Geology in St Paul's Churchyard and Paternoster Square Ruth Siddall
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Stones of Osterley Park House Ruth Siddall
Urban Geology in London No. 37 The Stones of Osterley Park House Ruth Siddall Osterley Park House was designed and built by Robert Adam (1728-1792) in the late 18th Century, between 1761 and the 1780s. It was commissioned by the Child Family and superseded a Tudor Mansion on the same site. Adam had ‘total design’ control of the construction and interior decoration of the house. This assumes that Adam also had a hand in overseeing if not selecting the building materials used. This brief report summarises the building and decorative stones used in the building, as observed following a visit to Osterley Park House in June 2017. Portico and Courtyard Portland Whitbed is used for the pediment, balustrade, quoins and other stone dressings on the exterior of Osterley Park House. It is also used for paving and for the columns supporting the pediment. This stone is identified by the pale grey colour with darker fossilised shells of oysters, which now weather slightly proud of the surface. Sedimentary bedding alignment can be detected in both columns and in some flagstones due to the concentration of shell beds. Portland Whitbed is the most commonly used of three main building stones extracted from the Portland Limestone Formation which occurs in outcrop and subcrop on the Isle of Portland, a peninsula on the Dorset Coast. Whitbed contains variable fossil content, predominantly in the form of oyster shells with well-preserved, laminated shells and also fragments of the reef-forming algae Solenpora portlandica. Two other units are also extracted as building stone; the Basebed and the Roach. -
Unclassified Fourteenth- Century Purbeck Marble Incised Slabs
Reports of the Research Committee of the Society of Antiquaries of London, No. 60 EARLY INCISED SLABS AND BRASSES FROM THE LONDON MARBLERS This book is published with the generous assistance of The Francis Coales Charitable Trust. EARLY INCISED SLABS AND BRASSES FROM THE LONDON MARBLERS Sally Badham and Malcolm Norris The Society of Antiquaries of London First published 1999 Dedication by In memory of Frank Allen Greenhill MA, FSA, The Society of Antiquaries of London FSA (Scot) (1896 to 1983) Burlington House Piccadilly In carrying out our study of the incised slabs and London WlV OHS related brasses from the thirteenth- and fourteenth- century London marblers' workshops, we have © The Society of Antiquaries of London 1999 drawn very heavily on Greenhill's records. His rubbings of incised slabs, mostly made in the 1920s All Rights Reserved. Except as permitted under current legislation, and 1930s, often show them better preserved than no part of this work may be photocopied, stored in a retrieval they are now and his unpublished notes provide system, published, performed in public, adapted, broadcast, much invaluable background information. Without transmitted, recorded or reproduced in any form or by any means, access to his material, our study would have been less without the prior permission of the copyright owner. complete. For this reason, we wish to dedicate this volume to Greenhill's memory. ISBN 0 854312722 ISSN 0953-7163 British Library Cataloguing in Publication Data A CIP catalogue record for this book is available from the -
Back Matter (PDF)
PROCEEDINGS OF THE YORKSHIRE GEOLOGICAL SOCIETY 309 INDEX TO VOLUME 55 General index unusual crinoid-coral association 301^ Lake District Boreholes Craven inliers, Yorkshire 241-61 Caradoc volcanoes 73-105 Chronostratigraphy Cretoxyrhinidae 111, 117 stratigraphical revision, Windermere Lithostratigraphy crinoid stems, N Devon 161-73 Supergroup 263-85 Localities crinoid-coral association 301-4 Lake District Batholith 16,73,99 Minerals crinoids, Derbiocrinus diversus Wright 205-7 Lake District Boundary Fault 16,100 New Taxa Cristatisporitis matthewsii 140-42 Lancashire Crummock Fault 15 faunal bands in Lower Coal Measures 26, Curvirimula spp. 28-9 GENERAL 27 Dale Barn Syncline 250 unusual