NYC Nightlife Advisory Board Report
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Nightlife, Djing, and the Rise of Digital DJ Technologies a Dissertatio
UNIVERSITY OF CALIFORNIA, SAN DIEGO Turning the Tables: Nightlife, DJing, and the Rise of Digital DJ Technologies A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Communication by Kate R. Levitt Committee in Charge: Professor Chandra Mukerji, Chair Professor Fernando Dominguez Rubio Professor Kelly Gates Professor Christo Sims Professor Timothy D. Taylor Professor K. Wayne Yang 2016 Copyright Kate R. Levitt, 2016 All rights reserved The Dissertation of Kate R. Levitt is approved, and it is acceptable in quality and form for publication on microfilm and electronically: _____________________________________________ _____________________________________________ _____________________________________________ _____________________________________________ _____________________________________________ _____________________________________________ Chair University of California, San Diego 2016 iii DEDICATION For my family iv TABLE OF CONTENTS SIGNATURE PAGE……………………………………………………………….........iii DEDICATION……………………………………………………………………….......iv TABLE OF CONTENTS………………………………………………………………...v LIST OF IMAGES………………………………………………………………….......vii ACKNOWLEDGEMENTS…………………………………………………………….viii VITA……………………………………………………………………………………...xii ABSTRACT OF THE DISSERTATION……………………………………………...xiii Introduction……………………………………………………………………………..1 Methodologies………………………………………………………………….11 On Music, Technology, Culture………………………………………….......17 Overview of Dissertation………………………………………………….......24 Chapter One: The Freaks -
Commission on Nightlife and Culture Agenda Tuesday, January 26, 2021
Commission on Nightlife and Culture Agenda Tuesday, January 26, 2021 Join us on updates from the Commission of Nightlife and Culture along with Bridge Fund information you won’t want to miss. Featuring updates from: • John Falcicchio, Deputy Mayor, DMPED • Sybongile Cook, Director, Business Development, DMPED • Shawn Townsend, Director, Mayor’s Office of Nightlife and Culture, MONC Special Guests: • Fred Moosally, Director, Alcoholic Beverage Regulation Administration, ABRA • Vinoda Basnayake, Chairman/Nightclub Owner, Commission on Nightlife and Culture • Ris Lacoste, Chef/Restaurantuer, and Owner of Ris Restaurant Executive Office of Mayor Muriel Bowser John A. Wilson Building | 1350 Pennsylvania Ave, NW, Suite 300 | Washington, DC 20004 Commission on Nightlife and Culture Meeting Agenda July 8, 2019 | 6:30 P.M.-8:00 P.M. Reeves Center Community Room 1. Welcoming Remarks 2. Commissioner Introductions 3. Commission Role and Responsibilities 4. First Year Priorities 5. Public Comment (3 minutes per person) Next Commission Meeting-October 2019 (TBD) If you have any questions, concerns or comments for the Commission on Nightlife and Culture, please send the information to [email protected]. Executive Office of Mayor Muriel Bowser John A. Wilson Building | 1350 Pennsylvania Ave, NW, Suite 300 | Washington, DC 20004 Commission on Nightlife and Culture Agenda 3/10/20 I. Roll Call II. Review of 10.22.19 Meeting Minutes III. Mayor’s Office of Nightlife and Culture’s Briefing IV. Discussion of New Business V. Public Comments Executive Office of Mayor Muriel Bowser John A. Wilson Building | 1350 Pennsylvania Ave, NW, Suite 300 | Washington, DC 20004 Commission on Nightlife and Culture Agenda Tuesday, June 23, 2020 I. -
Marquee: the Business of Nightlife
N2-509-019 FEBRUARY 25, 2009 ANITA ELBERSE RYAN BARLOW SHELDON WONG Marquee: The Business of Nightlife “The night Stevie Wonder gave an impromptu performance of ‘Isn't She Lovely’ at Marquee, I said, 'We just hit the pinnacle. But a moment later I thought, 'No way. It is going to get better.’" — Noah Tepperberg, founder of Marquee “It’s Paris. Look, over there!” One young clubgoer directed his friend’s attention to a woman, dressed in a designer outfit, who stepped out of her chauffeured car at a busy intersection on 10th Avenue in Chelsea, Manhattan. The celebrity in question, Paris Hilton, warmly greeted the doorman, took a few steps on a red-carpeted sidewalk, and quickly entered through a heavy black door, not noticing the two clubgoers who watched her every move. After a long wait, they had edged their way to the front of a line that stretched around the block and counted hundreds of people, each hoping for their chance to follow Hilton inside. Although the long lines and star-studded atmosphere were business as usual, December 18, 2008 was by no means a typical Thursday night (or rather, early Friday morning) at Marquee, one of New York City’s hottest clubs. Marquee was celebrating its fifth anniversary. Inside, nightlife impresario Noah Tepperberg, who founded the club with Jason Strauss, made his way around a crowded dance floor, and settled at his regular table in the midst of the club’s main room – a place where he could be found most nights ever since the club first opened. -
