Flashback's 80'S Trivia

Total Page:16

File Type:pdf, Size:1020Kb

Flashback's 80'S Trivia Flashback’s 80’s Trivia 1. He-Man’s squad ran deep, but can you remember the name of the bumbling floating magician with a hidden face? A. Sorcero B. Orko C. Man-At-Arms D. Ram-Man 2. In 1989, Nintendo released this gaming accessory that would earn iconic status in the movie ‘The Wizard, called? A. The NES Advantage B. The Power Glove C. The Game Genie D. R.O.B 3. What were the names of Kevin's best friend and girlfriend on 'The Wonder Years'? A. Perry and Winifred B. Paul and Ginny C. Paul and Winnie D. Paul and Minnie 4. Name the 1980s science fiction hit based on Philip K. Dick's novel 'Do Androids Dream of Electric Sheep.' A. The Last Starfighter B. Blade Runner C. Tron D. Robocop 5. In what ‘80s adventure film would you find a wishing well, a Baby Ruth bar, and the phrase “Don’t Sign the Papers!” The Goonies 6. Who was the dramatic red head that captured our attention when she was pretty in pink? A. Molly Ringwald B. Shannen Doherty C. Drew Barrymore 7. What was the 2nd fruit on the original pac-man, worth 300pts? A. Cherry B. Strawberry C. Orange D. Bananas 8. At 12:01am on August 1, 1981, MTV launched, and the first video they ever played was this song. A. Jukebox Hero B. Fame C. Video Killed The Radio Star D. Burnin' Down The House www.anewteam.com Flashback’s 80’s Trivia 9. "Rock You Like a Hurricane": It's early morning, the sun comes out, last night was shaking, and pretty loud A. The Scorpions B. Whitesnake C. Ratt D. Poison 10. On ‘Saved by the Bell’ and in the movie ‘Wall Street,’ we saw characters use this company’s cell phone, affectionately known as “The Brick,” which was first put on the the market in 1984. A. Verizon B. Sony C. RCC D. Motorola E. MTS 11. Which sitcom starred kids named Theo, Vanessa, and Rudy? A. Three's company B. Growing pains C. The Cosby show 12. In ‘The Breakfast Club,’ Ally Sheedy plays an offbeat girl who puts what kind of breakfast cereal on her sandwich? A.Lucky Charms B. Golden Grahams C. Captain Crunch D. Rice Crispies 13. Name the hit Michael Jackson song in which Eddie Van Halen makes a brief appearance to play a famous guitar solo. A. Billie Jean B. • Bad C. Smooth Criminals D. Beat It 14. Which movie was not made in the 80's? A. The Breakfast Club B. Revenge of the Nerds C. Ferris Bueller’s Day Off D. Star Wars Episode 4: A New Hope 15. Name the hit ’80s TV show that featured Marty Castillo, Gina Navarro Calabrese, Noogie Lamont. Miami Vice www.anewteam.com .
Recommended publications
  • 6769 Shary & Smith.Indd
    ReFocus: The Films of John Hughes 66769_Shary769_Shary & SSmith.inddmith.indd i 110/03/210/03/21 111:501:50 AAMM ReFocus: The American Directors Series Series Editors: Robert Singer, Frances Smith, and Gary D. Rhodes Editorial Board: Kelly Basilio, Donna Campbell, Claire Perkins, Christopher Sharrett, and Yannis Tzioumakis ReFocus is a series of contemporary methodological and theoretical approaches to the interdisciplinary analyses and interpretations of neglected American directors, from the once-famous to the ignored, in direct relationship to American culture—its myths, values, and historical precepts. The series ignores no director who created a historical space—either in or out of the studio system—beginning from the origins of American cinema and up to the present. These directors produced film titles that appear in university film history and genre courses across international boundaries, and their work is often seen on television or available to download or purchase, but each suffers from a form of “canon envy”; directors such as these, among other important figures in the general history of American cinema, are underrepresent ed in the critical dialogue, yet each has created American narratives, works of film art, that warrant attention. ReFocus brings these American film directors to a new audience of scholars and general readers of both American and Film Studies. Titles in the series include: ReFocus: The Films of Preston Sturges Edited by Jeff Jaeckle and Sarah Kozloff ReFocus: The Films of Delmer Daves Edited by Matthew Carter and Andrew Nelson ReFocus: The Films of Amy Heckerling Edited by Frances Smith and Timothy Shary ReFocus: The Films of Budd Boetticher Edited by Gary D.