crinoid-coral association 3Q1-A Acanthotriletes sp. 140 Dent Fault 257,263,268,279 Legburthwaite graben 91-2 acritarchs 243,305-6 Derbiocrinus diversus Wright 205-7 Leiosphaeridia spp. 157 algae Derbyshire, limestones 62 limestones late Triassic, near York 305-6 Diplichnites 102 foraminifera, algae and corals 287-300 in limestones 43-65,287-300 Diplopodichnus 102 micropalaeontology 43-65 origins of non-haptotypic palynomorphs Dumfries Basin 1,4,15,17 unusual crinoid-coral association 301-4 145,149,155-7 Dumfries Fault 16,17 Lingula 22,24 Alston Block 43-65 Dunbar-Oldhamstock Basin 131,133,139, magmatism, Lake District 73-105 Amphoracrinus gilbertsoni (Phillips 1836) 145,149 Manchester Museum, supplement to 301^1 dykes, Lake District 99 catalogue of fossils in Geology Dept. Anacoracidae 111-12 East Irish Sea Basin 1,4-7,8,10,12,13,14,15, 173-82 apatite -
Early Cretaceous) Wessex Formation of the Isle of Wight, Southern England
A new albanerpetontid amphibian from the Barremian (Early Cretaceous) Wessex Formation of the Isle of Wight, southern England STEVEN C. SWEETMAN and JAMES D. GARDNER Sweetman, S.C. and Gardner, J.D. 2013. A new albanerpetontid amphibian from the Barremian (Early Cretaceous) Wes− sex Formation of the Isle of Wight, southern England. Acta Palaeontologica Polonica 58 (2): 295–324. A new albanerpetontid, Wesserpeton evansae gen. et sp. nov., from the Early Cretaceous (Barremian) Wessex Formation of the Isle of Wight, southern England, is described. Wesserpeton is established on the basis of a unique combination of primitive and derived characters relating to the frontals and jaws which render it distinct from currently recognized albanerpetontid genera: Albanerpeton (Late Cretaceous to Pliocene of Europe, Early Cretaceous to Paleocene of North America and Late Cretaceous of Asia); Celtedens (Late Jurassic to Early Cretaceous of Europe); and Anoualerpeton (Middle Jurassic of Europe and Early Cretaceous of North Africa). Although Wesserpeton exhibits considerable intraspecific variation in characters pertaining to the jaws and, to a lesser extent, frontals, the new taxon differs from Celtedens in the shape of the internasal process and gross morphology of the frontals in dorsal or ventral view. It differs from Anoualerpeton in the lack of pronounced heterodonty of dentary and maxillary teeth; and in the more medial loca− tion and direction of opening of the suprapalatal pit. The new taxon cannot be referred to Albanerpeton on the basis of the morphology of the frontals. Wesserpeton currently represents the youngest record of Albanerpetontidae in Britain. Key words: Lissamphibia, Albanerpetontidae, microvertebrates, Cretaceous, Britain. Steven C. -
The English Claim to Gothic: Contemporary Approaches to an Age-Old Debate (Under the Direction of DR STEFAAN VAN LIEFFERINGE)
ABSTRACT MARY ELIZABETH BLUME The English Claim to Gothic: Contemporary Approaches to an Age-Old Debate (Under the Direction of DR STEFAAN VAN LIEFFERINGE) The Gothic Revival of the nineteenth century in Europe aroused a debate concerning the origin of a style already six centuries old. Besides the underlying quandary of how to define or identify “Gothic” structures, the Victorian revivalists fought vehemently over the national birthright of the style. Although Gothic has been traditionally acknowledged as having French origins, English revivalists insisted on the autonomy of English Gothic as a distinct and independent style of architecture in origin and development. Surprisingly, nearly two centuries later, the debate over Gothic’s nationality persists, though the nationalistic tug-of-war has given way to the more scholarly contest to uncover the style’s authentic origins. Traditionally, scholarship took structural or formal approaches, which struggled to classify structures into rigidly defined periods of formal development. As the Gothic style did not develop in such a cleanly linear fashion, this practice of retrospective labeling took a second place to cultural approaches that consider the Gothic style as a material manifestation of an overarching conscious Gothic cultural movement. Nevertheless, scholars still frequently look to the Isle-de-France when discussing Gothic’s formal and cultural beginnings. Gothic historians have entered a period of reflection upon the field’s historiography, questioning methodological paradigms. This -
