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Girls and Violence: the Case for a Feminist Theory of Female Violence
www.crimejusticejournal.com IJCJ 2013 2(2): 63‐79 ISSN 2202–8005 Girls and Violence: The Case for a Feminist Theory of Female Violence Kerry Carrington Queensland University of Technology, Brisbane Abstract Rises recorded for girls’ violence in countries like Australia, Canada, United Kingdom and United States have been hotly contested. One view is these rising rates of violence are an artefact of new forms of policy, policing, criminalisation and social control over young women. Another view is that young women may indeed have become more violent as they have increasingly participated in youth subcultural activities involving gangs and drugs, and cyber‐cultural activities that incite and reward girls’ violence. Any comprehensive explanation will need to address how a complex interplay of cultural, social, behavioural, and policy responses contribute to these rises. This article argues that there is no singular cause, explanation or theory that accounts for the rises in adolescent female violence, and that many of the simple explanations circulating in popular culture are driven by an anti‐feminist ideology. By concentrating on females as victims of violence and very rarely as perpetrators, feminist criminology has for the most part ducked the thorny issue of female violence, leaving a discursive space for anti‐feminist sentiment to reign. The article concludes by arguing the case for developing a feminist theory of female violence. Keywords Female delinquency, feminist criminology, female violence, narrowing gender gap. Global rises in female violence While males still dominate crime statistics as offenders and prisoners, a body of international and national trend data points to a consistent narrowing of the gender gap for officially reported crime and violence in countries like the United States (US), Canada, the United Kingdom (UK) and Australia. -
T-Martial Record
T-MARTIAL RECORD: NAME RED6Rtc.K,LVAni L. ) 1l SSG SSN. ACTIONS CODED: ASSIGNED O: INITIAL PANEL `sr ACCA.. EXAM. DIV. FINAL COMPANION(S): RETURNTHIS.FILE TO: OFFICE OF THE CLERK OF COURT US. ARMY . JU_D1:CIrAR.Y 901 NORTH. STUART STREET" SU ITE -1200 ARLINGTON, VA. 222034 837 VOL OF VOL(S) ND 2 0 0 4 1 1 2 9 ARMY JALS-CC FORM 24, tOCTOBER 2000 . 018660 ACLU-RDI 1755 p.1 DOD-041839 VOL *Ek of VII ORIGINAL COPY VERBATIM' RECORD OF TRIAL2 (and accompanying papers) OF 64)2)424) -21- FREDERICK, Ivan L., II 111111111110 Staff Sergeant (NAME: Last, First Middle Initial) (Social Security Number) (Rank) HHC, 16th MP Bde (ABN) III Corps US Army Victory Base, Iraq (unit/Command Name) (Branch of Service) (Station or Ship) BY GENERAL COURT-MARTIAL CONVENED BY COMMANDING GENERAL (Title of Convening Authority) Headquarters, III Corps (Unit/Command of Convening Authority) TRIED AT Baghdad and Victory Base, Iraq ON 19 May, 21-22 Jun; 24 Aug; 20-21 Oct 04 (Place or Places of Trial) (Date or Dates of Trial) COMPANION CASES: SPC AMBUHL, Megan M., SGT DAVIS, Javal S., SPC GRANER, Charles A., Jr., c6A z, f 2 SPC HARMAN, Sabrina D., SPC SIVITS, Jeremy C., SPC CRUZ, Arman J., PFC ENGLAND, Lynndie R., f Transcript R.490 through prosecutionexh ribits cp o I Insert "verbatim" or summarized" as appropriate. (This form will be used by the Army and Navy for verbatim records of trial only.) 2 See inside back cover for instructions as to preparation and arrangement. -
A Decade After Abu Ghraib: Lessons in Softening up the Enemy and Sex-Based Humiliation
