b y Edward fre^tap-
A Col lection of 25 State-of-the-Art Rudimental Snare Drum Solos and Developmental lixercises from Easy to Extremely Advanced CONTEMPORAMY HYBRIB DRUM RUBIMENTS
1) Cheese (combination J'i J J J J'J' J " J of a diddle and a flam) L R L R L l R L R L R L R L R R L R L R
RLRLRLRL LRLRLRLR
2) Paradiddle Roll (no accents) RLRRLR LLRLRRLRLL
J^J^-j^JJJJJJJJ .in. JJJJJ1flJ333-JH3i JSJS.BB5JBS I R RLRRLRLL RLRRLRLLRLRRLRLL
3) Cheese Paradiddle
l R L R Rr L R L L
S i unriiJWiJTTiinT} ijaF^j^j^j^ I R L RRLRLL RLRRLRLL RLRR LRLL
4) Flam Double Paradiddle
l R L R L R Rr L R L R L L
njJTn |jJ j j j j jjJTrmj'J??^^
RLRLRRLRLRLLRLRR LRLRLLRLRLRRLRLL
5) Cheese Double Paradiddle
l R L R L R Rr L r l r l l
6) Flam Triple Paradiddle S i
LRLRLRLR Rr L R L R L R L L
; - - : -
w 0 T l JTT3 JHHH rTTi \^rm jtt^ajtti rr^=^ RLRLRLRRL R L R L R L L RLRLRLRRLRLRLRLL
-13- HYBRID RUDIMENTS
7) Cheese Triple Paradiddle ~fr$ J J l R L RLRLRRr L RLRL RLL
8) Cheese Paradiddle-diddle
l R L R R L Ll R L R R L L H L R L L R Rr L R L L R R
_ ^ i4-—, m a m m s m
RLRRLLRLRRLLRLRR LRLLRRLRLLRRLRLL
MMM m M * J M M J » 9) Inverted Paradiddle-diddle ] * RLRRLLLRLLRR
-=Hr * MM MM MM af MM MM MM MM MM HI MM MM MM MM MM MM aJ—m—m—MM m—m—m MM—m MM—MM MM W m—MM MM ~ 1 m m. WL wt IS m. m m. m. m. ~m.—m mt m SK mt mmmmm mr be HE He M. m. m. m. wL m. ie | --n RLRRLLLRLLRRRLRR LLLRLLRRRLRRLRLL
_ ~ _ _ m _ 10) Inverted Flam Paradiddle-diddle :ps_ii~z m EE m. mr. -frv mr mr. mr. WL OL
L R LRRLL l R L R R L L
11) Inverted Cheese Paradiddle-diddle
l R L R R L Lr L R L L R R
12) Flam Flam • m 3=^ R
: : : -FHr • m^m inj Wm ~a "^i ~a "2S ~~e "31 s^Sm MT^M ~~& ""*«rfr "^—i ~~fria "2—1fr —tJ—fi——t-H^-t—f-^f ™ m * 9-M. f 9 m 9 m 9 m 9 m 9 m 9 MW 9 m 9 m 9 m 9 m @m 9 m 9 m 9, m SJk gJg__fLJg SJE s.M-M..W.—W.....m. 9L. mr _ J
R L RLRLR L RLRL R L R L RLRLRLRL H
sffi'M m ^ MM M ^~m\ 2 "£ad W^~M 2 --t- : 3 13) Doubled Flam Flam §J • 9 m _ _ 9 fM 9 m 9 m 9 m & • R R R R
T- IT——f i 14) Paradiddle Flam Flam m 4'm
R R R
-14- HYBRID RUDIMENTS
1- hr 1 hr r hr hr '"'X"i k- I . .-U -:U -:L • L — • ) 15) Single Hand Flam Flam R R R R R R R R L L L L L L L L
••••••^••••••^IPWM—•! 16) Cheese Flam Accent (cheeselet) l R L R L - 3 •4^' -• m m ~w —i—w'^rza r l 3 4 m m m RLRLRL RLRLRL
• 3
_ J__ m h I 17) Dachuda • f J
R L L R
3 3
18) Cheese Dachuda rm
r L R l R
4 1 JM—Am W 7m—W^'m'"'—~m—mw'm—1—1* "miM"hm m\a—«J"^Ma mt mi—W M m\ 7m—J ' m\ 7m 7m—J ' ml mt r 4 9 m. sZ m. le m. §£ M. He M. s—M. M. m. z Hz mw ML s K m. mt 9__mz mt mt 9—M. mr. mr. mr he - J i RLRLRL RLRLRL
- 3
19) Inverted Flam Accents a) rm
l R L R L R
3 3
b) rm
L R L R L R L R R L R L R L R L
-rW J'J J JiJ * m 4 ai m mi ^5'tt tt * it
RLLLRRRLLLRR RLRRLRRLRRLR LRLLRLLRLLRL > 3 > 3
a) fe 20) Inverted Flam Drags
L R R R L L 3 3
b)
L R L R L R L R R L R L R L R L -15- HYBRID RUDIMENTS
21) Inverted Cheese Flam Accents a)
22) Triplet Pataflafla
24) Inverted Triplet Pataflafla
25) Inverted Cheese Triplet Pataflafla L R r L r L R l R
frm m^—J—i^a J 26) Flam Triple Stroke Roll
(flam threes) l R R Rr L L Ll R R Rr L L L 6 6_ • -
-L 1 1 * 1 PH ri i. jy flj flj1 J JiJ J JJJ JJ JLJ j u jy jy ju # m • i » m R L RRRLLLR L RRRLLL R L R L RRRLLLRRRLLL
• -
•d d dm _ J J^m m 27) Flam Tap Paradiddle R Ll R Rr L Rr L
28) Inverted Flam Tap
(inverts) l R Lr L Rl R Lr L R -16- HYBRID RUDIMENTS
29) Inverted Cheese Flam Tap (cheese inverts)
30) Cheese Pataflafla
L R R r L l R R r L
31) Alternated Pataflafla
L R R r L r L R Ll R
32) Alternated Cheese Pataflafla
l R L R rL rL R L lR
33) Flam Roll * d d d d d d d d~
l R L R L R L R L r L R L R L R L R
•Jf Jf Jf—Jf dddddddddddd td S M S I J mmmmm mddrm d d d d d d -d
RLRLR R R LRLRL L L
34) Cheese Roll rw
L R L R L R L R L R L R L R L R L R
35) Flam Five Stroke Roll • d d (flam fives) l R L R Ll R LRL
> 3 > 3
' A 36) Flam Accent Five Stroke Roll " r " v • a M ll r~i m (flam fivelet) • l R R r L R
37) Single Hand Five Stroke Roll (single hand fives) RRRRL R LLLLR L
38) Single Hand Flam Five ^ ~ j ^ J ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ j- } ^ m^T^i Stroke Roll d d (single hand flam fives) l RRRRL Rr LLLLR L -17- HYBRID RUDIMENTS
39) Pataflafla Flam Five Stroke Roll
(patty fives) R L L R
40) Pataflafla Single Stroke Seven frm it1 J J Jfr^ d ^ (patty sevens) L R R r L l R R r L
41) Reverse Paradiddle-diddle
R L L R L R R L L R L R L R R L R L L R R L R L
The following two examples are not actual rudiments, but are examples of rudimental phrases in common use in contemporary rudimental literature.
42) Thirty Second Note Roll Combination
Jf: * m d J U 1 j RLRLRLRLRRLLRRLLRLRRLRLLRLLRRLLR
J J 0 0 0 0 0 0 iif~§i * a~TT m m m m
RLRRLLRLRRLLRLRRLRLRLRLLRLRLRRLL
43) Shirley Murphy
-f" _ _ _ _ m m"M ii M M ii m M m M M m m m M M M M M 11 r i * KM fl£3 C 2 H* m. WL K HE m. M. flz wL WL k HE fsE Hz HE m. lie mL He m. 1 i 4 RRRLLLRLLRRRLLLRRRLRRLLL
-18- Solo No. 1
Level - Easy by Edward Freyti
R R R R R R
* m m—m J m 0 0 0 0 0—m 0 m j 0 0 0 m-m
RLRRL L L L LRLL R R R R RLR R L
12 J i«J I aJ J • al
R R L R L R R L L R ff
13 14 15 16 0 0 0
R R L R L RLR R L RLRRL R LRL R
17 18 19 20 00000000 \ 0 0 0 0 0 0 0—0 0 0 0 0 0 \ 0 0 0 0 0 0 RLRLRLRL RLRLRLRL RLRLRLRL RLRLRLRL P —
21 oa OA 1 • " _j_ 1 Jl m a. m m • i i i a • m m m a R RLRRL LRLLR f (on rim)
25 26 27 28 X X X x a a a a a a 1 J i Jl a a a a
RLRL RLRL RLRRL R LRLLR L
29 30 32 h i lit! « a il a a a 0 0 0 0 * a a a 4 0
R R R R RRLLR R
Rudiments Contained:
single paradiddle flam triple paradiddle double strokes single stroke roll -27- Solo No. 2 by Edward Freytag Level - Easy
3 B J Hr a—J R R L L RLRLRLR R R RLRLR
JJJ -J- mmm-* m m m J w—a R R L L RLRLRLRL R RLRLR R L
9 10 11 12 k. — —«@— a —s —m —_ —m — — —m —m —m — M —m 1 iL = J - -- -—2-1 -- - RLRRLRLL RLRLRLRL RLRL RRLL fff
13 14 15 16
RLRL R R R R LRLR
17 18 19 i J i'J R RLRLR mf
21 22 23 24
RLR L
25 > 3 3 - 29 30 31 32 mmmmmm \ m m m m m m RLRLRR LRLRLL R RRL Rudiments Contained: 5 stroke roll flam tap 9 stroke roll flam 17 stroke roll flam accent single paradiddle double paradiddle -28- by Edward Freytag Solo No. 3 Level - Easy ^mmmdmmmdtmmmit H I _ m f . t- rn 0 * * d tt d d a a* ddddd 0 0 0 0 JJJJ m d d d d ddddd S-^TZr-m—d R LRLRL R LRLRL R R R RLRL R LRLRL RLRRLRLLR * * at—at * 0 m 0 mmmm d d m 0 mt 0 m R RLR L R R L L RRLLR R L L R R LLRRL L mf •BBBBBBB VMMIIBIIBIBMMWI&I^^ faMMaaaMB WMMMMWmm mmmm J d ddddd d 00000000 d d d— J - d mmmm, J ,0J . m. 0 0 0 RRLLR R LLRRL L RRLLRRLLR R L L R LLRRLLR LLR R _ > > > > A •a-a-a-a-J «J J""al —a a~a-a-a~a a a-a-a-a-a unmnuiizimzizi J El| LLRRLLRRL L L L R LLRRL R LLRRL RRLLRRLLRLRLR R LRLRL R LRLRL R L R R LRLRL RLRLRLR L R (rim shots) 6 - i6 k 17 _^—^ — •) "~a a a J a a a a a a a 1 —s a a & X x' R R L R L R L R L R L R L R L R L L R J f Rudiments Contained: 9 stroke roll 17 stroke roll double strokes flam single paradiddle single stroke seven -29- STRAIGHT SIX EIGH' Solo No. 4 Level - Easy by Edward Freytaj JJJ J'—-Pm a J ial J RLRL L RLRLRL RLRL L RLRLRL d id J^ j' i d id 0 0 0 0 0 0 0 0 R R L R R L RLRLRR LRLRLL 12 J > J. f J i t R R R L L RRRR LLLL mf 13 14 15 16 d «N # # t 0 0 0 RRRR R LLLL L RRRRRR LLLLLL 17 18 19 20 0 0 0 0 0 0 W J . JJ- RRLLRR LLRRLL RLRLRL R L — / sfz 22 23 24 0 0 0 0 0 at at 0 0 0 0 0 0 10 0 0 RLRLRR LRLRLL RLRRLR LLRLRR 25 26 27 28 dd0dd0\000000\0000** \—» V LRLRLL RLRLRR LRLLRL RRLRLL 29 30 31 32 0 0 0 0 0 at 0 0—0- R LRL RLRLRL RLRL RLRLRL P P ff A 33 36 _ j d ah d ah I d d^ d d^11— d 0 0 0 al- >• - R RL L R RL L RRRRRRLLR — sfz Rudiments Contained: flam accent double strokes flam tap single paradiddle double paradiddle 5 stroke roll -30- ADD A POP Solo No. 5 by Edward Freytag Level - Easy 0 m RLRL L R R L LRL 5 6 7 8 .1 J R @ i0 * H • 1 R R L R L R L RLLR ff 12 R R RL RRLL RLRLR 1 5 1 s 1 s s i MP j M . a '•* ""'a ri' — —m 'a a * a — RRLL R RLR LRL R RLR L sub. p (rim shot) 17 18 19 K 20 *< m a a a a X RLRL RRR R RRRRR sfz 22 3 • ~ 3 2 f ., Jl 1 —M—m—m x RLRRLRLL RLRRLRLL RL LR RL L R R sfz P Jf 25 26 28 K- 1 i • RLRL L R R L R L RRLR Rudiments Contained: flam 17 stroke roll 9 stroke roll single paradiddle flam tap 7 stroke roll 5 stroke roll swiss triplet -31- Solo No. 6 Level - Easy b y Edward Freytag 3Efe ""j"'J "TT" J J ~^J J frm m I Jti m J J 3 / RLRLRLRL RLRLRRLL RRRRR I g ^ WmH^MW fc^——• p^WW^fej ^ .wfa^.^ fc^— m m m ~d J JJJ JJJ -frm—w~^;^izfe:^g:izjzj:9zH R RLRL LRLRRL RLRRLRLL RRLLRLRL - - > 6 ^ j j I I •• L !