Kyary Pamyu Pamyu Moshi Moshi Harajuku Album Download Kyary Pamyu Pamyu Moshi Moshi Harajuku Album Download

Total Page:16

File Type:pdf, Size:1020Kb

Kyary Pamyu Pamyu Moshi Moshi Harajuku Album Download Kyary Pamyu Pamyu Moshi Moshi Harajuku Album Download kyary pamyu pamyu moshi moshi harajuku album download Kyary pamyu pamyu moshi moshi harajuku album download. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 66a8af3f1ebd16a1 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Kyary Pamyu Pamyu’s “Moshi Moshi Harajuku” Debuts at #14 on Oricon Daily Charts. Kyary Pamyu Pamyu – Japanese singer, model, fashion blogger, and Harajuku’s queen of all things kawaii – is currently in the midst of a whirlwind tour promoting the release of her new EP “Moshi Moshi Harajuku”. The official CD release party was held Wednesday in Shibuya, she’s doing an event at KDDI in Harajuku today, and she’ll be back in Shibuya for another big public appearance this weekend. All of Kyary’s hard work appears to be paying off as the “Moshi Moshi Harajuku” EP debuted at #14 on the Oricon overall sales charts on its first day of release (08/17). Kyary’s #14 debut on the Oricon Japan daily sales charts is impressive, but that’s not the only place where “Moshi Moshi Harajuku” has caught fire. Shortly after the EP was released on iTunes Japan, it raced up to the #2 overall sales spot, where it’s been holding steady since. The CD is also in this week’s Amazon Japan top 50 best selling CDs. Additionally, the video for the first single “PONPONPON” is quickly approaching two million views on YouTube. Outside of Japan, Kyary’s Finnish fans have lifted “Moshi Moshi Harajuku” into the #4 spot on the iTunes Finland electronica charts. The EP is also ranked impressively at #12 on the iTunes USA electronica charts. We should know more about actual “Moshi Moshi Harajuku” sales numbers once the Oricon weekly charts are released next week, but so far it looks like Kyary Pamyu Pamyu’s musical debut is going to be a big success! (Note: The Oricon chart in Japan is the equivalent of the Billboard sales charts in America.) KPP Official site. 2nd.Full album「Nanda Collection」Limited Edition. Produced by Yasutaka Nakata(CAPSULE) 2013.6.26 RELEASE!! Photo Book Limited Edition spec WPZL-30633/4 ¥3,619 +tax. ■Photo Book Limited Edition spec(CD+DVD)Bonus contents 1. With DVD 2. Special Photo Book spec. ■Track list [Disc 1] CD 1.Nanda Collection 2.Ninja Re Bang Bang(Jingle for au) 3.Kimini 100 Percent(Opening theme for Crayon Shin-chan, an anime series by TV Asahi) 4.Super Scooter Happy 5.Invader Invader (Jingle for GU) 6.Mi 7.Fashion Monster (Jingle for GU) 8.Saigono Ice Cream 9.Noriko To Norio(Jingle for au) 10.Furisodation 11.Kura Kura(Jingle for KFC Krushers) 12.Otona Na Kodomo. [Disc 2] DVD ・Fashion Monster(MUSIC VIDEO) ・Furisodation(MUSIC VIDEO) ・Ninja Re Bang Bang (MUSIC VIDEO) ・Invader Invader(MUSIC VIDEO) 2nd.Full album「Nanda Collection」Regular Edition. Produced by Yasutaka Nakata(CAPSULE) 2013.6.26 RELEASE!! Regular Edition WPCL-11518 ¥3,000 +tax. ■Track list 1.Nanda Collection 2.Ninja Re Bang Bang(Jingle for au) 3.Kimini 100 Percent(Opening theme for Crayon Shin-chan, an anime series by TV Asahi) 4.Super Scooter Happy 5.Invader Invader (Jingle for GU) 6.Mi 7.Fashion Monster (Jingle for GU) 8.Saigono Ice Cream 9.Noriko To Norio(Jingle for au) 10.Furisodation 11.Kura Kura(Jingle for KFC Krushers) 12.Otona Na Kodomo. 1st. Full album「Pamyu Pamyu Revolution」Limited Edition. Produced by Yasutaka Nakata(CAPSULE) 2012.5.23 RELEASE!! Photo Book Limited Edition spec WPZL-30376/7 ¥3,619 +tax. ■Photo Book Limited Edition spec(CD+DVD)Bonus content 1. With DVD 2. Special Photo Book spec. ■Track list 1.Pamyu Pamyu Revolution 2.Tsukematsukeru 3.PON PON PON 4.Minna no Uta 5.Kyary AN-AN 6.CANDY CANDY 7.Drinker 8.Onedari 44°C 9.Suki Sugite Kiresō 10.Giri Giri Safe 11.Oyasumi 12.Chan Chaka Chan Chan. ■DVD disc ・Music Videos ・Digest video of 1st.live performance without any supporting acts「Moshi Moshi Quattro」 (2012.2.25@Shibuya CLUB QUATTRO) 1st. Full album「Pamyu Pamyu Revolution」Regular Edition. Produced by Yasutaka Nakata(CAPSULE) 2012.5.23 RELEASE!! Regular Edition WPCL-11079 ¥3,000 +tax. ■Track list 1.Pamyu Pamyu Revolution 2.Tsukematsukeru 3.PON PON PON 4.Minna no Uta 5.Kyary AN-AN 6.CANDY CANDY 7.Drinker 