Purbeck Quarries. OUGS Wessex. March14 2015 Safety
Purbeck Quarries. OUGS Wessex. March14 2015 Safety. Hard hats are required if you go underground in the quarries and perhaps in the Square & Compass pub – low ceilings and beams! At Winspit the quarry edge is unprotected and there is an immediate vertical drop of about 40 feet to the sea. Similarly if you use the Coast Path to overlook the quarry there is a drop to the quarry floor. Keep away from edges. The quarry faces are stable. Morning Landers Quarry. Trev Haysom, Owner Trev will show us around a modern working Purbeck quarry. There will be opportunity to see how the stone is quarried and worked. Landers Quarry is notable as a source of Purbeck Marble. ------------------------------------------------------------------------------------------ Afternoon WORTH MATRAVERS AND WINSPIT. Bob Alderman. OUGS Wessex Worth Matravers, along with Langton Matravers is at the centre of the Purbeck stone industry. At Worth the only active quarry is St Aldhelms Quarry (SY 965 762), behind the Aldhelm’s Head. There are several working quarries between Worth and Langton Matravers. About Worth Matravers. The village of Worth Matravers is notable as an essay in Purbeck stone buildings. The nature of the stone means that if readily forms blocks and in some beds it splits to form thin roofing tiles. Only rarely does it provide beds that allow significant carving. You will note there are few mullion windows. There is a 16th century house in Corfe Castle with Purbeck stone mullions but it is a rare example. Most of the stone, exported from Swanage, was in the form of paving slabs. The rise of the Purbeck Stone industry probably dates from the 12th century when the then Bishop of Winchester used it for his Palace. -
The Geology Durdle Door, Dorset Chalk Stratigraphy, Sedimentology and Tectonic Structure New Marker Beds
Wessex OUGS Field Guide to Durdle Door, Dorset, May 2018 The Geology Durdle Door, Dorset Chalk stratigraphy, sedimentology and tectonic structure New marker beds Durdle Cove, Dorset looking west over Scratchy Bottom and Swyre Head to Bat’s Head. The line of caves at the foot of the cliff in Durdle Cove is formed on the Durdle Cove Thrust (see also Rowe 1901, Plate III, pp. 16-17). Open University Geological Society Wessex Group Field Excursion Sunday 13th May 2018 Leaders: Rory Mortimore and Jeremy Cranmer Field guide prepared by Rory Mortimore www.chalkrock.com Based on the paper Late Cretaceous stratigraphy, sediments and structure: gems of the Jurassic Coast of Devon and Dorset, England just going into press in the Proceedings of the Geologists’ Association, 2018. 1 Wessex OUGS Field Guide to Durdle Door, Dorset, May 2018 Wessex OUGS Field Trip Durdle Door, Durdle Cove, Scratchy Bottom and Bat’s Head Late Cretaceous stratigraphy, sediments and structure: gems of the Jurassic Coast of Devon and Dorset, England Introduction Extraordinary, long-distance litho-marker beds such as the Lewes and Shoreham Tubular Flints and associated marl seams and fossils (Fig.2), recognised in cliff exposures and cliff-fall boulders, are keys to unlocking the stratigraphy and tectonic structures in the Late Cretaceous (Fig.1) of the Jurassic Heritage Coast. Durdle Cove is a special gem exposing the Lewes and Seaford Chalk stratigraphy where these and new marker beds are identified and where sediments and tectonic structures provide clues to timing of movements that produced a Late Cretaceous pericline which grew into a Miocene monocline along the line of the underlying Purbeck Reverse Fault. -
DSWA Dorset News