•• g bsstsssssa I L p»»«|M^^ «'J J J J md'^'m 2' h~-J J J J J'J JJJJJ J—J- R RLRL R L RLRL R LLLL RLRLRLR R 17 I J « Jf ri • J <• 1 J J * * 133: M_J_< 1 <• a * m » mmm • a • td m m M m U M m ml mm m m M - ^ R L L R R RRLR R R 20 IHHla DBIHMl fmsmsmmmm 21 •••••••fl ^ J J w J J J ^ J^J J J J'J J J fr J J RLRLRLRLRL RLRLRL R RL RLRLRLRR ••••••• 4 2 2 ? —tl*A m n n n ni ^ J J J J Ti a H tf m M dddddddd M LRLRLRLL R L R L RLRLRLR RLRLRLRLRL LR R Rudiments Contained: flam accent flam flam tap single stroke seven 1 7 stroke roll single stroke four single paradiddle 5 stroke roll flam paradiddle 9 stroke roll pataflafla triple paradiddle 7 stroke roll ™32" Solo No. 7 Level - Easy b y Edward Freytaf 0 mmm 3Q ••MM p»»pmSiipiippi»i»M^ p*"M*^BWMMMMMMM»l 3t3 0 » • * J J frm—m—J——a I rm m a J~ LRLRLRLL RLRRL L R L R R LRLLRRLRLL Jl1 mmmmmmmmmmmmmmmmmwmmm jMMjBMMWi I 9 WWIIglMMBMWp»IIMWI a»»aM»M»yMM»»lia| I I 0 0 J J u J J- 0 0 0 JJ 0 0 J ; |EEl_J__Ji_<_a—mfrm~m^~^mr RLRLRRLR L R L L RLRLR R R RLR R R L / / 10 |MMMP"JB| |»wb"mi SiiH ™ — mmmmmmml iMMaapi •——| &»g$yp»s8p(rimp jsjpjjsshot)^ A 12 0" "J 0—0 0 0 0 0 0 0'~f~~'0 0 J J 0 — 0 J 0 J-J 0 0 0 0 0 0-0 si «D m R R L L R LR R RL LR R RL LRLR RLRRLRLLRL LRLR > 3 3 3 > > > - ^••MJHJBBI 13 14 15 I i&mmm^&mmfflmmsmi |MMBBB 0 0 0 0 J 0 J mmmm mmJ J 0 0 0 ——-sP" 0 0 0 - — ar*a) a> W a> 0- R RLRLRL RLRL RLRL R RLR R RL LR RL LRL M|aaaaaBB| — \mmmmmm i ••••• 18 R~»'J J m m—rm—rm rj II J'J J- 0 0 0 0' '0 0 0 0 0 RLRLRLR RLRRLRRR RLRL RLRLR L mf sfz 19 20 it fri 0 0 0 0 0 0 0 0 0 0 0 0 d'0 0 0 4 RLRRLRLL R L R RLRLRLRL 22 23 24 is0 0 0 0 0 0 0 0 0 0 4 0 0 0 d'0 d'0 0 0 d'0 4 0 0 0 0 RLRLR R RLRLRLRL RLRLR R 25 26 m m m a a M M m il a m a M M a a x' R R RRLR LRLL L R sfz Rudiments Contained: flam paradiddle double paradiddle 7 stroke roll flam triple paradiddle 9 stroke roll flam single paradiddle-diddle 5 stroke roll pataflafla flam paradiddle-diddle 17 stroke roll 13 stroke roll single paradiddle single stroke four -33- Solo No. 8 b y Edward Freytag Level - Easy R LRLR LRLRL RLRLL RRLRL / d d —w- d \ d d d d d d \ d d d ml M "ftJ ah j'J 1 RRRRR RLRLRR LRLRLL R LR 11 ' J «h j'J = « a> a>—w m m ********** L RL RLRRL RL RLRLRRLRLRLL 12 13 * * *—at H JU J J Jy~« J t| fta—a m~~frm—a—m-Pm m J * * * * * ~~n I 8 Iff R L R LRLL RRLRLR LRLRLR LRLRLRLRL 1 17 18 h^-f-1 . _Jaj _ m m m 31 m _ m —t* sat ise mc im. jk esz ^ m. mc ••. m. m. m. m. m. mc. m m RLRLRLRLR RLRLRLRLR RLRRLRLLR (rim shot) A 19 20 21 K J ii a m M a a a a a * a % 4 a a a / I RLRLR LRLRL RLRLRR 22 23 24 /* 5 1 a a a m A 4 4 <• • 4 4 4 ll a 4 4 a a a af 4 4 4 (L 0 R L R LLR L RRL R LLR L RRLLR LLRRL mf 25 6 j===SrSj J 27 _ —aJ m —aJ m —\ _ 2 WC ME K2£ WC WL ML ESI SSE MC iat—is:——m—m m m. m. m m RRLLRRL R L RRLLRRL R LL RRLLRRm. wz m m. m. L v» enRRL mi m L m— -34- Crazy Eights, pg. 2 RRLLRRL RRL RRLLRRLLRRLL R L R L L 3 1 3 2 3 3 3 4 d d m m d d ~m-m * d d R L R LLR LRLRRL RLRLR LRLRL 3 8 3 5 3 6 3 7 ddddddddd I d d d d d d m m d I mm***)**'** a RLRLRLRLR RRLLRRLLR RLRRLRLLR R L R f f •ftJ «h id i"iJ ^ ^ i'ah ? i« h I 7 Jl «h »/ j! ^—ifcir ^ L R L R E R L L L R R Rudiments Contained: double paradiddle 7 stroke roll flam 9 stroke roll single paradiddle 11 stroke roll flam accent 13 stroke roll single drag tap drag 5 stroke roll -35- Diddles-R-Us, pg. 2 Rudiments Contained: 9 stroke roll 7 stroke roll single stroke seven single paradiddle 5 stroke roll 6 stroke roll 1 7 stroke roll flam tap flam flam accent single stroke four triple paradiddle 13 stroke roll -37- Solo No. 10 Level - Medium by Edward Freytag mln - o RLRLRLRL L RL LRL RLRL RL LRLRLRL (rim shot) A 3 R RLRLRLRL RL L RL L RLRLRLR LR W 0 llR LRL rrL R L R llR L R L R L R L L RL 10 R L LR RL RL LRL L „ R R L RLRLRLRL L RLRLR L R RLRLRLR RLRLRLR RLRLRLR R L LRL L RLRLRLR RLRLRLR RLRLRLRL RLRLR RL RLRL RLRLRLRL -38- Seven and Six, pg. 2 RLRLR RLRLRL R RLRLRL 28 29 = _ _ m • ,*r=^-^ i frm J ^Tl J ~fri <•! m d'm m m m -at at- «> • RLRLRLRL. RLRLR LR RL LR RL . 6 31 32 33 *• '# RLRLRL RLR RL LRLRLRL RLRLRLR 34 35 36 0 0 0 • * R L R L rrL R L R llR L R L RL R L P 6 : - 39 "*** """""" 37 38 le-m-l I ^^bT^^^^^^^^^^^^^^ R R L R R L R R L R ff Rudiments Contained: single stroke seven 13 stroke roll 6 stroke roll 9 stroke roll flam flam accent single ratamacue long double stroke roll drag single stroke seven single drag tap 15 stroke roll drag 5 stroke roll swiss triplet -39- DRAGGIN' ri[£ Solo No. 11 Level - Medium by Edward Freytag J = 120 R L R llR L rrL R sfz p — —— fi *0 g llR l R llR llR llR L rrL R l lR L R R J ''» J JJ J J I J-'J JJJ jjj J J^J RLRLRRL RLRLL RL RRLL RLRL RLRL ddddddddddld 2-. R L RLRRLRLRLL R L RRLL 14 15 16 17 * 0 ••• ~"J d\- 0 m R L R L R llR llR L R LR LR LR L R llRLR RllRLRLR RLR L R L R R llR L RllR L R LrrL R R RLRLRRLRLRLL 25 R L Draggin' the Seven, pg.2 [saps—I •••• 28 30 31 R L R L R llR L R L R 32 33 34 ************ \ ************\ ************ RLRLRLRLRLRL RLRLRLRLRLRL RLRLRRLRLRLL P f 1.' 6 6 2.= 6 1 3 7 * 3 1 4 M 4 4 H 4 I li i 4 1 ll 1 4 4 •r m 4 4 ri- •ri- -i " RLRLRRLRLRL L RLRRLLR P 39 40 41 P—*1 ^ EZi- * * *•" '•* * * * 4 4 * * * 4 4 * *•' '•* * *- '•*1 —atd I ill * 4 4 * RLR RL RLrrLRLerL R RLR RL RL RllR 6 43 44 45 *• 'at a1 "-aU ai n> —at * 4 4* P * * * * llR RLR RL RLrrL RLrrL R RLRLRLRL 46 47 i £ 4 J -—S ! ^ 4 -—S s -1 i < e 4 4 < il a 4 -® M ~-— R llR L rrL R R L R L R L sfz P 50 51 52 fi * * 5 ± R llR llR L R llR llR L R L l l R L Rudiments Contained: long double stroke roll flam 7 stroke roll 13 stroke roll single drag tap 9 stroke roll drag 6 stroke roll 5 stroke roll single paradiddle-diddle double paradiddle single stroke seven flam tap double ratamacue 15 stroke roll -41- Solo No. 12 1 Level - Medium by Edward Freytag J = 120 L •••••• bgaiBjfj^pi ••••• I _ Q # 3 •d -'rh" J J- • J J *• -J *•• -J"""'J J—I R RL RL RL RL R L R L RLR R L R L > - - > A * * d d d--Ml [• dddddddddddddddd" dddddddddddddd'- RLLR RLR R RRR R LLLLRRRR LLRL pf o " J" I Jf Jf- •Jf-Jf -r>d—f- dddddddd, d d 0 * *—* 5 w d d-" * * * *''* R L R L R R R RLLR L RllR R L R L L R R ' —==f (rim shot) 11 12 } x' ^ x' «t—w d d m '*—m * * * y * y * y * x^—at- RLRLRRL RLR RLR RLRL R R R R R f f near nm 13 15 *! d ~ *•• -d d d^d 0 0 0*0 0 d »d d—rj R L LRL L R R llR L R L R L R L R R L R L RRLL P < (play on rim) move to center (back stick) -16_ 17 18 3 3t ************* a * a * *—* * r) * d **-•** \ rl d d rJ d 22 RLRRLRLLRLRRLRLL R R RRLR R RRL RLLRLLRLRLLRLL RL —======/ D 19 20 21 -Jl 0 0 0 0' -0 d rl d rl d d^d d d d-~-d R R RRLR R RRL RLLR RLR R L p _ 22 g 23 a • 124 ? 25 # 3 E ' « * °^ 'fl i 33= R L , R L L R L -42- RLRLRLRLRL ee L R L RllR E~~"R" R L L / 6 6^ 6 6 c _ 6 OQ 4.0 p 4 p 0 a w *—V £y —p * *Y * — 1 awl 30 •JC jf #r mmmmmmmmmmmmmmmmmmmmm d d d d d^d vudrtddddrd d d d d d d t d d d d d ddddddddd d R R L R L RLRRLRLLR L R L R R L R L L R L R L R L RLRRLRLLR L 6 D 32 33 M=M=3t=* J J J TT d d d -d m y -mt m m R R RLRLRRLLRR LRRLR R R R R L • 0 _ • r — D m —•1—• ~fr mm m rfr —ft WM WM m gA A fri (sf W m 8 —& M m —m" M M m 9 & m & fi m e al fl WL m m fl RRRL R LlR L R R L rrL RLL L R R L 8 f 3 «3 Rudiments Contained: 5 stroke roll 9 stroke roll flam flam triple stroke roll pataflafla single stroke four flam paradiddle single ratamacue flam tap drag paradiddle-diddle swiss army triplet long double stroke roll 7 stroke roll 11 stroke roll single stroke seven single paradiddle 13 stroke roll 6 stroke roll double paradiddle drag paradiddle #1 flam accent double drag tap dedicated to legendary jazz and studio drummer, Steve Gadd -47- Solo No. 15 Level - Medium by Edward Freytag 96 L2J p=p=pqisi pgapspq 2 p=a=j csassasa 3 === ps==a 4 J— | . P J J d i U JJ'J J J i Jy J i'J J JJ'J JJw i J~J7-w JJ'J J wj-w I j w » • J ' R R LRR R L L R R L L mp „, ^^^^^^^l umbmmbmbmi ymmmsimMMMSxmmMBMffiBBa JfflfflMfflffimMiljmmMipwimmq 10 JTJjdd JTJjJJ I J ; J —hJ J J J J J J J .