Digital Underwater Photography

Total Page：16

File Type：pdf, Size：1020Kb

DIGITAL UNDERWATER PHOTOGRAPHY LEARN FROM A PROFESSIONAL PHOTOGRAPHER April 25th This course is designed to help you get good results easily, even if you’ve never used a digital camera before. You’ll learn what equipment you’ll need to take great underwater photographs, how to prepare your underwater photo system to keep it watertight and basic underwater photo techniques. · During skill development you'll also learn the basics of digital underwater photography and how to white balance underwater - a method of achieving natural looking photographs without a flash. Further, you'll learn how to assemble, disassemble and clean your underwater photo system. · After your Open Water session you will learn what makes your photographs even better by expanding what you know about file formats, resolution settings, making your images lighter or darker, getting good color, composing your picture, loading photographs into your computer and adjusting them to look their best. Topics: · Digital revolution · Digital cameras (types) · Digital underwater camera systems · General digital photography · Digital underwater photography · Basic underwater shooting · Camera care and maintenance · Digital file formats · Choosing image resolution · Choosing exposure settings · Examining and adjusting exposure underwater · Getting sharp pictures underwater · Composition · Basic underwater strobe use · Using built-in flash underwater · Using external flash underwater REQUIRED EQUIPMENT and MATERIALS: Full Scuba equipment (rental available) Underwater camera (rental available) PREREQUISITES: Open Water Certification COURSE COST: $250.00 FOR MORE INFORMATION PLEASE CONTACT: South Shore Divers 147 Bridge Street Weymouth, MA 02191 (781) 331-1144 or via email @ [email protected] www.southshoredivers.com .

Copy Link

Recommended publications

Jobsite Cameras Past, Present, Future
Jobsite Cameras Past, Present, Future How jobsite cameras are evolving in use and capability By David Gaw, Founder, CEO – Sensera Systems Jobsite cameras have become an essential tool for the modern connected jobsite. Understanding these systems and how they support construction best practices is important in today’s ever-expanding jobsite technology array. In this article, we’ll take a look at the evolution of jobsite cameras and how they are impacting the construction industry. WHAT IS A ‘JOBSITE CAMERA’? A jobsite camera is simply a camera that is used on a construction site to provide automated capture of imagery and/or video. Most would also agree that a jobsite camera is one that is network connected to allow for remote viewing and image retrieval. However, there are some more basic devices used on jobsites that record images and video to local storage for periodic manual retrieval by the user. For the purposes of our discussion here we will consider only network-connected cameras, since non-connected cameras are typically not suitable for commercial construction project applications. In addition to the camera hardware itself, a ‘jobsite camera’ typically also incorporates software that provides the following basic functions (at minimum): • Remote configuration of the camera operation • Viewing of images and video • Remote long-term storage of images and video (e.g., cloud-based storage) • Creation of time-lapse videos from individual still images collected at specified intervals BACK IN THE DAY The initial jobsite cameras grew out of early ‘webcam’ applications. A webcam is a camera that is connected to the Internet (or the Web), to allow for remote real-time viewing.
