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Download Journal 033.Pdf Social History in Museums Social History in Museums Journal of the Social History Curators Group Volume 33 Edited by Michael Terwey Contents Michael Terwey Editor’s Foreword Peter Davies Pubs, Post Offices and Police Stations: Bowling a Local Community Over with a Cricket Heritage Project Helen Graham ‘Learning disability’ and ‘Sport’ Steve Hill “I can see the carrot at the end of the tunnel”: & Hamish MacGillivray The oohs, aahs, and goals, of making a centenary exhibition for Crystal Palace Football Club. Alexander Jackson Jumpers for Goalposts: An exhibition on football and childhood Victoria Rogers Bats, Boots and Balls: making an exhibition out of a city’s sporting history Alison Kelly Social History in Sharjah & Alaa Al Qassimi Book Reviews Michelle Day Laurajane Smith, The Uses of Heritage Jill Holeman Alice Parman and Jeffrey Jane Flowers, Exhibit Makeovers: A Do-it-Yourself Workbook for Small Museums John McAleer John Charlton, Hidden Chains: The Slavery Business and North East England 1600-1865 ISSN 1350-9551 Social History in Museums Journal of the Social History Curators Group Edited by Michael Terwey Volume 33 (2009) Published by the Social History Curators Group 2009 ISSN 1350-9551 © SHCG and contributors Contents Michael Terwey Editor’s Foreword 3 Peter Davies Pubs, Post Offices and Police Stations: Bowling a Local 5 Community Over with a Cricket Heritage Project Helen Graham ‘Learning disability’ and ‘Sport’ 11 Steve Hill “I can see the carrot at the end of the tunnel”: 13 & Hamish MacGillivray The oohs, aahs, and goals, of making a centenary exhibition for Crystal Palace Football Club. Alexander Jackson Jumpers for Goalposts: An exhibition on football 23 and childhood Victoria Rogers Bats, Boots and Balls: making an exhibition out 29 of a city’s sporting history Alison Kelly Social History in Sharjah 33 & Alaa Al Qassimi Book Reviews Michelle Day Laurajane Smith, The Uses of Heritage 39 Jill Holeman Alice Parman and Jeffrey Jane Flowers, Exhibit 41 Makeovers: A Do-it-Yourself Workbook for Small Museums John McAleer John Charlton, Hidden Chains: The Slavery 43 Business and North East England 1600-1865 Editor’s Foreword “Zonder de bal kun je niet winnen“ (Without the ball, you can't win) Johan Cruijff As the UK gears up for the Olympics in 2012, and in the expectation that, metaphorically, balls will be flying all over the place in the cultural sector in the next few years, how can social history museums respond to the challenge? That was the question we set our speakers at the 2008 SHCG conference in London, and the origin of many of the articles in this volume. For many sport is an important way of entering the social world, and one that we would be unwise to ignore or underestimate. A quick glance at the mid-week newspapers may well show more detailed coverage of football than of foreign affairs or economics. A further glance may show that they're not actually writing about any matches, but the comings and goings, the transfers, the organisational politics and the financial problems of the Clubs themselves. Sport can be a mirror for our world: a football Club the metaphor for our body politic; the behaviour of sportsmen an indicator of a 'broken society'. Those skeptical about this argument should read Alexander Wolff’s recent article in the US magazine Sports Illustrated , which sought to demonstrate how the recreational playing of basketball was central to President Obama's personal, intellectual and moral development. Furthermore, deliberately playing basketball in public before the crucial primaries in North Carolina and Indiana might just have won him the election and therefore, quite simply, changed the course of history. This volume, more modestly, merely suggests ways in which social history curators might approach sport and the 2012 Olympics without, to paraphrase Steve Hill and Hamish MacGillivray, 'being afraid of the sports fans'. Peter Davies outlines how community sport can be a route into outreach and community heritage generally; Alexander Jackson explores sport and childhood; Helen Graham looks at sporting activities as a site for achievement and memorialisation among people with learning disabilities; Steve Hill and Hamish MacGillivray recount their adventures among South London fandom; and Victoria Rogers demonstrates how the whole world of sport in a single city can be turned into a meaningful and successful exhibition. As a relief from the all the sport we are also pleased to publish a fascinating piece by Aaa Al Quassimi and Alison Kelly on their current work developing a new social history museum in Sharjar – one of the United Arab Emirates. Their description of the challenges of developing appropriate museum practice in the middle east is both fascinating and should help all of us to reflect on our own practices and consider how culturally specific they might be. As always, I appreciate any comments, thoughts