Minnesota Journal of Law & Inequality Volume 31 Issue 1 Article 1 June 2013 A Decade after Abu Ghraib: Lessons in Softening Up the Enemy and Sex-Based Humiliation Johanna Bond Follow this and additional works at: https://lawandinequality.org/ Recommended Citation Johanna Bond, A Decade after Abu Ghraib: Lessons in Softening Up the Enemy and Sex-Based Humiliation, 31(1) LAW & INEQ. 1 (2013). Available at: https://scholarship.law.umn.edu/lawineq/vol31/iss1/1 Minnesota Journal of Law & Inequality is published by the University of Minnesota Libraries Publishing. 1 A Decade After Abu Ghraib: Lessons In "Softening Up" The Enemy and Sex-Based Humiliation Johanna Bondi Introduction In April 2004, many in the United States and around the world watched with horror as the now-infamous photographs of torture and abuse at Abu Ghraib Prison emerged. The photos depicted images of U.S. soldiers engaged in torture and cruel, inhuman, and degrading treatment.! Among other things, the photos documented the sexual abuse and humiliation of Iraqi detainees in the prison.' The photographs depict naked detainees, some of whom were forced to engage in sex acts or simulated sex acts.3 Sworn statements of the detainees at Abu Ghraib reveal a pattern of abuse and degradation, including "details of how they were sexually humiliated and assaulted, threatened with rape, t. Johanna Bond, Associate Dean for Academic Affairs and Associate Professor of Law, Washington & Lee University School of Law. 1. Joshua L. Dratel, The Legal Narrative,in THE TORTURE PAPERS: THE ROAD To ABU GHRAIB xxi (Karen J. Greenberg & Joshua L. -
War on Terrorism
1 The U.S. War on Terror Alex Danchev ‘America is at war,’ reminded the President recently, when the latest plot against America was revealed. This state of war is codified in ‘The National Security Strategy of the United States’, issued from the White House, not to mention ‘The National Defense Strategy of the United States’, issued from the Pentagon.1 George W. Bush is the self-styled war president and self-willed commander-in-chief. As those who have hitched themselves to his chariot have discovered (‘Yo Blair’), what he says goes. ‘I’m the commander, see, I don’t need to explain – I do not need to explain why I say things. That’s the interesting thing about being the president.’2 In an era when wars are commonly supposed to be undeclared – when war itself is a word that dare not speak its name – the ‘global war on terror’ suffers if anything from a surfeit of declaration. The GWOT is among other things a war of words, and acronyms, a war of characterization and mischaracterization. Some of these words are new (‘PUC’),3 or combined in gruesome neologism (‘extraordinary rendition’); some are shop-soiled (‘values’); some are deliberately anodyne (‘detainee’); some are hyperbolic, yet curiously reversible (‘civilization’, ‘barbarian’); some are almost unpronounceable (‘torture’). The National Security Strategy characterizes it as both a war of arms and a war of ideas.4 That appears to be a serviceable enough distinction, as far as it goes, but it has the effect of underwriting a propensity to elevate the former and relegate the latter, at least when it comes to priorities for action and resource allocation. -
ABU GHRAIB and the COMMEMORATIVE VIOLENCE of WAR TROPHY PHOTOGRAPHY by Joey Brooke Jakob Master of Arts, University of Manitob
ABU GHRAIB AND THE COMMEMORATIVE VIOLENCE OF WAR TROPHY PHOTOGRAPHY by Joey Brooke Jakob Master of Arts, University of Manitoba, Manitoba, Canada, 2008 Bachelor of Arts, University of Winnipeg, Winnipeg, Canada, 2004 A Dissertation presented to Ryerson University and York University in partial fulfilment of the requirements for the degree of Doctor of Philosophy in the joint program in Communication and Culture Toronto, Ontario, Canada, 2017 ©Joey Brooke Jakob 2017 AUTHOR’S DECLARATION AUTHOR'S DECLARATION FOR ELECTRONIC SUBMISSION OF A DISSERTATION I hereby declare that I am the sole author of this dissertation. This is a true copy of the dissertation, including any required final revisions, as accepted by my examiners. I authorize Ryerson University to lend this dissertation to other institutions or individuals for the purpose of scholarly research. I further authorize Ryerson University to reproduce this dissertation by photocopying or by other means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. I understand that my dissertation may be made electronically available to the public. ii ABSTRACT ABU GHRAIB AND THE COMMEMORATIVE VIOLENCE OF WAR TROPHY PHOTOGRAPHY Joey Brooke Jakob Doctor of Philosophy Communication and Culture Ryerson University and York University, 2017 The photographs from the Abu Ghraib scandal are horrific, but they are also understandable. Simply put, the Abu Ghraib photos are purposeful compositions that highlight victory over the enemy Other in war. The photos illustrate sexual and racial violence, founded upon postcolonial narratives, but this is only a starting point for their significance. I address how meaning is made for the U.S. -