    [Show full text]
  • Hearing Voices
    FINAL-1 Sat, Dec 28, 2019 5:50:57 PM tvupdateYour Weekly Guide to TV Entertainment For the week of January 5 - 11, 2020 Hearing voices Jane Levy stars in “Zoey’s Extraordinary Playlist” INSIDE •Sports highlights Page 2 •TV Word Search Page 2 •Family Favorites Page 4 •Hollywood Q&A Page14 In an innovative, exciting departure from standard television fare, NBC presents “Zoe’s Extraordinary Playlist,” premiering Tuesday, Jan. 7. Jane Levy (“Suburgatory”) stars as the titular character, Zoey Clarke, a computer programmer whose extremely brainy, rigid nature often gets in the way of her ability to make an impression on the people around her. Skylar Astin (“Pitch Perfect,” 2012), Mary Steenburgen (“The Last Man on Earth”). John Clarence (“Luke Cage”), Peter Gallagher (“The O.C.”) and Lauren Graham (“Gilmore Girls”) also star. WANTED MOTORCYCLES, SNOWMOBILES, OR ATVS GOLD/DIAMONDS ✦ 40 years in business; A+ rating with the BBB. ✦ For the record, there is only one authentic CASH FOR GOLD, Bay 4 Group Page Shell PARTS & ACCESSORIES We Need: SALESMotorsports & SERVICE 5 x 3” Gold • Silver • Coins • Diamonds MASS. MOTORCYCLEWANTED1 x 3” We are the ORIGINAL and only AUTHENTIC SELLBUYTRADEINSPECTIONS Score More CASH FOR GOLD on the Methuen line, above Enterprise Rent-A-Car Sales This Winter at 527 So. Broadway, Rte. 28, Salem, NH • 603-898-2580 1615 SHAWSHEEN ST., TEWKSBURY, MA CALL (978)946-2000 TO ADVERTISE PRINT • DIGITAL • MAGAZINE • DIRECT MAIL Open 7 Days A Week ~ www.cashforgoldinc.com 978-851-3777 WWW.BAY4MS.COM FINAL-1 Sat, Dec 28, 2019 5:50:58 PM COMCAST ADELPHIA 2 Sports Highlights Kingston CHANNEL Atkinson Sunday 11:00 p.m.
    [Show full text]
  • Mindset List 2003
    Mindset List 2003 1. Most of this year's students entering college were born in 1981. 2. They are the first generation to be born into Luvs, Huggies, and Pampers. 3. John Lennon and John Belushi have always been dead. 4. There has always been a woman on the Supreme Court, and women have always been traveling into space. 5. They have never needed a prescription to buy ibuprofen. 6. They never realized that for one brief moment, Gen. Alexander Haig was "in charge." 7. They never heard Walter Cronkite suggest that "That's the way it is." 8. They were born and grew up with Microsoft, IBM PCs, in-line skates, NutraSweet, fax machines, film on disks, and unregulated quantities of commercial interruptions on television. 9. Somebody named Dole has always been running for something. 10. Cats has been on Broadway all their lives. 11. While they all know her children, they have no idea who "Ma Bell" was. 12. They never heard anyone say, "Book ‘em, Dano," "Good night, John-boy," or "Kiss my grits," in prime time. 13. They never knew Madonna when she was like a virgin. 14. Mike Myers is the Spy Who Shagged Me not the first congressman expelled from that body in a century for his role in "Abscam." 15. They have never had to worry about the packaging of Tylenol. 16. Yugoslavia has never existed. 17. They have never seen Bob Marley perform reggae live. 18. Jesse Jackson has always been getting someone out of trouble someplace. 19. Strikes by highly paid athletes have been a routine part of professional athletics.