and responses to anything in the journal, and would especially welcome ideas for future papers. Michael Terwey Editor [email protected] Editor’s Foreword 3 4 Pubs, Post Offices and Police Stations: Bowling a Local Community Over with a Cricket Heritage Project Peter Davies, of the University of Huddersfield, describes how his sporting heritage project had an impact on communities in West Yorkshire. Dear Dr Davies, Having just visited Mellors Bar in Rastrick and seen the display of photos etc, I was inspired to contact you to congratulate you on taking the trouble to look into the history of our local cricket Club and bring it to the attention of the younger generation. It is also a wonderful reminder of our youth, my dearly departed family and the bond that holds the community together. Good luck with the project, Karen Towell (Feedback from the Badger Hill CC exhibition, Rastrick, 2005) This project, and this paper, should be considered against the background of recent work on sport, history and heritage. In his book, British Sport: A Social History, Dennis Brailsford considers the social, political, financial and international significance of sport (Brailsford, 1992). We should also note the opinion of sports journalist Frank Keating. In 2007, under the heading, ‘The omission of sport from social histories is a sure sign of authorial snobbery’, he argued that the importance of sport is regularly underplayed by traditional historians. He wrote: It is time to ponder a holiday reading list. Last summer I tucked keenly into two brick-heavy British social histories: The Victorians by A.N.Wilson, and Dominic Sandbrook's Never Had It So Good (1956-63). Phew! But I went the full distance with both, each readable, scholarly books which enlighteningly furthered the education of this dunce on any amount of topics. On the one hand from Irish Home Rule and the Chartists to Disraeli & Gladstone, Gilbert & Sullivan, General Gordon & Mr Kipling; on the other from Suez and CND to Bevin & Bevan, Rab & Supermac and the life and loves of Christine Keeler. Both works were as engrossing as they were weighty - well, up to a point, for each short-changed you with an identically crass omission. The lit crits had raved about each as ‘wide-ranging all-embracing’ social histories, but neither offered a whiff of that compulsive opium of the people: sport. The chosen era of each author was tellingly fundamental for sport but each writer was utterly oblivious. (Keating:2007) Recent years have also witnessed a number of high-profile exhibitions about sport, including Heroes of Sport (Manchester), Sport in Hackney and – a sign of the times – the Sport Online Exhibition (Liverpool museums). As regards this specific project on the heritage of cricket in West Yorkshire, we should first of all introduce the work of the Heritage Lottery Fund (HLF). Since 1994 the HLF has awarded over £4billion to more than 27,000 projects across the UK. Many grants have been for amounts of less than £50,000, with many going to small community groups. Their biggest ever grant was £26million to restore the historic Kennett and Avon Canal which runs between Reading and Bristol. In its official literature, the HLF states: Pubs, Post Offices and Police Stations: Bowling a Local Community Over with a Cricket Heritage Project 5 The Heritage Lottery Fund is the UK’s leading funder of our diverse heritage and the only heritage organisation that operates both across England, Northern Ireland, Scotland and Wales, and funds the entire spread of heritage – including buildings, museums, natural heritage and the heritage of cultural traditions and language. (HLF:2008) We were particularly interested in the ‘Your Heritage’ scheme, which offered grants of between £3,000 and £50,000 to support projects relating to the local, regional or national heritage of the UK. As the HLF stated: ‘We welcome applications that help people to learn about, look after and celebrate heritage in a fun and enjoyable way.’ It went on: We have three aims which relate to learning, conservation and participation. To receive a grant your project must help people to learn about their own and other people's heritage. Your project must also do either or both of the following: a) Conserve the UK's diverse heritage for present and future generations to experience and enjoy. b) Help more people, and a wider range of people, to take an active part in and make decisions about heritage. Heritage includes many different things from the past that we value and want to pass on to future generations. Heritage projects might include: people's memories and experiences, histories of people, communities, places and events, cultural traditions, historic buildings and townscapes, archaeological sites, collections of items, archives or other materials, natural and designed landscapes, habitats and species, sites and collections linked to our industrial, maritime and transport history.
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