The Fundamental Paradoxes of Modern Warfare in Al Maqaleh V
PAINTING OURSELVES INTO A CORNER: THE FUNDAMENTAL PARADOXES OF MODERN WARFARE IN AL MAQALEH V. GATES Ashley C. Nikkel* See how few of the cases of the suspension of the habeas corpus law, have been worthy of that suspension. They have been either real treason, wherein the parties might as well have been charged at once, or sham plots, where it was shameful they should ever have been suspected. Yet for the few cases wherein the suspension of the habeas corpus has done real good, that operation is now become habitual and the minds of the nation almost prepared to live under its constant suspension.1 INTRODUCTION On a cold December morning in 2002, United States military personnel entered a small wire cell at Bagram Airfield, in the Parwan province of Afghan- istan. There, they found Dilawar, a 20-year-old Afghan taxi driver, hanging naked and dead from the ceiling.2 The air force medical examiner who per- formed Dilawar’s autopsy reported his legs had been beaten so many times the tissue was “falling apart” and “had basically been pulpified.”3 The medical examiner ruled his death a homicide, the result of an interrogation lasting four days as Dilawar stood naked, his arms shackled over his head while U.S. inter- rogators performed the “common peroneal strike,” a debilitating blow to the side of the leg above the knee.4 The U.S. military detained Dilawar because he * J.D. Candidate, 2012, William S. Boyd School of Law, Las Vegas; B.A., 2009, University of Nevada, Reno. The Author would like to thank Professor Christopher L. -
The Abu Ghraib Scandal: Visual Performances of American Power
THE ABU GHRAIB SCANDAL: VISUAL PERFORMANCES OF AMERICAN POWER by CARISSA CHAN B.A., University of Alberta, 2001 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE STUDIES (Sociology) THE UNIVERSITY OF BRITISH COLUMBIA July 2006 © Carissa Chan, 2006 ABSTRACT On April 28, 2004, disturbing photographs capturing the abuse of Iraqi prisoners by American soldiers were aired on the CBS news program "60 Minutes II" (Levi Strauss, 2004: 87). The photographs depicted events that took place in October 2003 at the Abu Ghraib prison outside of Baghdad, Iraq. The presentation and preservation of the acts on fdm served as a "public ritual of mortification and a visual marker of humiliation" (Giroux, 2004: 790) of the detainees by the American military. This analysis supplements the wealth of information on the transmission of ideologies through discourse with a focus on visual representation, specifically with regards to the Abu Ghraib scandal, but also in the broader context of the war on Iraq. The American state, military and media were complicit in the production and circulation of the myth of freedom and democracy in order to garner and preserve public support for the war. I explore how the ideological justifications leading up to the war were depicted through particular details in the photos and how these became subject to later debate and discussion in the aftermath of world-wide circulation. According to court testimonies of the soldiers, the images were circulated around the Abu Ghraib prison to function as sources of psychological humiliation and intimidation. -
The Abu Ghraib Photographs and the Gaze –