£» # 0 RRRR R R R R L RLRRLRLRL RLRLRLRLL RLRLRL RR L L RLLRRRRR 22 J J JJJ J JJ'J J 1 JJ'J JJJ JJ'J J I JJJ J J J 3^=»a RLRLRLRL RLRL RLRL RLRLRLR L RLRLR accelerando J - j 20 26 27 28 R L RLR RLR RLR RL R L LR RL mp (fake stroke in air) 29 30 31 jj' JJ J J J /i J J JI JJ/jJJ J=zj=£==^ " 3 J J w—w 0' -0 0 /i m 7^—0 ;.j d L R RL L R R R R R RRLRRLRRL RRLR RLRL -48- Five Against Two, pg.2 L R RRR LLRRR ^••••••••^•••••••••^^ 3S r 37 ' J J J i'J J J'J I i * • LLRRRLLR RRLLRRLL R R RLRRLL r n ii 40mm aim 00 0**00 0 410*00*100* 0 + 42 * * * -0 w ar * I « RLRLRRLRLRLL RLRLRLRLRL RLRRLRLL R L R L R L (rim shot) A 47 44 45 J J 0 * R L RLRR LRL 46 L RLRRL RLR Rudiments Contained: flam flam tap pataflafla 10 stroke roll 13 stroke roll flam accent 5 stroke roll drag 7 stroke roll 15 stroke roll single paradiddle 6 stroke roll flam single stroke seven double paradiddle dedicated to legendary jazz drummer, Joe Morello -49- MEAN MAN MATT Solo No. 16 Level - Medium by Matthew Freytag and Edward Freytag L 96 0 R L R R R R sfz p / -Jr-^Jr RLRRLLR L RLRLRRLRLRLL R RLL R LR L 10 SM m ml ~mtw myjffii runt mn^m R R (rim shot) A RRLLRRLL R R R L R sfz mp f 17 18 Jf JT Jf- Jf-^c 19 20 Jr Jr Jr R R L R L RLRRLRLL R JJ. 22 21 ^ ^ Jr 23 24 * * * i RLRLRLR R L RLRLRR LRLLRL = ff mf 25 26 JJl f j~] jdTT"] r J? RLRRLR LRLLRL RRLRLL RLRL L RLRL L _29_ RRLR RLLRL L RLRLRLR RLRRLLR RRLLRR LLRRLL J.J J£J • •- : - : - : • > 6 "" " —— 34 -Jf-^c- RRLLRRLL R R RLRRLLR -50- Mean Man Matt, pg.2 6 6 R L R R L L R R L L RRLLRRLLRRLL RLRLRLRLRLRL (multiple bounce roll) D visual a — I I r 41 —>+•—Jf- L 43 44 0 0 0 10 0 0 a 0 J J -m~ 0 0 0 0 0 0—t R R p 45 aaaaaaa BBBaaBi —wT— 47 |aaBBBB| ^ps^p^^^^pp^^M^i •••••• J 0 J J J J J J J d-\— 00000000 0 0 0-0 hBBBBBH •BBBBBl d d d J J J 2 d I RLRLRLRLRL R R L L RLRLRRLR LRLLRLRL A 3 — w * jU w4 9 —I L ,51 52 ^ Jf Jf Jr •aaa dddddddd] m—d =a 0 0 0 0 0 0 0 0 0 0 0 0 y' WW, 440 0 0 0 440 0 a t RRLRLRLR LLRLRLRL RLRLRLR L R llR L R L rrL RLR sfz mf 3 6 - mmm 53 54 ea — ea pi 55 ea — — W 56 4 4 i0 0 0 0 0 0 0440 \44 0 0 0 0 440440 0000000n—*r—n—n—*f0 | J J J J 0 J JJJ JJJ | J J J al d J JJ 0 0 0 0 0 0 llR LRLRL RrrL rrL R L RllR llR llR L R L llR LRRLL R 57 59 X... mt. ^4 m 9J m 7 7 R R R R L L L R sfz Rudiments < flam 13 stroke roll long double stroke roll 5 stroke roll paradiddle flam drag single stroke seven single paradiddle-diddle flam double paradiddle 6 stroke roll flam paradiddle double paradiddle single stroke four 7 stroke roll multiple bounce roll pataflafla single paradiddle flam accent single ratamacue flam tap drag single stroke seven 9 stroke roll double ratamacue 15 stroke roll triple ratamacue 5 stroke roll drag paradiddle-diddle 11 stroke roll -51- Solo No. 17 Level - Medium Advanced by Jon Whitlock J = 120 (play on rim of drum) MM pKflJBtofla X'- X' x1E y'L y'B x' y< y— y y y y y y y y y y y y y y y m RRRRRR RRR R R RRRR RR RR RRRR R P •••BBBB y y y x' J x' .ll x' J J x1 eJyl x * * * J J J " 1 * J J J * * * * * v " * J*'J fl aJ 2p£J3 RLLRLRR RRLLRRLR RLR L L R R L LL RLR RLLRLRR RRRLRRLR cresc. 2nd time • f LLLL L * J J JJJ*'J J J ^ ^ J | ^JJ^Jx.xlJJxIJxIxlJJy! A ************ d-d-m-i$IP=S > RLR LLRRR RL RLR RLLRLRRLLRLRRLLR R RLRLRLR L L LLL ZIIZI======WjD | A | high sticking 10 |""**|"'*"'""|wwbbb| I——j j namBm HM! Bsmm SBSSM WEBBS mmmm -J^2 SBHS•BriBBBaS i mmmsuss n;r nggg * K l_fZI J J J J J J J JJJJJJJJl JJJ J J JJJ JJ J-*r R LLRRLL RLLRLRR RRLLRRLL RLR LLRRL LL RLR . — = Jf normal heights - - - : • :...... _ ... 13 331 Z l S 3 33i I J ^ S 5 = S H33i = • =H I I S 331=3=S I S =5=31 =3 =U E E l 3 3 3 3131 M 3.3 313 3.31=13T RLLRLRR RRLLRRLR RLR LLRRL LL RLR RLLRLRRLLRLRRLLR 16 R R L LRR R R L RR R RRR L L mp pMMpBM 19 20 21 *****-*T *T* I 1 x1 x1 y £=i£H= * * * R R RLR R L L RLLRLRR RRLLRRLR RLR LLRR LLL R L R Trim snot) A rmatt. inc. roll) (crushed buzz)^ o * o * 22 A 3 J J x' J -J- 23 3 ^ 24 RLLRLRRLLRLRRLLR RLRLRR L R R L -52- Shala', pg.2 3 _3_ 25 m i ,, U - 26 i L 27 te— // «"» 11 il —m —m —m 31 J •mm aa m II n W « ft BSC H£ SI B«'miirE^'WW«>WWf « n ssa i«s< l lis m « m^m n^n ' ) L tm tssL mt me—,,— mc„.m bee m m Eat tc-t , -A- RLRRLLR RRL R L R L L R 144 28 29 if f if it it it JJJJ JJJJ JJJM 4 JJJJJ m JM • ddd ^ * d-m •* *m ddd ddd d d d d d d d' d d d-d-d-d mmmmmmmmmmmm RRLLR LLRRL RRRLLLR LLLRRRL RLRRLLRLRRLL mf f 31 32 33 ,34 x1 d d m m m w m J J J -J d d d d d d d~d d d d R R L R R L RLRRLRLL p (stick click) 3 A 35 -E 36 37 38 ft j y J J «-S +—*r RLR R R RLL LL LR RL R sub. f sfz 3 3 3 3 39 . BMBMBMBMj 40 A 41 tf—p tf-, r " f 7 —V >< . J 1 y>d n 4 Ji I i i t i i fl * i fl d m D a 0 ii 2 2m m M A M r R L R L RLRLRLR R R RR RRLR RLR p 120 42 ,43 44 d d d dd d d did d d d d d d \ d d d d d d ddd d d d d d d 3fl 3X1 R R R RLRLRL L RLLLR R L R R L R 45 46 * — • a t —$3 * : r^4 1 -j—M I—nr-fl | 1 48 T" _49 i_ s £ 5 B P J ^ I i id d dd d R L RLRRRLRRL L L RLRLRRLRLRRLRLR R L 51 52 53 ^ 4 • d d d d d d ddd d d d d d d \ ddddd dddd dd d d d d mdu mmdme m gm m m m m m m m-m R R L R RLRLRL L R R R L R RRRLLLR L L -53- Shala1 , pg.3 mmmmmmmit p^^^^^^ra f«™y»»f»^ M«p»ffl •mmm^mm^^^ pgsspSjgpaq (&Bi«isf»i^^« 54 »|Mm«»«fe«»8^ ISiMTOjaMM^MM •••1 • • • • • • • —I 55 ^ MM •••••••••Ma . ^— BBBHMaBI tWWWWMBMMBBBl 56 JJJ J J J JU J J J 3 J J xl I ^ J'J J JJJ J Jilr- J J J mJm d~m L R R L R L LRL LRLR L •••••••• p^ptfa*#ffg!|pM*pi •••••••• BMasakssss^ warn WBBBI reaaa bMBftfafeBBB CQ 7 ^ 57 -ffl--»s' F^-pmmmm- ^000aiioiDiiii i * m m 5\9 mmmm 1 J J J J V U y d d d d d d d vddd\ ~ L LRLR L LRL R L LRLRRRRRLLL RLRL LRLR RRRLLL ; I—I J 104 |_D , Lu,.,.jiuiiii,l BBBBMMMi r*7\ 62 60 «» 0 0 0 0 0 0 0 0 0 0 0 0 X> 61 0 0 mr 63 0 0 < V 0 0- R RRRLLLR R R R R RLRRLRR RLRRLRR L / | m * • *** • bS o b 3S — j i i ———i 1 _ J _J 1 X h- — _ —_, _ J X — n —aJ m -fl Se! ™ H 21 2_H M M — H —M HMi M 21 M 1 m m wm Cm 69S r——57—st^M • Wf vm vm RLR RLR R RLRR RLR RRLRRLLRLRRLRLL (back sticking) 6 • CQ o / O O ' oy • — % r——| 31 i — •— i m 1 * 0 c * i J il 1 a 1 a mmm I m i J J 1 .i I n * i RLRRLRRL RRL RLRLRL R RLLRLLR L "TT * - Jm— 7&— 70 0 0 0 0 0 0 0 000K)00000\C 0 0^0 0 0 m RLLRLLRRRLRRLRRLLL RLRRLRR RRLLR LLRRL j 144 - 3 73 _ K. 74 ._. 75 I ...dJ. a m m M m a —al — « i i a A — & a* n 61 Mfi n * ll 4H' j i A I It i 4 I I I 4f i u RRRLLLR LLLRRRL RLRRLLRLRRLL R —mf rf— -rt* wt*- 76 77 1 78 000000000000 ^ X (C <» d 0—0— 0 0 3 C al ill m R L R R L sub. I f f BB pM»Wf| 1 1 1 w l1 vl1 1 1 1 1 1 79 X XE X X X X X X I X\— JX xl x' x' xl X 1 X' X' g X ' X1 80 81 i H iJ x ' x1 i is: R R RRRR RRR R R RRR R R R RLLRLRR RRLLRRLR jO gradual cresc. -54- Shala', pg.4 o _ 82 pa* j ^~*f""*j m^mm r*T*j83 ^j****"^™" .»™w*^p™ ^ J X J J * J J J ay J I X J X J X J X J X ' W « P •m m m. RLR LLRRL LL RLR RLRLRLRLRLRL L RRL RRL RLR LRLRLRLRLRLRLRL / -3 3 >3 > 3 > 3 >3 >3 >3. >3 - 3 - 3 - >3 >3 3 =^3 85 -Tl \h\ | |?y , * * *'* *OC33t R RLR RLRL R R R LRLLR RLL 9Q . ••••• 89 ——pf* m m mmm m m y m m JJJJ J-»Utt R RL R RL RLRLR RRRLLLR R R R R R L L L / 92 93 94 RLLRLRR RRLLRRLR RLR LLRRL LL R L R Rudiments Contained: 15 stroke roll single paradiddle-diddle single stroke seven multiple bounce roll flam tap 11 stroke roll flam triple stroke roll swiss army triplet single paradiddle long double stroke roll flam accent single drag tap single stroke roll drag single hand flam flam 6 stroke roll 9 stroke roll 5 stroke roll roll combination 7 stroke roll shirley murphy Performance Notes: Visual enhancement may be added at each grand pause if desired by the performer. Although there are specific metronome markings throughout the piece, each performer should play the composition at whatever speed his/her capabilities allow. However, the tempo relationships between contrasting sections should remain relatively the same. -55- ODYSSEY I Solo No. 18 Level - Advanced by Mike Lynch J.- 124 E 33= ff RLRL R L LRLRLRRLRLLR RLRRLLRLRRLL g g g Trim snot) 5 RRRLLLRRRRRLLLRRRLR RLRR RRLL RLRLRLRL R R RLL R R R P -== / (fake stroke in air) „ „ R L RLRRL RRL R L RRL RRL R L 3 3 A 10 R R L R L R L R RRRLLLR R R L R 13 ^^^^^^^^nj I j ^^^^^^~7^^^^j ^zz^tct^^^^~^J r^™''™)^™^^^^^ Pj^^^™^^^^^^] 15 sa=ii=*23t=*=M R L R L R R R L R R L mf 16 R L R RLLR R L R LR RRR LLL RLRLR / /\ (mult. bnc. roll) 19 R L RLRRLRLLR RL RL RLRL R P (back stick) 22 •a 24 P=T •7"-7"-/"-/'^ — _ y R T, LR RL LR RL L R RLRL LRLR LLL ,—, J=108 3 > 3 > [bJ 25 27 ifjJiJ jJIJ >jma R RLRL LRL R R LR R LR R LRLLR LRLRLRL -56- Odyssey II, pg.2 (stick click) 28 29 30 "»Vm m ml mlj^m m ^ J J~^~J 32 L R RLRL RLRL R R R L R llR R LRRLRRLRRLR R 31 MMMM J J J J JiJ J JiJ JiJ J IM JdPa J JiJ J J J J J«< JiV I fiHhhhltfd fid d^ddsU JJJ MMMM. R RLRRLL L RRLL R L RRRRRR LR R RLRL LRL R L L R R RLR accelerando 34 na'JjjjJiLfjJ JiJ J J j y i^^-########JJ^ J J J *T31 JJJ JJJJJJJ JJJ JJJJJJ JJJ JJjjjI L LRLR RLRLRLRLR RLRRLLRLRRLLRLRRLRLLRLRL J= 124 6 6 6 6 6 6^ 37 pwaaapMimmBga pt»mpa«y«a psspilEIESSSSSl paimyM»ip»a f»tw'»#»^^ FagaiF™a ¥^a * t pmtffip MCg^ BallKf'™B Y^^ ESSES! S S SE* i J J J S S SmCBSS b™ 32= iri wess sim SEeSiw JJJJJJJJJJJJJJJJ I J JJJJJJJJJJJJJJJJJJl J JJJ JJJ JJJ JJJ JJJ JJJ JJJJa R L L L R L L L R R R R L L L L R R R R L L L R R R L L L R R R L L L RLLRRRLLLRLLRRRLLLRRRLLL a tempo 6^ . 6. 42 40 TO = a ~ a a & =• ^ =• ^ za ^ llll 3 ^ H 3^~l a l l 2 3131 J ^ = i 5 s ^ M\* m MM mmmmm m m m ()• RLLRLLR LRRLRRL RRRLLL R L L R L L R L R L R L R R R RLRRLRLL = — P f 43 4 4 ,45 #i£SjjJ—J J iJ iJ JiJidid 2dJ -J-Jd did^ ddd d d d d d d d m d ed m d a) d d i d*d mm-m m MMidddd d tnr L R L R R L R R R R RLR RR L RLRL R ••HIB Fffl»j1BjiBM^ p»pWBff^^ P«a«»S«g»«¥ii^f™wp»H ggggSS S3 Smuh »aaam»«l tmmmfmmoijmml immmmmmmsfm psm$mfflimB^ ,n 25 55 maa? t ^BiJi3 ttaafflafca^i&a ttMSafeiMikJ jiiiE^pS 47 tlBIMlitelia ^•••^•••••M mmmWmmlmmmt pmip^^ 4g smmi M E §B« Si« — aaaaga « • 46 JJJJ J J j J JJJJJJ JJl J J J J J J J J d d d d d JJJJJ I J J JiJ J JjJijij J JiJ J dmn RLRRLRLLRLRRLRLL RLRRLRLLR RRRLLL R RRR R R 49j ,y ij J'Ji.