8.Onedari 44°C 9.Suki Sugite Kiresō 10.Giri Giri Safe 11.Oyasumi 12.Chan Chaka Chan Chan. Debut mini album「Moshi Moshi Harajuku」Limited Edition. Produced by Yasutaka Nakata(CAPSULE) 2011.8.17 RELEASE!! Photo Book Limited Edition spec WPCL-10983 ¥1,905 +tax. ■Track list 1.Kyary no March 2.Cherry Bonbon 3.PON PON PON 4.Chōdo Ii no 5.Pinpon ga Nannai 6.Jelly. Kyary Pamyu Pamyu Throws a House Party for Fans in First Live Concert in Over a Year. J-pop artist Kyary Pamyu Pamyu performed in front of an actual audience for the first time in over a year on Apr. 17, at her Premium Live “Great Invitation” double concerts at Ex Theater Roppongi in Tokyo. The icon of kawaii is celebrating her tenth year in music in 2021, having made her major label debut in August 2011 with her mini-album Moshi Moshi Harajuku. In January, she launched her own record label called KRK LAB and released the first single off the new imprint, “GUM GUM GIRL,” to kick off the milestone year. The Premium Live “Great Invitation” event was Kyary’s first live show during her anniversary year, and also the first time she performed for an in- house audience in 14 months. The performance on the two stages strictly adhered to Tokyo’s COVID-19 guidelines and protocols, with fans sending love Kyary’s way by waving glow sticks and clapping only. The evening show began with an opening video in the style of a black-and-white old movie, showing the 28-year-old singer waiting to be invited to a party. When the phone rings at long last to relay her invitation to the gala, the video transforms to show Kyary’s smile in full color. The curtain then rose to the sound of a toy piano, and the Harajuku princess wearing a red-and-white dress and big ribbons in her pink hair opened the set with “Candy Candy,” her second single from 2012. Seated in an armchair in the living room at first, she stood up during the second verse to deliver her song and dance with two other dancers to the live audience. Her long-awaited reunion with fans at the beginning of the show was already an emotional moment so soon into the set. The pop artist then moved left into the kitchen to perform another early release, “Cherry Bonbon” (2011), wearing an apron that one of the dancers handed to her. “Clap your hands!” she called out, the crowd eagerly responding to her request. She then scooted over to the right into the bathroom area and sang “Choudo iino,” also off her 2011 debut mini-album. Waving the shower hose in one hand and joined by dancers who hop out from the bathtub, Kyary performed the tune in a flurry of bubbles. After the bathroom segment, the singer delivered “Scanty Skimpy” (2014) with a dancer in a suit. Later joined by four other dancers, the vibrant performance of the swinging number was like watching an entertaining musical film. Kyary then paused to address her fans. “Hey everyone, long time no see! How’ve you been?” she asked, and the crowd responded with enthusiastic applause. “It’s been a year and two months since I last saw you. Thank you for coming even though the pandemic is far from being over. I hope you enjoy this premium, one-day-only live show called Great Invitation.” She then went on to explain the concept of the opening video. “The clip you saw in the beginning like a scene from a movie expresses the year I spent feeling sick of waiting to be able to do concerts again, because I thought that a phone not ringing for a year really captured that sentiment,” she shared. “When I found myself not being to do live shows [because of the pandemic], something that I used do on a routine basis almost, I thought a lot about things like what I’m capable of providing.” “The theme of this show is something like ‘my home.’ I love being at home, so I wanted to give you all a peek into the wonderful world that is my home. Enjoy!” Kyary then launched into a nonstop torrent of nine tracks, kicking off with her cover of Capsule’s “Super Scooter Happy” from 2013 to brighten the mood. She then followed up with “Todoke Punch” (2017), performing the track alone and encouraging the audience to punch the air together with her. Next up was her hit song “Tsukematsukeru” (2012), performed with a team of dancers and fans providing backup by happily doing the “Tsukema Dance.” Kyary seemed moved by the sight and thanked everyone for joining in.
