929 10, 5221 2016 grovesandco.com november 10, 2016 GROVES & CO. 210 eleventh avenue no. 502november new york 10, ny2016 10001 t 212 929 5221 grovesandco.com november 10, 2016

SAUNA

KIDS’ ROOM

TERRACE LIBRARY LOBBY POOL (1ST FLOOR)

LOCKER ROOMS GYM

AQUA MASSAGE SPA ROOM

HALCYON FLOORHALCYON PLAN - 2ND FLOOR HALCYONFLOOR PLAN - 21ST FLOOR TERRACE GROVES & CO. 210 eleventh avenue no. 502 new york ny 10001 t 212 929 5221 grovesandco.com GROVES & CO. 210 eleventhnovember avenue 10, no.2016 502 new york ny 10001 t 212 929 5221 grovesandco.com GROVES & CO. 210 eleventh avenue no. 502november new york 10, ny2016 10001 t 212 929 5221 grovesandco.com november 10, 2016

HALCYON HALCYONSKY LOUNGE HALCYON SKY LOUNGE SKY LOUNGE GROVES & CO. 210 eleventh avenue no. 502 new york ny 10001 t 212 929 5221 grovesandco.com GROVES & CO. 210 eleventhnovember avenue 10, 2016 no. 502 new york ny 10001 t 212 929 5221 grovesandco.com GROVES & CO. 210 eleventh avenue no. 502november new york 10, ny2016 10001 t 212 929 5221 grovesandco.com november 10, 2016

HALCYON HALCYON POOL HALCYON POOL HALCYON AQUA SPA AQUA SPA GROVES & CO. 210 eleventh avenue no. 502 new york ny 10001 t 212 929 5221 grovesandco.com GROVES & CO. 210 eleventh avenue no. 502 new york ny 10001 t 212 929 5221 grovesandco.comnovember 10, 2016 GROVES & CO. 210 eleventhnovember avenue 10, no.2016 502 new york ny 10001 t 212 929 5221 grovesandco.com GROVES & CO. 210 eleventh avenuenovember no. 502 new 10, 2016 york ny 10001 t 212 929 5221 grovesandco.com november 10, 2016

(6) [email protected] jacknathanrichards.com | 917.705.8386 UWS SCHEMATICS

Plans Presentation plans of an Upper West Side town home

Renderings Photo-realistic renderings of Waterline Square, a residential development on the Upper West Side

(7) JACK NATHAN RICHARDS [email protected] | jacknathanrichards.com | 917.705.8386

FREELANCE PROJECTS

STAND-ALONE GRAPHIC COMMISSIONS

(8) [email protected] jacknathanrichards.com | 917.705.8386 LOUISE HARPMAN

Portfolio: Introduction & CV A 217 page comprehensive portfolio cataloging the work of Louise Harpman

PORTFOLIO

TIMELINE CURRICULUM VITAE PUBLICATIONS

PROFESSIONAL SCHOLARSHIP UNIVERSITY SCHOLARSHIP

Stirratt Residence 004 Global Design Book 114 Modern Barn 010 Global Design NYU 118 West Lake Residence 014 Cities and Citizenship 126 Casa Xixim 020 Mapping 130 River Bend House 024 New York Ideas 136 Cliff House 028 Whiteness 140 Beach Haven 032 Big Walk 148 Meltzer Ames Residence 036 Design Build Texas 152 Manhattan Micro Loft 040 Blanco Library 158 Eiche Residence 044 Alley Flat Initiative 164 Benenson Warren Residence 048 Wooldridge Square 168 zeroHouse 052 Professional Residency Program 172 prairieHouse 056 Doyle Hall 060 LOUISE HARPMAN Oasis 066 Professional Work / Academic Projects Barker DZP 072 Concrete Media 076 Beast 080 PROJECTS INFORMATION OXO 084 San Jacinto 088 St. Edward’s Marketing 092 Weleda North America 096 Number Seventeen 100 Prada / MTV 104 Everything Must Go ! 108 Coffee Lid Collection 112 CONTACT Louise Harpman Associate Professor Gallatin School of Individualized Study New York University 1 Washington Place, Room 607 New York, NY 10003

