Members Most Rev. Arthur J. Serratelli Volume XLV September -October 2009 Bishop of Paterson, Chairman Justin F. Cardinal Rigali Archbishop of Philadelphia Address of Bishop Serratelli to the Most Rev. Daniel M. Buechlein, OSB 2009 National Meeting of Diocesan Liturgical Commissions Archbishop of Indianapolis Most Rev. Charles J. Chaput, OFM Cap. Archbishop of Denver The 2009 National Meeting of Diocesan Liturgical Commissions took place in Most Rev. Wilton D. Gregory Archbishop of Atlanta Plymouth, Michigan from October 6-9. 160 Diocesan liturgists, representing 97 Most Rev. George H. Niederauer Dioceses in the United States of America, considered the topic Liturgical Formation Archbishop of San Francisco with Patience and Zeal with the assistance of major presentations by Daniel Cardinal Most Rev. Kevin J. Farrell Bishop of Dallas DiNardo, Archbishop Daniel Pilarczyk, and Sr. Katarina Schuth, OSF. At the Most Rev. Ronald P. Herzog meeting, co-sponsored by the USCCB Committee on Divine Worship and the Bishop of Alexandria in Louisiana Most Rev. Octavio Cisneros Federation of Diocesan Liturgical Commissions, the members heard an address by Auxiliary Bishop of Brooklyn Bishop Arthur Serratelli, Chairman on the Committee on Divine Worship. Bishop Serratelli’s address is presented here for the benefit of our readers: Consultants Roger M. Cardinal Mahony Archbishop of Los Angeles Broadway, Hollywood, Carnegie Hall, and the New York Philharmonic: all were Most Rev. John G. Vlazny thrilled by the art of Leonard Bernstein. He captured the ear and the heart of 20th Archbishop of Portland in Oregon Sr. Janet Baxendale, SC Century America, influencing music with his exuberant and dramatic style. Leonard Rev. Msgr. John H. Burton Bernstein had always been intrigued and awed by the Catholic Mass. He found it Rev. Msgr. Kevin W. Irwin Rev. Juan J. Sosa mysterious, moving, and eminently theatrical. Mrs. Lisa Tarker Sr. Julia M. Upton, RSM When Jackie Kennedy Onassis asked him to compose a Mass for the opening of the Secretariat Kennedy Center in Washington in 1971, he gladly accepted. His composition bears Rev. Msgr. Anthony F. Sherman the full title “MASS: A Theatre Piece for Singers, Players, and Dancers.” The title Executive Director makes clear that his opus is theatre. And, when his work opened at the Kennedy Rev. Richard B. Hilgartner Associate Director Center, Bernstein’s Mass was good theatre. The actors performed their part in earnest. Sr. Doris Mary Turek, SSND They knew what they were supposed to do and they did it well. Their visible, tangible Multicultural Specialist Mr. Matthew M. Godbey actions of words and gestures caught the audience’s attention and brought them into Staff Assistant the performance. Good theatre. Sr. Clelia Cecchetti, SP Administrative Secretary The word “theatre” derives from theatron ( θέατρον ), meaning “the seeing place.” But good theatre does not simply make the audience spectators. Until the late 19th Century, when auditoriums were first darkened, audiences participated in theatre more USCCB Secretariat of actively than today. They were highly responsive. They demonstrated disapproval as Divine Worship well as approval and they did so loudly. More than most arts, good theatre has always 3211 Fourth Street, NE depended upon audience participation. Washington, DC 20017 Tel: (202) 541-3060 Here is a common element of theatre and liturgy: like theatre, liturgy involves active Fax: (202) 541-3088 participation. Those who perform the more active roles are to do so to foster the active www.USCCB.org/liturgy participation of all present. Certainly, liturgy is never to be celebrated as theatre. As © 2009 USCCB Pope Benedict XVI remarked, “If the various eternal actions… become the essential in 33 the liturgy, if the liturgy degenerates into general Their role comes from within the very mystery of activity, then we have radically misunderstood the the Church, not from sociological pressures from ‘theo-drama’ of the liturgy and lapsed almost into without. The Church has been called into being by parody.” 1 God himself. The Church has a mission that goes beyond the human. “The Church in this world is the The fundamental difference that distinguishes liturgy sacrament of salvation, the sign and the instrument from theatre is this: in liturgy, we are drawn up into of the communion of God and men.” 3 the action of Christ. The visible, tangible side of this mystery confronts us with the very mystery of To accomplish her mission as Church, God has our salvation. It is not what we do, but what God made all his people who form the Church into a holy does. Nonetheless, there is a connection between priesthood. We are “a chosen race, a royal how good theatre takes place and how liturgy is priesthood, a holy nation, a people of