    [Show full text]
  • Reminder List of Productions Eligible for the 88Th Academy Awards
    REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 88TH ACADEMY AWARDS ADULT BEGINNERS Actors: Nick Kroll. Bobby Cannavale. Matthew Paddock. Caleb Paddock. Joel McHale. Jason Mantzoukas. Mike Birbiglia. Bobby Moynihan. Actresses: Rose Byrne. Jane Krakowski. AFTER WORDS Actors: Óscar Jaenada. Actresses: Marcia Gay Harden. Jenna Ortega. THE AGE OF ADALINE Actors: Michiel Huisman. Harrison Ford. Actresses: Blake Lively. Kathy Baker. Ellen Burstyn. ALLELUIA Actors: Laurent Lucas. Actresses: Lola Dueñas. ALOFT Actors: Cillian Murphy. Zen McGrath. Winta McGrath. Peter McRobbie. Ian Tracey. William Shimell. Andy Murray. Actresses: Jennifer Connelly. Mélanie Laurent. Oona Chaplin. ALOHA Actors: Bradley Cooper. Bill Murray. John Krasinski. Danny McBride. Alec Baldwin. Bill Camp. Actresses: Emma Stone. Rachel McAdams. ALTERED MINDS Actors: Judd Hirsch. Ryan O'Nan. C. S. Lee. Joseph Lyle Taylor. Actresses: Caroline Lagerfelt. Jaime Ray Newman. ALVIN AND THE CHIPMUNKS: THE ROAD CHIP Actors: Jason Lee. Tony Hale. Josh Green. Flula Borg. Eddie Steeples. Justin Long. Matthew Gray Gubler. Jesse McCartney. José D. Xuconoxtli, Jr.. Actresses: Kimberly Williams-Paisley. Bella Thorne. Uzo Aduba. Retta. Kaley Cuoco. Anna Faris. Christina Applegate. Jennifer Coolidge. Jesica Ahlberg. Denitra Isler. 88th Academy Awards Page 1 of 32 AMERICAN ULTRA Actors: Jesse Eisenberg. Topher Grace. Walton Goggins. John Leguizamo. Bill Pullman. Tony Hale. Actresses: Kristen Stewart. Connie Britton. AMY ANOMALISA Actors: Tom Noonan. David Thewlis. Actresses: Jennifer Jason Leigh. ANT-MAN Actors: Paul Rudd. Corey Stoll. Bobby Cannavale. Michael Peña. Tip "T.I." Harris. Anthony Mackie. Wood Harris. David Dastmalchian. Martin Donovan. Michael Douglas. Actresses: Evangeline Lilly. Judy Greer. Abby Ryder Fortson. Hayley Atwell. ARDOR Actors: Gael García Bernal. Claudio Tolcachir.
    [Show full text]
  • Hooked on Hughes
    Radboud University hooked on Hughes A feminist consideration of Sixteen Candles, The Breakfast Club and Pretty In Pink. Kelly Thijssen 3037320 American Studies – Bachelor Thesis Dr. Mathilde Roza 7 November 2016 Thijssen, 3037320/2 Abstract This thesis explores how John Hughes’s teen films Sixteen Candles, The Breakfast Club, and Pretty in Pink reinforce traditional ideas about gender, class, sexuality, and race. Each film was subjected to a combination of narrative and semiotic analysis, revealing that patriarchal ideals are embedded in Hughes’ film language. The findings of each analysis were then interpreted in a segment of discussion using feminist theory and cultural criticism of bell hooks as a primary source. Keywords: John Hughes, teen film, bell hooks, gender, class, sexuality, race, narrative analysis, semiotic analysis, patriarchal ideals, feminist theory, cultural criticism Thijssen, 3037320/3 Contents Abstract 2 Table of Contents 3 1. Introduction 4 1.1 Purpose 7 1.2 Methods 7 2. Sixteen Candles 10 2.1 Plot Synopsis 11 2.2 Analysis 13 2.3 Discussion 17 3. The Breakfast Club 21 3.1 Plot Synopsis 22 3.2 Analysis 24 3.3 Discussion 30 4. Pretty In Pink 33 4.1 Plot Synopsis 35 4.2 Analysis 40 4.3 Discussion 44 5. Conclusion 48 Thijssen, 3037320/4 1. Introduction John Hughes (1950-2009) was an American filmmaker and director who wrote and directed numerous highly successful films. He is best known for the teen films he produced in the 1980s, such as Sixteen Candles (1984), The Breakfast Club (1985), Pretty in Pink (1986), and Ferris Bueller’s Day Off (1986).
