From Face-Morphing to Speed- Reading, the 10 Best Apps of 2014
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Friday Night Cypher Lyrics – Big Sean Feat. Eminem | Funmeloud
Friday Night Cypher Lyrics – Big Sean Feat. Eminem | FunMeLoud Friday Night Cypher Lyrics – Big Sean : At almost a ten-minute run-time, this collaboration brings together rappers with very different styles, as well as individuals who have previously had disagreements – notablyEminem and Tee Grizzley, which Big Sean addressed in an interview with Vulture: Song : Friday Night Cypher Artist : Big Sean : Kash Doll, Payroll Giovanni, Royce da 5’9″, Sada Featuring Baby, Drego, Boldy James, 42 Dugg, Eminem, Cash Kidd & Tee Grizzley Produced by : KeY Wane, Jay John Henry, Helluva Beats & Hit-Boy Album : Detroit 2 Friday Night Cypher Lyrics [Intro: Tee Grizzley] Ayy, ayy, ayy Ayy, ayy, ayy (Hit-Boy) Ayy, this that Clipse sample, ayy Fuck that talkin’, let the clip slam ’em [Verse 1: Tee Grizzley] Friday Night Cypher Lyrics Yellow bands around them hundreds, you know how much that is (Tens) Too much to give me cash, they had to wire me the backend (Send it) Niggas in here lookin’ tough, you know that I got mag in (What?) Ask me am I only rappin’, you know I got that bag in (You see it) Bandman like Lonnie (Lonnie), want my head? Come find me (Come get it) Lil’ bro in that bitch chillin’, he ain’t tryna come home cocky (He chillin’) He comin’ home to a dollar (Dollar), and a mansion and a chopper (What else?) In the desert on a dirt bike (Skrrt), VLONE shirt and the Pradas (Fresh) Big nigga fresher than you, fuck you and your stylist (Woah) Paid ninety for my grill, then lost it, that’s why I ain’t smilin’ (Damn) You got Sean, you got Hit, you got -
Classic Albums: the Berlin/Germany Edition
Course Title Classic Albums: The Berlin/Germany Edition Course Number REMU-UT 9817 D01 Spring 2019 Syllabus last updated on: 23-Dec-2018 Lecturer Contact Information Course Details Wednesdays, 6:15pm to 7:30pm (14 weeks) Location NYU Berlin Academic Center, Room BLAC 101 Prerequisites No pre-requisites Units earned 2 credits Course Description A classic album is one that has been deemed by many —or even just a select influential few — as a standard bearer within or without its genre. In this class—a companion to the Classic Albums class offered in New York—we will look and listen at a selection of classic albums recorded in Berlin, or recorded in Germany more broadly, and how the city/country shaped them – from David Bowie's famous Berlin trilogy from 1977 – 79 to Ricardo Villalobos' minimal house masterpiece Alcachofa. We will deconstruct the music and production of these albums, putting them in full social and political context and exploring the range of reasons why they have garnered classic status. Artists, producers and engineers involved in the making of these albums will be invited to discuss their seminal works with the students. Along the way we will also consider the history of German electronic music. We will particularly look at how electronic music developed in Germany before the advent of house and techno in the late 1980s as well as the arrival of Techno, a new musical movement, and new technology in Berlin and Germany in the turbulent years after the Fall of the Berlin Wall in 1989, up to the present. -
Trouble to Me Choreographed by Julia Wetzel May, 2015 [email protected]