Recommended publications
  • Daft Punk Collectible Sales Skyrocket After Breakup: 'I Could've Made
    BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth AirplayFEBRUARY 25, 2021 Page 1 of 37 Leader; Travis Denning Makes History INSIDE Daft Punk Collectible Sales Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music Group Nashville), debutsSkyrocket at No. 1 on Billboard’s lion audience After impressions, Breakup: up 16%). Top Country• Spotify Albums Takes onchart dated April 18. In its first week (ending April 9), it earned$1.3B 46,000 in equivalentDebt album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cording• Taylor to Nielsen Swift Music/MRCFiles Data. ‘I Could’veand total Made Country Airplay No.$100,000’ 1 as “Catch” (Big Machine Label Group) ascends SouthsideHer Own marks Lawsuit Hunt’s in second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chartEscalating and fourth Theme top 10. It follows freshman LP BY STEVE KNOPPER Young’s first of six chart entries, “Sleep With- MontevalloPark, which Battle arrived at the summit in No - out You,” reached No. 2 in December 2016. He vember 2014 and reigned for nine weeks. To date, followed with the multiweek No. 1s “In Case You In the 24 hours following Daft Punk’s breakup Thomas, who figured out how to build the helmets Montevallo• Mumford has andearned Sons’ 3.9 million units, with 1.4 Didn’t Know” (two weeks, June 2017), “Like I Loved millionBen in Lovettalbum sales.
    [Show full text]
  • 番号 曲名 Name インデックス 作曲者 Composer 編曲者 Arranger作詞
    番号 曲名 Name インデックス作曲者 Composer編曲者 Arranger作詞 Words出版社 備考 備考2 備考3 備考4 595 1 2 3 ~恋がはじまる~ 123Koigahajimaru水野 良樹 Yoshiki鄕間 幹男 Mizuno Mikio Gouma ウィンズスコアWSJ-13-020「カルピスウォーター」CMソングいきものがかり 1030 17世紀の古いハンガリー舞曲(クラリネット4重奏)Early Hungarian 17thDances フェレンク・ファルカシュcentury from EarlytheFerenc 17th Hungarian century Farkas Dances from the Musica 取次店:HalBudapest/ミュージカ・ブダペスト Leonard/ハル・レナード編成:E♭Cl./B♭Cl.×2/B.Cl HL50510565 1181 24のプレリュードより第4番、第17番24Preludes Op.28-4,1724Preludesフレデリック・フランソワ・ショパン Op.28-4,17Frédéric福田 洋介 François YousukeChopin Fukuda 音楽之友社バンドジャーナル2019年2月スコアは4番と17番分けてあります 840 スリー・ラテン・ダンス(サックス4重奏)3 Latin Dances 3 Latinパトリック・ヒケティック Dances Patric 尾形Hiketick 誠 Makoto Ogata ブレーンECW-0010Sax SATB1.Charanga di Xiomara Reyes 2.Merengue Sempre di Aychem sunal 3.Dansa Lationo di Maria del Real 997 3☆3ダンス