- gj j j i j i J j j I ivi J Ji>l J Ji>J J Jin J Jivl ivi i i j JiJ J Jiy-J-J^J- R R L R LRRLR L R L R L RRLL L RRLRLRRL 6 6 B 53 tmtsmim JBS3& SBBM "3BSBS t™m4»asp^iMI#ffi^ 5 4 52 t - I FS* mddridddddtJ J...J_ 2 ddriddddrJdddddddd r) d d d-mt- d RLRRLRLRRLRLRRLL RLLRLLRLLRLLRRLRRLRRLRRL 6 6 6 6 Aj\. 3 3 ^ 3 3 3 3 55 56 57 J J , m JJJ JJJJJJJJJJJ < d d RLLRLLRLLRRLRRLRRLRLLRLL RRRLLLRRRLLLRRRLLL -57- Odyssey II, pg.3 58 —I Jf *r 59 0 0 m m 0— m ti m N R R P accelerando. 61 62 60 •mf—Jf •Jf—Jf—Jf -J* jpK- 'jaw* •Jf-Jf-Jf- m m 0 0 0 0 0 0- J J .7 * 3 0 0 R L LRL L R RLRL R B sfz Rudiments Contained: flam drag single paradiddle single stroke roll single paradiddle-diddle paradiddle roll triple stroke roll multiple bounce roll flam paradiddle flam long double stroke roll 5 stroke roll single ratamacue single stroke seven flam multiple bounce roll 9 stroke roll flam 7 stroke roll flam accent flam tap swiss army triplet inverted flam tap cheese flam accent roll combination pataflafla shirley murphy cheese flam tap paradiddle flam five stroke roll flam flam 6 stroke roll triplet pataflafla 7 stroke roll single hand flam flam single drag tap flam drag 11 stroke roll long double stroke roll A = aerial flip of right stick 1/2 rotation in order to play with butt end. B = aerial flip of right stick 1/2 rotation back to original position in order to play with bead. Performance Notes: Several sections of Solo #18 are written to allow for the addition of visual enhancement. Specific visual sections are listed below: the opening measure. 1 measure before letter B. 7th measure after letter B. 5th measure before letter C. the last measure ofthe piece. -58- Solo No. 19 Level - Advanced by Stacey Duggan Energetically LfU ^sapgpBpq j——•^q^ 2 (passes^ a esasa r—-= 4 pgppjN 2 J J J J J J J J j" I 2tT2 2 JiW iy I J J J ia J I JJJJJJJJJ d-J-j RLRLRLR R RLL RRRR L L R —===== / P (rim shots) : - - visual •••••a• 0 0 0 JJJ ~2- 0 0 0 w—nt iJ J ii 07 >f—rt0 " 0 —rr 0 — 0rr 0 Ht—W 0 0 0 0 y y RLRRLRRLL RL LR RL L R R L LLLLLLLL / (back stick) 6 - > 3 - 3 visual 6 > =- 6 > ——— 10 12 0 0 0 0 0 CJ 0 0 0 0 RLLRLLR LRR LRRL RRR LLLLLLLL RLLRRLRLLRRL . . 1 w A—w 1 ? <* w * p A w a w ^ | [ | | [ | \ 13 00r) 00000ri00 0000000 d mr-rm mmm. RLRLRRLRLRLL R R L R R L L L L P ; sfz p 17 •Jf-Jf 18 -X- JM J J1 9I mm JiJ J JiJ JiJ JAljwrJji 0 0 X' R R L R L RRRRRR RRLL RRR L L R R L RRLL 6 •uinaii piMimt-jiMJiyiy iMiii i„iiiiii i iii„i p»iiif«i»ipBMi fsmsasMem mmMmms^^^ ptmpaaam pipiiipi Jf Jf laaKiwa 22 , 0 0 I iJ Jv iy JiJ J J i J J JiJ ^ J J J | iy sJjm «Mxm m it ri . R R R L R R L R L LRL R L LRLR L RR R L R R RRRLLL (on rim) Jf Jf Jf Jf Jf Jf—\ Jf Jf Jr 24 25 23 d 0 0 y 0 y) 0 .1 J Jiy J» J < J l al R R R R R R L L R R (mult, bounce roll) 6^ ^ 26 ^000^000^00 d^p LRL RLR LRL RLR LR RLRRL RLR L RRL RRL sfzf visual 31 29 J 3m J iy 13*0 0 iy J jy J iy—J mmm «• a* at 0 0 0 -0—0 RLRL L L RRLLRRLLRLRL R RR RRLRRL P -59- First, pg.2 visual RRR LLLL R R (fake strokes in air) 6 6 I I pgMSSSa asdMy i&ummvtffjsmam ^E^^s HSsssI 36 -JJ ddddd — d d d A d d d m A d m m d d A d d d . 35 J J •jyJJ« R L RR LLLLRRRR L R RLLRLLRRLRRLRRLRRL 6 6 6 6 6 39 38 AdJJ d Jd dddddJJJ J d dd d A d~d ddAddddddAdd J J J J J I JJ JJ" J J J J-J-gr 22 RLLR RLRLRL RLLRLL RRLRRLRLLRLLRRLRRL RRLRRLRLLRLLRRLRRL BBBBI 41 M d d d ~7d 1 di'Mi'M m>—®-F® Jm JiJiJ JiJ 43 i J J J i J JiJ J A RLLR R L R LRLR RLL L L LRL LRLR fsiic/s clicks) 3 3 3 3 45 44 d did d-m-d ->4 m m d d ^ m m R RLR RRR R R LRLR RLRLRLRLRLRL 6 6 6 6 6 6 6 47.' RLR L RR LLRRRRLLLL RLRLRLR R L R LRRRLLL RLRLRL RLRRLLRLRRLL > 5 > 5 > 3>>>3>3 deccelerando 50 ddddd ddddddd dddddd\ ,51 dddJd JAJ JiJ dd did ddd 512 "2Jt sf ijj «J< JiJ 0J did J # JAJ JA RLRLRLRLRLR RLRL RLL RRRL RRRL RRRLLLRRRLLLRRLL slower ''/Ts MBBpMW«BBii tfamawwa SMtttajmfl mwhwwb / / E 53 nri *r •+* *r 54 55 22 dd d a lr—or ddddddddd*** W77 RLRLRLR LRRLR LRRLRLLRLL /> /R accelerando 6 6 31 56 ddddddddddm*m*t**mmmmm*mm 57 dddd dddddd ddddd iJJJiJ JJiJ Jij L R R L R RLLR RLRLRL R R RRL RRL RR L L 6 a tempo 59 dddddddddddddddd,6\ 0 dddddddddddd dd d d d d 6\1 tPTtj J JiT J iJ Jifa>J Jj JiJJ «JV ^ R R R RLRLRRLRLRLL RLLR RRLLR RLL -60- First, pg.8 L RR L R LR L RLLR RRLLRRRRRR __— — sfz Rudiments single stroke seven swiss army triplet 11 stroke roll flam drag flam triple stroke roll flam tap long double stroke roll 5 stroke roll pataflafla 6 stroke roll single stroke roll single hand flam flam drag double paradiddle single paradiddle-diddle 15 stroke roll flam triple stroke roll multiple bounce roll reverse paradiddle-diddle 13 stroke roll triple paradiddle 7 stroke roll 9 stroke roll Performance Notes: Several sections of Solo #19 are written to allow for the addition of visual enhancement (stick flashes, twirls, head and/or body motions). Specific visual sections are listed below: 8th and 11th measures after letter A. 1 measure before letter B. 4th, 5th, 6th, and 8th measures after letter C. last measure of solo. at all grand pauses. All tempo markings are fairly subjective and should be determined by the performer's capabilities. Following the first 2 measures of letter E, the piece should accelerate back to the opening tempo. Letter F should be played as fast and energetically as possible. -61- Solo No. 20 Level • Advanced by Jon Whitlock J - gQ (mult, bounce roll) gradual accel. to A 4 s^g-^jf «y JJ —wh^S'^d J J ^ d MEL m SmmWimm d ^ J-J- Js^mmMg^JJJ «y J J: R L R RLR RLR R R L R RLR R L ^? crescendo — 7///^ crescendo (rim shot) quickly 6 3 •fl cspfpg^ pt^ypssj psystm^M^ bbbbsm —)•—I H IH SSI jtHllaBlllB g | I I j |r Jjy JiJ J JiJ J J I dsSSd J TJJTJiJ x 333j3JJj J J J J J J J II x' J x' J 1 mmmmm x mmmmmmmmmm R RLRLRLRL RLRL RLRRLRLL RLRLRLRLR RL R RR RLRLRLRRLR — = ' . 3 . > 3 3 3 3 - > > > 6 3 >- — w *-r *-» *-» «-» —W 9 10 ™ 11 fmmoi j —7B—21 ! 25 T B -35s - 21 ~a«j i jJ j -as"2 1 -as-a s 21 —28 m —M mc. m WL m. m. HE ^E ML WL mr war wm - w ga- ear —:m mm ""Jha I v/lMririif»'»n'wi»» as A R RLRLRLRL RRLLRRLLRRLL R R R RLRLRLRRLR •••••I ••••• 12 13 — ^ *-» —p « — 14 •™JB! —vf—asi—^—asi—aj —M —M —M —ai —m —m "Ti ~M 8 1 T i — a — U —il -3rd—M - i aj • ddd " —a • „J1 w> m w _Jl • — & il & if • •9 • • • • • —ll~M :^=± ic_i ^ fl w RLRRLLR RRRLLLRRRLLL R LRLRLR L RLRRLRLLRLRLRLRL 1 5 1 17 L — P jsjJJ 0^1 —ai —21 — n — "ai -as -JB • JM'' dk""J B — H mm ^# \ —* 4 — H ^ 1 — 9 i£m\—Wt — 9 aim—M "IS "HI "SI ~~mH *JS 9 i l H 1 i l 9 — 9 n in {% m. ^ JLm M —Wi EM war tag ear tmr «sr w • • fl fl RLRLRLRLRLRRLLR RLRRLRLLRLRLRLRL n s 3 3 r, visuals 1 8 jj( A—p A— y *—•p A—y * y ^' dr'ftr j m J J U J jn^^rini 33 \ 33\ n f JJJ I, wL mL..m..Jm.....M.. » WBUffl/BBBBli —* A Ww ""arv'—M'fflf'Vmf 2\—m. m. ..A1 —^71—a & Hj I—^1—a i M.i ——2 WffSflflTO| feffltjffiHttffitj |*ffiffB?ffll| fflflftBEftfiJ WBftWBfl Q^^l WMUBW BM8MMI MWBK^^B^ BgEBBB MWp^^jg SEQSfim mSBSB BsWBt ^^MWM t^^SESSHS^ J.J JJJJJJ liJJ JiJ J JiJ JiJ JiJ J JiJ J J 1 iy JiJ JiJ J JAJ«/ xl xl iy iw2-5 LLLLLLLL R L RRLLR L RRLLR L LRRL p-pq a^^B^B^pl^ BWIIII IIBMJIMBI| BM^M MBI •••• • IBS US ^JMI , . - _ .—,»»-^-iy v J yi 27 x1 x1 ymmmmmmmmmmm JJJ I AJ J JiJ iJ J JiJ J J JJJJ I xl J X' J J J J J J J J RLRL LRRL LR R L LRL RLRL RLRLRL RLRL RLRL RLRRLLR p—1 PMMma«q ••••• tMUMIItWB fMBlMail/Mt pMfflBHBJ EMMWfflBa BWffiteaBWfUHatoa teWjtfftftipHM 30 ,31 3 3 mmmmmmmmmmmmmm mmmmmmmmmm mm J J «nr S RLRLRL RL RL RRRRRRRR RLRLRLRLRLRLR L RRRRRRRR P P -62- In-Pulse, pg.2 34 35 36 7J~W _tZZ2 _ R L R L R L R R R L R R L R R L p crescendo — ______mf . 37 45 •Jf-Jf Jf-Jf 46 R RLR RLR RL R R RR RLRLRR RR R L 3 >3 3 3 48 R • L R R R RLR L R LRR LRR L 52 •Jf Jf 54 Jf^r Jf-^f-Jf-Jf L RR R RLRL R L RL RLRR R L R L 57 55 56 53_ RRR LL R RL LR RL LR R L R 3 3 3 3 D 58 •jf jf Jf « j f - ^ x - J f - J f 60 RRLLRRLLRRLLRRLL RLRRLRLLRLLRLLRR I^^^^P^^^^^^^^^^^^^^^^^^^62 ^ Hffi— __3S _!_£ E_^^_—I pgSM£M_l ^^^^^^^^^^^^^^^^^^^^^^ __SS Mkn&a&j&_&y ^^^^^^^^^^^^3 3 61 JTTTTJJ JTT3 JJ JJ JTJJJl J77-T3 SB LRLLRLRLRRLRLLRL RLRRLRLLR L R L RLRLRRLRLRLLRLRR p crescendo ' 64 65 __J3 66 LRLRLLRLRLRRLRLL RLRRLRLRLLRLRLRR LRLRLLRLRLRRLRLL • Jf -63- In-Pulse, pg.3 6 68 69 67 * d J J iniVlt m m te m __ R RRLLRRLL RLLRLLRLRLRRLLR RLLRLLRLRLRLRLRLRL •- - - 6 : - 6 : - : - 70 '1 1 MMM vl _ jy M MMM hPT_ MJ Am Mm Mm~~M M —_* mmtfhm—_l—_—x rn X «? mmmmmmmm I tm tm m> tm m M mw m* mv -off __ __ • fm a • H. fe^ m *0*r is? f;« 7 W &*/ £s7 w( RLLRLLRLRLRLRLRLRL R RLRLRLRLRLRL R L R L RLRRLRLL 73 J iJ J jJ JiJ J JiJ J J —dmdddmSmJ * JJl J dmmMdmmm J J «< JJ~I .