[Show full text]
Nikon Report2017
Nikon 100th Anniversary Special Feature A Look Back at Nikon’s 100-Year History of Value Creation Nikon celebrated the 100th anniversary of its founding on July 25, 2017. Nikon has evolved together with light-related technologies over the course of the past century. Driven by our abundant sense of curiosity and inquisitiveness, we have continued to unlock new possibilities that have shined light on the path to a brighter future, creating revolutionary new products along the way. We pride ourselves on the contributions we have made to changing society. Seeking to make our hopes and dreams a reality, the Nikon Group will boldly pursue innovation over the next 100 years, striving to transform the impossible of yesterday into the normal of tomorrow. We will take a look back at Nikon’s 100-year history of value creation. 1917 Three of Japan’s leading optical 1946 Pointal ophthalmic lens manufacturers merge to form is marketed a comprehensive, fully integrated Nikon’s fi rst ophthalmic lens optical company known as Nikon brand name is adopted for Nippon Kogaku K.K. small-sized cameras Pointal Oi Dai-ichi Plant (now Oi Plant) Tilting Level E and Transit G 1918 is completed 1947 surveying instruments are marketed Nikon’s fi rst surveying instruments after World War II MIKRON 4x and 6x 1921 ultra-small-prism binoculars are marketed Nikon Model I small-sized 1948 camera is marketed The fi rst binoculars developed, designed and manufactured The fi rst Nikon camera and the by Nikon fi rst product to bear the MIKRON 6x “Nikon” name Nikon Model I Model
[Show full text]
Underwater Photography Made Easy
Underwater Photography Made Easy Create amazing photos & video with by Annie Crawley IncludingIncluding highhigh definitiondefinition videovideo andand photophoto galleriesgalleries toto showshow youyou positioningpositioning andand bestbest techniques!techniques! BY ANNIE CRAWLEY SeaLife Cameras Perfect for every environment whether you are headed on a tropical vacation or diving the Puget Sound. These cameras meet all of your imaging needs! ©2013 Annie Crawley www.Sealife-cameras.com www.DiveIntoYourImagination.com Edmonds Underwater Park, Washington All rights reserved. This interactive book, or parts thereof, may not be reproduced in any form without permission in writing from the publisher, Dive Into Your Imagination, LLC a company founded by Annie Crawley committed to change the way a new generation views the Ocean and themselves. Dive Into Your Imagination, Reg. Pat. & Tm. Off. Underwater Photography Made Easy shows you how to take great photos and video with your SeaLife camera system. After our introduction to this interactive book you will learn: 1. Easy to apply tips and tricks to help you create great images. 2. Five quick review steps to make sure your SeaLife camera system is ready before every dive. 3. Neutral buoyancy tips to help you take great underwater photos & video with your SeaLife camera system. 4. Macro and wide angle photography and video basics including color, composition, understanding the rule of thirds, leading diagonals, foreground and background considerations, plus lighting with strobes and video lights. 5. Techniques for both temperate and tropical waters, how to photograph divers, fish behavior and interaction shots, the difference in capturing animal portraits versus recording action in video. You will learn how to capture sharks, turtles, dolphins, clownfish, plus so much more.
[Show full text]
A Field Guide to Bulkhead Connectors for Aquatica Digital Camera Housing: a Field Guide to Aquatica’S Strobe Connectors
A field guide to bulkhead connectors for Aquatica digital camera housing: A Field Guide to Aquatica’s strobe connectors This comprehensive guide is to help Aquatica users in selecting the proper strobe connectors for their housing it is divided in sec- tions addressing the various generation and brand for which we have manufactured housing for over the years. Please make sure to visit our website www.aquatica.ca for updated version of this document. Section 1: The classic Nikon type. These are found in the following legacy Aquatica housings for these cameras; Fuji S2 Pro Fuji S5 (same as Nikon D200) Nikon D2x Nikon D3 / D3x (not the D3s version) Nikon D40 / D40x / D60 Nikon D70 /D70s Nikon D80 Nikon D100 Nikon D200 Nikon D300 (not the D300s) Section 2: The newer Nikon type. These modular connectors have an internal switchboard and separate hot shoe and are found in the following new generation Aquatica housings for these cameras; Nikon D3s (not the older D3/D3x version) Nikon D90 Nikon D300s Nikon D700 Section 3: The Classic Canon type. These are found in the following legacy Aquatica housings for these cameras; Canon 1Ds Mk III & 1D Mk IV Canon 5D (not 5D Mk II) Canon 30D Canon 40D / 50D Canon Digital Rebel / 300D Section 4: The newer Canon type. These modular connectors have an internal switchboard and separate hot shoe and are found in the following new generation Aquatica housings for these cameras; Canon 5D Mk II (not the original 5D) Canon 7D Canon Digital Rebel T2i / 550D Section 5: The optical type.