ソロトライアングルと吹奏楽のための 3☆3Dance福島 弘和 Hirokazu Fukushima 音楽之友社バンドジャーナル2017年6月号サンサンダンス(日本語) スリースリーダンス(英語) トレトレダンス(イタリア語) トゥワトゥワダンス(フランス語) 973 360°(miwa) 360domiwa、NAOKI-Tmiwa、NAOKI-T西條 太貴 Taiki Saijyo ウィンズスコアWSJ-15-012劇場版アニメ「映画ドラえもん のび太の宇宙英雄記(スペースヒーローズ)」主題歌 856 365日の紙飛行機 365NichinoKamihikouki角野 寿和 / 青葉 紘季Toshikazu本澤なおゆき Kadono / HirokiNaoyuki Honzawa Aoba M8 QH1557 歌:AKB48 NHK連続テレビ小説『あさが来た』主題歌 685 3月9日 3Gatu9ka藤巻 亮太 Ryouta原田 大雪 Fujimaki Hiroyuki Harada ウィンズスコアWSL-07-0052005年秋に放送されたフジテレビ系ドラマ「1リットルの涙」の挿入歌レミオロメン歌 1164 6つのカノン風ソナタ オーボエ2重奏Six Canonic Sonatas6 Canonicゲオルク・フィリップ・テレマン SonatasGeorg ウィリアム・シュミットPhilipp TELEMANNWilliam Schmidt Western International Music 470 吹奏楽のための第2組曲 1楽章 行進曲Ⅰ.March from Ⅰ.March2nd Suiteグスタフ・ホルスト infrom F for 2ndGustav Military Suite Holst
    [Show full text]
  • Spring Cleaning Spring Cleaning 1
    U T R G V I S O NEWSLETTER www.utrgv.edu/is VOLUME 1, ISSUE V MAY 10, 2017 INSIDE THIS ISSUE: Spring Cleaning Spring Cleaning 1 Security Highlights In Spring we celebrate the renewal of life, ideas of rebirth, regrowth that occurs in nature, and eager- ly await the exciting fun of summer. By tradition, spring cleaning means cleaning, dusting, and mop- New ISO Standards ping; for this issue the Information Security Office (ISO) invites you to consider taking a few minutes Change your to spring clean your digital life. UTRGV password 2 Update your Al- Please follow these tips that will guide you to refresh and renew your cyber life, and remember to ternate Email share them with your friends and family. Address Clean your digital accounts: Online — Online accounts collect clutter and require a couple of minutes to clean. Go EOL Sofftware 3 through your accounts for both work and home (e.g., email, social networks, clubs, shop- ping, and cloud storage). Go through their information and ask yourself if there is infor- Clean Desk Initiative 4 mation in those accounts that you don’t need anymore, such as credit cards saved in your accounts, or perhaps there are accounts that you don’t use and can close. ISO Spotlight 5 Email — There may be information in your accounts that you can archive into folders or Ph.D. Jerald Hughes delete. A great idea is to set rules, by using rules you can reduce manual and repetitive ac- tions, these can help you to stay organized that will automatically move messages (e.g.