Trouble To Me Choreographed by Julia Wetzel May, 2015 [email protected], www.JuliaWetzel.com Type of dance: 32 counts, 4 walls, Intermediate Line Dance Music: Trouble (ft. Jennifer Hudson) by Iggy Azalea (Album: Reclassified [Clean]), Length: 2:46, BPM: 106 --Thanks to my daughter Jessica Wetzel for suggesting this song-- Intro: 32 counts (approx. 18 seconds into track) Counts Footwork Facing 1 - 9 Forward Rock, Coaster Step, ¼, ½ Forward, Step, Cross Rock, Side 1, 2 Strong fw rock on R (1), Recover on L (2) 12:00 3&4 Step R back (3), Step L next to R (&), Step R fw (4) 12:00 5 - 7 ¼ Turn right step L to left side (5), ½ Turn right step R fw (6), Step L to left diagonal (7) 9:00 8&1 Cross rock R over L (8), Recover on L (&), Step R to right side (1) 9:00 10 - 17 Cross Behind, ⅞ Unwind, Back Lock Back, ⅜, Step, Kick & Point Back 2, 3 Cross L behind R (2), Unwind ⅞ turn left ending with weight on L (3) 10:30 4&5 Step R back (4), Lock L over R (&), Step R back (5) (body moving back towards 4:30) 10:30 6, 7 ⅜ Turn left step L fw straightening to 6:00 (6), Step R fw (7) 6:00 8&1 Kick L fw (8), Step L next to R (&), Point R back (1) 6:00 18 - 24 ½ Turn Hip Twists, Side, Together, Swivel L, Swivel R Keeping weight on L, twist your hip CW twice making ½ turn right. Twisting hip right (2), left (&), right (3) ending with weight on L and R pointed fw 2&3 12:00 Note: If you’re not able complete the ½ turn with your twists, you can use the following &4 counts to complete the ½ turn &4 Small step R to right side (&), Step/Stomp L next to R -
Gold & Platinum Awards June// 6/1/17 - 6/30/17
GOLD & PLATINUM AWARDS JUNE// 6/1/17 - 6/30/17 MULTI PLATINUM SINGLE // 34 Cert Date// Title// Artist// Genre// Label// Plat Level// Rel. Date// We Own It R&B/ 6/27/2017 2 Chainz Def Jam 5/21/2013 (Fast & Furious) Hip Hop 6/27/2017 Scars To Your Beautiful Alessia Cara Pop Def Jam 11/13/2015 R&B/ 6/5/2017 Caroline Amine Republic Records 8/26/2016 Hip Hop 6/20/2017 I Will Not Bow Breaking Benjamin Rock Hollywood Records 8/11/2009 6/23/2017 Count On Me Bruno Mars Pop Atlantic Records 5/11/2010 Calvin Harris & 6/19/2017 How Deep Is Your Love Pop Columbia 7/17/2015 Disciples This Is What You Calvin Harris & 6/19/2017 Pop Columbia 4/29/2016 Came For Rihanna This Is What You Calvin Harris & 6/19/2017 Pop Columbia 4/29/2016 Came For Rihanna Calvin Harris Feat. 6/19/2017 Blame Dance/Elec Columbia 9/7/2014 John Newman R&B/ 6/19/2017 I’m The One Dj Khaled Epic 4/28/2017 Hip Hop 6/9/2017 Cool Kids Echosmith Pop Warner Bros. Records 7/2/2013 6/20/2017 Thinking Out Loud Ed Sheeran Pop Atlantic Records 9/24/2014 6/20/2017 Thinking Out Loud Ed Sheeran Pop Atlantic Records 9/24/2014 www.riaa.com // // GOLD & PLATINUM AWARDS JUNE// 6/1/17 - 6/30/17 6/20/2017 Starving Hailee Steinfeld Pop Republic Records 7/15/2016 6/22/2017 Roar Katy Perry Pop Capitol Records 8/12/2013 R&B/ 6/23/2017 Location Khalid RCA 5/27/2016 Hip Hop R&B/ 6/30/2017 Tunnel Vision Kodak Black Atlantic Records 2/17/2017 Hip Hop 6/6/2017 Ispy (Feat. -
English Learner Trajectories and Reclassification 3
SEPTEMBER Julian Betts, English Learner Laura Hill, Karen Bachofer, Trajectories and Joseph Hayes, Andrew Lee, and Reclassification Andrew Zau Supported with funding by the Institute of Education Sciences, US Department of Education, and the William T. Grant Foundation © 2019 Public Policy Institute of California PPIC is a public charity. It does not take or support positions on any ballot measures or on any local, state, or federal legislation, nor does it endorse, support, or oppose any political parties or candidates for public office. Short sections of text, not to exceed three paragraphs, may be quoted without written permission provided that full attribution is given to the source. Research publications reflect the views of the authors and do not necessarily reflect the views of our funders or of the staff, officers, advisory councils, or board of directors of the Public Policy Institute of California. SUMMARY CONTENTS More than 40 percent of students in California’s public schools speak a language other than English at home. In the 2016–17 school year, 21 percent Introduction 5 of all students, or more than 1.3 million, were English Learners (ELs). When When Do English Learners No Longer Need former English Learners are included, the population of “ever ELs” expands to Language Support? 7 38 percent of all K–12 students in the state (CDE Dataquest 2017). A key issue Effects of Reclassification for California’s K–12 schools is when to reclassify English Learner (EL) on Student Outcomes 10 students as English Proficient. If they are reclassified too soon, they may Main Findings from have difficulty handling core academic classes. -