[Show full text]
Digital Camera Fully Compatible, Newly Developed S-TTL System
Digital Camera Fully Compatible, Newly Developed S-TTL System "S-TTL" enables TTL auto shooting by an external strobe for a digital SLR camera as well as for a point & shoot digital camera. INON S-TTL auto strobe supports any manufactures' model providing highly accurate exposure control. Film camera era without strobe selection problem TTL stands for "Through The Lens" and TTL auto strobe system controls flash amount to provide correct exposure based on calculation by camera's internal sensor metering reflecting strobe light from a subject through the lens. This TTL system meters actual light amount reflecting from a subject providing accurate exposure. When we start with the history of underwater TTL auto strobe, underwater camera "NIKONOS V" released in 1984 was the first to provide automatic TTL flash control for underwater strobe SB-102, SB-103 succeeded by NIKONOS V compatible underwater strobes form other manufactures. The 5 pin electrical sync connector for NIKONOS V is most popular and widely adopted to connect an underwater strobe and underwater film camera (underwater camera / housing). A film SLR camera has flexibility to select an underwater strobe. As far as housing has NIKONOS type electrical sync connector and properly NIKONOS type 5 pin electrical wired, automatic TTL flash control is usable with any TTL auto strobe sync connector and NIKONOS V like Nikon SB-105, INON Z-220, Z-22 connected via electrical sync with INON Z-22 strobe cable. Film camera compatible strobe is not usable for a digital camera!? Underwater TTL strobe circumstances have been drastically altered with the spread of digital camera among divers.
[Show full text]
Underwater Photographyphotography a Web Magazine
UnderwaterUnderwater PhotographyPhotography a web magazine Oct/Nov 2002 Nikon D100 housings Fuji S2 housing Sony F707 housing Kodak DCS Pro 14n Sperm whale Nai’a liveaboard U/w photojournalist - Jack Jackson Henry the seadragon Scilly Seals Lights & divers Easy macro British fish Underwater tripod Visions 2002 UwP 1 What links these sites? Turn to page 7 to find out... UwP 2 UnderwaterUnderwater PhotographyPhotography a web magazine Oct/Nov 2002 e mail [email protected] Contents 4 Travel & events 30 Meet Henry 43 Easy macro 8 New products 14 Sperm whale by Andy & Angela Heath with Ee wan Khoo 35 Scilly Seals 47 British fish with Tony Wu 19 Nai’a liveaboard with Will & Demelza by Mark Webster Posslethwaite 54 Size matters 35 Lights & divers by Jukka Nurminen & Alex Mustard by Pete Atkinson 25 U/w photojournalist by Martin Edge Cover photo by Tony Wu 58 Visions 2002 by Jack Jackson UwP 3 Travel & events Jim Breakell Tahiti talk at Dive Show, Oct 12/13 2002 In September Jim Breakell of Scuba Safaris went on a fact finding trip to the Pacific. First off he went to Ryrutu for for a few days humpback whale watching, then a week on the inaugural trip of the Tahiti Aggressor and then on to Bora Bora (what a hard life he has!) He will be giving an illustrated talk about his trip at the Dive Show in Birmingham on October 12/13th 2002. For more information contact Scuba Safaris, PO Box 8, Edenbridge, Kent TN8 7ZS. Tel 01342 851196. www.scuba-safaris.com John Boyle video trip May 2003 INVITATION John Boyle will be hosting a video diving trip from Bali to Komodo on Kararu next year.
[Show full text]
Dive Log Australia
WAKATOBI REEFS A CELEBRATION OF CORALS The famous resort of Wakatobi in South East Sulawesi, Indonesia, probably needs no introduction for many readers. The shallow reef flats in 1 or 2 meters are a great place to start Blue waters swirl above and a hint of clouds in a blue sky prevail. Early morning shafts of sunlight bathe a coral head with light producing a surreal image of corals in the sunlight. eteran pioneer Australian Underwater Photographer the idyllic location and accommodation, the wonderful hospitality, Kevin Deacon decided to forgo all other genres of the range of dive sites, dive boat facilities and all round diver support, one will not suffer for their art here! clown fish and fast growing Acropora & soft corals. produced a portfolio that I believe is faithful to the genre of Vunderwater photography during his most recent tour While cruising this area the creative mind must be fully engaged "Beautiful Reefs". I hope you enjoy these images and the to concentrate on capturing the simple beauty of Wakatobi REEF HUNTING AND SHOOTING looking for the right coral reef elements. By its very nature coral reefs information here helps you on your way as a `Master of the Light’. Indo Pacific coral reefs. A task not as simple as it might seem Creating such images comes with some great challenges. Cruising and their inhabitants are designed to create confusion to the eye, all Kevin Deacon is one of the pioneers of underwater photography in but the resulting images illustrate the value in the age old rule, a coral reef leaves one with an impression of living beauty with part of nature's survival strategy.