E [email protected] W www.louiseharpman.com T1 646.360.4445 T2 512.663.2898

2 3

LOUISE HARPMAN LOUISE HARPMANLOUISE HARPMANLOUISE HARPMAN TIMELINE CURRICULUMCURRICULUM VITAE CURRICULUM VITAE VITAE

Design Critic 1994 University of Pennsylvania Graduate School of Architecture Education Practice | ArchitecturalResidential Design, Architect, Urban Interior 2007Design, Design,Principal Sustainability Interiors, Investigator, and WRGK magazine, Center foras wellPublic as Affairson HGTV and and Community Tiny House Service ($6,800). 1995 Specht Harpman | Architecture and Design Founding Principal, New York City The University of Texas at Austin, School of Architecture.Nation. 2007 Principal Investigator, Downtown Austin Alliance ($2,500). Associate Professor of Architecture (with tenure), 2003-10. Yale University. Master of Architecture, 1993. Louise Harpman__PROJECTS. New York, NY. Principal,2006 Principal 2016 to Investigator, present. Blanco Library Research/Design Studio ($25,000). Design Critic AIA Henry Adams Certificate.Associate DeanJanet forCain Undergraduate Sielaff LouisePrize. Programs,Harpman is2003-08. the founderThe firm’s and work principal is included of Louise in many Harpman__PROJECTS anthologies of design, whose including work focusesThirty Years of Emerging Voices: 2016 1996 Yale School of Architecture Faculty Research Grant, University of Texas at Austin, Vice President for Research ($6,000). Harwell Hamilton Harris Regentson architectural Fellowship, design,2003-10. Ideas,design Form, research, Resonance and urban (Princeton2004 design. Architectural PROJECTS Press, leads 2015);interdisciplinary Global Design teams (Prestel, 2014); Design and Principal Investigator, Design.Build.Texas ($285,000). Cambridge University.Director, St. John’s Professional College. Residency Masterof ofprofessionals Program,Philosophy 2004-10. infor Social appliedConstruction Anthropology, research ofprojects 1988.High-Performance and2003 has several Homes: focus Building areas, including Envelopes, micro Renewable housing, Energies and Integrated University of Texas at Austin, Friar Centennial TeachingPractice Fellowship, (Routledge, Finalist, 2013); 2008,2003 Prefab 2009. Design.Build.Texas Houses, Maisons Advisory Prefabriques, Council Fertighauser, Gift Recipient Prefab ($2,500). Huizen (Booqs, net zero building practices, and building management systems. PROJECTS also provides consulting Louise Harpman__PROJECTS 2015 1997 Yale School of Architecture School of Architecture, Scholarship Award, 2005. 2011); Re-Crafted (Monacelli, 2010); New Prefab Architecture (Barcelona, 2008); Coney Island: the Design Critic Harvard University. A.B. cum laude in East Asianservices Studies, to 1987. private corporations, municipal authorities, and community organizations. Founding Principal, New York City Parachute Pavilion Competition (Princeton Architectural Press, 2007); New York 2000 (Monacelli, 2006); Studio Coordinator Harvard College Scholarship. Elizabeth Cary Agassiz Award. Reischauer Institute Fellowship. Invited Lectures and Conference Presentations University Service and LeadershipSpecht Harpman. New York,PRAXIS NY. (Harvard Founding Graduate Principal, School 1995-2016. of Design, 2005); AD Architectural Design (Wiley);The 21st Century Member, Office of the President,Louise Harpman Undergraduate was, forOffice 20Curriculum years, (Laurence a Reformfounding King, Committee, 2003);principal Big inIdeas2006-07. the forarchitecture Small Spaces and (William design firmMorrow, Specht 2000); For a complete list of University Professorships, Teaching, and Research 2017 (forthcoming) “Climate Registers,” Gallatin Global Faculty Symposium. Paris, FR. Member, Office of the Provost,Harpman. Dean’s Specht Evaluation Harpmanpublications, Committee, was recognized please School insee ofWallpaper* theArchitecture, attached magazine’s Appendix.2007. Architects’ Directory as one of New York University 2014 1998 University of Pennsylvania 2016 (forthcoming) University of Toronto, School of Architecture. Toronto, Canada. Gallatin School of Individualized Study New York University, GallatinMember, School Office of Individualizedof the Provost,the “top Study. Dean50 up Search and coming Committee, architectural LBJ School practices of Public from aroundAffairs, 2004-05.the world.” The firm received multiple Graduate School of Architecture (forthcoming) Yale School of Architecture, New Haven, CT. “Big Talk, Small Houses: How Micro Associate Professor New York University, RobertFaculty F. Liaison,Wagner Office Graduate ofHonor the School Provost, Awards of Public Maymester from Service. the AmericanProgram, Institute2003-08. of Architects2016 and was named Emerging Voices by the Visiting Assistant Professor Design Awards Housing Might Just Solve the Affordable Housing Crisis.” New York University, CollegeFaculty of Liaison, Arts and Office Science, ofArchitectural the Environmental Provost, League Connexus, Studies of New 2004-08. Program.York. The firm’s designs were featured at the Museum of Modern Art, the Associate Professor (with tenure) in Architecture, MunicipalUrban Design, Art Society, and Sustainability, the Van Alen 2015 Institute, to present. and2016 in gallery (forthcoming) shows in Designthe US andTrust UK. for PublicSpecht Space, Harpman New York, NY. “The Once and Future Public Library.” 2016 ICFF Interior Design NYCxDESIGN Honoree. Manhattan Micro Loft. Clinical Associate ProfessorSchool (without of Architecture tenure), 2010-2015. Servicewas named and Leadership “Tastemakers” by House and Garden2016 magazine New York and University,was frequently Gallatin listed School as one of Individualizedof New Study, Alumni College. 1999 Yale School of Architecture Founding Director, Design.Build.Texas,York City’s “Top 2003-10. 100” architects 2016 HGTV by New Best York Design, magazine. Casa Xixim. Specht Harpman maintained offices in New Director and Founder, Global Design NYU (with Peder Anker, Mitchell Joachim), 2010 to present.2016 Sheffield University School of Architecture, Sheffield, UK. “Size Does Matter.” Design Critic Chair, Undergraduate AdmissionsYork City andCommittee, Austin, Texas. 2003-08.2016 HGTV Fresh Faces of Design Awards Program, Casa Xixim, D’Arcy Residence. Studio Coordinator 2016 New York University, Gallatin School of Individualized Study, Pecha Kucha presentation, “Small University Service andCo-director, Leadership NAAB Accreditation Visit Preparation2015 (with Design Kevin Alter),Trust for 2005. Public Space, 20/20 Award for Urban Visionaries. Senior Projects Coordinator is Beautiful.” Faculty Advisory Committee,Co-director, Marron CIDA Institute, AccreditationA full-service2014 toVisit present. Preparationarchitectural (with practice OpenNancy with House Kwallek, expertise New Carl inYork, commercial,Mathews), Featured 2004, residential,Project—Manhattan 2007. and institutional Micro Loft.buildings, 2014 New York University, Gallatin School of Individualized Study, Pecha Kucha. Conference co- Architectural AdviserChair, to the Awards University Committee, Leadershipas 2003,well and as 2004, urbanSSAC 2006. design(Coles Site),and research, 2014 to Spechtpresent. Harpman2016 won both international and national recognition 2014 American Institute of Architects,organizer Austin, and moderator. TX, Homes Tour—Cohen Sager Residence Member, ICES CurriculumChair, AdvisoryUndergraduate Committee, Curriculumfor its2012-13. work. Review Clients Committee, included 2003-08. private individuals and well-known companies such as Indeed.com, Moffly A-List Award—Best Modern Architecture, Stirratt Residence. Member, SustainabilityMember, Task Force, Dean’s 2010 Coordinating to present.OXO International,Committee, 2003-08. Rainforest2013 Alliance, Weleda, 2016Crane New& Co., York Prada, University, MTV, SPIN Gallatin Magazine, School Newof Individualized York Study, “Democratizing the Green City.” Member, Architecture andMagazine, Interior Design Focus Features,Curriculum2013 Universal Committee, Moffly Studios, A-List 2003-08. Award—Best Tracy Anderson,Prepared Pool St. House,introduction Edward’s Stirratt University, of Residence. keynote and speakers Hampshire Roger Keil and Julie Sze. Gallatin School SeniorMember, Leadership Graduate StudiesCollege, Committee, among 2003-08. many others.2013 Interior Design—Manhattan2015 New Micro York University,Loft. Gallatin School of Individualized Study, Writing Program Symposium. Member, Architecture and Technology Faculty Search Committee, 2004-05; 2006-07. Member, Promotion and Tenure Committee, 2011-13, 2015 to present.2013 Custom Home, Grand2015 Award—Manhattan TEDxAMHERST, “Size Micro Matters,” Loft. Amherst, MA. Featured speaker (with Scott Specht). Member, Interior DesignSpecht Faculty Harpman Search Committee, consistently 2003-04. dedicated a significant portion of its profits to pursue in-house design Member, Graduate Program Committee, 2016 to present. 2012 Architizer+, Popular2015 Choice “Material Winner—Manhattan Archive,” Gallatin Micro Global Loft. Faculty Symposium. Paper included in symposium reader. Member, Art and Society Search Committee,research 2014-15. and prototyping. The most visible of these research projects yielded the zeroHouse™, a high- 2001 Yale School of Architecture 2010 American Institute of Architects,Florence, Design IT. Award—Doyle Hall. Design Critic Member, BusinessYale and University, Economics School Search of Committee, Architecture.performance, 2012-13. off-the-grid micro dwelling which is an internationally-recognized “case study” for high Critic in Architectural Design, 1996-2003. 2009 American Institute 2014of Architects, Morgan DesignLibrary, “AccumulatedAward—Oasis Wisdom:Advertising. Collector as Inventor.” Featured speaker. New York, NY. Studio Coordinator Member, Business and Fashion Search Committee,performance 2011-13. buildings. Specht Harpman also designed and built the Manhattan Micro Loft, one of Chair, Graduate School Admissions Committee, 2002-03. Top 50 Young Architects,2014 New Design York Directory. University, Wallpaper* Parsons The Magazine. New School, Goethe Institut, Cities and Citizenship conference. Admissions Committee Chair Chair, Civic Engagement Search Committee,New 2011-12. York City’s first micro2008 apartments. Both projects established Specht and Harpman as international Co-organizer and moderator, New York, NY. Member, AdministrativeMember, and Policy Graduate Committee, Schooldesign Admissions 2010-11. leaders Committee, in the micro2007 1996-2002. dwelling Texas Society movement. of Architects, The zeroHouse™ Design Award—zeroHouse™. and Manhattan Micro Loft were Director, First Year Graduatepublished Studio, in 1997-2003. over 50 international books and magazines, Rubin including Museum the of cover Art, Radical of the NewTerrain York lecture Times series. “This Friday at Marienbad.” New York, NY. 2007 New Tastemakers. 2013House & Garden magazine. New York University 2010 Gallatin School Service (Home), in Fast Company, the Wall Street Journal, Wired, New and York on Bloomberg University, BedfordNews television. Square, Elsewhere Envisioned symposium. Co-organizer and 2002 PS1/MoMA, Young2012 Architects Competition, Finalist. Gallatin School of Individualized Study Member, GraduateThe Program University Committee, of Pennsylvania, 2016 to GSFA,present. Department of Architecture. moderator (with Peder Anker, Mitchell Joachim). Associate Professor of Practice Adjunct Assistant Professor, 1998-2000.Over two decades, Lecturer, the 1994-98. firm2002 gained Architectural significant League international of New York, recognition Emerging and Voices. its work was published on Faculty Adviser, Gallatin Design Collective, 2010 to present. 2012 “Testing Testing.” New York University, Bedford Square, Elsewhere Envisioned symposium. Member, DistinguishedMember, Faculty Awards Lecture Committee. Committee,every continent 2015-16. except Antarctica.2001 American The client-based Institute of Architects,practice continues New York, as SpechtDesign Architects,Award—Concrete while the Media. London, UK. National AIA Award for Teachingresearch armExcellence, of the firm 1997. is Louise Harpman__PROJECTS. 2003 University of Texas at Austin Member, Arts Committee, 2010 to present. 1999 I.D. Magazine award—Hurd Studios. 2012 Yale School of Architecture, Women in Architecture. “Pecha Kucha.” New Haven, CT. School of Architecture Member, Community Learning Initiative, 2010-15. 1998 I.D. Magazine award—Good Machine. 2012 Yale School of Architecture, Women in Architecture. “Build Your Bench.” New Haven, CT. Associate Professor Publications 1998 I.D. Magazine award—Funny Garbage. Associate Dean Gallatin School New Initiatives 2012 American Institute of Architects. “Change in the Middle East,” moderator. New York, NY. University of Texas at Austin 2008 Harwell Hamilton Harris Regents Fellowship Co-Founder, Co-Director, Global Design NYU,The 2010 zeroHouse™, to present. an architectural prototype for2011 net-zero Festival human of Ideas habitation, for the hasNew been City, publishedWorld Café, in New Museum, moderator. New York, NY. School of Architecture Founding Member, Global Design Working Group,15 countries 2010 toto present.date, including the United States, the United Kingdom, France, Italy, Spain, Holland, Professional Residence Program Director Grants 2011 Harvard University, Graduate School of Design. Cambridge, MA. Associate Professor Founding Director, BIG WALK, 2010 to present.Belgium, Turkey, Japan, Taiwan, Hong Kong, China, India, Chile, and Russia. It continues to win design The Economist, Intelligent Infrastructure, “The Architecture of Progress,” blogger. New York, NY. Harwell Hamilton Harris Regents Fellowship awards for innovation, design2015 excellence,Teaching with and Technology, ecological2011 design.NYU, Gallatin School of Individualized Study ($3,500). Professional Residence Program Director Gallatin Graduate Students 2013 Consultant, Furman2011 Center New for York Real University, Estate and College Urban ofPolicy, Arts Multi-familyand Science. Retrofit “Current ($1,000). Work.” New York, NY. Humanities Institute Fellow Masters’s Theses supervised (Fran Glasenberg,Other 2013; work Stephanie of Specht Hodges, Harpman2012 2011) Principal was published Investigator in many2011 (GDNYU), national New York and NYU, University, international Provost’s Rudin Office publications, Center for forGlobal including Transportation. Affairs ($15,000). “Current Work.” New York, NY. Master’s Thesis Evaluation (Ariel Fischman, 2013)The Wall Street Journal, The New York Times, The New York Times Magazine, Wired, Fast Company, 2011 Principal Investigator2010 (GDNYU), University NYU, of TexasProvost’s at Austin, Office School for Global of Architecture Affairs ($15,000). (with Scott Specht). Austin, TX. New York Magazine, Dwell, Metropolis, Architectural Record, Architecture, AD, Architectural Digest, 2008 Principal Investigator,2009 RGK University Center forof Texas Public at Affairs Austin, and LBJ Community School of PublicService Policy. ($2,500). “Current Work.” Austin, TX. 4 5 6 8 10 7 9