KT 21-8-2016 .Qxp Layout 1
SUBSCRIPTION SUNDAY, AUGUST 21, 2016 THULQADA 18, 1437 AH www.kuwaittimes.net Kuwait Govt World’s largest Undersea Vokes and Online portal: Muslim bloc surprise: Big-eyed Gray cut The ‘Google concerned by squid looks more Liverpool of Kuwait’5 Kashmir11 violence toy29 than animal down17 to size IOC: Kuwait ‘aggravating’ Min 33º tensions after Olympic ban Max 47º High Tide 01:52 & 13:31 Committee claims new sports law tightens govt control Low Tide 07:48 & 20:23 40 PAGES NO: 16969 150 FILS RIO DE JANEIRO: The International Olympic Committee on Friday accused Kuwait’s government of “aggravating” Unbeatable Bolt signs off with triple-triple the tensions that led to the country’s ban from the Rio Olympics. New and proposed laws on state controls RIO DE JANEIRO: Usain Bolt drew down the curtain over sporting bodies have led the IOC and world foot- on his brilliant Olympic career by securing a sweep ball body FIFA to suspend Kuwait since last October. The of the sprint titles for a third successive Games when Kuwait government has in turn condemned the IOC and Jamaica successfully defended the 4x100 m relay recently sought $1 billion in damages in a Swiss court, crown in Rio on Friday. Two days shy of his 30th which was rejected. birthday, Bolt anchored his country to victory in The IOC said in a letter to the Kuwait government, 37.27 seconds so adding the relay crown to the 100 which was seen by AFP, that a new law passed in June and 200 m titles he has owned since exploding onto tightens state control over sports bodies, rather than the Olympic stage in Beijing in 2008. -
Riaa Gold & Platinum Awards
4/1/2016 — 4/30/2016 In April 2016, RIAA certified 48 Digital Single Awards and 20 Album Awards. Complete lists of all album, single and video awards dating all the way back to 1958 can be accessed at riaa.com. RIAA GOLD & APRIL 2016 PLATINUM AWARDS DIGITAL MULTI-PLATINUM SINGLE (6) Cert Date Title Artist Label Plat Level Rel. Date 4/29/2016 MY HOUSE FLO RIDA ATLANTIC RECORDS 2 3/17/2015 4/1/2016 CRUISE FLORIDA GEORGIA BMX 10 4/10/2012 LINE 4/15/2016 WHITE IVERSON POST MALONE REPUBLIC RECORDS 2 8/14/2015 4/29/2016 WORK RIHANNA WESTBURY ROAD 3 1/27/2016 ENTERTAINMENT/DISTRIBUTED BY ROC NATION 4/29/2016 WORK RIHANNA WESTBURY ROAD 2 1/27/2016 ENTERTAINMENT/DISTRIBUTED BY ROC NATION 4/7/2016 ROSES THE CHAINSMOKERS COLUMBIA 2 3/10/2015 DIGITAL PLATINUM SINGLE (12) Cert Date Title Artist Label Plat Level Rel. Date 4/27/2016 DON’T BRYSON TILLER RCA 1 5/20/2015 4/21/2016 LOVE YOU LIKE THAT CANAAN SMITH MERCURY NASHVILLE 1 7/21/2014 4/18/2016 ONE CALL AWAY CHARLIE PUTH ARTIST PARTNERS GROUP 1 8/21/2015 4/29/2016 AW NAW CHRIS YOUNG RCA RECORDS LABEL 1 5/21/2013 NASHVILLE 4/29/2016 YOU CHRIS YOUNG RCA NASHVILLE 1 7/12/2011 4/29/2016 GETTIN’ YOU HOME CHRIS YOUNG RCA NASHVILLE 1 2/5/2009 4/29/2016 WHO I AM WITH YOU CHRIS YOUNG RCA RECORDS LABEL 1 9/17/2013 NASHVILLE 4/29/2016 MY HOUSE FLO RIDA ATLANTIC RECORDS 1 3/17/2015 4/29/2016 2 PHONES KEVIN GATES BREAD WINNERS 1 11/6/2015 ASSOCIATION/ATLANTIC RECORDS 4/15/2016 I TOOK A PILL IN IBIZA MIKE POSNER ISLAND RECORDS 1 4/3/2015 4/29/2016 WORK RIHANNA WESTBURY ROAD E 1 1/27/2016 NTERTAINMENT/DISTRIBUTED BY ROC NATION 4/15/2016 SAY IT TORY LANEZ MAD LOVE/INTERSCOPE 1 7/31/2015 www.riaa.com GoldandPlatinum @RIAA @riaa_awards APRIL 2016 DIGITAL GOLD SINGLE (25) Cert Date Title Artist Label Plat Level Rel. -
Billboard Magazine