-/.;<',- •;r > f~\ E slightly slower ~r ~r *r / > ~A—A. 1 A. A—77 H 77 J m\*-^m\'—~>m a~a I J — m m m mm 79it* ff' ' m - J J m ~W J M ~~M ~M ~M ~H ~M ~~M ~~M ~M R R RRR R RRLR R R L R PPP R (back stick) 81 ______82 •W—I ^_^ «»»_^_^ p_»pBP_pa_| f_s__^ ddddddddddndd mmmmmm rjmmmmmmm __ am£ n ^—^s8 3 p=f R*> •> R «y d d d id d dim m m m m R RRR LLL L RLR RLRLRL RLRRLRLRLRLLRLRL / 84 tt L 0 .85 d d d \ d- d y _ «< y> •• * 87 8 * — J * tf L i V( I m i I'- ll a i _l i * A » M M m m * M M a m m * ti m it * M _ RLL R L LRRLRRLRRLL R RLRLRRLR LRLLRLLRLLRLRLRR 91 3 3333 3333 90 •••••• jBWMMWB f——I—^1 MMMMM—I •••••••I BHapKIW dddadddddddddddd\ dddmddddddddddd ddddddddmdr)r}|—y—| jMajw—j \ ddddddd • d m JT J _ T LRRLRRLRLRLLRLRL RRLRLRLLRLRRLRL R RL RL RL R , 3 _Z •••••3 • F—"f—3 l pWM_MI 3 I [—_••• 3 • > 3 3 —Ju^8E_j2ESl MdV^ JfJ^n^•^•^^ JTn ^Baa^»B!a| n n^ ~HH i m i I i * ddddddrJdd] dddddddddddd \ d drmhm i i L A ii _E__E ddddd dm dddd-d- RLLRLLRLL R L L LRRLRRLRRL 6666 6666 98 mmmr) AdddcJddddddd 99 _Jj#__ia___Ji ddddddddddddddddddddddddr | J*ayJ-niin-m-m-Jdwddddddddd RLLRLLRLRL RRLRRLR LRL RLLRRLRLLRRLRLLRLLRLLRRL RLLRRLRRLRRLRLLRRLRLLRLL -64- _ In-Pulse, pg.4 I l l I 1102 I r\ // 101 103 ,104 j I p J5j e>j—\ J ml J J I J T y l > ., -n — R L L R L L RLR RLR R L R R R R RLRL p mf Mai ;i iil i warn mmd^mW __ «piiiMpj_ii^ 1.06 Nf*^^^ p«^»4iSM|_MiM MMM—MIMM10! 7 i_1 —I 1 I I Ji_J~ J /J J Ji_J «y J x' /W J_r RLLRLLRLRLRLRLRLRL RLLRLLRLRLRLRLRLRL RRLLRLRL LR R L / no 1 108 * « d M «/ x1 * x _ d d d d d d 0 0 i_ iwJ J iw ml ftml d 0 0 d d RR RR R L R L R L RLRRLRLL R L R L RLRLR RL L L deccelerando i n 112 -Jf—' *—* *- | | | 1 0 0 0 dddd R L R RLR R L mf R L quickly j I P||pilllllM WMWBM—W__|WWMWMWJ II II 114 I 1 —""j I p—j ^5 I ± I I // 116 0 0'~ "'J J J d d d I J'~ "'J1 - " R R RLR R RL R RLR R PP f f Rudiments Contained: multiple bounce roll flam accent 15 stroke roll flam tap single paradiddle flam paradiddle 7 stroke roll drag single stroke seven 11 stroke roll long double stroke roll flam single paradiddle-diddle 5 stroke roll triple stroke roll 9 stroke roll 6 stroke roll double paradiddle flamacue . P e r f o r m a n c e Notes: Several sections of Solo #20 are written to allow for the addition of visual enhancement (stick flashes, t w i r l s , head and/or body motions). Specific visual sections are listed below: 1 measure before and after letter B. 10th and 12th measures after letter B. 2 measures before letter F, a t all grand pauses. Although there is no specific metronome marking at letter A, 130-135 pulses per minute is suggested. -65- Solo No. 21 Level - Advanced b y Edward Freytag furiously A3 3 4 L L L L — JTjJ JTjJ—aj —aj]—aJ—ail—a_l— fflm whm tPm—m—ms'M —a —aj — hftJ _T J ^JJJJJJ a_ a**df ans aj**jI aHs _ jO — ===== Jf (rim shots) J-100 5 6 —__ — -pr - v —n ——a — n —sJ—d—u— a —a —a —a mV M—_^7 1 —•' JI _& _ _ A HE • 9 9 4 __ • _. • m H m • — A -T il H ii •d mm'_S mt m RLRLRRLR L R R L RLRLRL R R RLRRLRLR 10 12 W iii—ar__ _T_ — n — _£ d_V _3 _9 je_J JM m M dm 2>Am ai —_r_ —ad _J J/41 _1"_^ T f f i HE §_ • 0 —AJ it. M " ^ ii ii il ...f...M M m _1 «r m m m m & m m & m m w fir • wi Mimt &2 'mmm m LLR L R R L R LRL L R LRR L R L L R RLL R L L R R L (back stick) 13 _ v _ 14 15 A 16 —, — m _ _ —g —a JfM "M 1 ' _S iSB _J zs m JM _$ _s _s A . _• ai ilji • " 68 m il ii __ f_ _i ii m. mc m. — im m il ii m fl • ii il mr •* mr L R R L RLRRLRLL RLLRLLR R (on rim) yj __g „_E „_s _g_ __s __s —|mwii __g __f sss9SS __3 19 20 ] jy Jiy J Jiy JiJ I J JiJ J iJ J mmmnmmmmm'-mm] mmm mTm mmm RRLLLRRL LLRRLLRL RLLRLLRLLRLL RLRRLRLR : - >22 >5 >5 - 23 2 —jy- hi * J, m _ _—_. d— * * ' m _____ 4 « i i i * m *>* i is A LLRLRRLR LRLLRLRR LRLRLRLRLR L R mp LFA 6 RFA 25 26 27 28 — 1 — _ _ -F |g|/ Jj a —H —H _ ~M~M ~M _S "_ ~a —7\ _ _s -as -m -7- -u -21 — -—-j —j —•_! - 4 SB ~__i w m ______£_ _z l§ Bi w _c_ . • ~iH m m RLRLRLRLLRLL RLLRLLRLLRLL RRLLRRLRRLRR LRRLRRLRRLRR b A 1 // (v X — — X I T — w-_ = " B "_S —p ~a -p ~ _l _ ~_ —Jm—~Tw _ —a—? _ —7" "rPmrn T __ _ l 2 __i ~li _i __3 - 4 __i _rf _X__J i __a _J_ mm• • ___i • ___!__ _ • ° • ii il ii ., ,f „ .A: —_w_ eK__»— LLRRLLRLLRLL RLLRRLRRLRRL RRLRRLRRLRRL RRRR R L sfz J= 120 - - -_Hb S&S8 S__S ptwBH8WBi»aM^8fl^gg^^ pfiwafflB_^itMpsMWB^ fcffj^p^pnay_>atf«fl^ga_f tesmai '^a^BmaM:^raa^Y^,'^^ S^__ k pip^afiBjpaga ^^^^^^^__^^^p IB__ ___! ___ _S9 ^ffifi SSffi ___ «ww»wairf R R L RL R RLLR L RL RRL R L R LL R L R L R LR LLR LLR LLR L RLRRL RRL R L / -66- Prattfalls, pg.2 > 6 E__^_Mpili_| 37 38 •-•••WP ~M •31 _ J _J __ JB _» _J . 3!L -fofl i " l j— «m- mar tag m- ^^wmg^ww^i^^ewtewwftW 6W Bay « y «w bw «~ _»_____ 1 J J i its -a © , W_W«'WW« e* 0 tW tW ($0 M RLLRLRRLRRLL RLRL RLRLLLRLRLLLRLRL LLR L R L R R L RRLRLRLLR LL R L R L R R 3 3 f/a&e strokes in air) 40 JJJJJJ J J J J~iS? i U i J i U i y J_l Jm j_l J J JJJ J-~ ___~7ri4~yTw^~yw~a' LRLLRLRLRRLRLRLLRLRR L R R L R L R L R RL RLRRLRLLRLRRLRLL 43 44 A00A000000A0A0 A00A00A000A00A00 RLRLRLRRLRLLRLRL RLRLRLRLRRLRLRLL R L R L RRLL 6 6 A , , ~~ ~~ jzrf_ F™™T™!™^"_™'1 p^MpaaaB^^" t^«wpa«^P^(iij )—~~|—•«•»••• pi#gtp_f-g»^ p_a__papii«p-^ pmmfmmfmmai(mms^^^ msffljMmmiimimm -3= J $a\ J JiH J Jifrl J Ji/1 J JiW Ji/I J J 0000M000ai~S m-S-—0-00 J'J J * _-J J J J m an? RLR RRLL R RRRLLLRRRLLLR eery slowly • gradual accelerando 50. 51 52 2=35 0 0 0 0 0 0 \~t% 0 0 0 0 0f0 0 I 00000000 2sS <- 0iy 0 0 RRRRRRRR LLLLLLRR RRRRRRRR LLLLLRRR P 88-100 53 54 . 5 5 56, 0 0 iJ J Ji- 0 i J J iy J i J J JiJ 1 i y J J iJ J J 1 i J J J J iJ J JiJ RRLLLRR R LLRRLL LR RRLLLRRR L L L L RRLRRL - / _ _ 6 3 3 6 6 57. 58 59. —1 I I I j 1 1 60 I 1 1 1 ——p—I r—I i J J J JiJ J JiJ J J I i y J J i J J J Jim. o _ I ~i_ JiJ J JiJ J J I i J J J JiJ J JiJ J J RRRRLLRLLR LLRLLLLRRL RRRRLLRLLR L L L L RLRLRL 61. 62 63 64, i J J J J JiJ I iJ 0 0 0 0i>0.M i _ J J J J_i y H I i y JiJ J JiJ J i J J J 1 iw J J J J JiJ J jfJ^j? RRRRRLRLRL RLRLRLRLRLRL RRLLRLLRRL RLRRLLRR LL 66 67 JJJJ- i d j—_^j—a 1 i_ _-.--i^—_—_ RLRRLLRLRRLLRLRR LRLLRLRRLLRLRRLL RRRR L RRLRLLRL , 3. , . 3 69 . 70 71 . 72 i J0 J0 J0 030 dt% 0 0 0$M 0 0 0 I i'0 0 0 0'j' J J J J I iii J J d% sm m J J- i y J J iy J J i y iy J J RRLRLLRLRRLR LRLLRLRR LRLLRLRRLRLL - R R L RRL RRLRL -67- hold for approx. Prattfalls, pg.3 (mult, bounce rolls) 5 seconds furiously g 6 75 Rudiments Contained: flam 5 stroke roll drag double paradiddle flam single stroke seven 13 stroke roll single paradiddle swiss army triplet 15 stroke roll double paradiddle flam paradiddle-diddle 10 stroke roll flam flam 11 stroke roll single ratamacue triple paradiddle single stroke seven drag single stroke seven flam accent flam paradiddle triple ratamacue long double stroke roll flam double paradiddle double ratamacue triple stroke roll flam tap 9 stroke roll flam triple stroke roll flam drag reverse single paradiddle-diddle single stroke seven pataflafla single dragadiddle single stroke four single flammed mill 7 stroke roll drag single stroke four multiple bounce roll pataflafla LFA RFA = play on indicated forearm with opposite stick Performance Notes: Several sections of Solo #21 are written to allow for the addition of visual enhancement (stick flashes, twirls, head and/or body motions). Specific visual sections are listed below: 1 measure before letter B. the first 7 measures of letter C. the fermata 2 measures from the end. at all grand pauses. All soft multiple bounce rolls should be played near the rim ofthe drum. The last measure of the solo should obviously be played as fast as is possible. dedicated to author, composer, and rudimental drummer, John S. Pratt -68- Solo No. 22 by Stacey Duggan Level - Advanced edited by Edward Freytag fast jj-3»mi^Bsamg ______E__B___ j-l d dim ddddddddd d~m-W dddddddddddddddd] ddd itrm J d mid J Jiyiy Jj- R R L RLRRLRLRRLLLR L L R LRRLL / P (rim shot) -Jf-Jf i J J J j y J J j J j y Jiy J | ;j iy J JiJ J J JiJ J JiJ * ___. m m m m m ttm-m ddddd RRL L L R LRRLL RRLRRL L RLRR LLLLLLLLL RRLRLL _____! WMWUimw pmtpmWffp*T™T tm_ip»#W»tW»^—| P»iP»iiW»«P^~_| ESE > > M M M M M ,« >- 1 n 1- I [ I I I I 1 h I—f JJJJ d-d dddddddd mam 22 ddddd dd^d r_i_«=_-|r_: d d d d d d d d m. dd m. _|—M-M. LRLLR R R RLRLRRLRLRLL RLLRLLRRLRRLRRL R 12 10 -Jf-Jf ii W W 0 0 0 0 07? w~r 0000 dirm R LRLRLRLRLRRLR LLRLRLLRLLRLRLRL R R LR 13 14 15 Jf Jf Jf Jf Jf Jf Jf Jf Jf A" Jf-Jf- -JfJfJfJf jf jf——jf Jf^Jf dddddddddddddddd dddddddddddddddmm t d dddddddd RRLL R R RLR 17 18 16 Jf Jf Jf Jf Jf Jf Jf Jt *-Jf Jf Jf Jf dddddddd dddiV did d I dddddddddddddddd I 00000000 RRL RRLL R LLR LLLR (both hands together) Ik pam ———, warns memos {___•• MUSSES 19 20 -Jf-* •Jf-Jf-Jt dddddddddddd d~dzd J ll JjJ J jy 'tid dim J j y 'iy jy J i * J J <» J J J «/ J-__ *j m m m m m *j m nr^J: R L L R R L R L RL LR RRLLR RLL R R RRR RR R R L L LLL LL L L (fake stroke in air) (stick click) 22 23 24 d dd dWd J J i J J Jyjy ddd I dddddddddddddddAdddddAdd\ dd dd RRRL RRRL RRRL RRRL RLLRRLRLLRRLRLRLRRLRLRLL R L RRLR R L L r, P —===== / -69- Method to my Madness, pg.2 5 > 5 5 »• 5 >- R L LR RL LR R R L RLRL L R 28 29 faaaateissj ___ •••••I M •I _~_ __S l~~j J JiJ did ds% JJJJJJJJl-4 J J J y J « J J J J d J « J «T_r did d ,s d m mmmm m mmmm m mtrm. R RL LRLRL LRRLL R L R R L R L R R L R L R R L RLL L LLRLRL RLR change grips 6 A 31 1 J J J U J J I'd y Id J d Id d d Id J rnd* i m L RLRLRL L R L R R L R R L RRRLLLRRRL LLR presto iM J dim J did J dild J dim J mild d did J did J J I Id ddddd Id ddddd Id d JU J Jig J J..J. J.....i RRL RRL R R L R R L R R L R R L RRL R R L RRLRRL RRLRRL RRLRRLRRLRRL mf 6 6 6 6 6 J5 _ 1 . _ " ————— ————— 36 35 mmmm RLRR LRLL RLRR L RLL RLRR LRLL RL RLLR LRRL RLLR L f 40 41 42 •Jf-Jf- * n -D-J J - ddrivddddvdddddmm \ ddddd 3~d* mmmmm -m-m ddl *t ><> ~>v >< d d d d d RRL RLLR RLRRLRL R R R R R R L L L L L A _ — 45 43. 