Eberhard-Karls-Universität Tübingen Englisches Seminar HS: Perspectives on the Gaze Dozenten: Frau Prof. Dr. Franke; Frau Dr. Hirschfelder Wintersemester 2014-15 The Abu Ghraib Photographs and the Gaze – Tools of Power, Violence, and Oppression Lisa-Marie Shroyer (geb. Hoffmann) 30. April 2015 Gruppenbacherstr. 2, 74360 Ilsfeld [email protected] Matrikelnummer: 3585030 BA Interdisciplinary American Studies Fachsemester: 7 Table of Contents 1. Introduction 1 2. Abu Ghraib, Torture Photographs, and the Gaze 2 3. Pleasure of Looking, Sexuality, and Abuse 8 4. Orientalism, Stereotypes, and Racist Oppression 13 5. Hooding, Powerlessness, and the Absence of the Gaze 17 6. Conclusion 18 7. Appendix 20 8. Works Cited 22 1. Introduction In January 2004, by leaking several photographs to the U.S. Army’s Criminal Investigation Command (CID), Joseph Darby, a Sergeant at Abu Ghraib Prison, first exposed the abuse that had been ongoing at the American detention facility in Iraq. The photographs, a majority of which were taken between October and December 2003, provide a snapshot of the systematic torture the United States committed during the war in Iraq. Initially shocking the public, the images triggered a variety of responses and interpretations some of which were critical and accusing, others, however, rather apologetic (Dauphinee 144). Detached from the photographers’ intentions, the images developed a life of their own: as legal evidence, as artwork and documentary imagery, and as iconic representations of the war on terror (Butler 956 + 964). On the one hand, some scholars, like Dora Apel, have argued that “rendering the images visible to the public begins their undoing [and] contributes to the resistance against the acts they represent” (96). -
Standard Operating Procedure
Presents STANDARD OPERATING PROCEDURE A film by Errol Morris (117 mins, USA, 2008) Distribution Publicity Bonne Smith 1028 Queen Street West Star PR Toronto, Ontario, Canada, M6J 1H6 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Fax: 416-488-8438 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html 2 STANDARD OPERATING PROCEDURE Sony Pictures Classics and Participant Productions Present An Errol Morris Film Music by Danny Elfman, Production Designer, Steve Hardie, Edited by Andy Grieve, Steven Hathaway, and Dan Mooney Directors of Photography, Robert Chappell & Robert Richardson, ASC Executive Producers, Jeff Skoll, Diane Weyermann, Martin Levin, Julia Sheehan, and Robert Fernandez Produced by Julie Bilson Ahlberg Produced & Directed by Errol Morris 3 STANDARD OPERATING PROCEDURE Director’s Statement Is it possible for a photograph to change the world? Photographs taken by soldiers in Abu Ghraib prison changed the war in Iraq and changed America’s image of itself. Yet, a central mystery remains. Did the notorious Abu Ghraib photographs constitute evidence of systematic abuse by the American military, or were they documenting the aberrant behavior of a few “bad apples”? We set out to examine the context of these photographs. Why were they taken? What was happening outside the frame? We talked directly to the soldiers who took the photographs and who were in the photographs. Who are these people? What were they thinking? Over two years of investigation, we amassed a million and a half words of interview transcript, thousands of pages of unredacted reports, and hundreds of photographs. -
Taguba Annex 25-26
~ .~ : DATE: 28 JAN 04 FROM: SAC , ABO GRHUYEB PRISON COMPLEX (CID) TO: DIRECTOR , USACFC , USACIDC , FORT BELVOIR , VA COR, HQOSACIDC / /CIOP-ZA// COR , 10TH MP EN (CID) (ABN) (FWD) / /OPS!! COR , 3D MP GROUP (CID)//OPS// SJ1\, 410 LNO CT D , CJTF- 7 (FOR FURTHER DISTR IBUT ION) COR , 8 a OTH r1P BDE COR, 320TH MP BN COR , 20STH MI BDE SUBJECT: CID REPORT - 7TH STATUS/SSI - 0003- 04- C1 D~ 83130- 6CI SC2R/S Y2B/ 5Y2 01 SY2 E/ SX1 / 5M3 / SXS 1 SX7 DRAFTER: PIERON, TYLER M. RELEASER: ARTHUR , PAUL UNCLASSIFIED - FOR OFFICIA~ USE ONLY 1. DATES/TIMES/LOCATIONS OF OCCU~RENCES: . 10 SEP 03/0001 - 9 NOV 03/2400; WING 1A. I ' I' AREA, BAGHDAD CORRECTIONAL FACI~ITY , ABU GHRUYEB. T r 15 Jan 04/1520 - 19 Jan 04/2400; UNKNOWN L .,. IU\j BAGHDAD CORRECTIONAL FACILITY , ABU GHRUYEB, IRAQ 14 JAN 04/0656 - 14 ,TAN 04/1115; ABU GHRUJ OFFICE; ABU GHRUYEB I IRAQ DATE/TIME REPORTED: 13 JAN 04/221'1 3. INVESTIGATED BY: SA PAUL D. ARTHUR, 5474; SA Tl PIERON, 6128; SA ~~NORA 1EM, 5914; SA JAMES BOERNEF - . f; SA WARREN WORTH, 5434; SA SCOTT BOBECK , 5684 4. SUBJECT: 1. (ADDJ GRANER JR., CHARLES ALLAN; ; M; WHITE; ; PITTSBURG, PAl 37~ MILITARY POLICE COMPANY, CUMBERLAND , MD ~150?; CT; (DEPLOYED TO ABU GHRUYEB PRISON, IRAQ); (ASSAULT) , 'ECENT ACTS) (DERELICTION OF DUTYj (FAILURE TO OBEY AN OFU REGULATIONJ (CRUELTY AND MALTREATMENT) (CONSPIRA=~J V~ E~) ~' ENDANGERMENT J -; -; - . -~= 2. (ADD) FREDERICK II, IVAN LO~JELL; S ND t'-L ; M; WHITE; OAKLAND, IvJD; 372 L,p' POLICE COMPANY , CUMBERLAND, MD 21502; CT; (DEPLOYEC' GHRUYEB PRISON, IRAQ); lASSAUITj lINDECENT 1I,CTS I (DERELICTION OF DUTYj (FAILURE TO OBEY AN ORDER OR REGULATIONj (CRUELTY AND MALTREATMENTj (CONSPIRACY! (OBSTRUCTION OF JUSTICEj (RECKLESS E'.NDANGERMENT J 3. -