    [Show full text]
  • Beyond the Pink: (Post) Youth Iconography in Cinema
    Beyond the Pink: (Post) Youth Iconography in Cinema Christina Lee Bachelor of Arts with First Class Honours in Communication Studies This thesis is presented for the degree of Doctor of Philosophy of Murdoch University 2005 Declaration I declare that this dissertation is my own account of my research and contains as its main content work which has not previously been submitted for a degree at any tertiary education institution. ______________________ Christina LEE Hsiao Ping i Publications and Conference Presentations Refereed Publications Christina Lee. “Party people in the house(s): The hobos of history” in Liverpool of the South Seas: Perth and Its Popular Music. Tara Brabazon (ed.) Crawley: University of Western Australia Press, 2005. pp. 43-52. This chapter was written in association with the research on rave culture, as featured in Chapter Six. Christina Lee. “Let me entertain you” in TTS Australia: Critical Reader. Bec Dean (ed.) Northbridge: PICA, 2005. pp. 17-18. This piece was written in association with the research on nationalism and xenophobia, as featured in Chapter Seven. Christina Lee. “Lock and load(up): The action body in The Matrix”, Continuum: Journal of Media and Cultural Studies, forthcoming 2005. This journal article was written in association with the research on simulacra and masculinity, as featured in Chapter Two and Chapter Seven. Conference Presentations “Lock and Load(up): The Action Body in The Matrix”. Alchemies: Community Exchanges. 7th Annual Humanities Graduate Research Conference. Curtin University of Technology: Bentley, Australia. 6-7 November, 2003. This conference presentation was derived from research on the simulacra and the action hardbody as presented in Chapter Two and Chapter Seven.
    [Show full text]
  • Conclusion: What Might a War Film Look Like Going Forward?
    CONCLUSION: WHAT MIGHT A WAR FILM LOOK LIKE GOING FORWARD? This text began from a broad perspective that was very much in line with Kellner’s understanding of the power of cinema: Films can also provide allegorical representations that interpret, comment on, and indirectly portray aspects of an era. Further there is an aesthetic, philosophical, and anticipatory dimension to flm, in which they provide artistic visions of the world that might transcend the social context of the moment and articulate future possibilities, positive and negative, and pro- vide insight into the nature of human beings, social relationships, institu- tions, and conficts of a given era. (14) From this point of view, this book considered the movies that it ana- lyzed within the technological and military “eras” they were made and frst viewed within, and considered the ways in which the war flm most often undermined the potential cooperative power of Internet-enabled machine species with a continued focus on the humanistic ethics laid out by Jeffords’ Reagan-era hard body. The “insight” the movies provided reifed the fears and concerns found in the moviemaking machinic phy- lum of Hollywood and its overlap with the American State War Machine, all the while deconstructing the documents as windows into “the nature of human beings, social relationships, institutions, and conficts” as it related to the civilian machinic audience of war flms. © The Editor(s) (if applicable) and The Author(s) 2017 229 A. Tucker, Virtual Weaponry, DOI 10.1007/978-3-319-60198-4 230 CONCLUSION: What MIGHT A WAR FILM LOOK LIKE GOING FOrwarD? This book is being published with the knowledge that, like Interfacing with the Internet in Popular Cinema, it is far from compre- hensive and with the hope that other scholars might pick up some of the initial or underdeveloped thoughts that were begun with this text.