LOUISE HARPMANLOUISE HARPMAN LOUISE HARPMANLOUISE HARPMANLOUISE HARPMANLOUISE HARPMAN CURRICULUMCURRICULUM VITAE VITAE PUBLICATIONSPUBLICATIONSPUBLICATIONSPUBLICATIONS

2008 New York Institute 2005of Technology. Van Alen “CurrentInstitute,Awards Work.” New andYork, New Prizes NY.York, Parachute NY. won Shengning Pavilionby Harpman’s Zhang Competition for the students winners.Austin Fire Station project (2007). Publications on the workBOOKS of continued Specht Harpman2012 “The Top 100 Architects,”2008 “Carbon-zero by Wendy Goodman ZeroHouse™:2002 in“Buzz” New Mini-luxury Yorkin Architecture Magazine home1998 steps (New, “OfficesFall lightly 2012.York, for NY:onPrint. thethe VNU earth,”Aesthetic Business byIndividualized Elite,”Heather Publications, by Livingston,Nina Study, MarchRappaport Gallery 2002), in Five.Oculus p.19. 01 Oct.(New 2014. York, NY: American Institute 2008 Denver Museum of2002 Contemporary PS1/MoMA, Art. Young “Current Architects, Work.” Denver,New York, CO.Brett NY andWolfe Queens, for the BlancoNY. Summer Library “warm project up.” (2006). AIA Architect, Volume 15, March 21, 2008. of Architects, September 1998), p.4. Scott Vandever for the Blanco Library project (2006). 2007 Architectural League2001 of NewYale York.School “Found.” of Architecture,Dean’s New York,Award New NY. for Haven, Summer CT. Research “New Blue.”. NYU, Gallatin School of Individualized Study. BOOKS 2003 “Concrete, New York2011 City, “Double USA,” byDribble,” Jeremy byMyerson Jason Kirbyand Philip in Macleans Ross2001 in The, (Canada “Guess 21st Century Again,”124/8, March Officeby Monica 7, 2011), Geran pp. in 40-1. Interior2013 Design “Good (New Design,”York, NY: introductionCahners, September for gallery 2001) show, New York University, Gallatin School of Louisa Nolte, 2016. All students for the Design.Build.Texas project (2005). (London: Laurence King Publishing, 2003), 2007pp. 158-161. “Rigorous Inquiry,” by Stephenpp. 218-223. Sharpe in Texas1998 Architect“Funny Garbage (September/October Headquarters,”Individualized 2007), Design p. Study, 7. Distinction Gallery in Five. I.D. 01Annual Oct. 2013.Design Review, 1998 (New 2007 Umlauf Sculpture Center2001 Yale (with School Scott Specht).of Architecture, Austin, TX. New Haven, CT. “Yard Sale.” Frank Farkash for the Children’s Community Center project (2003). 2015 “Specht Harpman” in Thirty Years of Emerging2011 “The Voices: Top 100Idea, Architects,” Form, Resonance by Wendy (New Goodman York: in New York Magazine, FallYork, 2011. NY: Magazine Print. Publications, L.P., July/August 1998), p.166. University of Texas at Austin, School of Architecture (with Scott Specht), “Everything MustGovernors Go!” Island Competition. 2007 1997 Borough of ManhattanHorn FamilyCommunity Environmental College,Jenny New Studies Wu York, for Resourcesthe NY. Children’s Fund. Community NYU, Gallatin Center School project of Individualized(2003). Study. Princeton Architectural2003 Press, “Hypertexture,” 2015), pp. 193-4.by Ben Print. Gilmartin in PRAXIS2007: Architecture zeroHouse™ After Studio Capitalism2001 Award “Freeze Winner(Cambridge, Frame,” in Texas by MA: Monica Architect Geran (September/October in Interior2012 Design “Elsewhere (New 2007), York, Envisioned,” pp.84-85. NY: Cahners, Introduction September for 2001) Global Design NYU gallery show (with Peder Anker, Austin, TX. Governors Island Competition. 1997 Lower ManhattanLouisa Cultural Nolte, Council, William New Kammler, York, NY. 2016. Praxis, Inc., 2003), 2010pp.32-35. “Barn Raising,” in WiltonAlso Magazine featured by on Carolyn the cover Rundlep. 294.of the Field magazine. (Wilton,1998 CT: “Good Publisher), Machine May/June Offices,” Mitchell Design Joachim), Distinction hosted Award byin I.D.New Annual London Design Architecture Review, 1998 at the (New Building Centre, London. 2007 Pecha Kucha (with 1997Scott UnitedSpecht), States “Specht Coast Harpman,” Guard, CommandingAustin, TX. Distinction Officer’s inGallery. Design Governors | University Island of Competition.Texas at Austin | School of Architecture 2014 “The Design Integration of Renewable Energies 2010.(Korean Translation),” by Franca Trubiano and York, NY: Magazine Publications,September—October, L.P., July/August 2012. 1998), p.166. Shengning Zhang for the Austin Fire Station project (2007). 2006 Town Hall, “Information,1997 Van Technology Alen Institute, and theDean’s New Public York,Award Library,” NY. for Governors Blanco,Summer TX. ResearchIsland Competition.. NYU, Gallatin School of Individualized Study. Russell Gentry in Franca2001 Trubiana,“Making ited., Real,” Design by Elana and ConstructionFrankel in Design of2007 High-Performance Secrets: “zeroHouse” Office inSpaces Homes: Ketchup2001 (Gloucester, “Office Magazine MA:Environments: (Hong Rockport Kong: NovemberWhere To Now?,” 2007), p.40.by James S. Russell, AIA in Architectural Record (New Brendan Ward, 2015. 2006 ACSA National Conference,1997 Municipal Featured Art Presenter, Society, New “Design York, Build NY. Texas,”Considering Salt Lake Governors City, UT. Island. Building Envelopes, RenewablePublishers, Energies Inc., 2001),2010 and pp “Hidden Integrated 42-45, Potential,”102-105, Practice 110-113. by (Seoul:Marc Kristal Korea in ResearchMetropolis York:, March McGraw-Hill, 2010, pp.1997 June34-6. “Art 2001), and pp. Architecture: 143-160.2012 New “Mapping,” York Style: Introduction Production for Studios, gallery Theaters,show, New and York Galleries,” University, by Gallatin Jayne School of Individualized Feldman Prize | Yale University Institute of Eco-Environmental Architecture, 2014), pp. 107-125. Print.2007 “zeroHouse” in PanDaa (Hong Kong: December Merkel2007), p.and 14. Nina RappaportStudy, in Oculus Gallery (New Five. York, 01 Oct NY: 2012. American Institute of Architects, November 2005 Philbrook Museum1995 of Art, Architectural “Architecture League in the Garden,”of New York, Tulsa, New OK. KokYork, NewKian NY. YorkGoh Winner University.(1999). (with Michael Harshman and Alex President’s Service Award. 2000 “Living in a Wrapper,”2010 by “The James zeroHouse Trulove and is the Il Kim greenest in Big ofIdeas them for2001 all,”Small “Top by Spaces ShondaDeck,” (New by Novak, Henry York: inUrbach 1997), the Austin in p. Interior 8. American Design (New York, NY: Cahners, May 2001) pp. 268-274. 2005 University of Houston SchoolCohen), of Architecture, EnvisioningMichael East “Found,” New Ryan, York Houston, 2014. Competition. TX. “Home Grown.” 2014 “Specht Harpman” in PederWilliam Anker, Morrow Louise and Harpman, Co.,Statesman 2000), Mitchell pp., 192-9.JanuaryJoachim,2007 16, Global “zeroHouse”2010. Design (London,in Digital World (China: December 2007), p. 22. 2012 “Mapping as a Spatial, Political and Environmental Practice,” interview with Cassim Shepard, Washington University, School of Architecture and Planning (with Scott Specht), St. Louis, MO. 2004 Distinction in Architecture | Yale University Munich, New York: Prestel, 2014), pp. 86-91. Print. 2001 “Far From Tigers and1997 Dragons,” “Testing by at Williamthe Extremes: L. HamiltonUrban Houses inOmnibus The Now,” New 22by York Feb.Jayne Times, 2012. Merkel House Web. in Oculus17& Home, Jul. 2015.(New York, NY: American LauraNYU, Crescimano Gallatin (2000).School Justinof Individualized Beal (1999). Study. Brad Farwell (1998). Simon Bertrang (1997). 2004 University of Toronto,Design School Award of Architecture. JuriesGallatin and Toronto, Peer Koppenaal Canada. Reviews Award. JOURNALS AND PERIODICALS2010 “The Top 100 Architects,”2007 “The by Adapters,”Wendy Goodman by Carol inMarch Flake New Chapman 22,York 2001, Magazine inpp. House F1, (cover),FallInstitute & Garden 2010. F5. of Print. (NewArchitects, York: Conde October Nast 1997), Publications, pp. 6-13. Michael Ryan, 2014. 