DSWA Dorset News May 2020 I hope you enjoy this issue of the Newsletter in which I am sharing the results of my exploration into the history of the Isle of Purbeck, its quarries, mines and mellow stone, and characteristic walls. I’ve been helped in this project by Sally Fielding, Dave Rawson, Jon Leyland, the National Trust walling ranger on South Purbeck; Keith Coombs who took some of the photographs; and Trev Haysom, a tenth-generation stone mason with unrivalled knowledge of Purbeck quarrying and its history. Haysom Purbeck Stone has been working in Purbeck since the late 17th century. Purbeck stone and marble Purbeck stone is confined largely to an area of 10 square km to the south and west of Swanage. Twenty operational quarries produce up to 25,000 tonnes annually, just half of that shipped out of Swanage in the boom years of the 18th century and leading up to the Industrial Revolution when there was high demand for building stone in burgeoning towns and cities. The hardest and polishable limestone, known as Purbeck marble, consists of the fossilised shells of freshwater snails (Viviparus) and was first quarried from open pits by Iron Age and Roman artisans. Blue and purple Purbeck marble, quarried along a seam from Peveril Point to Worbarrow Bay, were used in tiles and mosaics at Fishbourne Palace (c.75 CE), near Chichester. Apart from its use in utility objects such as grindstones, and the decorative arts, stone was rare as a building material until the Norman invasion when there was high demand for building castles and churches. -
Euroroc London Walking Tour with Peter Harrison
Euroroc London Walking Tour with Peter Harrison Introduction Walking around the streets, from St Pauls thorough to Paternoster and on to the Guildhall, few people look up or down at the buildings and pavements or notice the history around them. The tour will start at Temple Bar, proceed through Paternoster and out via Panyer Alley. We will then turn right into Cheapside and left into Foster Lane. We turn right into Gresham Street and then through Guildhall Yard to look at the Library. We will look at some important and interesting buildings, pavements and monuments. Because there was never any satisfactory building stone local to London, buildings, pavements and monuments are constructed using a variety of interesting stone brought by sea and river, rail and road. The stone used ranges from sedimentary rock, often from the tropical sea floor 140 million years old, through to metamorphic and igneous rock some 500 million years old. Many of the buildings in the area are faced with Portland stone, although sandstone, granite and slate are also present. This tour will include: St Paul’s Cathedral Temple Bar The Column, Paternoster Square King Edward Court, 10 Paternoster Square Cheapside Goldsmith Hall 25 Gresham Street 10 Gresham Street 20 Gresham Street 31 Gresham Street 100 Wood Street 30 Gresham Street 65 Gresham Street Guildhall Yard The Guildhall St Pauls Cathedral Designed by Sir Christopher Wren, St Pauls Cathedral was built between 1675 and 1710 using Portland stone. Portland stone had been used in London for the Tower of London in 1349 and London Bridge in 1350. -
Stanhopeplc.Com Stanhope 2021 Stanhope 2021
2021 STANHOPEPLC.COM STANHOPE 2021 STANHOPE 2021 “Every project is different. We start with a blank canvas and our collective experience.” Stanhope are fortunate to have been involved in some of London’s major placemaking projects. We provide innovative responses to complex development opportunities and are known for delivering high quality developments within budget and time constraints. Stanhope’s overriding objective is to leave a legacy of sustainable improvement to the built environment. We aim to create memorable places for living, working and enjoyment that provide a range of uses supporting local communities and acting as a catalyst for further renewal. DAVID CAMP CEO 2 3 STANHOPE 2021 STANHOPE 2021 Trusted partners creating sustainable buildings and urban places Stanhope is a multi-skilled property developer. We deliver projects from inception to operation. Our multi-disciplinary in house team can offer the right experience at every stage of the development process. Originate Design Build Manage Defining the overall vision and brief Establishing the foundations to for the project make the project possible Managing the process to make the Delivering ongoing asset project a reality management and growth RESEARCH CONCEPTUAL DESIGN PROCUREMENT STRATEGY Site | Area | Trends | Uses Uses | Product | Massing Strategy | Implementation | Risk Objectives | Financials | Approach ACQUISITION PLANNING TECHNICAL DESIGN IMPLEMENTATION Appraisals | Legals | Risk Analysis Strategy | Consultation | Consents Buildability | Efficiency | Supply Chain -