    [Show full text]
  • Anime/Games/J-Pop/J-Rock/Vocaloid
    Anime/Games/J-Pop/J-Rock/Vocaloid Deutsch Alice Im Wunderland Opening Anne mit den roten Haaren Opening Attack On Titans So Ist Es Immer Beyblade Opening Biene Maja Opening Catpain Harlock Opening Card Captor Sakura Ending Chibi Maruko-Chan Opening Cutie Honey Opening Detektiv Conan OP 7 - Die Zeit steht still Detektiv Conan OP 8 - Ich Kann Nichts Dagegen Tun Detektiv Conan Opening 1 - 100 Jahre Geh'n Vorbei Detektiv Conan Opening 2 - Laufe Durch Die Zeit Detektiv Conan Opening 3 - Mit Aller Kraft Detektiv Conan Opening 4 - Mein Geheimnis Detektiv Conan Opening 5 - Die Liebe Kann Nicht Warten Die Tollen Fussball-Stars (Tsubasa) Opening Digimon Adventure Opening - Leb' Deinen Traum Digimon Adventure Opening - Leb' Deinen Traum (Instrumental) Digimon Adventure Wir Werden Siegen (Instrumental) Digimon Adventure 02 Opening - Ich Werde Da Sein Digimon Adventure 02 Opening - Ich Werde Da Sein (Insttrumental) Digimon Frontier Die Hyper Spirit Digitation (Instrumental) Digimon Frontier Opening - Wenn das Feuer In Dir Brennt Digimon Frontier Opening - Wenn das Feuer In Dir Brennt (Instrumental) (Lange Version) Digimon Frontier Wenn Du Willst (Instrumental) Digimon Tamers Eine Vision (Instrumental) Digimon Tamers Ending - Neuer Morgen Digimon Tamers Neuer Morgen (Instrumental) Digimon Tamers Opening - Der Grösste Träumer Digimon Tamers Opening - Der Grösste Träumer (Instrumental) Digimon Tamers Regenbogen Digimon Tamers Regenbogen (Instrumental) Digimon Tamers Sei Frei (Instrumental) Digimon Tamers Spiel Dein Spiel (Instrumental) DoReMi Ending Doremi
    [Show full text]
  • University of Nevada, Reno Partying with Hello Kitty: How Electronic Dance Music and Rave Culture Are Transforming, Commercializ
    University of Nevada, Reno Partying with Hello Kitty: How Electronic Dance Music and Rave Culture are transforming, commercializing, and globalizing youth culture in the twenty-first century A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in History By Geoff Scott Dr. Hugh Shapiro/Thesis Advisor May 2014 i Abstract This thesis will demonstrate how electronic dance music (EDM) has evolved from the musical underground during the second half of the twentieth century into the mainstream, commercial powerhouse it is now in the early twenty-first-century world. EDM at its core is a musical style characterized by the use of synthetic, electronic sounds. The combination of technological devices such as drum machines, repetitive bass lines, electronic builds and releases and inorganic noises in tandem with instrumental and vocal samples makes EDM an incredibly malleable style of dance music that has branched into a variety of forms over the course of its less than fifty year existence. Innovations in technology, like the tape reel, the Moog synthesizer, the vinyl mixer and the computer have led to new ways of contemplating and creating music. I argue that the innovative musical voices of late modernism and early postmodernism set the foundation for early EDM, who were not afraid to harness the new synthetic sounds at their disposal. Electronic dance music can trace its roots back to the repetitive, minimalist structures used since the 1960’s by postmodern composers such as Philip Glass and the electronic instrumentation of artists like Terry Riley and John Cage. Owing to its flexibility, EDM has also been re-contextualized in different cultures.
    [Show full text]
  • 石川県からのお知らせ News from Ishikawa