2002 Architectural League of New York (with Scott Specht), “Local.” New York, NY. 2013 “Inventory / Peel, Pucker, Pinch, Puncture” by Louise Harpman and ScottJune Specht, 2007), reprinted p. 174. in 2006 “Design.Build.Texas” in Platform (Austin, TX: University of Texas at Austin, School of Architecture), Thesis Prize | University of Pennsylvania GSFA 2016 Peer Reviewer, TAD, The Journal of Technology, Architecture, Design Sina Najafi et. al. 2015eds., Curiosity “Best Architects,” and Method: by Wendy Ten “Bouwen Years Goodman ofVoor Cabinet de in Toekomst,” New Magazine York inMagazine, (Brooklyn, (Holland: 2001DesignNY: “Inside.Out,” Hunting February/March, Fall by 2015. Henry1997 2009), “BrooklynUrbach p. 98. in Public Interior Library Design Designpp. (New 20-21. Guidelines,” York, Print. NY: Cahners, by Jayne MarchMerkel 2001), in Oculus pp. (New York, NY: American Amy Lopez-Cepero NYU, Gallatin (1995). School of Individualized Study. 2009 Green.2 2015 Juror, New York University,Gallatin StudentColes Reconstruction, Resources Fund. New York, NY. Immaterial Incorporated,Print. 2013), pp. 103-107. “zeroHouse” in 100% Architecture133-135. Now (Russia: OctoberInstitute of2006), Architects, p. 86. April 1997), p. 11. Michael Ryan, 2012. 2006 Exhibitions 2015 Juror, Emerging Voices, Architectural League of New York, New York, NY. 2009 “Sweet Nothing,” by Sarah Rich in Dwell (February 2009), pp. 52-6. 2005 “Inventory / Peel, Pucker, Pinch, Puncture,” (with Scott Specht) in Cabinet: A Quarterly of Art Juror, ONE PRIZE, Stormproof Competition,Publications Brooklyn, NY. featuring Harpman’s work with students 2012 “The Design Integration2015 “Best of Renewable Architects,” Energies,” by Wendy by Goodman Franca Trubiano in2006 New “Hittingand York Russell Magazine, the GentryBooks,”2001 Design in by “AnJayne Hunting Architecture Merkel, Summer in Architecturalin theSpecht Making: Harpman’s Record: Young Special Architectswork has Supplement,and been in CultureNew featured York,” University(Brooklyn, on by websites Nina NY: Rappaport Immaterial such as Houzz, in Incorporated, Tec21 Fall 2005), Issue 19, pp. 10-13. Print. 2013 Swiss Prize, Swiss Society of New York. Administered by NYU, Gallatin School of Individualized Study. 2016 Mmuseumm, New York, NY. Specht Harpman Coffee Lid Collection. Franca Trubiana, ed., in2015. Design Print. and Construction2008 “Specht of High-PerformanceHarpman,” in Wallpaper*Buildings Homes: (New Magazine Building York: McGraw-Hill, Design (Zurich: Directory Verlags, October 2008 February 2006), featuringBehance, 2001),pp. 7-14.“the Architectural pp. world’s7-18. 50 Record, Wallpaper*, How Stuff Works, Treehugger, 2012 Juror, American InstituteStephanie of Architects Hodges, 2012.(AIA),2016 Emerging “Good New Design,” York Architects, by Louise HarpmanNew York, in NY. Techstyles, Spring 2016. Print. 2015 Yale School of Architecture, New Haven, CT. “Pedagogy and Place: 100 Years of Architectural Envelopes, Renewable Energies and Integratedmost Practice inspiring (New young York: architecture Routledge, practices,” 2012), pp. (UK and US: August 2008),Digg, pp.102-104. BoingBoing, Behance,2004 “On DuPont teaching Design your Innovations, teacher,” in Constructs (New Haven, CT: Yale School of Architecture, Fall 2010 Juror, Residential Architect Design Awards, Washington, “Whiteness” DC. (featuring the work of students Jack Richards, Lily Wolens), by Allyson Paty in Education at Yale.” Drawings by Louise Harpman. 2015 107-125. 2014 “Best Architects,” by Wendy Goodman in New “Modern York Magazine, Barn,” by 2000Design Jane “The KolleenyHunting Building ,in Fall Architectural Blocks,” 2014. Remodelista, by RecordMayer Rus(New Apartment in York:W Magazine McGraw-Hill, Therapy,2004). (New Print. Architizer, JulyYork, 2006), NY: Interior October, Design: 2000), Served, pp. 238-among many others. Dean’s Prize for Innovation. NYU, Gallatin School of Individualized Study. 2006 2009 Juror, American Institute of Architects (AIA) BuildingConfluence, Awards, Chicago, Fall 2015. IL. Web. Print. 250. 2015 Creek Show, Austin, TX. Public art installationMiriam along Brafman, Waller 2011. Creek. 2008 “Une Maison Prefabrique,”pp. in 174-178. Le Petit Quotidien (Paris: November 14, 2008), p. 2. 2009 Juror, Art Alliance Austin, TOGS2, Austin, TX.2012 “Mapping as a Spatial, Political and Environmental Practice,” by Cassim Shepard, Urban Omnibus 2011 “zeroHouse,” in Prefab Houses, Maisons Prefabriqueés, Fertighäuser, Prefab Huizen 2002 “Building a Better Can Opener,” by Scott Specht and Louise Harpman in New York Times 2015 Mmuseumm, New York, NY. Specht Harpman Coffee Lid Collection. Publications by Louise Harpman (selected) Juror, Art Alliance Austin, Temporary Outdoor Gallery22 Feb. Space, 2012 Austin, Web. 17 TX. Jul. 2015. (Antwerp: BooQs Publishers “Best BVBA, Architects,” 2011), pp. by 420-7. Wendy Also Goodman featured in on the cover of the book. “Industry Non-Standard,”, Summer by Raul Barreneche in InteriorsMagazine (BPI, December Communications, 1, 2002, Octoberp. 140. Print. 2000), 2008 Horn Family Environmental Studies Resources Fund. NYU, Gallatin School of Individualized Study. 2014 2008 “Habitat Ecologique,”2005New in“Labworks,” YorkArchitecture Magazine, in Interior a 2000 Vivre/MaisonsDesign Design Hunting (New No. York: 44 Reed (Paris: Business September/October Information, March 2005), p. 132. 2014 AIA Modern Homes, Austin, TX. Cliff House. “Good Design,” introduction for gallery show, New York University, Gallatin School of 2006 Juror, American InstituteSam Galison, of Architects Laura Seach,(AIA)2007 Design Ariel “Wooldridge Dubov, Awards, Jana Ft. Square Worth,Kalnina, Park:TX. 2011. the Study,” by Katherine Gregor in the Austin Chronicle, August 3, 2014. Print. 2008), p. 83. pp. 83-85. 2015 2014 Goethe Institut, Weldstadt, New York and Berlin. Who makes the city?2007, p. 22. Print. 2010 “Oasis Advertising” in Re:Crafted, Interpretations of Craft in Contemporary Architecture Individualized Study, Gallery “Environments,” Five. 01 Oct. 2015. , 1999 (New York, NY: Magazine Publications, L.P., 2005 Juror, Philbrook Museum of Art, LANDed Competition, Tulsa, OK. 2005 “Inside Arts,” by Jeanne Claire van Ryzin in the Austin American-Statesman1999 (Section XLENT,I.D. p. Annual Design Review 2012 Smithsonian Institution, Museum of American History, Washington, DC. “Design.Build.Texas,” by Jonathan Bell in The 21st Century House (Laurence King: London, and Interiors by Marc2014 Kristal “Weston (New House,” York: Monacelli in Architectural “zeroHouse” Press, 2010), Record, in pp. Featured182-9.30), February (Taiwan:Houses, March3,September 2005.2000 2008), “Hurd 2014, p. 16. Studios,” online. Honorable Mention in I.D. AnnualJuly/August Design Review, 1999), 2000 p.161-181. (New York, Print. NY: Magazine 2004 Juror, American InstituteAmerican of Architects Institute (AIA)of Architects.2006 Design Awards, Austin, Charlotte,TX. NC. 2008 China Times Specht Harpman Coffee Lid Collection. Brett Wolfe for the Blanco Library2006), project, pp. 180-183. 2011. Print. Publications, L.P., August2015 “There 2000), is p.155. No Planet B,” (with Peder Anker, Mitchell Joachim). EnviroSociety. Web. 21 Dec. 2015. 2003 Juror, American Institute of Architects (AIA) Design Awards, Memphis, TN. “If These Walls Could Talk,” (New York: PS1/Museum of Modern 2012 American Institute of Architects, New York, NY. New York Now. zeroHouse™,2005 “Design.Build.Texas,” prairieHouse™, by Louise Harpman in Platform (Austin, TX: University of Texas at Austin, 2009 2013 “A SpiritedPS1/Museum Game of 2008of Musical Modern “Lo MasRooms“, Art Eco delby MarcMercado,”2005 Kristal “Cool byin Heating,” theSoledad New Garcia-HuidobroYorkin WIRED Times (New, January York: in +Decoracion 17, Conde 2013, Nast Especial Publications, Sustenable January1999 2005), “Twentieth-century p.116 American Patterns,” (with Evan Supcoff) in Harpman and Supcoff, eds., 2003 Juror, American Institute of Architects (AIA) Design Awards, Western Colorado. Art, Summer 2009), pp. 4-5. windCatcher™. National Council of ArchitectureSchool Registration of Architecture, Board 2005), NCARB pp. Prize 20-21. for Print. the Creative Integration of p. D1 (cover), D6. (Chile: May 2008), pp. 88-89. 2000 “The Latest Designs2015 By “Evolution (Your Name of theHere),” Coffee byPerspecta Lid,”William Mmuseumm L. 30,Hamilton The, YaleNew in ArchitecturalThe York, New NY. YorkPrint. Journal Times,. (Cambridge: MIT Press, 1999). Print. House & Home, June 22, 2000, p. F1. 