    [Show full text]
  • Zombies Vampires Outer Space/ Astronomy Myths, Legends, Fantasy
    Zombies STAR TREK V THE FINAL FRONTIER Rated PG STAR TREK VI THE UNDISCOVERED COUNTRY BEETLEJUICE STAR WARS THE CLONE WARS INVASION OF THE BODY SNATCHERS (1978) SUPERGIRL TIM BURTON'S CORPSE BRIDE SUPERMAN IV TREASURE PLANET Rated PG-13 2010 THE FOG (2005) APOLLO 13 I AM LEGEND CONTACT MY BOYFRIEND'S BACK OCTOBER SKY NIGHT OF THE COMET PLANET 51 THE RIGHT STUFF Not Rated Muppets in space I WALKED WITH A ZOMBIE INVASION OF THE BODY SNATCHERS (1956) Rated PG-13 THE PLAGUE OF THE ZOMBIES ARMAGEDDON THE ZOMBIES OF MORA TAU DEEP IMPACT RED PLANET SPACE COWBOYS Vampires STARDUST (2007) Rated PG STAR TREK FIRST CONTACT COUNT YORGA, VAMPIRE STAR TREK (2009) DRACULA 1972 A.D. HORROR OF DRACULA SALEM'S LOT Myths, legends, fantasy and fairy tales TASTE THE BLOOD OF DRACULA Rated PG Rated PG-13 CHRONICLES OF NARNIA THE LION, THE CIRQUE DU FREAK THE VAMPIRE'S ASSISTANT CLASH OF THE TITANS (1981) VAN HELSING THE DARK CRYSTAL DRAGONHEART: A NEW BEGINNING Not Rated ELLA ENCHANTED THE ADDICTION FAIRY TALE: A TRUE STORY THE BRIDES OF DRACULA INKHEART DRACULA (1931) LABYRINTH DRACULA, PRINCE OF DARKNESS LEGEND HOUSE OF DRACULA SHREK KISS OF THE VAMPIRE SHREK 2 MARK OF THE VAMPIRE THE SPIDERWICK CHRONICLES RETURN OF THE VAMPIRE TRON THE RETURN OF DRACULA SON OF DRACULA Rated PG-13 THE BUTCHER'S WIFE Outer Space/ Astronomy DRAGONHEART KING ARTHUR LADYHAWKE Rated PG THE LORD OF THE RINGS THE RETURN OF THE FLIGHT OF THE NAVIGATOR THE LORD OF THE RINGS THE FELLOWSHIP GALAXY QUEST THE LORD OF THE RINGS THE TWO TOWERS THE ICE PIRATES POWDER KRULL ROBIN HOOD (2010)
    [Show full text]
  • Reconstructing the Death Star: Myth and Memory in the Star Wars Franchise
    Abilene Christian University Digital Commons @ ACU Electronic Theses and Dissertations Electronic Theses and Dissertations Spring 5-2018 Reconstructing the Death Star: Myth and Memory in the Star Wars Franchise Taylor Hamilton Arthur Katz [email protected] Follow this and additional works at: https://digitalcommons.acu.edu/etd Recommended Citation Katz, Taylor Hamilton Arthur, "Reconstructing the Death Star: Myth and Memory in the Star Wars Franchise" (2018). Digital Commons @ ACU, Electronic Theses and Dissertations. Paper 91. This Thesis is brought to you for free and open access by the Electronic Theses and Dissertations at Digital Commons @ ACU. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ ACU. ABSTRACT Mythic narratives exert a powerful influence over societies, and few mythic narratives carry as much weight in modern culture as the Star Wars franchise. Disney’s 2012 purchase of Lucasfilm opened the door for new films in the franchise. 2016’s Rogue One: A Star Wars Story, the second of these films, takes place in the fictional hours and minutes leading up to the events portrayed in 1977’s Star Wars: Episode IV – A New Hope. Changes to the fundamental myths underpinning the Star Wars narrative and the unique connection between these film have created important implications for the public memory of the original film. I examine these changes using Campbell’s hero’s journey and Lawrence and Jewett’s American monomyth. In this thesis I argue that Rogue One: A Star Wars Story was likely conceived as a means of updating the public memory of the original 1977 film.