HOT R&B SONGSWorldMags.net™ R&B ALBUMS™ Taylor, 2 WKS. LAST THIS TITLE CERTIFICATION Artist PEAK WKS. ON LAST THIS ARTIST CERTIFICATION Title WKS. ON AGO WEEK WEEK POS. CHART WEEK WEEK CHART PRODUCER (SONGWRITER) IMPRINT/PROMOTION LABEL IMPRINT/DISTRIBUTING LABEL Banks #1 0 #1 TEYANA TAYLOR VII BANKS: BROOKE NIPAR BANKS: 12 WKS DON’T TELL ‘EM Jeremih Featuring YG 122 1 WK 1 1 1 1 M.SCHULTZ,DJ MUSTARD (J.FELTON,M.SCHULTZ,D.MCFARLANE,K.D.R.JACKSON,B.BENITES,M.MUNZING,L.ANZILOTTI,T.AUSTIN) MICK SCHULTZ/DEF JAM G.O.O.D./DEF JAM Take A TUESDAY I LOVE MAKONNEN Featuring Drake CHRIS BROWN X 8 3 29 4 2 RCA 2 0 M.SHERAN,L.WAYNE,SONNY DIGITAL (M.SHERAN,O.ALEEM,A.GRAHAM) OVO SOUND/WARNER BROS. NEW FLAME Chris Brown Featuring Usher & Rick Ross 219 PRINCE ART OFFICIAL AGE 6 Bow J.B.JOHNSON (C.M.BROWN,J.B.JOHNSON,K.THOMAS,M.N.SIMMONDS,W.L.ROBERTS II,M.PITTS,E.BELLINGER) RCA NPG/WARNER BROS. 30 0 HOLD YOU DOWN ARETHA FRANKLIN Sings The Great Diva Classics Newcomer Teyana Taylor DJ Khaled Feat. Chris Brown, August Alsina, Future & Jeremih 413 2 4 3 LDB,LEE ON THE BEATS,B.KORN,DJ KHALED (K.M.KHALED,C.M.BROWN,A.ALSINA,N.WILBURN CASH,J.FELTON,A.L.NORRIS,B.KORN) WE THE BEST/CASH MONEY/REPUBLIC RCA travels directly to No. 1 00 on Top R&B/Hip-Hop TOUCHIN, LOVIN Trey Songz Featuring Nicki Minaj 519 JAGGED EDGE JE Heartbreak II 2 THE FEATHERSTONES (T.NEVERSON,K.ROSS,F.BRIM,W.FEATHERSTONE,J.FEATHERSTONE,C.FEATHERSTONE,M.FEATHERSTONE . -
California State University, Northridge Where's The
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE WHERE’S THE ROCK? AN EXAMINATION OF ROCK MUSIC’S LONG-TERM SUCCESS THROUGH THE GEOGRAPHY OF ITS ARTISTS’ ORIGINS AND ITS STATUS IN THE MUSIC INDUSTRY A thesis submitted in partial fulfilment of the requirements for the Degree of Master of Arts in Geography, Geographic Information Science By Mark T. Ulmer May 2015 The thesis of Mark Ulmer is approved: __________________________________________ __________________ Dr. James Craine Date __________________________________________ __________________ Dr. Ronald Davidson Date __________________________________________ __________________ Dr. Steven Graves, Chair Date California State University, Northridge ii Acknowledgements I would like to thank my committee members and all of my professors at California State University, Northridge, for helping me to broaden my geographic horizons. Dr. Boroushaki, Dr. Cox, Dr. Craine, Dr. Davidson, Dr. Graves, Dr. Jackiewicz, Dr. Maas, Dr. Sun, and David Deis, thank you! iii TABLE OF CONTENTS Signature Page .................................................................................................................... ii Acknowledgements ............................................................................................................ iii LIST OF FIGURES AND TABLES.................................................................................. vi ABSTRACT ..................................................................................................................... viii Chapter 1 – Introduction .................................................................................................... -
PEMD-94-26 FDA User Fees B-263665
,.. - ,” . : , ‘. , . I United States General Accounting Office GAO Washiin, D.C. 20648 Program Evaluation and Methodology Division B-253555 July 221994 The Honorable Edolphus Towns Chairman, Human Resources and Intergovernmental Relations Subcommittee Committee on Government Operations House of Representatives Dear Mr. Chairman: In October 1992, the Congress passed the Prescription Drug User Fee Act of 1992 (Public Law 102671). This law authorizes the Food and Drug Administration (FDA) to charge fees for reviewing new drug applications (NDAS) to determine whether the drugs can be marketed in the United States. The fees collected are to be used to augment FDA resources devoted to reviewing NDAS. This increase in resources, in turn, is intended to expedite review and approval. The ultimate goal of the user fee act is to improve the public health by allowing safe and effective new drugs to be made available to patients earlier. Among the specifications of the act is a requirement that FDA annwIly