St Dunstan in the East: an Architectural History of a Medieval London Parish Church
London and Middlesex Archaeological Society Transactions, 66 (2015), 47—77 ST DUNSTAN IN THE EAST: AN ARCHITECTURAL HISTORY OF A MEDIEVAL LONDON PARISH CHURCH Jennifer Ledfors SUMMARY 1996, 18). Consequently, the vanished inter- nal layout of these medieval churches has to The medieval parish of St Dunstan in the East was one be reconstructed from archaeological and of three London parishes referred to as juxta Turrim; historic sources. This article aims to examine the other two parishes were St Olave’s Hart Street and the evidence for the medieval fabric of St All Hallows Staining. It is a well-documented London Dunstan in an attempt to reconstruct the community that is surprisingly under-researched. medieval church based upon documentary, The prevalence of such a rich supply of documentary archaeological, visual and cartographic sources can be attributed to the fact that many of sources. These documents support not only London’s powerful social, civic and governing elite the existence of speciþc features in the pre- lived in the community and also to the parish’s status Reformation parish church, but also provide as a peculiar of the archbishopric, which consequently impressions of the building structure and served in various ways the administration of the architectural features. This allows for the archbishops of Canterbury. The rich records for St construction of a narrative on the various Dunstan in the East have allowed for a study of the elements of the interior fabric, a perspective architecture in a pre-Reformation parish church, on their appearance and usage, as well as which has consequently served to illuminate various providing an impression of the religious aspects of Londoners’ expressions of popular piety and practices and preferences of the people who daily liturgical practices in the later Middle Ages on lived and worshipped in the parish. -
Qwertyuiopasdfghjklzxcvbnmqwert Yuiopasdfghjklzxcvbnmqwertyuiop
qwertyuiopasdfghjklzxcvbnmqwertJune 20, 2014 yuiopasdf ghjklzxcvbnmqwertyuiop asdfghjklzxcvbnmqwertyuiopasdfg hjklzxcvbnmqwertyuiopasdfghjklzx MY SEARCH FOR THE ORIGINS OF cvbnmqwertyuiopasdfghjklzxcvbnDEACON JOHN DONE mqwertyuiopasdfghjklzxcvbnmqwePresented to The Doane Family Association Research Committee rtyuiopasdfghjklzxcvbnmqwertyuio by pasdfghjklzxcvbnmqwertyuiopasdf Maureen Scott Committee Member ghjklzxcvbnmqwertyuiopasdfghjklz 2014 xcvbnmqwertyuiop asdfghjklzxcvbn mqwertyDuiopasdfghjklzxcvbnmq wertyuiopasdfghjklzxcvbnmqwerty uiopasdfghjklzxcvbnmqwertyuiopa sdfghjklzxcvbnmqwertyuiopasdfghj klzxcvbnmqwertyuiopasdfghjklzxcv bnmrtyuiopasdfghjklzxcvbnmqwert1 yuiopasdfghjklzxcvbnmqwertyuiop June 20, 2014 Table of Contents Preamble:....................................................................................................pg. 3 Sections: 1 - The City of London and Its People..........................................................pg. 4 2 - City of London Pilgrims...........................................................................pg. .9 3 - PossiBle Links with Deacon John Done..................................................pg. 11 4 - Previous Lines of Inquiry........................................................................pg. 16 5 - Y-DNA Project.........................................................................................pg. 19 Summary / Recommendations:.................................................................pg. 20 References:................................................................................................pg.