    [Show full text]
  • Molly Ringwald, Robert Greene and More
    smh.com.au A CRIMINAL , MOLLYMIND RINGWALD & A SEDUCTION WALKARTIST INTO A... HAVE WE GOT A STORY FOR YOU. Tara Moss, Molly Ringwald, Robert Greene and more. Live at Sydney Writers’ Festival May 20–26, 2013. 1HERSA1 S001 2 swf.org.au SYDNEY WRITERS’ FESTIVAL WOULD LIKE TO THANK CORE FUNDERS SUPPORTERS ABL Open Hachette Australia Randwick City Library Service Allen & Unwin HarperCollins Red Room Company Ashfield Library Head On Photo Festival Riverside Theatres Auburn Poets and Writers Group The Hills Shire Library Ryde Library Service Auckland Writers and Readers Service Scholastic Festival History Council of NSW Scribe Australian Poetry Hoopla Simmer on the Bay Australian Publishers Hornsby Central Library South Coast Writers Centre Association Hurstville City Library Stella Prize EXCLUSIVE LEGAL PARTNER Avant Card ICE Sydney Dance Lounge Black Inc Kathy Shand Sydney PEN Blacktown Arts Centre Kogarah Library Sydney Story Factory Blacktown City Libraries Lox & Smith Text Publishing Byteback Computing Macleay Museum The Folio Society Camden Council Library Service Meanjin The Langham Sydney Campbelltown Arts Centre Mont Blanc University of Queensland Press MAJOR PARTNERS Campbelltown City Library Murdoch Media Group University of Technology Casula Powerhouse Arts Centre Museum of Contemporary Sydney Chanelle Collier Art UWA Publishing Chatswood Concourse The Nest Varuna, The Writers’ House Children’s Book Council NSW Writers’ Centre Vivid Ideas of Australia Overland Walker Books City of Sydney Libraries Pan Macmillan The Walkley Foundation
    [Show full text]
  • Growing Pains Coming of Age Is a Subject That Never Gets Old
    Growing Pains Coming of age is a subject that never gets old. From sexual awakening to peer pressure to work responsibilities, it’s an endless source of material. In a collection of rare set shots, we see how generations of directors have handled it. LIFE COACHING: (above) Nicholas Ray started out shooting Rebel Without a Cause (1955), with James Dean and Natalie Wood, in black and white. But when the studio switched to color, he insisted that Dean wear the now-iconic red jacket. Ray researched the film by riding around with L.A. gangs. (opposite) David M. Evans had intended to use nine and 10-year-olds for The Sandlot (1993), based partially on his own childhood. But when he started casting, he quickly realized that the kids needed to be older. 54 dga quarterly PHOTOS: (LEFT) WARNER BROS./THE KOBAL COLLECTION; (RIGHT) 20TH CENTURY FOX/COURTESY AMPAS dga quarterly 55 STREETWISE: For Crooklyn (1994), loosely based on his own experiences with his GOLDEN GIRLS: Sofia Coppola wanted to shoot the lives of four sisters in The Virgin siblings growing up in Brooklyn, Spike Lee didn’t want to hire professional actors because Suicides (1999) as they would be observed from “the boy across the street. I liked “they stink … they’re not natural.” Instead he cast mostly local school kids. None of them that the story seemed to capture what it was like to be that age … how strong your knew how to play any of the street games in the film, so Lee personally taught them. feelings are the first time you fall in love.
    [Show full text]
  • After the Rain
    After the Rain Dir: Takashi Koizumi, Japan/France, 1999 A review by Shulamit Almog, University of Haifa, Israel After the Rain is Takashi Koizumi's feature film debut, made in 1999, Shoji Ueda and Takao Saito as cinematographers. Akira Kurosawa wrote the screenplay, and Takashi Koizumi, who pays the late Japanese master a tribute in this film, attempted to make a film from Kurosawa's script, as he would have wished. The tribute quality of the film manifests itself most eminently when one puts After the Rain alongside Rashomon, Kurosawa's 1950 masterpiece, that is still possibly the best known Japanese film outside Japan. On the face of it, there is not much in common between the sombre, infinitely intriguing Rashomon and the delightful, lighthearted and light flooded After the Rain. In actual fact, there is a delicate web of links and connections between those two articulations, that correspond with each other. In both films most characters participate in several forms of judging, formal and informal, external and internal. They all judge and are being judged, cast adjudication and are subjected to it. In Rashomon a formal trial is depicted, alongside the internal ones. In After the Rain there is no formal trial, but all characters involved perform continuous ethical judgments of themselves and others. Rashomon begins in rain and ends with rain. Three people, who find shelter from the rain under the Rashomon gate, engage in narration. Two crimes -- a murder of a Samurai and rape of his wife -- are presented four times, in four different ways. The people at the gate renarrate the story of the formal judgment, where the different versions were first narrated, and, while doing so, judge the narrators, the characters of the narrative, and themselves.
    [Show full text]