[Show full text]
Professional and Honor Program - Descriptions with Prerequisite Requirements
Professional and Honor Program - Descriptions with Prerequisite Requirements Professional Career Programs - Full Residence Honor Programs The Professional Career Programs provide broad training for students seeking Short Residence with Self Study Prep rewarding, full-time employment in the recreational diving industry. Both The Institute's Honor programs are shortened versions of our full residence full-residence individual skill and combination skill programs are available. “Professional” Instructor, Divemaster /Dive Control Specialist and Rescue Areas covered in professional programs are: skin and scuba diving instruc- training modules. We designed the “Honor” Programs to give credit for tion, divemaster supervision and dive control specialist, boatmaster, under- certain types of previous training from diver to divemaster and for using our water digital photography and videography with computer editing, promo- self study package to help prepare before attendance. tional diving video-DVD-CD and photo production, detailed dive business, store and resort operations, diving business sales and persuasion, diving Honor program entry requirements are a lot stiffer than our longer full equipment overhaul and repair technology, deep and technical diving residence “Professional” programs. They also do not include the broad instruction, semi-closed or closed circuit rebreather instruction, diving variety of training and practice available in our more extensive "Professional" specialties instruction, submersibles and underwater communication tech- programs. nology, air station and technical gas blending operations, professional CPR- People attending shorter Honor Programs, need to be self-motivated with First Aid, and diving accident response technology and instruction. excellent reading and math skills. Most Honor Programs have physical and Making a good living in the recreational diving industry generally requires written attendance qualification exams to test your preparedness before you more abilities than just teaching.
[Show full text]
Underwater Survey for Oil and Gas Industry: a Review of Close Range Optical Methods
remote sensing Review Underwater Survey for Oil and Gas Industry: A Review of Close Range Optical Methods Bertrand Chemisky 1,*, Fabio Menna 2 , Erica Nocerino 1 and Pierre Drap 1 1 LIS UMR 7020, Aix-Marseille Université, CNRS, Université De Toulon, 13397 Marseille, France; [email protected] (E.N.); [email protected] (P.D.) 2 3D Optical Metrology (3DOM) Unit, Bruno Kessler Foundation (FBK), Via Sommarive 18, 38123 Trento, Italy; [email protected] * Correspondence: [email protected] Abstract: In both the industrial and scientific fields, the need for very high-resolution cartographic data is constantly increasing. With the aging of offshore subsea assets, it is very important to plan and maintain the longevity of structures, equipment, and systems. Inspection, maintenance, and repair (IMR) of subsea structures are key components of an overall integrity management system that aims to reduce the risk of failure and extend the life of installations. The acquisition of very detailed data during the inspection phase is a technological challenge, especially since offshore installations are sometimes deployed in extreme conditions (e.g., depth, hydrodynamics, visibility). After a review of high resolution mapping techniques for underwater environment, this article will focus on optical sensors that can satisfy the requirements of the offshore industry by assessing their relevance and degree of maturity. These requirements concern the resolution and accuracy but also cost, ease of implementation, and qualification. With the evolution of embedded computing resources, in-vehicle optical survey solutions are becoming increasingly important in the landscape of large-scale mapping solutions and more and more off-the-shelf systems are now available.
[Show full text]
Underwater Optical Imaging: Status and Prospects
Underwater Optical Imaging: Status and Prospects Jules S. Jaffe, Kad D. Moore Scripps Institution of Oceanography. La Jolla, California USA John McLean Arete Associates • Tucson, Arizona USA Michael R Strand Naval Surface Warfare Center. Panama City, Florida USA Introduction As any backyard stargazer knows, one simply has vision, and photography". Subsequent to that, there to look up at the sky on a cloudless night to see light have been several books which have summarized a whose origin was quite a long time ago. Here, due to technical understanding of underwater imaging such as the fact that the mean scattering and absorption Merten's book entitled "In Water Photography" lengths are greater in size than the observable uni- (Mertens, 1970) and a monograph edited by Ferris verse, one can record light from stars whose origin Smith (Smith, 1984). An interesting conference which occurred around the time of the big bang. took place in 1970 resulted in the publication of several Unfortunately for oceanographers, the opacity of sea papers on optics of the sea, including the air water inter- water to light far exceeds these intergalactic limits, face and the in water transmission and imaging of making the job of collecting optical images in the ocean objects (Agard, 1973). In this decade, several books by a difficult task. Russian authors have appeared which treat these prob- Although recent advances in optical imaging tech- lems either in the context of underwater vision theory nology have permitted researchers working in this area (Dolin and Levin, 1991) or imaging through scattering to accomplish projects which could only be dreamed of media (Zege et al., 1991).