2012 Yale School of Architecture, New Haven,Practice CT. “Women and Education in Architecture.” 2005in the “Field Academy. Education,” Honorable by Ingrid Mention, Spencer Design.Build.Texas, in Texas Architect 2006. (Austin, TX: Texas Society of Architects, 2004 “Dross; on the onset of a post-production era,” by Lydia Kallipoliti in PART Journal of the CUNY 2008 “zeroHouse™” in 2013New “ModernPrefab Architecture Translation,” (Barcelona:by Mayer Rus Loft in Architectural Publications,PhD ProgramDigest 2008), edited(February in Art byHistory, 2013), Spring pp. 126-133. 2004. 2015 NYU Stories. “Peel,1999 Pucker, Perspecta Pinch or 30, Puncture. The Yale Coffee Architectural lids, explored.” Journal. Video Co-editor clip. 16(with Jan. Evan 2015. Supcoff). (Cambridge: MIT 2012 Building Centre,Teaching New London Awards Architecture, and Fellowships London, UK. Global DesignMay/June NYU. zeroHouse™, 2005), pp. 18-21. Print. 2008 “La Casa in Tasca,” in Blu & Rosso (Milan: March 2008), p. 40-3. Design.Build.Texas, featured project at annual Sergio Costa Duran, pp. 98-101. 2000 “The New New Loft,” byWeb. James 17 S. Jul. Russell, 2015. AIA in Press,Architectural 1999). Print. Record (New York: McGraw-Hill, prairieHouse™. United States Green Building2005 “From Council. Paper to Prairie,” by Jeanne Claire van Ryzin in the Austin American-Statesman, January Greenbuild conference, Portland, OR, 2006. 2013 “prairieHouse and windCatcher,” in Texas Architect “Custom (January/February Furniture,” by 2013),AnnJune Sample p.2000), 19. in pp. Elements 141-3. of Living (New York: Elements Media, November 2010 Friar CentennialD’Arcy Teaching Residence. Fellowship, Semi-Finalist,27, University2005, pp. ofE1, Texas E7. Print. at Austin. 2008 “Go Green,” in Home2004 Review (India: March/April 2008), p. 38 2012 AIA Modern Homes, Austin, TX. 2007 “Psychoplex,” in Coney Island: The Parachute Pavilion Competition 2004), (New pp. York: 90-91. Princeton 2015 “Good Design,” 1997 introduction “Drawing for the gallery Line: Couplesshow, New in Life York and University, Work,” in Gallatin Practices: School Magazine of of the Center for 2009 Friar Centennial Teaching Fellowship, Global Finalist, 2005Design University “Design.Build.Texas,” NYU. ofzeroHouse™, Texas at Austin. by Louise Harpman (with Russell Krepart) in ISSUE: 01 (Austin, TX: 2011 New York University, Gallatin Galleries, TexasNew SocietyYork, NY. of Architects. Honor Award, Studio Category, Design.Build.Texas, 2006. Architectural Press/Van2013 Alen“The Institute, Top 100 2007),Architects,” p. 86. “Gelecegin by Wendy evinde Goodman tek yon in New doga,” York by Magazine Mimar2000 Sedef, Fall“Frame Oran 2013. byin Print.Yer, Frame,” Yasam by ve Abby Individualizedmekan Bussel Kulturu in Study,Interior Dergisi Gallery DesignPractice, Five. (New 5/6.01 York,Oct. Print. 2015.NY: Cahners, May 2000),pp. prairieHouse™, windCatcher™.2008 Faculty Research Fellowship, University of Texas atUniversity Austin. of Texas at Austin, School of Architecture), pp. 8-11. Print. 2008 (Turkey: January 2008),2003 pp. “Prize 12-13. Possessions,” by 301-5. Jane Margolies in Interior Design (New York, NY: Cahners, October 2007 Junior Fellow, Society of Junior Fellows in British “Work: Studies, Students University Build of Texasfrom theat Austin. Ground Up,” by Ingrid Whitehead in Architectural Record (New 2011 Modern Homes. Stirratt Residence, NewGeorge Canaan, H CT. Mitchell Award2004 for Academic Excellence | University of Texas at Austin 2006 “Specht Harpman”2012 (various “West projects) Lake Residence,”by Robert A.M. by Stern,Jonathan David Bell, Fishman, as featured2003) Jacob pp.in Tilove Wallpaper* 226-229. in New Magazine, Architecture,2014 Global Design (London,1997 “Interview Munich, with New Robert York: Venturi Prestel, and 2014), Denise co-authored Scott Brown,” with (with Peder Bill Braham) Anker, in Practices: Magazine 2006 Faculty Fellow, LBJ School of Public Policy, UniversityYork: ofMcGraw-Hill, Texas at Austin. June 2004), p. 52. Print. (New Mitchell Joachim. Print. , 5/6. Print. 2009 East Austin Studio Tour, Austin, TX. Brett Wolfe for the Blanco Library project (2nd Prize 2007—$5,000). York 2000: ArchitectureInteractive and Urbanism Floor BetweenPlan2008 feature, “The the Eco-FriendlyJuly Bicentennial 26, 2012. House and the To-Go,” Millennium in DFW Greenzine1999 “Taking (September Stock” by 2008), Henry pp. Urbach 24-5. in Interior Designof the (New Center York, for NY: Practice Cahners, March 1999), pp. “UT Students Design Eco-Friendly Homes,” by Brandon McElvey in The Daily Texan, April 12, York: Monacelli Press, 2006) 2009 Open Architecture,2005 Austin, Scholarship TX. Award, School of Architecture,2004 University of Texas at Austin. 2003 “All in the Family,” by Jane139-143. Margolies in Interior Design (New York, NY: Cahners, October 2003) Oglesby Prize | University of 2004,Texas p.at 6.Austin Print. | School of Architecture 2014 “Elsewhere Envisioned,” Brooklyn (with Peder Public Anker, Library Mitchell Design Joachim), Guidelines Global Brooklyn, Design NY. (London, Author. Munich,(New York: City of New York and 2009 Austin Children’s 2005Museum, Citation, Austin, Services TX. “MegaModel.” for Students with Disabilities, University of Texas at Austin. 2012 “Modern Home Tour2008 shows “High Best Performance of Style, Made Prefabs,”pp. Livable,” 115-117. by Sheri by Nicole Koones Villalpando in Smart inHomeowner the Austin (July/August 2008), 1996pp. Brett Wolfe (1st Prize 2007—$5,000). David Bench (1st Prize 2006—$8,000). 2005 “Young Architects,” by Terry Riley in PRAXIS: Untitled Number Seven (Cambridge, MA: Praxis, New York: Prestel, 2014),Design pp. 8-11. Trust Print. for Public Space, Inc., 1996). Print. 2004 Fellow, Humanities Institute, University of Texas2004 at“Students Austin. Construct House,” by Alejandro Martinez in The Daily Texan, March 12, 2004, p. 9. American-Statesman, February38-42. 1, 2012. 1998 “Hale and Hearty,” by Henry Urbach in Interior Design (New York, NY: Cahners, October 1998), 2007 University of Texas at Austin, School of Architecture, Mebane Gallery, Austin, TX. “Specht Inc., 2005), pp.41-43. Print. 2002 “The Top 100 Architects,”pp. by 160-5. Wendy Goodman in New York Magazine (New York, NY: Fall 2002). Harpman: Everything1997 Must National Go!” AIA Award for Teaching Excellence. Undergraduate ResearchISSUE: Fellowship University Winners of Texas | University at Austin of | TexasSchool at of Austin Architecture Annual Publication 2012 “Texas State project makes “The creativeEco Prefab use Revolution,” of tiles, by by Jeanne-Claire Jeff Herlitz in van Urban Ryzin, Land in (May the Austin2008),2014 pp.64-68. “Notes from Also thefeatured Conference,”1993 Museum (with of Modern Karly Krakow, Art, New Peder York, Anker,NY. Christmas Mitchell Card Joachim) “Starfold” in Bottger purchased for production and 2006 University of Texas1995 at Austin, Design School Trust for of Public Architecture, Space, Senior Mebane Fellowship. Gallery, Austin, TX. “Capsule 2008 Drew Finke (2010). Charleen ChaeIssue: (2010). 001 featuring Brett Wolfe the (2006).work of the 16 students in Design.Build.Texas studio (2005). Print. 2005 “Oasis Advertising,” in 100%American-Statesman Office: Architecture, August + Design 18, 2012. (Moscow: Ova-Press, “Interior MarchEye,” by2005), 1998Craig “SenseKellogg and in AD Sensibility,” Architecturaland by HenryFitz,Design eds., Urbach (London: Weltstadt-Who in InteriorWileysale. & Print. DesignCreatesSons, Sept/Oct (New the City? York, , (NewNY: Cahners, York: Goethe March Institut, 2014), p. 3. Print. Summary.” on the cover of the2002 magazine. Issue: 003 featuring the work of Scott Vandever for the Blanco Library project (2006). Print. pp. 132-3. 2002), pp. 104-107. 1998), pp. 146-9. 2006 Proteus Gowanus Gallery, Brooklyn, NY. ExcellenceCabinet 19: inSpecht Design Harpman Award WinnersCoffeeIssue: 003Lid | University Collection.featuring theof Texaswork ofat Brett Austin Wolfe | School for the of BlancoArchitecture Library project (2006). Print. 2014 “Good Design,” introduction for gallery show, New York University, Gallatin School of Eddie Kopelson for the studioPLAY project (2008). 12 14 11 13 18 20 22 19 24 21 23 25

