b y Edward fre^tap- A Col lection of 25 State-of-the-Art Rudimental Snare Drum Solos and Developmental lixercises from Easy to Extremely Advanced CONTEMPORAMY HYBRIB DRUM RUBIMENTS 1) Cheese (combination J'i J J J J'J' J " J of a diddle and a flam) L R L R L l R L R L R L R L R R L R L R RLRLRLRL LRLRLRLR 2) Paradiddle Roll (no accents) RLRRLR LLRLRRLRLL J^J^-j^JJJJJJJJ .in. JJJJJ1flJ333-JH3i JSJS.BB5JBS I R RLRRLRLL RLRRLRLLRLRRLRLL 3) Cheese Paradiddle l R L R Rr L R L L S i unriiJWiJTTiinT} ijaF^j^j^j^ I R L RRLRLL RLRRLRLL RLRR LRLL 4) Flam Double Paradiddle l R L R L R Rr L R L R L L njJTn |jJ j j j j jjJTrmj'J??^^ RLRLRRLRLRLLRLRR LRLRLLRLRLRRLRLL 5) Cheese Double Paradiddle l R L R L R Rr L r l r l l 6) Flam Triple Paradiddle S i LRLRLRLR Rr L R L R L R L L ; - - : - w 0 T l JTT3 JHHH rTTi \^rm jtt^ajtti rr^=^ RLRLRLRRL R L R L R L L RLRLRLRRLRLRLRLL -13- HYBRID RUDIMENTS 7) Cheese Triple Paradiddle ~fr$ J J l R L RLRLRRr L RLRL RLL 8) Cheese Paradiddle-diddle l R L R R L Ll R L R R L L H L R L L R Rr L R L L R R _ ^ i4-—, m a m m s m RLRRLLRLRRLLRLRR LRLLRRLRLLRRLRLL MMM m M * J M M J » 9) Inverted Paradiddle-diddle ] * RLRRLLLRLLRR -=Hr * MM MM MM af MM MM MM MM MM HI MM MM MM MM MM MM aJ—m—m—MM m—m—m MM—m MM—MM MM W m—MM MM ~ 1 m m. WL wt IS m. m m. m. m. ~m.—m mt m SK mt mmmmm mr be HE He M. m. m. m. wL m. ie | --n RLRRLLLRLLRRRLRR LLLRLLRRRLRRLRLL _ ~ _ _ m _ 10) Inverted Flam Paradiddle-diddle :ps_ii~z m EE m. mr. -frv mr mr. mr. WL OL L R LRRLL l R L R R L L 11) Inverted Cheese Paradiddle-diddle l R L R R L Lr L R L L R R 12) Flam Flam • m 3=^ R : : : -FHr • m^m inj Wm ~a "^i ~a "2S ~~e "31 s^Sm MT^M ~~& ""*«rfr "^—i ~~fria "2—1fr —tJ—fi——t-H^-t—f-^f ™ m * 9-M. f 9 m 9 m 9 m 9 m 9 m 9 MW 9 m 9 m 9 m 9 m @m 9 m 9 m 9, m SJk gJg__fLJg SJE s.M-M..W.—W.....m. 9L. mr _ J R L RLRLR L RLRL R L R L RLRLRLRL H sffi'M m ^ MM M ^~m\ 2 "£ad W^~M 2 --t- : 3 13) Doubled Flam Flam §J • 9 m _ _ 9 fM 9 m 9 m 9 m & • R R R R T- IT——f i 14) Paradiddle Flam Flam m 4'm R R R -14- HYBRID RUDIMENTS 1- hr 1 hr r hr hr '"'X"i k- I . .-U -:U -:L • L — • ) 15) Single Hand Flam Flam R R R R R R R R L L L L L L L L ••••••^••••••^IPWM—•! 16) Cheese Flam Accent (cheeselet) l R L R L - 3 •4^' -• m m ~w —i—w'^rza r l 3 4 m m m RLRLRL RLRLRL • 3 _ J__ m h I 17) Dachuda • f J R L L R 3 3 18) Cheese Dachuda rm r L R l R 4 1 JM—Am W 7m—W^'m'"'—~m—mw'm—1—1* "miM"hm m\a—«J"^Ma mt mi—W M m\ 7m—J ' m\ 7m 7m—J ' ml mt r 4 9 m. sZ m. le m. §£ M. He M. s—M. M. m. z Hz mw ML s K m. mt 9__mz mt mt 9—M. mr. mr. mr he - J i RLRLRL RLRLRL - 3 19) Inverted Flam Accents a) rm l R L R L R 3 3 b) rm L R L R L R L R R L R L R L R L -rW J'J J JiJ * m 4 ai m mi ^5'tt tt * it RLLLRRRLLLRR RLRRLRRLRRLR LRLLRLLRLLRL > 3 > 3 a) fe 20) Inverted Flam Drags L R R R L L 3 3 b) L R L R L R L R R L R L R L R L -15- HYBRID RUDIMENTS 21) Inverted Cheese Flam Accents a) 22) Triplet Pataflafla 24) Inverted Triplet Pataflafla 25) Inverted Cheese Triplet Pataflafla L R r L r L R l R frm m^—J—i^a J 26) Flam Triple Stroke Roll (flam threes) l R R Rr L L Ll R R Rr L L L 