provide data to the Congress. In this report, we respond to your request to examine this reporting requirement. Specifically, our focus is on whether the data mandated by the act will be sufficient to evaluate how well the act has achieved its goal of getting drugs to patients sooner. First, we provide some brief background information about the drug review and approval process and about the user fee act. (A more detailed description of the process is in appendix I.) Then we describe the objectives, scope, and methodology of our study and conclude with our findings and recommendations. Background The Review and Approval Before marketing a new drug in the United States, the sponsor must obtain Process fm New Drugs approval from FDA. -
Eminem Shady Xv Album Download Eminem Shady Xv Album Download
eminem shady xv album download Eminem shady xv album download. Tracklist: CD1: 01. Eminem – SHADYXV 02. Slaughterhouse & Yelawolf – Psychopath Killer (feat. Eminem) 03. Eminem – Die Alone (feat. Kobe) 04. Bad Meets Evil – Vegas 05. Slaughterhouse – Y’all Ready Know 06. Eminem – Guts Over Fear (feat. Sia) 07. Yelawolf – Down 08. D12 – Bane 09. Eminem – Fine Line 10. Skylar Grey, Eminem & Yelawolf – Twisted 11. Eminem – Right For Me 12. Eminem, Royce da 5’9″, Big Sean, Danny Brown, Dej Loaf & Trick Trick – Detroit Vs. Everybody 13. Yelawolf – Till It’s Gone (Bonus Track) Various - The Shady Bunch album flac. Album · 2013 · 8 Songs. The Dogfight - EP. Roksonix. Let's Do It - Single. PLAY ALL. The Shady Bunch Vol. 2. Released by Shady Nate, Rapbay, Urbanlife Music Jan 2010 23 Tracks. Listen to all songs in high quality & download The Shady Bunch Vol. 2 songs on Gaana. attr("src", $('. de tp. d t img img'). Please disable your ad blocker or, better yet, upgrade to Radio Plus. The music will continue in seconds. Select to cast music to your TV or stereo Please download the Slacker Radio app to complete the upgrade process. GET APP. Please visit ww. lacker. Listen to now in your mobile browser. Listen to The Shady Bunch now. Listen to The Shady Bunch in full in the this site app. Play on this site. You look like someone who appreciates good music. He has never been working harder, Eminem has observed in interviews; in the sense that he's released a 78-minute album and another disc of new music all in the last year, he's right. -
Black Women's Music Database
By Stephanie Y. Evans & Stephanie Shonekan Black Women’s Music Database chronicles over 600 Africana singers, songwriters, composers, and musicians from around the world. The database was created by Dr. Stephanie Evans, a professor of Black women’s studies (intellectual history) and developed in collaboration with Dr. Stephanie Shonekon, a professor of Black studies and music (ethnomusicology). Together, with support from top music scholars, the Stephanies established this project to encourage interdisciplinary research, expand creative production, facilitate community building and, most importantly, to recognize and support Black women’s creative genius. This database will be useful for music scholars and ethnomusicologists, music historians, and contemporary performers, as well as general audiences and music therapists. Music heals. The purpose of the Black Women’s Music Database research collective is to amplify voices of singers, musicians, and scholars by encouraging public appreciation, study, practice, performance, and publication, that centers Black women’s experiences, knowledge, and perspectives. This project maps leading Black women artists in multiple genres of music, including gospel, blues, classical, jazz, R & B, soul, opera, theater, rock-n-roll, disco, hip hop, salsa, Afro- beat, bossa nova, soka, and more. Study of African American music is now well established. Beginning with publications like The Music of Black Americans by Eileen Southern (1971) and African American Music by Mellonee Burnim and Portia Maultsby (2006),