[Show full text]
Imaging the Twilight Zone: the Morphology And
IMAGING THE TWILIGHT ZONE: THE MORPHOLOGY AND DISTRIBUTION OF MESOPHOTIC ZONE FEATURES, A CASE STUDY FROM BONAIRE, DUTCH CARIBBEAN by Bryan Mark Keller A thesis submitted to the Faculty of the University of Delaware in partial fulfillment of the requirements for the degree of Master of Science in Marine Studies Spring 2011 Copyright 2011 Bryan M. Keller All Rights Reserved IMAGING THE TWILIGHT ZONE: THE MORPHOLOGY AND DISTRIBUTION OF MESOPHOTIC ZONE FEATURES, A CASE STUDY FROM BONAIRE, DUTCH CARIBBEAN by Bryan Mark Keller Approved: _____________________________________________________ Arthur C. Trembanis, Ph.D. Professor in charge of thesis on behalf of the Advisory Committee Approved: _____________________________________________________ Charles E. Epifanio, Ph.D. Director of the School of Marine Science and Policy Approved: _____________________________________________________ Nancy M. Targett, Ph.D. Dean of the College of Earth, Ocean, and Environment Approved: _____________________________________________________ Charles G. Riordan, Ph.D. Vice Provost for Graduate and Professional Education ACKNOWLEDGMENTS I would like to thank my advisor, Dr. Art Trembanis, for his instruction and support throughout my thesis research. My gratitude is also extended to Dr. Douglas Miller and Dr. Mark Patterson for their assistance and guidance throughout the entirety of my research. Much thanks to the University of Delaware Office of Graduate and Professional Education, the Department of Oceanography, and the Department of Geology for the funding necessary for me to perform m fieldwork in Bonaire. Finally, I would like to thank my lab mates and colleagues for answering my countless questions and always being willing to provide insight about any problems that I faced. iii DEDICATION This manuscript is dedicated to Rachel Lyons who has known me through all of my struggles and always insisted that I chase my dreams.
[Show full text]
Privacy Risk Assessment on Online Photos
Privacy Risk Assessment on Online Photos B Haitao Xu1,2( ), Haining Wang1, and Angelos Stavrou3 1 University of Delaware, Newark, DE 19716, USA {hxu,hnw}@udel.edu 2 College of William and Mary, Williamsburg, VA 23187, USA 3 George Mason University, Fairfax, VA 22030, USA [email protected] Abstract. With the rising popularity of cameras and people’s increas- ing desire to share photos, an overwhelming number of photos have been posted all over the Web. A digital photo usually contains much infor- mation in its metadata. Once published online, a photo could disclose much more information beyond what is visually depicted in the photo and what the owner expects to share. The metadata contained in digital pho- tos could pose signiﬁcant privacy threats to their owners. Our work aims to raise public awareness of privacy risks resulting from sharing photos online and subsequent photo handling conducted by contemporary media sites. To this end, we investigated the prevalence of metadata informa- tion among digital photos and assessed the potential privacy risks arising from the metadata information. We also studied the policies adopted by online media sites on handling the metadata information embedded in the photos they host. We examined nearly 100,000 photos collected from over 600 top-ranked websites in seven categories and found that the photo handling policy adopted by a site largely varies depending on the cat- egory of the site. We demonstrated that some trivial looking metadata information suﬃces to mount real-world attacks against photo owners. 1 Introduction With the proliferation of cameras, especially smartphone cameras, it is now very convenient for people to take photos whenever and wherever possible.
[Show full text]