Queer Nightlife As Social Infrastructure: Nightlife Regulation Initiatives in New York and London
Queer Nightlife as Social Infrastructure: Nightlife Regulation Initiatives in New York and London A Thesis Presented to the Faculty of Architecture and Planning COLUMBIA UNIVERSITY In Partial Fulfillment of the Requirements for the Degree Master of Science in Urban Planning by Eddy Almonte May 2019 Abstract Many cities are beginning to understand the value of night time economies. As municipal night time commissions and offices continue to grow in the United States and Europe, researchers and activists attempt to highlight vulnerable groups that have historically relied on nightlife for community building. Given these histories, are cities doing enough in highlighting and protecting LGBTQ+ (queer) nightlife, especially for people of color (POC), through these municipal nightlife commissions and offices? Using qualitative data and a multiple case study design focusing on New York and London, this research attempts to understand how night time commissions and offices in both cities address the vulnerability of queer POC nightlife through community outreach and/or research initiatives. Through interviews, field observations and analysis of policy initiatives, the framing of nightlife as culture or entertainment has an impact on structural financing mechanisms that ultimately commodify queer nightlife. However, these structures also reveal the social infrastructural network of nightlife collectives and opportunities that promote the creation of safe spaces. Acknowledgements I would like to thank my advisor Moira O’Neill and my reader Cassim Shepard for their guidance throughout my writing and research process. I am also grateful to everyone who contributed their time and energy to this research, including Oscar Nuñez from Papi Juice, Jacob Moore from the Buell Center at Columbia University and Ben Campkin at the University College London. -
The Fierce Tribe
Utah State University DigitalCommons@USU All USU Press Publications USU Press 2008 The Fierce Tribe Mickey Weems Follow this and additional works at: https://digitalcommons.usu.edu/usupress_pubs Part of the Folklore Commons Recommended Citation Weems, M. (2008). The fierce tribe: Masculine identity and performance in the Circuit. Logan, Utah: Utah State University Press. This Book is brought to you for free and open access by the USU Press at DigitalCommons@USU. It has been accepted for inclusion in All USU Press Publications by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. !"#$%&#'(#$!'&)# ,*&&$-+.')/+0$+12$3456$#*)74*68$999:;4567*)74*6:7<0 !"#$%&'()*+$ !"#$%&#'(#$!'&)# *+,-./012$&3214045$+13$627897:+1-2$ 01$4;2$(07-.04 *0-<25$=22:, Utah State University Press Logan, Utah Copyright ©2008 Utah State University Press All rights reserved Utah State University Press Logan, Utah 843227200 www.usu.edu/usupress Manufactured in the United States of America Printed on recycled, acidfree paper ISBN: 978–0–87421–691–2 (cloth) ISBN: 978–0–87421–692–9 (ebook) !"#$%&'#($)*+,#$-+.$/.#0$1&$+0'#(1).#$1"#$2(.1$3/+4)+$5+(1)#.$)6$7&4/*8/.9$:")&;$!"#$ original photo is by Ric Brown and Bulldog Productions, www.bulldogproductions.net; design by Kevin Mason. Used by permission. Library of Congress CataloginginPublication Data Weems, Mickey. $$!"#$2#(%#$1()8#$<$*+.%/4)6#$)0#61)1=$+60$5#(>&(*+6%#$)6$1"#$7)(%/)1$?$@)%A#=$B##*.; p. cm. Includes bibliographical references. ISBN 9780874216912 (cloth : alk. paper) ISBN 9780874216929 (ebook) 1. -
New York University a Private University in the Public Service
Global Nightlife: Spring 2011 New York University A Private University in the Public Service Class Title Global Nightlife Listed as Global Nightlife V18.9680002 4 points Instructor Contact Name: Andrew Field Information Class Time Thursday, 5:00‐8:00 Course Combining the fields of history, sociology, and urban studies, this course Description examines the development of modern metropolitan lifestyles since the late 19th century, with a focus on the special role that nightlife has played in shaping and defining the modern urban experience. With a special focus on and plenty of field trips and site research in Shanghai, but also studying other great world metropolises such as New York, Paris, London, Berlin, and Tokyo, we will trace the development of nightlife as both a popular and elite form of urban culture from the late 1800s to the present day. Special attention will be given to the ways by which larger historical trends and events including capitalism, colonialism, imperialism, war, occupation, revolution, and the “opening and reforms” era have influenced the production of nightlife forms in Shanghai and elsewhere over the past century. We will also examine how nightlife has in turn influenced broader societal trends, including patterns of sociability, consumption, and sexuality in the modern metropolis. Course Objectives Through the activities and assignments associated with this course, students will practice and hone their skills in reading, research, analysis, writing, presentation, and discussion. For their group project, students -