6 6_ • - -L 1 1 * 1 PH ri i. jy flj flj1 J JiJ J JJJ JJ JLJ j u jy jy ju # m • i » m R L RRRLLLR L RRRLLL R L R L RRRLLLRRRLLL • - •d d dm _ J J^m m 27) Flam Tap Paradiddle R Ll R Rr L Rr L 28) Inverted Flam Tap (inverts) l R Lr L Rl R Lr L R -16- HYBRID RUDIMENTS 29) Inverted Cheese Flam Tap (cheese inverts) 30) Cheese Pataflafla L R R r L l R R r L 31) Alternated Pataflafla L R R r L r L R Ll R 32) Alternated Cheese Pataflafla l R L R rL rL R L lR 33) Flam Roll * d d d d d d d d~ l R L R L R L R L r L R L R L R L R •Jf Jf Jf—Jf dddddddddddd td S M S I J mmmmm mddrm d d d d d d -d RLRLR R R LRLRL L L 34) Cheese Roll rw L R L R L R L R L R L R L R L R L R 35) Flam Five Stroke Roll • d d (flam fives) l R L R Ll R LRL > 3 > 3 ' A 36) Flam Accent Five Stroke Roll " r " v • a M ll r~i m (flam fivelet) • l R R r L R 37) Single Hand Five Stroke Roll (single hand fives) RRRRL R LLLLR L 38) Single Hand Flam Five ^ ~ j ^ J ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ j- } ^ m^T^i Stroke Roll d d (single hand flam fives) l RRRRL Rr LLLLR L -17- HYBRID RUDIMENTS 39) Pataflafla Flam Five Stroke Roll (patty fives) R L L R 40) Pataflafla Single Stroke Seven frm it1 J J Jfr^ d ^ (patty sevens) L R R r L l R R r L 41) Reverse Paradiddle-diddle R L L R L R R L L R L R L R R L R L L R R L R L The following two examples are not actual rudiments, but are examples of rudimental phrases in common use in contemporary rudimental literature. 42) Thirty Second Note Roll Combination Jf: * m d J U 1 j RLRLRLRLRRLLRRLLRLRRLRLLRLLRRLLR J J 0 0 0 0 0 0 iif~§i * a~TT m m m m RLRRLLRLRRLLRLRRLRLRLRLLRLRLRRLL 43) Shirley Murphy -f" _ _ _ _ m m"M ii M M ii m M m M M m m m M M M M M 11 r i * KM fl£3 C 2 H* m. WL K HE m. M. flz wL WL k HE fsE Hz HE m. lie mL He m. 1 i 4 RRRLLLRLLRRRLLLRRRLRRLLL -18- Solo No. 1 Level - Easy by Edward Freyti R R R R R R * m m—m J m 0 0 0 0 0—m 0 m j 0 0 0 m-m RLRRL L L L LRLL R R R R RLR R L 12 J i«J I aJ J • al R R L R L R R L L R ff 13 14 15 16 0 0 0 R R L R L RLR R L RLRRL R LRL R 17 18 19 20 00000000 \ 0 0 0 0 0 0 0—0 0 0 0 0 0 \ 0 0 0 0 0 0 RLRLRLRL RLRLRLRL RLRLRLRL RLRLRLRL P — 21 oa OA 1 • " _j_ 1 Jl m a. m m • i i i a • m m m a R RLRRL LRLLR f (on rim) 25 26 27 28 X X X x a a a a a a 1 J i Jl a a a a RLRL RLRL RLRRL R LRLLR L 29 30 32 h i lit! « a il a a a 0 0 0 0 * a a a 4 0 R R R R RRLLR R Rudiments Contained: single paradiddle flam triple paradiddle double strokes single stroke roll -27- Solo No. 2 by Edward Freytag Level - Easy 3 B J Hr a—J R R L L RLRLRLR R R RLRLR JJJ -J- mmm-* m m m J w—a R R L L RLRLRLRL R RLRLR R L 9 10 11 12 k. — —«@— a —s —m —_ —m — — —m —m —m — M —m 1 iL = J - -- -—2-1 -- - RLRRLRLL RLRLRLRL RLRL RRLL fff 13 14 15 16 RLRL R R R R LRLR 17 18 19 i J i'J R RLRLR mf 21 22 23 24 RLR L 25 <k 26 m 27 4 M « a i i i 4 4 * m i —fJ r * i i 3=^===H RLLRRL RLRLRL RLRLRL > 3 3 - 29 30 31 32 mmmmmm \ m m m m m m RLRLRR LRLRLL R RRL Rudiments Contained: 5 stroke roll flam tap 9 stroke roll flam 17 stroke roll flam accent single paradiddle double paradiddle -28- by Edward Freytag Solo No.