44 —p *—' * — —p —V 1 1 h ~K Jy JiJ J i J JiJ Jiu jVj JiJ JiJ J i IJ J"J~« i 1 41 i 1 i m A A d I ii I A I A A d A I m A RRLL R R L LR L L L RLRLRLR RRLR RRR LLL 46 47 team •Jf-Jf m m m m m m m d d x mm mm m~m *j m m d d did d d did d d m d _-_r_r R R R R R R R R R R R R R R RRL R R R L RLRLRLRL L L L L L L L L L LLL L -70- Method to my Madness, pg.3 accelerando f^^f^UfiMH W^aywwygM^ pw&ytt^ fl^g^ y^/^MM^s^^ fta^M^s^^^ pm^tyMMj 49 so mmmmmmmmdmmm d'd"d-d H I I I I g g-| I III I yj RLRL RLRL RLR R R R R R L L L 52 53 J im J J iy J J R RRL RRLR R R Jf Rudiments Contained: flam drag double paradiddle 17 stroke roll 6 stroke roll single paradiddle single stroke seven drag 17 stroke roll pataflafla 10 stroke roll flam tap long double stroke roll 5 stroke roll triple stroke roll swiss army triplet flam flam flam 7 stroke roll flam paradiddle 11 stroke roll 15 stroke roll flamacue Performance Notes: Several sections of Solo #22 are written to allow for the addition of visual enhancement (stick flashes, twirls, head and/or body motions). Specific visual sections are listed below: 6th measure after letter A. 3 measures before letter C. a t all grand pauses. It should be noted that grip changes are called for at the beginning of letters C and D. It is suggested that traditional grip be used from letter A to C, matched grip from letter C to D, and that traditional grip be resumed from letter D to the end of the composition. With the exception of the marking at letter D, all tempos are subjective and should be determined by each performer's capabilities. -71- Solo No. 23 b y Jon Whitlock Level - Advanced edited by Edward Freytag accelerando slowly 3 3 5 H i pp- j=F~=j. p = = 2 ppasa pr-pea pgT) p_sa=_^---- J J I yl JJ J j J J~aJ J J' i J J J J J i ft JJ J-J-J-J J J J J J J J J/y SdiWs J « i i R L RRLR L R RRRLLL R LRLRLRLRLRL R L R_ 6 6 6 3 > 3 p-—pq p—pa jaspapsi p_psg~j, ffl~g 4 PPTH F^Tl ~s-5=p=s- cth^^^ ^^p.^^ J JJ J JjMdd$$ J J J M J J J~3 I J J J J J J J J J JJ JdJJddddddddd J w J J J RRLR RLR L L RL RRLR L RRLR L RRLRRLRRRLLLRRRLLL > 3 • > T >~" > J Jj yl JJ J;_i JJJJJJJJJ'JJ I JJJJJ JJJJJJJJ JJJJ J JJJJ J dddd m R RLRRL RR LL RRRLLL RL RLRLR L R L L RLLL RRRL L R R R L L RRRLL - =- > > 3 > -6 - 6> R RLR R L R RLRLRLRL RR LRRLRRLRLR LRRLRLLRLLRLRLRLRL f f ™b-P / „ - o o [T] =_3_ 3 3 3 > 3 9 RLLLLLLLLLLL RLRRLRRLR L L RLRR LLLRLLR R L R LRR mf /=— (mult, bounce roll) ^ 13 14 12 j»< ^ >< > dddddddd* j d d d d d x< ddd dzMzm. d d L L L R L R RLRRLRLLRLRRLRLLRLRLRLRL R LR R R mf - = / - 3 15 16 17 1 j y\ d d d d dddd d d d ^ ddd ddddddd dddM M MMM - J V R R RRLR LLRL R R RRLRLRRLRLR R R L L R L R R R ppapipaniiii p-fM»™pMfi»i laatpajgjgi-j pmij»j»| prntpsal PgggFggJg; 222222 18 19 JJJ JJJJJJJJJ] JJJJJJJJJJJ JJJJJJJJJJJ-—i dd ddddMMMMMMmw dd m MMM M ddMddM* R R R RLLR RLRLRLRL „ 6 6 ^ 6 ———• E~—g_ CHSSSSCll « P"T"- 6 : - - : • - - - 0 21 23 JJJ JJJJ dddddddddddddd- x1 J~J/ s R L L R L L L R L R L R L R L R L R L R L RLLR R R R L R L RL R sfz p- / -72- Hit-N-Run, pg.2 6 > 6 6 3 > 24 t»A»s|»t8i I Mmi p__| I I 25 -J-dAdJ-J J J J J ^JJJJ_ __i MMMMM d d WJ—Tj R L R R R RLLRLLL R R L L R R R L L L R L R L R L R R L R sfzp / 6 , 6_ ^6 —3 _ _ 3 A jwwiMii ••_••_•__• pgBMiiaBBBi i»_»&j»»p8 I V tp^pi»pii_yM^t~5a um»mmmmmm*mmmmmmm\-__ 2g p»)M^a»ayM!eys^yjM| •»a»^Mia»«»«Mpw_| pjw_BpwpH^ B»MMppffp&i*q paa^sa^—s^assg 27 I 28 JJJJ J J J J J_ _ _w_ _-J^w-—J - J iJJ J J J JjwwwwJ- J JJJjaU JJJ J J J^WW-w-»QjJ J JJJ-J-JB RLRRRLRRRRRLLLR LRL R L RRR L L L R R R L L L R R R L R R L L L R L L R R R L L RRRL L RRRL L =116 3 > 3 3 3 »y——a •____B_i 30 tmmmmmmii^mm* Mfflf 31 32 33 JJJ J J J J J J J d^t J m\mmmmmJ I J—jF m \ m m 'M S m m RRRLLLRRRLLLR RLRLRLRLR LRL R P^=l f 3 34 _ 35 ^ «—i3 6 37 __ m m —TS_ a_ — a J aJ si mi a ess ess HI mm tm = «-£ ^ _ Bty tsy „ mr mr mr _ " ^ ,„ mr. __ wz WK. -wt-, wr ° wr R LRR LRL RLRRLLR L R RLRRLLR L R L / 38 39 40 41 m A a __ _ A 5 V ' » *—* * » * * « » ^ . w a , m Jr/J 7m m 2>M m m m m m m tm ^„„_r m. m._ R R L R L RRLR L R L 42 A . 43 d—„ 44 45 _ MVM JIM JIM m —im—mt—m 9 9 M Zl _n_ ~ 1 Jt mVmX ML M M M 9 —M —M M M —w —M —mm—M—M —Jk il —H JLJm il ff m. - .M ii ii __J_ m SLfi • fl fl fl m. wL • • • R LLR L RLLR RLRRLLR L R RLRLR L R R R , 3. >- >- 6 - - 46 47 4 g - - ————— 49 —__—— — mmmm m—» iy J J mmmmmmmm mmm mmmmmm\mmm mm mmmmmm-m RLRRLLR RRL R RLRL L RLRRLL R R R 50 51 52 53 *—. —V *—* V <* w *—P *—7 — — M —M —M —ml—m4S8 dl_ JABI jfita _g —ml—_J—aa ""_! _t "Si -_s —_i M M M M M —H ^ M Mr M ^ —m m ml H • • M ._> • §__n ii M n • fl _J_! • • M. il • il ii fl il ii R R R RLRRLLRRLRLL RRLLRLRRLR R R decelerando (back stick) 6 3 6 54 . 55 . 56 IS 57 *• m m 1 m m m a a 41 « m m m m il a a i m ii. * * _x n m f. m « r. m RLR R RRLLRRLL R RLRLRLRR (dbl. stop back stick) 6^ _ 6 r- o 58 59 t 61 • A » » m _3 —m _! —"M —m —m —m Jilt M —m —m m as —m 7S 28 _. — m —f —m 3£ —snm 4 —_T m $ «r , _£ —E —e E_ E_ —m. «~ ~ eag fmw—m . ,._.._r—sa:—__— RLRRLRLRRLLRL R LR LRLRRL R R RRLLRRLL RRL RRRRLLLL R R R L L L R R R L L L R R R L L L RLRLR RLRLRLRLR J =60 accelerando medium fast 75 I j j j J J J J J J J J J J J J iJJiJ JiJ Jij" J j J J j ^ j " Jjjjj" J jj" Jjj" J j j j j " J j j j ' j Jjj" JiJ J jj^ RRLLRRLLRLRL LR RRLLRL LRRLLR L R R R L L R R LRRLL RRRRLLRRLLLLRRLL RRRR L L L L RRRR L LL L |||IIIIIIIINIIIIIIIIIIIIIII||||||| BS_j_BS__| pWIHBIimi^Wgj fHtmapiWBBaam mmm S25S uam BBSS sas aaaa __ __8 3 f=P=f=|. f 81 —y A—— A—— ""y A I.. pea ego ffBK;;;.--^;-^,^^^^^ Iddddddddddd d d d d x1 m) „ d d.d d g d d d _: RLRRLRLL RLRRLRLLRLRLRLRL R L L R L L R L L R L R R L R L L R L R R LRLLR p sfzp / 84 pSy^^P8 ^ 85 i—== iw1 7 ESS EZZ! E SSE! 35 rm M MMMM —_3 J JJJ d d dddddt-m - -___3_ a __ —______RLRRLRLL f p f p 87 pjg=pq. F=F=R. p^a^^ =eia, 88 j^=aj J J J J jjTXTlJ- WJJJJifii J -d-d-d-d RLRRLRLLRLRRLLRLRRLRLLRR RLRRLRLL f pagspq jssjsaaaj. fssjsasa. Hf-R '^^d^Tddd^Tddd ddd _____ LRLLRLRRLLRLRRLLRLRRLRLLRLRLRLRL jgp -74- Hit-N-Run, pg.' (short mult. bnc. roll) 3 , Ki M a !iiK mtM paaama pgp»ppI gI jMSiai__ __ B_B ^^g^__ a ^_^__^_twtaf_taa i 92pm«y^a«p_^a r,lr llT H| M4*Mii|---ti-^^ p^^ T ^™ pMMm&^mfMsmmt&EI 91 93 mmmmJJJJJ JJJJJJJJJJJJ 1 J J J J JJJJJJJJJ JJ J RLLRLLRLL RLRRLRLLRLRR L R L L R L R L R L R L R LR LR R RLR RLR RLR R L -visual -visual visual 94 95 96 97 yaaajnj •••• 1 ddddyf J | | «y J J J J x1 dddddddddddd dddddddd mdm-m mmmmmm> J J J _„ J * R R L R L R L R RLRLRRLRLRLL R R L RRLR RL L 98 99 X 4? 100 jay —_B& 3«r~ JJJJJ J'J J J i J JJJJJJJJJ J J J J 1 J-- J X' m at mt Ata m^^r_ X? i RRLRRL RRL RRLRRLRRLR L RRL R LR R R R RRLLR P f :||-__ J JS__3 3 3_^ L R L R R L L R L R L RRL R LR LR RR LLRL R RRLRRL RH visual LH visual RH visual LH visual 3 3 3 3 3 3 3 3 3 3 104. 