    NO.22 え 29 FEB NO201.562 石川県からのお知らせ 26 DEC 2014 News from Ishikawa 12月の石川県は例年に比べ雪が多く、寒い日が続いていま 今回の新聞記事 す。そんな中、北陸新幹線開業まで残り 80日を切り、開業に向 (1)七尾の雪、平年の11倍 今月の累積82センチ けて着々と準備が進んでいます。 http://www.hokkoku.co.jp/subpage/H20141219103.htm まず、新幹線金沢駅の発車メロディーが金沢出身の音楽家、 (2)中田ヤスタカ氏が制作 新幹線金沢駅の発車メロディー 中田ヤスタカ氏制作の楽曲に決まりました。中田氏は人気歌 http://www.hokkoku.co.jp/subpage/E20141209001.htm 手のきゃりーぱみゅぱみゅや Perf ume のプロデュースをはじめ、映 画、テレビ、ラジオ音楽のテーマ曲等を幅広く手掛けています。 (3)「お気に入りの北陸」発信 JR西、ウェブマガジン創刊 ま た 、 JR西日本では北陸三県の観光情報を掲載するウェブ http://www.hokkoku.co.jp/subpage/K20141216305.htm マガジン「マイ・フェイバリッド北陸」を創刊しました。新幹線開業 (4)かがやき13往復以上 JRが新幹線ダイヤ発表 に向けておすすめスポットやイベントを発信しています。そして、と http://www.hokkoku.co.jp/subpage/H20141220101.htm うとう新幹線のダイヤも発表されました。金沢 -東京間を2時間 (5)ひゃくまんさん、CM換算7億円 新幹線開業、全国でPR 28分から34分で結ぶ「かがやき」は 1日13往復し、ゴールデン http://www.hokkoku.co.jp/subpage/H20141216101.htm ウィーク等の大型連休には臨時列車も増発するそうです。 もちろん、ひゃくまんさんも全国で PR活動に励んでいます。全 ※次回は1月末にお届けする予定です。 国放送のテレビやイベントに多数出演し、広告費に換算すると * The next edition is scheduled 約7億円にもなるそうです。ひゃくまんさん大活躍の 1年でしたね。 to be issued at the end of January. 来年も応援よろしくお願いします! 今年も石川県のお知らせをご愛読いただきありがとうございま した。皆さま、どうぞ良いお年をお迎えください。 The cold in Ishikawa continues with the prefecture seeing more snow this December compared to last year. Despite this the preparations for the Shinkansen service is still continuing with 80 days remaining till the service begins. The jingle for when the train departs for the Kanazawa Station Shinkansen has been decided and it will be a song composed by the Kanazawa-born composer Yasutaka Nakata. Nakata has worked on the production for hit artists such as Kyary Pamyu Pamyu and Perfume as well as theme songs for films, TV and radio shows. Elsewhere, JR West have posted an online magazine called My Favourite Hokuriku which provides tourist information on the 3 prefectures of the Hokuriku Region. Recommended tourist spots and events are provided ahead of the start of the Shinkansen service.
    [Show full text]
  • Corpus Antville
    Corpus Epistemológico da Investigação Vídeos musicais referenciados pela comunidade Antville entre Junho de 2006 e Junho de 2011 no blogue homónimo www.videos.antville.org Data Título do post 01‐06‐2006 videos at multiple speeds? 01‐06‐2006 music videos based on cars? 01‐06‐2006 can anyone tell me videos with machine guns? 01‐06‐2006 Muse "Supermassive Black Hole" (Dir: Floria Sigismondi) 01‐06‐2006 Skye ‐ "What's Wrong With Me" 01‐06‐2006 Madison "Radiate". Directed by Erin Levendorf 01‐06‐2006 PANASONIC “SHARE THE AIR†VIDEO CONTEST 01‐06‐2006 Number of times 'panasonic' mentioned in last post 01‐06‐2006 Please Panasonic 01‐06‐2006 Paul Oakenfold "FASTER KILL FASTER PUSSYCAT" : Dir. Jake Nava 01‐06‐2006 Presets "Down Down Down" : Dir. Presets + Kim Greenway 01‐06‐2006 Lansing‐Dreiden "A Line You Can Cross" : Dir. 01‐06‐2006 SnowPatrol "You're All I Have" : Dir. 01‐06‐2006 Wolfmother "White Unicorn" : Dir. Kris Moyes? 01‐06‐2006 Fiona Apple ‐ Across The Universe ‐ Director ‐ Paul Thomas Anderson. 02‐06‐2006 Ayumi Hamasaki ‐ Real Me ‐ Director: Ukon Kamimura 02‐06‐2006 They Might Be Giants ‐ "Dallas" d. Asterisk 02‐06‐2006 Bersuit Vergarabat "Sencillamente" 02‐06‐2006 Lily Allen ‐ LDN (epk promo) directed by Ben & Greg 02‐06‐2006 Jamie T 'Sheila' directed by Nima Nourizadeh 02‐06‐2006 Farben Lehre ''Terrorystan'', Director: Marek Gluziñski 02‐06‐2006 Chris And The Other Girls ‐ Lullaby (director: Christian Pitschl, camera: Federico Salvalaio) 02‐06‐2006 Megan Mullins ''Ain't What It Used To Be'' 02‐06‐2006 Mr.