Economic Impact of DC's Nightlife Industry Report
2 Economic Impact of DC’s Nightlife Industry | Mayor’s Office of Nightlife and Culture Mayor’s Office of Nightlife and Culture | Economic Impact of DC’s Nightlife Industry 3 MESSAGE FROM THE MAYOR We say it all the time: Washington, DC is a city that has something for everyone – from world-class museums to world-champion sports teams, from playgrounds to monuments, from Michelin-starred restaurants to concert halls and nightclubs. Washington, DC is no longer a one-business, government town with a 9-5 schedule. We are a city of innovators, creatives, and change-makers – 24 hours a day, 365 days a year. We are also a growing city, now more than 700,000 residents strong. But it’s not just our population that is growing – so, too, is tourism, our business corridors, and our nightlife and culture industry. Currently, our city’s nightlife industry accounts for $7.1 billion in annual revenue and supports nearly 65,000 jobs. To manage this growth and ensure more people and neighborhoods are benefitting from the nightlife industry’s prosperity, in 2018, with the support of the DC Council, we joined cities around the world in creating an office dedicated to nightlife – the Mayor’s Office of Nightlife and Culture. This office, led by Director Shawn Townsend and his incredible team, ensures that we are working across DC Government and with businesses and community members to build a vibrant DC nightlife that works for everyone. And what does it mean to have a nightlife that works for everyone? It means that people can live, work, and play side by side. -
The Fierce Tribe: Body Fascists, Crack Whores, and Circuit Queens in the Spiritual Performance of Masculine Non- Violence
THE FIERCE TRIBE: BODY FASCISTS, CRACK WHORES, AND CIRCUIT QUEENS IN THE SPIRITUAL PERFORMANCE OF MASCULINE NON- VIOLENCE DISSERTATION Presented in Partial Fulfillment of the Requirements for the degree of Doctor of Philosophy in the Graduate School of The Ohio State University By Michael Ray Weems. M.A. ***** The Ohio State University 2007 Dissertation Committee: Doctor William Taylor, Advisor Approved by Doctor Seymour Kleiman _________________________ Doctor Patrick Mullen Advisor Education Policy and Leadership Doctor Hugh Urban Doctor Ann Allen Copyright by Michael Ray Weems 2007 ABSTRACT This dissertation is a multidisciplinary approach that looks at the dance culture of gay men known as “the Circuit.” The circuit is a transnational, nomadic, and carnivalesque community that gathers by the thousands to dance together for a weekend in various large cities. Acknowledging the outlaw (socially transgressive) status of the Circuit community both within the Gay community and outside of it, this research examines the nonviolent masculinity of the Circuit community and the production of transcendent solidarity, a core experience of male bonding in the Circuit. In order to understand the bonding particular to the Circuit, the importance of communal dance is situated in the relationship that participants have with “disc jockeys,” professionals who choose prerecorded songs and “mix” one tune in with the next without a break in the rhythm. The outlaw nature of the Circuit is particularly interesting in that there is little to no violence among -
BROKEN WINDOWS and DANCING BODIES: POLITICS of MOVEMENT in NEW YORK CITY's SALSA SCENE by SYDNEY BLEFKO THESIS Submitted in Pa
BROKEN WINDOWS AND DANCING BODIES: POLITICS OF MOVEMENT IN NEW YORK CITY’S SALSA SCENE BY SYDNEY BLEFKO THESIS Submitted in partial fulfillment of the requirements for the degree of Master of Music in Music with a concentration in Musicology in the Graduate College of the University of Illinois at Urbana-Champaign, 2019 Urbana, Illinois Master’s Committee: Assistant Professor Michael Silvers Professor Donna Buchanan ABSTRACT Within this thesis, I explore various facets of New York City’s salsa scene. I first examine the political history of cabaret laws in New York City throughout the 20th and into the 21st century, and demonstrate that these laws had drastic impacts on marginalized populations within the city. Although I include other genres within my exploration of these laws, I give particular focus to salsa music and dance, which I contend were silent casualties of Mayor Rudy Giuliani’s enforcement of the cabaret law in the late 1990s and early 2000s. I then move to discuss my own experiences learning to salsa dance within contemporary spaces in New York City and the context-specific meanings that accrue on the site of the dancing body. While utilizing a phenomenological approach and contextualizing my own movements within the complex, highly contested history of nightlife within New York City, I assert that the processes of learning to dance can engender spatial and interpersonal transformation. ii TABLE OF CONTENTS INTRODUCTION...........................................................................................................................1