105 106 r?5 dddddddddddd dddddddddd nt—d RLLLLLLLLLLL RRRRRRRRRRRR LLLLLLRRRRRR 107 108 109 *—Jf—*—Jf Jf Jf~*-* ddddddddddd dddddddddddddddd d d d d d d d d d d d d d d d d d d d d d tOOL RLR RLRL RLRLRL 110 111 112 ddddddddM > # Jf d ddddddl d d x1 d d d ddddd d d dddddd I d d d d d»didId Sd d d d d-d-d-d RLLR RLRLR L L RRRLLL RLLLR L R L R L R 6 : • 3 3 > 3 3 113 114 115 ?pppf dd ddddd ddddddddddddddd\** ddddddddddd yf d d_ , d.d d I x'ut J J J Ji^n^ss R R R R R L L L L L R p _3 ,, fade • f7\ 116 117 118 id d J Ji * -» -» mmmmmmmmmmm EEir # #""-3 R RL RL RLRLRL RLRRLRLLRLRRLRLLRLRRLRLL R RLRLR sfz _======— ppp -75- Hit-N-Run, pg.5 Rudiments Contained: triple stroke roll paradiddle roll flam accent single stroke seven multiple bounce roll single flammed mill flam drag 9 stroke roll pataflafla cheese shirley murphy long double stroke roll 5 stroke roll flam double stroke roll combination flam tap single paradiddle-diddle double paradiddle single stroke roll 13 stroke roll flam paradiddle 7 stroke roll single hand flam flam 6 stroke roll single paradiddle swiss army triplet flam 5 stroke roll inverted flam tap 15 stroke roll flam single stroke seven 11 stroke roll J = double stop back stick. Letter bracketed is hand to be back sticked. [R] or R or [R] L [L] [L] Performance Notes: Several sections of Solo #23 are written to allow for the addition of visual enhancement (stick flashes, twirls, head and/or body motions). Specific visual sections are listed below: 1st measure of letter A. 3 measures before letter B. 1st measure of letter B. 5th and 6th measures before letter E. 5th, 6th, 7th and 16th measures after letter E. a t all grand pauses. All tempo markings are fairly subjective and should be determined by the performer's capabilities with the exception of the sections having specific metronome markings. -76- TUO KAERF Solo No. 24 Level - Extremely Advanced b y Jon Whitlock C - • E - H quickly ? _ 3 **** _o_ m R R R LRLRL mf pp mp mf a (rim shot) rit accel. rit. E---C ---- t A E - C LLR R RRR R R R / ri£ „ fast 3 a tempo C ; anw I 5>J rrrffl?.?-^^-*. JAJ J JAJ J R R L RLRRLRR RRR LRL LRRLRLRLR / > d— - - _____ R RLRRLRLLRLRRLRLRLRL RRRLLLRRLLRLRLR accel. C --E J _ »h a tempo c 3 3 12 ^^-^u n \— ^ _ 1__^^| «» RRL LLR RRL LLR RRL R R RLR L RLR P E- 3 3 >3 3 >3 3 -3 3 -3 3 JO A 18 R R Jf E 22 3 * * * Jf J71 AJ ^ATTA J J¥T1 AJTTI IA H i s R LRL L L L R R L L R RLRLRLRL 24 ^ * ^ 5 j m JTO i^ffl^ _____ R R L R R L R L RLRRLRLL C — - - - - E C 26 27 -Jf-^f JfTI iFTT* riTTTTi s A J JAJAJ _5_ RLLR R R L R RLRRRL -77- rit. . . . '1-° Kaerf, pg.2 3 > 3 > 3 > Jiti 2g j_W%WwgWsp^P ••••^••aMfrMiMi ___mpm__Mp«ife-_ 29 ____aj__-_- _____ j____>s_____g_____3 ^WM-apMffijyiSiM^ ^^^*^^^^^ 30 ^ A»~JAJ mlw mim' *^-_r~-j3./~7; - J , JmJwlh^lmlw~w^m~Jlw^-h L3 L_" 2___e_S Tr-TrrriT^r-ir-rrii'—i nrx R L L R R R L L L RRRLRRLRLRRRLRRR RL LRRRRRRRRR /as* C E sua/ B 31 32 sS^g^K8^£3 S553S______s^^»S _____ 33 ^-^^_^i^^-i j^£^-i_^aS _^-^^»^^^ •^^•••^•]|"''» _5___Smmm ______f_ m—mi ______l l _ 3 R R LRL R LLLRL mp / H .... - c 6_ _ 6_ ummmmmmmmmmmm J J AJA mimimdm-rmJ AJ A RLRRLRLL L RRRLL RRRLLRRRLLLRRRLLLRLRL mp = / _ (back stick) p-mwrang sma&mfc- __j _a mdmm •_)_• ~8E __ffi__i __! pagBBB^M |_»»B3iimB_-a f^MM^imMia l____fl_!__3 _ - >—h—rf art_88fea^ « __5 __BI M m •_•• __! ______sss ___H mm® mmm ______H I MM O D !»•»•»• A—1 fa__-_•- mMM A 3 IE 3 A i i J i J * M~ M M ij | ^ SS^ddddJJJJJJJJg_y_m_^ J» J^iJ J^feJ J&J Ji* m^a^a R R LRLRRLRLL L RLRRL LRL RRLRL LRL RRLRLRLLRLRRLRLR C E-- -• C 39 ______! ____• ______i Saa^^aSl SUM -US-SI BMBW HHH_i ______4Q """^ -BBB-EB ""-SB -MM" """ia -_-« •••• mWm -B-B-B-i A A Im A A J A J J J JAJ LLRLR- LRRLR RLRLLLLLRRRLRLLLLLR BA- —' B J lx ritard lx slowly I very open 2x accelerando. . . . 3 3 3 _ 2xfast • ___ =t___r • - - 41 43 44 mmmmmmmmmmmm m m JAJ I J JAJ J JAJ F3_m m m ~m RRRRRRRRRRRR R R L R RL LL LR R 45 , 46 49 50 , ddddWn^hiidddd, * " mmmm / mm' m m mdm R R L L R RL RL L L R LLRL R L L LRLR J.J > 3 D 51 52 1B_ __!•__ B5SE3_ •_!•_•__• __•____• gg ^ — j__ji__ __••____• •_•__••_• mmmm mmmmm m mmmmm -mm mmm^m |j_AJ J' JAJ JAJ JJAJ JAJ J A J J ' J A J | lj AJ JAJ J JAJAJ JAJ JAJ__. RRLR LRRLR LRLRLR LRRLR L R LRRLRLRRLLRLR LRRLRLRLLRRL open I relaxed c. , > - • - • • - > >• => - > saal i__Mft»_aima_Mg »»-M«tu_mmw(m_iiMa p__wp_WtWPWWW W-M-_a»ii«-_if_M_a iM#gtfpi^-piiiwq p™"™'y,™™"f»wa_g jjMpaa™p__a__^a_-___| |____«f__MMBfBa—^ MSSBS __i MS _>_fWI El 54. 5 3 ____! M_pjp___i ___si •__ri___i _____ V-««HI«»I-^^ -• ______•___•___• _s_™ _m_m _aa_a _• EM mf mf mf mr _™ _™ 55 5^ mmm* m ~Ai mmmm m-m mTS'sss 14 J *W - JAJ' JAJAi' JAS JJ J' J J I As'JArJAJAjjT JAJAJ' JAJAJ^AJ JJJJaB R RRL LLRLRRLRLRLRLRLL RLLRRRLL LRRR L RLRLRL r...... acceZ •E- »_Hia«_«_pj_-_p_8i-—^ faw«~t«i}«_ 58 ja— WBM_8 —•< |w--M-h»i 59 mmmmmmmmmm mmmm / I A A ^ /•! /I A /N « J I * RLLLLLLLLLLLLLLL RRRRLLLLRRR R L L L L — / AA- ' BA B -78- Tiio Kaerf, pg.3 60 61 62 63 _ t i t RRRLLLRRRLLL RLRLRLRL RRRLLL RLRLRLRL RRRLLL RLRLRLRL A A 1 BA---J A 1 B J A A 'BA----1 A J B J JJJ= 64 65 67 rr- A A _- _ _ —A! A!—A —in 7J 7J 7J ml—7J—ml—7J—ml—7J— —S —21 —|j~o — — "" — _3L 1 ___ m. _§_ ___ Br s\ ». : m. m. m. __—__—mm.—mt— -b R R R LRLRLRLR L L L RLRL R R R LRLRLR L L L RLRL A A - 1 BA- ' A -' B - J 68 r * x 'mmmmmmmmmmmmmmw RLRRL LRLRRLRL LRRLRLLRLRRLRLLRLRL P P — / * 71 _ _ _—. 72 a—_isi—_ »i— - —V *—wf—wf—* *—- *—- a—w —j»r—~ *—F —#-n M ~~m—M —mi—mi—m "HI —M —M —mm mm—M —M —__ —a_—_•—3 1 —m • HE fl if f€ • • ii m ff! m. • • H li —H Mi A • ___ __£ il —rt—E_ (12 RLRLRLRRLRL LR f f P slowly I open JJ 3 74 75 76 A J J J J J AJ AJ J J Aj J J A J J J AJ J J J AJ AJ A J I A|J m m JJJ m m R L R R L LRLRRRR RLLLLLLLLLLL suddenly fast E -H- C 77 78 _ a—. * 7 * A _ _Rs —H — 'm'aM •_rSa - A j i ^ —mm ml ~3rM —if_ n —m -sfrm 2nm i s —21 jli ~sB§gi _fTa--~]-R_i—2 1 g m H M -A- f_ S-7 »» Ha ~ «F g ti «g • mr ww 1$ u • «•« m mt - m m 0 m * if *" « m m. mt ^4 4 R L R R R R R L L R L RLL L L L R R L R R R R B L 79 80 ?H——rf—wf m m m m m m m msm ir-m.'m m-^m mmmmmm* mmmmmmmmmm Id Fm RLRLRLRLRLR RLRLRL L RRLR LRL multiple bounce technique . 5 .__ 6. . . 3 , , 3 '""3" 81 82 ••SB •gfm—ww -31 ajyiirai A __r__ _a = S "Jjjj _| mi jm] MmVml -M v —n —M H —_P_H"3 1 :=& n "31 —m ill 9 VftS KB H fl __§ .,#.11 £___§ __i ,«P ii __§ w mmmmm ' If If • H H • JH_J§ n • ___§ Jl — 4i RLRLRL RLRLRL R L L R R R R R R L R LLLLLR L L RRRRRL R LLLL LR L L L L slowly C — E E ISI isstss_»5a 83. 84 85 A J m J-Ar m m J J AJ JAJ _____ - J—# m m m m J J J J J -J- R L R___^ R L R RR RLRL R L L L L L a ZiWZe faster t 1 5 3 - 3 3 3 3 C E Q7 CSD 0/ 0 '> J « « _ i ' I i J # " 4 « __J__i_i J i J « « i A i i J« 1 # J i J<* a _ i i ______A m m -9- R LRRR RLRL R LRRRRLRRRRLRRL L RRRRRRRRRRRR -79- slowly moderately Tuo Kaerf, pg. 4 E •H- R L R R R RLRL R L RRRRL RRRRL R R L m p L L m f fast C L.H. on drum smsssmmmgmmmi fn^msMgimmmeBXt fg»™paMpffaiB mmmm«mmmitwiim^& fss^mmmasemmmii pa^jMWJgjga M»fiMi|Mi-l eag_spiaa_p__a 'fflrmpmm ______9! 91, B3_3 {__•_• ______i^«Mf-«-»u _____ 92 ^™ ™» www4---» ssm -SH ___™ si-sti -_•__>•-• 93 __« __•*_•_ ____taK an ssa _••__• pi|»4i A J J J J JAJ -TJ J A J A J A J A J AJAJ I Af J J JB J JM S S JAJ J J J J J i iiJ JJJJJJJJJJJJJJ R LRRRRRR R RLLLLL RRRRRRRRLLLLLLLL put away L stick put away R stick f f rTs R.H. on drum E q^ad lib section played with hands g_ 96 97 Z _y ~& —~——•—-jr— *r suggest snares off during ad lib RRRRRRRRLL L L L L L L RRRRLLLL pick up L stick pick up R stick -H- r s 98 e A v *—v *—v —p *~-v *~v *—» *~~t> *~-p *—p *—p * Jf jt 111^—-fc^ -to ;fc> ly I J — j "is? Jf" [ dddddddddddddddd -III- S>d d dim m dim d dim d dim d dim m dim m dim d R RRLRRLRRLRRLRRLRRLRRLRRL cresc. and accel.- rit. . . . slowly -rs A A - — 100 101 -ter- -fer -te- -te- K, Jv 1 i'm 1% 1>M *_ *» 1 • « * * ^#1 A * • * Pd -JH RLRLRLRLRLRLRLRL RLRLRLRLRLRLR RLRL moderately fast f f ~= fff C E C rit. ... > 6 104 105. Jf Jf Jf mmmmmmmmmmmmmmmm dddddddddddddddd Ax' J JAJ J J A J J RRRL L LRRRL RLLRLLRRLRRLRLLL R LL R L L R L BA—J B ' BA----1 B fast 108 106 i 107 a * a *——7 *—>• ? P * v w —— n J. —as —TB —m —m as Jim 31M. —m —m E -_r_i m —m —m ~3_S —-m —m -JIM 31 —m __3t m. _a_ %m m—,..w m mr, -..mm -.mr. WK nz m. m. m .... -;. .BH: sis WM, -T..—mW w ~r...~ _«: ESE __e T..__.._r.,—m. m.