(9) [email protected] jacknathanrichards.com | 917.705.8386 LOUISE HARPMAN

Portfolio: Professional Scholarship Pages highlighting the professional work by Louise Harpman, especially as a principal of Specht Harpman Architects

PROFESSIONAL 2011 2014 SCHOLARSHIP

1995 Specht Harpman | Architecture and Design Founding Principal,STIRRATT New York City RESIDENCE CLIFF HOUSE Louise Harpman__PROJECTS 2015 The Stirratt Residence is nestled into a lush hilltop in The Cliff House is perched along Austin’s historic Founding Principal, New York City New Canaan, CT. The house engages the landscape Scenic Drive, bolted into a limestone cliff, overlooking and immerses the occupants in the full range of the Lower Colorado River. The house’s three levels are environments that the site offers. barely visible from the road, and the interior spaces reveal themselves only after entering the precinct. Specht Harpman designed the house to welcome its owners and their visitors into what feels like a The house’s entry is marked by a minimal forecourt floating pavilion in the tree canopy. A winding drive and lighted pavilion, which gives onto a lush planted brings visitors through the forest to arrive at a low roof garden. The entry portal houses a suspended and gracious landscaped court that frames the glass staircase and elevator. Social spaces cluster at the entry pavilion. From this court, the transparency of bottom of the main stair, while private rooms are the house is evident: twelve-foot-high floor-to-ceiling accessed through intermediate landings and feature glass allows views through the house, incorporating views of the water and the stone cliff. the landscape into the body of the house. The tree canopy becomes a part of the architecture and creates Specht Harpman designed this house so that light a visual perimeter that changes with the seasons. and air animate all the spaces, to support year-round indoor and outdoor living. Reclaimed materials The lower level of the house, carved into the earth, and the Owners’ many artifacts are incorporated features a media room, library, and offices. These throughout the interior and exterior of this family spaces open out onto the forest floor beyond, and link home. to a series of “outdoor rooms” that feature a fireplace and seating areas. The grounded, cozy nature of the lower level provides an experiential contrast to the expansive and light-filled level above. The swimming pool and separate cabana emphasize the project’s strong lines and classically modern roots.