    [Show full text]
  • Kyary Pamyu Pamyu
    Interview – Kyary Pamyu Pamyu Originally published in Tone Deaf Magazine, 2016 [Lewis]: Hi Kyary. It’s great for us that you’re coming back to tour Australia again. Was there anything you missed on your last visit that you wanted to see? [Kyary]: Last time I was able to visit the zoo and the aquarium, so it was such a fulfilling trip. I enjoyed it very much. At the zoo, I was looking forward to seeing koalas but they were sleeping, so hopefully this time I can cuddle them. [Lewis]: In the last five years, I think you and just a few other Japanese artists such as Perfume and Yasutaka Nakata have changed pop music forever, not just in Japan but all over the world. There’s definitely a new generation of people from the USA, Europe, Brazil, even Australia making music who are inspired by your sound. How does it feel to have you work reflected back at you like this? I imagine it would be a strange eXperience? [Kyary]: It is very strange but I feel very happy at the same time. There is a lot of cool Japanese music and I’d love more fans overseas to know about it. [Lewis]: Most people will have found your music through music videos, which have become a central part of your work. Whenever I watch a new video of yours, at first, it’s just like a simple pop-music clip, but then it becomes more and more captivating. There’s always compleX symbolism, miXing the scary and strange with the cute and friendly.
    [Show full text]
  • Various Summer Freak by A-Nation Mp3, Flac, Wma
    Various Summer Freak By a-Nation mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Pop Album: Summer Freak By a-Nation Country: Japan Released: 2008 Style: J-pop MP3 version RAR size: 1469 mb FLAC version RAR size: 1666 mb WMA version RAR size: 1914 mb Rating: 4.4 Votes: 834 Other Formats: MIDI WMA FLAC AHX TTA AIFF AU Tracklist Hide Credits Smily 1 –Ai Otsuka 3:32 Arranged By – Ai*, IkomanMusic By, Lyrics By – Ai* Sunshine 2 –AAA 3:56 Lyrics By – Delicatessen Music By, Arranged By – Hyoutan Summer Time Love 3 –Exile Arranged By – Yasutaka MizushimaLyrics By – Atsushi Music By – 4:01 Ryo Mashiro Summer Dream 4 –Tohoshinki 4:59 Arranged By – H-WonderLyrics By – H.U.B.Music By – Tatta Works Blue Sky 5 –Color Arranged By – H-WonderLyrics By – Atsushi , Taka Music By – 4:10 Hitoshi Harukawa One More Time, OK? 6 –Tenjochiki Lyrics By [Japanese] – Shoko FujibayashiMusic By, Lyrics By, 3:43 Arranged By – Kenzie 恋のつぼみ 7 –Kumi Koda Arranged By [Strings] – Gen IttetsuLyrics By – Kumi KodaMusic By, 4:13 Arranged By – Yusuke Kato –Ami Suzuki Joins Free Free 8 Yasutaka Nakata 5:10 Music By, Lyrics By, Arranged By – Yasutaka Nakata (Capsule)* Shapes Of Love 9 –Every Little Thing 4:56 Music By, Lyrics By, Arranged By – Mitsuru Igarashi Busy Now 10 –Hitomi Lyrics By – Hitomi, Takahiro MaedaMusic By, Arranged By – Cozy 5:15 Kubo Boy Meets Girl 11 –TRF 4:49 Music By, Lyrics By, Arranged By – Tetsuya Komuro Blue Bird 12 –Ayumi Hamasaki Arranged By – HAL Arranged By [Strings] – Gen IttetsuLyrics By – 4:08 Ayumi HamasakiMusic By – D.A.I.
    [Show full text]
  • Kyary Pamyu Pamyu: More Than a Japanese Lady Gaga
    Kyary Pamyu Pamyu: More than a Japanese Lady Gaga A Profile of Harajuku’s Official “Kawaii Ambassador” By Allie Lewis, [email protected] for Advanced Composition, ETSU, December 2013 1 | P a g e My first exposure to Kyary Pamyu Pamyu began with her wacky music videos released on YouTube. I came upon an internet gif of the petite Japanese girl vomiting animated black birds from her mouth and was instantly intrigued. After a short investigation I was treated to a conglomeration of adorable weirdness. Her music videos became an instant hit among my artsy East Tennessee State University college friends as well, and I soon developed an obsession with the young, disgustingly cute, J-pop artist. I even went as far as to construct a costume of her “Fashion Monster” outfit to wear at one of our local anime conventions. In the late spring of 2013 Kyary began her KPP World Tour, with the closest showing to my hometown of East Tennessee being the Best Buy Theater at Times Square, New York. My friends and I did some financial calculations, and made the brash decision to purchase our tickets and attend that very New York concert. At Times Square, on a chilly Sunday Evening in May, we stood in line for the concert, admiring the cute pastel outfits and extravagant costumes of the fellow concert-attendees. One girl proudly wore her skirt constructed from snack bags, another displayed a hat shaped liked Japanese pudding on her head. It was like a contest of eccentricity. To our left, a group of fans performed a flash mob to her hit “Tsukema Tsukeru,”each dancer elaborately dressed and superbly choreographed.