-. BM mt SSE H-I - k R RLR R RRL / 110 1091 i n Jf-Jf-Jf-Jf-Jf Jf Jf Jf Jf Jf mmmm mmsmsmA> A mmmmmm;'AJ l J J J J _f J'J'J'J JJJJJJJJ )i.ji-_i«J l m m m m m m m mmd d dm mmd R R L R R L R R LRLRLRLRL f f C - H - - E E- 112 r * 1 Ail'm a iaP_ i _ «Ji _ ia a R L R R L L R R _° m f no release -80- Tiio Kaerf, pg.5 Solo No. 24 was judged as 7th place entry in the 1990 D r u m Corps International solo rudimental snare drum competition as performed by Jon Whitlock. Rudiments Contained: multiple bounce roll single hand flam flam inverted cheese flam tap long double stroke roll drag inverted flam tap flam 5 stroke roll single stroke seven triple stroke roll cheese roll flam single stroke seven flam 7 stroke roll cheese 15 stroke roll roll combination flam flam drag flam 13 stroke roll 13 stroke roll 9 stroke roll single drag tap flam 9 stroke roll single stroke roll flam accent flam flam dachuda flam accent 5 stroke roll 7 stroke roll 6 stroke roll single hand flam 5 stroke roll doubled flam flam swiss army triplet 11 stroke roll paradiddle roll cheese flam accent flam 6 stroke roll A A = rotation of left stick forming matched grip in order to play with butt end B A = aerial flip of right stick 1/2 rotation in order to play with butt end A = rotation of left stick back to traditional position in order to play with bead B = aerial flip of right stick 1/2 rotation back to original position in order to play with bead C = play i n center of drum head H = play halfway between the center and the edge of drum head E = play near edge of drum head Gradual movements from the center of the drum head to the edge of the drum head are indicated by the following: C H E -81- Tuo Kaerf, pg.6 Performance Notes: Several sections of Solo #24 are written to allow for the addition of visual enhancement. Specific visual sections are listed below: the 2 measures before letter B. the 1st measure of letter C. the 1st measure of letter E. the 3rd measure after letter G. the 5th measure after letter H. at all grand pauses. Five measures before letter I, the left and right drum sticks need to be put away in order to perform the adlib section in the next measure. This can be done by laying the sticks on a music stand, by placing them in a drum suspended stick bag, or by simply holding them securely underneath the arms. The hand executed adlib section can last as long as the performer desires. Care should be taken to insure that musical ideas presented during the adlib are improvisationally creative. The opening measures of letter I containing the long double stroke roll, the swiss army triplets, and the flam flams are meant to be transitional in nature. Each ofthe three measures can be sustained as long as the performer desires as long as the transitions from measure to measure are subtle and smooth. The overall intent is to create the illusion that each rudiment gradually becomes the next. Since each ofthe three notated rudiments are primarily based on double strokes, the above mentioned illusion can be achieved by simply shirring from the end of one rudiment into the beginning ofthe next. -82- AND THE KITCHEN SINK Solo No. 25 Level - Extremely Advanced by Edward Freytag moderately gradual accelerando 6 > - 6 - JAJ J JAJ MM. LLRRLLR L R L RLRRLLR R L RLRRLRLLR L R L cresc. poco a poco quickly 3 (rim shot) RLRLRL R LR L RLRLRL R L R RLRLRL R f f : - 6> - 6> - : - 6> - - 6 > > 6> ^ABIAJXJ I A^3^AJ^^Aj^jj __*__ MS? RRLRRLRRLRRL RRLLRRLRRL RRLLR RLRLRLRL RLRLRRRL LLRRRLLL funky feel J= 96-104 10 i i _£ RLLRRRLLLRRRLRRLLLRRRLLL R RLRLR / • : - - 6 : - 13 14 15 16 __ R R RLRLRL RL L ritard accelerando. > > 6 6 17, 18 19 20 S B R L RLRLRL R R L R RLRLRL RLRLRL a tempo ritard as fast as possible 22 23 JJJ J' I kl AJ AJ AJ-AJ _____ mmmm RLRR R RLRRLRLL RLRL RLRL f J = J- >3 >3 >3 >3 >3 >3 24 RLRRLLRLRRLLRRLLRLRRLLRLRRLLRLRL RRRLLLRRRLLLRRRLLL ff \ ritard accelerando funky feel 5 ^ J773- / m - /m R R L R RL LR RLR L R L R LRLL And the Kitchen Sink, pg.2 6 =- 6 R L R R L R L RLRLRLRLRL RLRLRRLRLRLL 32 , 33 34 -»p 3^-—- tr f *p *' Tf* —»P- ^ W M * Ml S mi ~im 0 0 0 0 0 d d d d d d d m d d d iW m tt m—m RLRLRRLRLRLL R R R L ritard accelarando, (mlt. bnc. roll) funky feel 6 6 35 j // I I lw * — v« p ij AJ j j j m m ti ti J 0 0 ^« „ <•! d Pd 0 0 ____ RLRLRL R p p / C O . 3<) *t 4 0 — _ _ rip —JXJ! — _ — M M M n —MUM JIM M M M -g M —M —M —M —M — H — 3 —M —_J—m — m m • m m m m & m m • 0 m 0 m -Jim i i • 0—M • • • • • • M. WL fi • H RLRLR L R L R RLRLRLRL L1 1 - 4 2 4 -——, -—? -—* *—* «• ^ d y ** f , —' 7B m m m ™ 4fm —3Ta_ 2_— 21 m HBL sac m. ______wt m. m. m m? mr __ m. m. R L RLRLRR RLRLL R R ritard. . . accelarando. funky feel 6 > • 6> 44 46 ? _i <*—j — — ~ *•» M M M M m M D JIM JIM 11—M —M 21 >: —~M — g M M — 9 —If 0 m gJm m —a t i m m m m CJ m WC. ™* - pay m. • 0 H i i * • H • 0 m • 99 m ___ —__: d >M m i f H • « M. • RRRRRRRR RRLRRLRRLRRLRRLRRL R 47 48 49 T P »P- =__ R R R R R L sfz accelerando . quickly 6 • 6: 50 51 52 J J J ti il A il a « m m m m m M i i I • m A * m M itt * ii 1 ii i M RLRLRL RLLRLRRLLRLR PP : ' Jtf 53 54 55 m m A ii a i J i I il « i m IM a « n A a ll i m A A fl m a itt i RLLRLLRLLRLL RLLRL RRLLRLRL RLRRLLRLLRLR Ton rimj 6. —1— 56 1 „ 57 1 58 /\ 1 A A A A A ! A A A / A A a m _ a « A ii A m a d a <• a il RLLRLR RLRRLL RLRRLLRLLRLR RLLRLLRRLRRL -84- And the Kitchen Sink, pg.3 6 _» 6 >- 59 ^^^^^^^^^^^^^^^M ^^^^^^^^^^^^^^^^^^^^^^^^ aaS^5 61 Z7Z ZZ z m m m rJ m m M—» rJ J JT I I mJ _T-THI <3 ai iJ<_^J JJ m RLLRLLRRLRRL RRLLRRLLRRLL RLLRLRRL R R L L -:- 6 >• - ' 6 > > " 6> : - > 6> : - - 6 : • 62 63 64 " ______1 A y mfl « -J___m m _ y J J J „ J J -a ^ * J J J ^-^ J * * m R L R R R LRLR R L R R R L R R R RLRLRL R L L L L L L L L L L L L ritard >6 ; _____ £S______-gBBE-B M-Mffi ______— MSBEM ______} 1BB» ______•S___f______l ______jS»|8 A J JAJ J -hJ J AJ JAJ JAJ J iAJ J JAJ J JAJ—J—J-__5 RRL LRRLLRRLL RRLLRRLLRRLL RRRLLLRR R L L L A A funky feel 69 +«L >•••—| 70 mmm. J. -J J AJ AJ AJ AJ _ AJ A J A J RRRLLLRRRLLL R L RRRR RRR R L P 71 72 73 s m m mm \fid m m m d mm ddddd i idAJA idJ AJA id idJ idAJA idJ idAJ rdA J rdA J imA J idA J rd A RLRR LRLL R RLRLRRLRLRLL RRLLRRLLRLRL 74 75 76 'ji dddddddd d JAJ TAF J JAJAJ'J JAJAJAJAJAJ ]" _.AJAJAJAJ tt~t mmd RRLRRLLRLR RL R LR LRRRR RRRR L R ritard accelerando funky feel A 77 78 79 J f M Jf J f Jt J f Jf J f J f J f Jf I J J J J J-JJ-j mmmmmmmm m-m y} u m m dddddddddddd »f—d dddddddd d-dJ J I <. VW—_£—_E—EST Bff—_E—SB. _E _E _C E_ _E _E BZ _E _£. L R RLRLRLR R RLRLRLRLR LRLRLRL sfzp- 80 81, m m m m mmm R RLRLRLR R RLRL L R RLRLRLRRLRLL RLRL J = J - > 3 > 3 > 3 J._J > JJ. > 3 - 3 > 3 J. = J 82 83 84 85 mmmmmmmm ______mmmmm m______RRRLLLRRR LLLL RRRLLLRRR LLLL a /„rte faster _ ^86 87 p~i--__-i_mj_uiii«|||||a^ tm8_a_M»ife__»8»!_B _B_^___atg_SfflSii T A J J AJ J AJ J AJ IA fid d Sd m ' J J J J J J J J J m RLLRRLLR RRLLRRLL R RLRLRL -85- And the Kitchen Sink, pg.4 _1S RRLLRRLL LR R L LRRL RLRRLRLL LRRL RLLRRLLR RLLRRRLRR LRLRL RRL RRL RLR L RRLRRL R R a little faster 9 5 pas-gaj. g g . fsspspj L R R L R RLR L R L R / as fast as possible accelerando. t=g^^ Baaag|-a--j ^ JJJJJJJJJJJJJJJJJJJJJJJJE RRRLLLRRRLLLRLLRRRLRRLLL molto ritard subito accel. 6 6 , - >>>>>> 6> R LRLRL RRL RRL RRRLLLRRRLLLRLLRLRRLLRLR R gradual accelerando slowly ^ pause for approx. 6 • LLRRLLR L R L RLRRLLR cresc. poco a poco R L RLRRLRLLR _ L R _ _ L _ R_LR_L_RL ______R _ _ _ L_B _ _ _ L_ _ A L A L A L _ ?. _ A AL A L A L . ZioZd roZZ a s long as fast as possible as desired csgBj ejajii wssssSi RLRLRL RRRLLLRRRLLLRRR -86- And the Kitchen Sink, pg.5 «"l»«"f"'"_i smem j&x&tetfmimigifmmm ••••'frMwpitlWBI __g_^ A P'^i9 _ A •_• ____•_•_••__! ••••^•••^••i-J 120 121 122 JJJJJJ J~J JJJJJJJ* 123 I 05= 22 22 LRLLRLRRLRLLRLRRL RLRLRLRLRL RLRLRLRL Rudiments Contained: sfz 7 stroke roll flam 7 stroke roll cheese double paradiddle drag triple stroke roll 11 stroke roll flam accent shirley murphy triple paradiddle single paradiddle-diddle single stroke roll 17 stroke roll 15 stroke roll cheese reverse paradiddle-diddle 6 stroke roll flam flam triple stroke roll paradiddle roll cheese roll single hand flam flam single stroke seven cheese flam accent cheese paradiddle 9 stroke roll flam five stroke roll 10 stroke roll pataflafla flam drag flam 6 stroke roll flam single stroke seven paradiddle flam flam inverted flam tap flam flam roll combination flam tap paradiddle 5 stroke roll triplet pataflafla inverted cheese flam tap long double stroke roll single paradiddle cheese pataflafla swiss army triplet dragadiddle pataflafla flam five stroke roll flam tap double paradiddle pataflafla single stroke seven Performance Notes: Several sections of Solo #25 are written to allow for the addition of visual enhancement. Specific visual sections are listed below: 1 measure before letter A. 11th measure after letter A. 8th measure after letter B. 1 measure before letter C. the last measure ofthe piece. at all grand pauses. With the exception of the numerical marking at letter A, all tempo selections should be determined by each individual performer's capabilities; however, since Solo #25 is in the extremely advanced category, a close adherence to indicated tempos is strongly encouraged. All sections of the piece marked "funky feel" should be played as close to the same speed throughout as possible. Care should be taken to perform all extended thirty-second note roll combinations as unaccented as is possible. The long double stroke roll in the ninth measure after letter D can be held as long as the performer desires. A fairly extended roll is encouraged in order to give the performer the opportunity to "show off his/her double stroke roll technique and control. -87-