2003 Specht Harpman | Architecture and Design Founding Principal, New York City and Austin, Texas

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BEACH HAVEN ZEROHOUSE This narrow house positions itself to take advantage The zeroHouse™ is a small, prefabricated house of open views to the ocean, while maintaining privacy that can be easily shipped and quickly erected. It within a densely populated beachfront community on has amenities that include a full kitchen, bath, living the Jersey Shore. Using design principles that one room, outdoor decks and all elements necessary to might find in an 19th century urban neighborhood, comfortably support four adults. this “townhouse on the beach” offers large windows and balconies on the seaside and entry facades, while The zeroHouse™ operates independently, without screening the side elevations. the need for any external utility or waste disposal connections. It is completely solar-powered, collects Specht Harpman designed this house with all its own water and processes its own waste. Its habitable spaces well above the ground plane, to operational optimum zone ranges from 25 degrees comply with post-Sandy storm surge regulations. north latitude to 25 degrees south. The house and its generous shaded patios provide a relaxed flow between the precinct of the house and The zeroHouse™ can be used in many applications, the beach. Storage for kayaks, bicycles, and other including residential uses in remote or ecologically recreational equipment is easily accommodated here, sensitive locations, as ecotourism resort units, or as and custom hammocks attached to the supersized living or office modules for remote employment such structural columns. The interior features a sculptural as mining, construction, or relief agency uses. stair that connects the family living areas, which include a combined kitchen/dining room/living room, The zeroHouse™ originated and was developed four bedrooms and three bathrooms. in the offices of Specht Harpman, with additional support from Bear Ventures, DuPont Corporation, and the University of Texas at Austin.

awards

publications AWARD

exhibits

GLOBAL DESIGN NYU 21ST CENTURY HOUSE Everything Must Go! 54 56 58 55 76 57 59 77

2004

COFFEE LID OXO COLLECTION The design for the headquarters of OXO International Louise Harpman is the joint owner of the largest was inspired by the durability and functionality of collection of independently-patented coffee cup the company’s signature products. The company lids in the world. She is in contract with Princeton expanded four times during its tenancy in this former Architectural Press to write a book about the complete Nabisco factory and Specht Harpman worked with collection. OXO for each of the renovations in New York City’s meatpacking district. Harpman has lectured widely about the collection and has given radio, television, and magazine interviews Part showroom, part laboratory, part working kitchen, about the design intelligence that goes into making the offices for the OXO embrace their ethos of “good everyday objects. design.” Invited by IDEO to create a seminar with a nationally- Specht Harpman exposed and restored the existing known drinks company, Harpman has also reviewed columns, scalloped ceiling, and hardwood floors pending patent applications. The Smithsonian of the existing factory building. Custom cabinetry, Institution, National Museum of American History, furniture, and light fixtures animate the common accessioned 50 (fifty) of the lids in 2012 for its spaces. New finishes include raw cork, cement board, permanent collection. finished maple, and sheet steel. In addition to open workstations and private offices, the space features After receiving a Humanities Institute fellowship at a large communal lunchroom and a commercial the University of Texas at Austin, Harpman pursued kitchen where products are tested and used daily further study of collections and from that one- by employees. The “glove wall” features lost gloves semester seminar, developed a new graduate course collected by employees from all over the world. in collecting. She participates frequently in symposia dedicated to collecting, most recently at the Morgan Library (2015), Villa la Pietra in Florence (2015), and Mmuseumm (2015, 2016) in New York City.

publications exhibits

awards

AWARD MAGAZINE events publications

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(10) [email protected] jacknathanrichards.com | 917.705.8386 LOUISE HARPMAN

Portfolio: University Scholarship Pages highlighting academic projects completed by Louise Harpman and her students

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Global Design—co-authored by Louise Harpman, The authors accept that the term “global” Peder Anker, Mitchell Joachim—was published by is problematic and, at this point in the 21st Prestel, an imprint of Random House, in early 2015. century, obscures more than it reveals. And yet UNIVERSITY 2014 The book includes design work that was shown in we purposely employ this term to try to find a two large-scale exhibitions in New York and London dynamic equilibrium between the global and and an introductory essay by the authors. The book the local, believing that it is vital to uphold a SCHOLARSHIP also includes an essay by design editors Ellie Stathaki sense of nearness to places, identity, and culture and Jonathan Bell, and a scholarly essay by Hashim irrespective of actual distance. The projects and Sarkis. Commentary by the authors in the form of a practices featured in this book show a bridging and trialogue accompanies each project. breaking of disciplinary boundaries, where solving design problems demands great fluidity, and, in Global warming and its effects pose enormous some cases, a new type of emergent practice. challenges to the architecture, landscape architecture, and urban design communities. The Global Design foregrounds a number of designers immediate response has been a turn toward a who see their work as informed by local and global host of energy-saving technologies or behavior concerns and whose projects expand traditional modifications. What has rarely been addressed, definitions of practice. As the design disciplines however, is the problem of scale. Global Design asks expand to embrace other areas of knowledge, it how designers can ensure that global solutions do is our hope that the work featured in our book, as 2016 GLOBAL DESIGNGLOBAL BOOK DESIGNnot come atBOOK the expense of local traditions, cultures, well as the design process itself—which promotes and environments. Global Design places human research, innovation, experimentation—will bring emotional, technological, and social needs at the its rigor and methodology to a wider audience. center of its environmental concerns.

New York University 2014 Gallatin School of Individualized Study Associate Professor

New York University 2010 Gallatin School of Individualized Study Associate Professor of Practice Co-founder, GLOBAL Design NYU

138 139 140 142 GDNYU website Global Design authors with Susanne Wofford, Dean of the Gallatin School 141 143

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Five Gallatin professors, led by Louise Harpman, staged this one-day art action in the heart of Washington Square to support the COP21 climate negotiations in 2015 2011 Paris.

Working with a group of dedicated students, the hazmat- robed team “occupied” the Square as they spelled out the statement, Climate Change Deal Now, using melt water from industrial-sized ice blocks. Working without permits, students learned firsthand how to succeed in carrying out a large-scale public space takeover.

Faculty and students were also committed to the Divest NYU campaign and created a second meltwater statement that read, Divest Now.

Acclaimed filmmaker Keith Miller directed the video, while climate activist Paul Miller (aka DJ Spooky) CLIMATE ACTION NYU provided the music. MAPPING Both videos attracted significant media attention and can be viewed here: http://bit.ly/1Kc3zYO

Keith Miller directs Peder Anker, LouiseStephen Harpman, Duncombe MItchell Joachim, Stephen Duncombe and students from Kimmel Center

144 200-pound blocks of ice need lots of muscle to move Faculty and students occupy Washington Square Park GDNYU co-director Louise Harpman preps all team members146 145 147 166 Eva Jaeger – 100 Years of Women’s Reproductive Rights in the United States

UNIVERSITY SCHOLARSHIP UNIVERSITYUNIVERSITY SCHOLARSHIPSCHOLARSHIP

Louise Harpman was invited to curate a show of student design work at the Atlantic and Aspen Institute’s fourth annual New York Ideas Conference. This event 2015 2003-10 highlights people, ideas and trends that are predicted UNIVERSITY The Professional Residency Program at the University to change the future of the city. NYU’s Gallatin School of Texas at Austin is an upper-level honors program for was the first New York City college invited to this professional architecture students, through which they prestigious conference. SCHOLARSHIP secure placement at architecture offices and receive course credit. The Program has been a hallmark of Students were selected from the Architecture and the architecture school since 1974 and during the six Urban Design LAB courses taught by Louise Harpman years of my Directorship, we expanded our network to and Mitchell Joachim. All the featured projects sought include over 180 offices in 21 different countries. to identify system-based urban design problems, and to propose design solutions to address them. Our students joined leading offices such as Renzo Piano Building Workshop (Paris and Genoa), Norman Foster & Featured projects include: Associates (London), Behnisch Architekten (Stuttgart), 911, Please Hold by Katherine O’Kelly—a proposal Sauerbruch Hutton (Berlin), SANAA (Tokyo), Toyo Ito to improve emergency service response time for life (Tokyo), Arup (London and Shanghai), SOM (New York threatening conditions. and Chicago), KPF (New York and London), David Tangerine Airport NYC by Jack Richards—a proposed Chipperfield (London and Berlin), Richard Meier (New new airport in New York Harbor accessed primarily by PROFESSIONAL York), Tod Williams Billie Tsien (New York), Allied Works ferry. (Portland), Massimiliano Fuksas (Rome), Agence Patrick HoopHouse by Maggie Chandler—a proposal to make Jouin (Paris), OMA (Rotterdam), BIG (Copenhagen), the city’s outdoor basketball courts useable year round. RESIDENCY PROGRAM Snohetta (Oslo), Claesson Koivisto Rune (Stockholm), Common Underground by Jiachen Xu—a new type of Elemental Chile (Providencia), among many others. community space for unsheltered homeless people. NYC Soundscape by Max Theony—a set of proposals For additional information on the program, please visit to dampen excessive noise and promote positive http://soa.utexas.edu/resources/prp. soundscapes. Macrosea Academy by Rayne Holm, Timothe Husson, Sage Youngblood—a Jackproposal Richards –for Tangerine a new Airport high NYC school within a large maker space.