    [Show full text]
  • ANIME OP/ED (TV-Versio) Japahari Net - Retsu No Matataki Maximum the Hormone - ROLLING 1000 Toon
    Air Master ANIME OP/ED (TV-versio) Japahari Net - Retsu no matataki Maximum the Hormone - ROLLING 1000 tOON 07 Ghost Ajin Yuki Suzuki - Aka no Kakera flumpool - Yoru wa Nemureru kai? Mamoru Miyano - How Close You Are 91 Days Angela x Fripside - Boku wa Boku de atte ELISA - Rain or Shine TK from Ling Tosite Sigure - Signal Amanchu Maaya Sakamoto - Million Clouds 11eyes Asriel - Sequentia Ange Vierge Ayane - Arrival of Tears Konomi Suzuki - Love is MY RAIL 3-gatsu no Lion Angel Beats BUMP OF CHICKEN - Answer Aoi Tada - Brave Song .dot-Hack Lisa - My Soul Your Beats See-Saw - Yasashii Yoake Girls Dead Monster - My Song Bump of chicken - Fighter Angelic Layer .hack//g.u Atsuko Enomoto - Be my Angel Ali Project - God Diva HAL - The Starry sky .hack//Liminality Anime-gataris See-Saw - Tasogare no Umi GARNiDELiA - Aikotoba .hack//Roots Akagami no Shirayuki hime Boukoku Kakusei Catharsis Saori Hayami - Yasashii Kibou eyelis - Kizuna ni nosete Abenobashi Mahou Shoutengai Megumi Hayashibara - Anata no kokoro ni Akagami no Shirayuki hime 2nd season Saori Hayami - Sono Koe ga Chizu ni Naru Absolute Duo eyelis - Page ~Kimi to Tsuzuru Monogatari~ Nozomi Yamamoto & Haruka Yamazaki - Apple Tea no Aji Akagi Maximum the Hormone - Akagi Accel World May'n - Chase the World Akame ga Kill Sachika Misawa - Unite. Miku Sawai - Konna Sekai, Shiritakunakatta Altima - Burst the gravity Rika Mayama - Liar Mask Kotoko - →unfinished→ Sora Amamiya - Skyreach Active Raid Akatsuki no Yona AKINO with bless4 - Golden Life Shikata Akiko - Akatsuki Cyntia - Akatsuki no hana
    [Show full text]
  • The London School of Economics and Political Science Audible
    The London School of Economics and Political Science Audible Audiences: Engaging with Music in Japan Rafal Zaborowski A thesis submitted to the Department of Media and Communications of the London School of Economics for the degree of Doctor of Philosophy London, May 2015 1 Declaration I certify that the thesis I have presented for examination for the MPhil/PhD degree of the London School of Economics and Political Science is solely my own work other than where I have clearly indicated that it is the work of others (in which case the extent of any work carried out jointly by me and any other person is clearly identified in it). The copyright of this thesis rests with the author. Quotation from it is permitted, provided that full acknowledgement is made. This thesis may not be reproduced without my prior written consent. I warrant that this authorisation does not, to the best of my belief, infringe the rights of any third party. I declare that my thesis consists of 75,470 words. Statement of use of third party for editorial help I can confirm that my thesis was copy edited for conventions of language, spelling and grammar by Ms Dawn Rushen. 2 Abstract In this thesis I aim to uncover the nature, quality and implications of audience engagement with popular music in everyday life. Specifically, I look at two post-war generations in modern Japan and analyse their listening practices and interpretations of music encounters. To investigate this, a mixed-method approach is used based on focus group and individual interviews, questionnaires, participant observation and expert interviews with industry representatives – 100 study participants overall.
    [Show full text]