his own” (1Pt celebrated. In liturgy, there is word, song, gesture, 2:9). This priesthood is the one priesthood of Jesus silence, symbols, and action. “The body has a place himself. All the baptized share in the one priesthood within the divine worship of the Word made flesh.” of Christ. But it is not shared in the same way by all The gestures that are ritualized in liturgy “have the baptized. developed out of the liturgy’s inner demands… [they] make the essence of the liturgy, as it were, As the human body is not the sum of identical parts, bodily visible.”2 so also the Church is not the assembly of members all with the same roles. From its very birth, the One of the most important recoveries of the Second Church has enjoyed a differentiation of roles and Vatican Council has been its emphasis on the ministries within a unity that binds all together. On participatio actuosa , the active participation, of the first pages of Acts of the Apostles, we see the everyone in the liturgy. All are to participate. All Church as a koinonia of believers who find their are to be drawn into the action. Bodily. Visibly. unity in the Apostles themselves. “They devoted On any Sunday in any parish, the participation of the themselves to the teaching of the apostles and to the laity is clearly visible in the celebration of the Mass. communal life, to the breaking of the bread and to the prayers” (Acts 2:42). In a word, the Apostles To begin, we can note certain societal changes that presided over the life of the community. have facilitated a more active role of the laity in liturgy since Vatican II. After all, the Church, as a The New Testament witnesses to the distinctive human institution, does not escape sociological ministry of the original Twelve. The Apostles were analysis. The impact of the 60s and the called by Christ. They were not commissioned by reassessment of the role of authority, the demand for the body of believers. The ministerial priesthood equal rights for minority groups, the influence of takes its origins in this gift of Apostolic Succession.4 feminism and women’s liberation have no doubt In the prayer of consecration during the ordination of contributed to the change in the celebration of priests, the bishop prays: “And now we beseech you, liturgy from the time when the priest did almost Lord, in our weakness, to grant us these helpers that everything and the faithful participated from their we need to exercise the priesthood that comes from pews. These cultural factors have created the the apostles.” context in which the way we historically celebrate liturgy has changed. But these cultural factors are Those who are ordained as priest, a priesthood going not enough to explain the present role of the laity in back to the original Twelve, have responsibilities liturgy. and authority which differ from those of the laity. The ordained are ordained for the service of all The Church is a theological reality. Therefore, we God’s people. Their special gifts, given by the must look to the basic data of revelation to understand the role of the faithful in the liturgy. 1 Joseph Cardinal Ratzinger, The Spirit of the Liturgy , 3 Catechism of the Catholic Church , 780. Translated by John Saward, San Francisco: Ignatius Press, 4 cf. John Macquarrie, “The Church and the Ministry,” 2000, pg. 175. The Expository Times , vol. 37: January 1976, pgs. 114- 2 Ibid. , pgs. 176-177. 115. 34 imposition of hands and the Holy Spirit, are at the provided needed to collaborate if they were to service of the common priesthood. 5 receive a benefit. The Church’s liturgy reflects this very mystery of Certainly, the greatest public work ever done, the the Church herself, a one priesthood shared by all. greatest liturgy, Christ himself did. Through the As the Second Vatican Council teaches, “Liturgical Paschal Mystery, he saved us. He sanctified us. He services are not private functions, but are gave us a share in God’s life. As Eternal Word celebrations of the Church, which is the ‘sacrament made flesh, he accomplished this work of our of unity,’ namely, the holy people united and salvation at a particular time and place in history. ordered under their bishops.”6 This unity is manifest And he did so through his physical body that he took in diversity. of the Virgin Mary. This work of Christ the Redeemer done in his mortal body continues Thus, when the Church gathers for liturgy, she “without intermission down the ages in His Mystical comes together as the assembly of the faithful, each Body which is the Church.”10 with their own distinctive role “according to their differing rank, office, and actual participation.” 7 In In the Sacred Liturgy, the Church prolongs in time the words of John Paul II to American bishops, the the priestly activity of the Incarnate Word.