University of Texas at Austin 2010 School of Architecture Associate Professor Harwell Hamilton Harris Regents Fellowship Professional Residency Program Director

University of Texas at Austin 2008 School of Architecture Associate Professor Harwell Hamilton Harris Regents Fellowship Professional Residency Program Director Humanities Institute Fellow

172 Jack Richards Maggie Chandler Max Thoeny Katherine O’Kelly – 911, PleaseKatherine Hold O’Kelly 173 188 175 210 211

(11) [email protected] jacknathanrichards.com | 917.705.8386 GRAPHICS

Timeline A circular chronology of academic and professional tenure from 1994 to 2017

Brand Concept Logo options for a group of New York City based bar owners, employees, and investors

(12) JACK NATHAN RICHARDS [email protected] | jacknathanrichards.com | 917.705.8386

INDEPENDENT WORK

PERSONAL DESIGN EXERCISES

(13) [email protected] jacknathanrichards.com | 917.705.8386 MICRO-LOFT

Schematic Renderings A 360 square foot loft with built in elements to maximize efficiency and operable windows for openness

(14) [email protected] jacknathanrichards.com | 917.705.8386 INDEX CARD HABITATION

Schematic Renderings & Assembly Instructions

Modular construction of 100 3x5 index cards to maximize area of a hypothetical habitable space using only cuts and folds, without any adhesive or bonding agents

(15) [email protected] jacknathanrichards.com | 917.705.8386 REAR WINDOW

Abstraction

A ten slide synopsis of the Hitchcock masterpiece Rear Window, where the plot has been simplified and the graphics have been abstracted into a new visual language (spoiler alert) 1 2

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(16) [email protected] jacknathanrichards.com | 917.705.8386 ILLUSTRATIONS

Playing Card Concept Joker, two of clubs, and five of clubs, re-imagining the classic shapes and use of rotational symmetry

Optical Illusion Chaotic, neutral, and lawful variations of the standard rhombille tiling

(17) JACK NATHAN RICHARDS [email protected] | jacknathanrichards.com | 917.705.8386

PHOTOGRAPHY

MOMENTS THAT CAUGHT MY EYE

(18) [email protected] jacknathanrichards.com | 917.705.8386 STRUCTURES

(19) [email protected] jacknathanrichards.com | 917.705.8386 LAND & SKY

(20) [email protected] jacknathanrichards.com | 917.705.8386 TEXTURES

(21) [email protected] jacknathanrichards.com | 917.705.8386 PEOPLE

(22) JACK NATHAN RICHARDS [email protected] | jacknathanrichards.com | 917.705.8386

ABOUT ME

(23) JACK NATHAN RICHARDS [email protected] | jacknathanrichards.com | 917.705.8386 BIOGRAPHY I have, in memory, always been curious about how design influences and encourages life. I spent my childhood in Tucson, Arizona and my adolescence in Tacoma, Washington; the polarity of those two climates provided a distinct basis for my belief that good design must both revere and complement its context.

When I moved east to attend NYU, New York City and its urban environs texturized my relationship with design. I created my own major—The Seduction of Design—and grappled with the dichotomy between beauty and function. My studies combined architectural history, aesthetics, and psychoanalysis to investigate the role that discovery plays in making something “beautiful.” Beyond class, I interned at the Princeton Club and the New York Palace Hotel, having always admired the ability of hotels to deliver inspired guest experiences with fantasy-like design and unwavering service.

As a unique parallel, I joined Apple—a beacon of high design and customer focus. Apple gave me the practical experience to triage customer concerns at the Genius Bar and to recognize, address, and solve problems using empathy and open communication, encouraging customer loyalty and satisfaction.

Design and service demand the ability to attract and engage an audience in order to achieve success. Translating what I learned while at Apple, I joined Groves & Co., a luxury interior design and architecture studio. In my tenure, I have had the opportunity and responsibility of a wide variety of roles, from IT Manager to Marketing Director. Aside from my administrative tasks, I produce the materials used in our marketing collateral, track and analyze user data, develop new business strategies, and assist in the preparation of project renderings and presentations.

Outside of work, I am interested in urban design systems such as public transportation and waste management. Participating with Open House New York, the Municipal Arts Society, and other similar organizations, I continue to unpack how cities and their citizens are each other’s allies and enemies. Beyond my passion for urban life, I travel as a means of developing my aesthetic and global understanding. In 2013, I spent 11 months in Europe where I studied in Paris and Prague and backpacked through another 20 countries.

Currently, I am seeking an opportunity that challenges my understanding of form and function, strengthens my design abilities, and re-ignites my connection to the world of hospitality and travel. With my background in aesthetics and customer service, I have a unique viewpoint on how to bridge the gap between company and customer, host and guest, designer and client, and I look forward to contributing this perspective in my next role.

(24) JACK NATHAN RICHARDS [email protected] | jacknathanrichards.com | 917.705.8386 EXPERIENCE Mar 17 - Present Marketing Director Groves & Co. ▪ Create and implement marketing goals and strategies ▪ Manage brand standards, public relations, and social media for the firm ▪︎ Liaise with potential clients and coordinate prompt responses to RFPs, and direct the production and delivery of concept art, renderings, presentations, and booklets Mar 16 - Present Graphics & IT Coordinator Groves & Co. ▪ Produce promotional and administrative media ▪︎ Create and implement a style guide to focus the brand image in all print and digital collateral, giving special attention to consistency across all platforms ▪︎ Coordinate, storyboard, and edit photography for publication ▪︎ Maintain office technology, improving productivity and efficiency Feb 14 - Mar 16 Creative Apple, Soho. ▪︎ Trained persons of varying skill sets and dispositions one on one and in small groups ▪︎ Developed educational materials using Apple productivity and creative software ▪︎ Orchestrated Genius Bar flow and resolved customer concerns, providing complete solutions including educational opportunities, triage, and third party referrals Jan 13 - May 13 Administrative Assistant NYU Paris Office of Student Life ▪︎ Created bilingual, multimedia documents, including way-finding signage ▪︎ Planned and hosted cultural galas and academic events Sep 12 - Dec 12 Management Intern The New York Palace Hotel Housekeeping Department ▪︎ Acquired and demonstrated industry standards of service and translated them into a staff training program focusing on guest interactions, including high profile tenants SKILLS Technology ▪ Microsoft Office (Outlook, Word, Excel, PowerPoint), Google Applications, iWork ▪︎ Adobe Creative Cloud (InDesign, Photoshop, Illustrator), Final Cut Pro ▪︎ AutoCAD, Sketchup with rendering plugins (Podium, Twilight) ▪︎ Squarespace, WordPress, basic HTML and CSS Interpersonal ▪ Multi-task and prioritize individual and team projects with patience and diligence ▪︎ Detail oriented and determined to seek efficiency and consistency ▪︎ Conversational French SCHOLARSHIP B.A. 2015 NYU Gallatin School of Individualized Study ▪ 3.85/4.00 GPA; Albert Gallatin Scholar; Dean’s List; Magna Cum Laude ▪︎ Created an interdisciplinary degree: the Seduction of Design; French Minor ▪︎ Studied in New York City, Paris, and Prague (25)