Congressional Record—House H3090
H3090 CONGRESSIONAL RECORD — HOUSE May 10, 2005 Third, Major General Geoffrey Miller: Ac- military judge, Col. James Pohl, declared a credibility the American occupation of Iraq cording to the Center for American Progress: mistrial after Pvt. Charles A. Graner Jr., a was clinging to when it happened. The hope, ‘‘a Guantanamo commander, Maj. Gen. Geof- former guard at Abu Ghraib, testified that at the time, was that the United States the photos were taken for training purposes. would show the world that it was different, frey Miller, was sent to Abu Ghraib to That testimony undermined England’s ad- that it would be accountable. ‘‘Gitmoize’’ it. Under his command, the Inter- mission that she knew her actions were ‘‘Watch America. Watch how we deal with national Committee of the Red Cross found in- wrong and her acceptance of responsibility. this,’’ then-Secretary of State Colin Powell terrogation techniques at Guantanamo Bay But England and the the few other enlisted said almost a year ago in a commencement are ‘‘tantamount to torture.’’ ‘‘Harsh methods’’ men and women who have faced courts mar- speech at Wake Forest University. ‘‘Watch used at the prison include forced enemas, tial in the scandal should not be the only how a nation such as ours will not tolerate sleep deprivation and chaining prisoners to ones to pay a price for what happened at Abu such actions. The world will see that we chairs and leaving them ‘‘to soil themselves.’’ Ghraib. High-level military and administra- are still a nation with a moral code that de- tion officials must not be allowed to escape fines our national character.’’ Just weeks after he visited Iraq, the now-infa- responsibility for a scandal that is far more There was reason to hope. -
Case No. 2300/12/67 JOINT EXPERT OPINION By: Katherine Gallagher Senior Staff Attorney Center for Constitutional Rights (CCR)
IN THE COUR D’APPEL DE PARIS TRIBUNAL DE GRANDE INSTANCE DE PARIS Case No. 2300/12/67 JOINT EXPERT OPINION by: Katherine Gallagher Senior Staff Attorney Center for Constitutional Rights (CCR), New York Wolfgang Kaleck General Secretary European Center for Constitutional and Human Rights (ECCHR), Berlin 7 November 2019 I. INTRODUCTION The Center for Constitutional Rights (CCR) and the European Center for Constitutional and Human Rights (ECCHR) present this dossier containing key information regarding the role played by DONALD H. RUMSFELD, the former U.S. Secretary of Defense, in the torture and other cruel, inhuman, and degrading treatment of detainees held in U.S. custody in Guantánamo Bay, Cuba. An extensive investigation in 2008 by the U.S. Senate Committee on Armed Services into the treatment of detainees in U.S. custody at Guantánamo Bay concluded that The abuse of detainees in U.S. custody cannot simply be attributed to the actions of a “few bad apples” acting on their own. The fact is that senior officials in the United States government solicited information on how to use aggressive techniques, redefined the law to create the appearance of their legality, and authorized their use against detainees.1 The U.S Senate Committee on Armed Services concluded that torture was official Department of Defense (DoD) policy. This dossier sets out RUMSFELD’s individual responsibility for this policy, detailing the role RUMSFELD played in the torture of detainees captured in the “war on terror” and detained at Guantánamo Bay as well as other locations. It describes how RUMSFELD oversaw the introduction of and approved the use of abusive interrogation techniques.