2014 Spring Camporee:Dr. Who 1/16
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Doctor Who Timeline
DOCTOR WHO! TIMELINE ! (1963 – 2013)! BY MIKE WICKHAM! HISTORY OF DOCTOR WHO! DOCTOR WHO WAS FIRST SEEN ON SATURDAY 23RD NOVEMBER 1963. DURING WHICH THE TIME LORDS, GALLIFREY (THE DOCTORS HOME WORLD) AND THE DOCTORS ENEMIES (DALEKS, CYBERMEN, THE MASTER etc.) WERE INTRODUCED FOR THE FIRST TIME.! THE POWER OF THE TIME LORDS (A.K.A – REGENERATION) WAS INTRODUCED IN 1966, BY HARTNELLS DOCTOR WHEN HE CHANGED INTO PARTICK TROUGHTON (THE SECOND DOCTOR). THE POWER OF REGENERATION CONTINUED ALL THE WAY THROUGH TO MATT SMITH’S DOCTOR (THE ELEVENTH DOCTOR) REGENERATING INTO PETER CAPALDI’S DOCTOR (THE TWELFTH DOCTOR).! ROLE OF GRAPHIC DESIGN! • SPECIALLY DESIGNED GRAPHICS SEQUENCE USED FOR THE OPENING TITLES AND CREDITS! • THE TITLES BEGAN IN BLACK AND WHITE CHANGING TO COLOUR IN 1970! • GRAPHIC DESIGNERS WERE IMPORTANT TO MAKE THE SHOW INSTANTLY RECOGNIZABLE ANYWHERE! • DESIGNS ARE CREATED USING LASTEST TECHNOLOGY AVAILABLE AT THE TIME! 20TH CENTURY GRAPHIC DESIGNERS! BERNARD LODGE – 1966 - SEASON 4 (THE TENTH PLANET)! “HOWL ROUND” – HE DESIGNED THE FIRST 4 SERIES LOGOS & DESIGNED ENGINERED 5 TITLE SERIES SEQUENCE! SID SUTTON – 1981 – 1986 (THE LEISURE HIVE & THE TRIAL OF A TIME LORD)! ALSO DESIGNED THE COVERS FOR THE VIDEO BBC DOCTOR WHO! “THE SEEDS OF DEATH” & “DAY OF THE DALEKS”! OLIVER ELMES – 1987 – 1989! DESIGNED THE LOGO & TITLE SEQUENCE “TIME AND THE RANI” UNTIL “SURVIVAL”! SEVENTH DOCTOR WHO LOGO! 21ST CENTURY GRAPHIC DESIGNERS JENNY BOWERS – 2005 – SERIES 1! STARTED WITH THE EPISODE “ROSE” AND FINISHED WITH “THE PARTING OF THE WAYS”, WHICH WAS HOW LONG CHRISTOPHER ECCLESTON PLAYED THE DOCTOR.! CHRISTINA TOM – 2007 – 2013 – SERIES 3 – SERIES 7! CYFLE TRAINEE FROM “HUMAN NATURE” UP TO “THE FAMILY OF BLOOD”. -
Doctor Who and the Creation of a Non-Gendered Hero Archetype
Illinois State University ISU ReD: Research and eData Theses and Dissertations 10-13-2014 Doctor Who and the Creation of a Non-Gendered Hero Archetype Alessandra J. Pelusi Illinois State University, [email protected] Follow this and additional works at: https://ir.library.illinoisstate.edu/etd Part of the Feminist, Gender, and Sexuality Studies Commons, Film and Media Studies Commons, and the Mass Communication Commons Recommended Citation Pelusi, Alessandra J., "Doctor Who and the Creation of a Non-Gendered Hero Archetype" (2014). Theses and Dissertations. 272. https://ir.library.illinoisstate.edu/etd/272 This Thesis is brought to you for free and open access by ISU ReD: Research and eData. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. DOCTOR WHO AND THE CREATION OF A NON-GENDERED HERO ARCHETYPE Alessandra J. Pelusi 85 Pages December 2014 This thesis investigates the ways in which the television program Doctor Who forges a new, non-gendered, hero archetype from the amalgamation of its main characters. In order to demonstrate how this is achieved, I begin with reviewing some of the significant and relevant characters that contribute to this. I then examine the ways in which female and male characters are represented in Doctor Who, including who they are, their relationship with the Doctor, and what major narrative roles they play. I follow this with a discussion of the significance of the companion, including their status as equal to the Doctor. From there, I explore the ways in which the program utilizes existing archetypes by subverting them and disrupting the status quo. -
Read Book Doctor Who: Dr. Twelfth (Roger Hargreaves) Ebook, Epub
DOCTOR WHO: DR. TWELFTH (ROGER HARGREAVES) PDF, EPUB, EBOOK Adam Hargreaves | 32 pages | 25 Apr 2017 | Penguin Random House Childrens UK | 9781405930086 | English | London, United Kingdom Doctor Who: Dr. Twelfth (Roger Hargreaves) PDF Book The 12th is not, so I'm not sure if I wasn't that amused because the book wasn't that amusing or because the 12th is more meh for me in general. Published by Penguin Young Readers Licenses New Paperback Quantity available: This one ends on a bit of a cliffhanger. About the Book. A fun children's mashup between Mister Men and Doctor Who. Dr Syn Returns. Goodreads helps you keep track of books you want to read. Eleventh continues this series of witty and tongue-in-cheek storybooks—each featuring one of the twelve Doctors. First Roger Hargreaves [] The greatest mash-up in the entire Whoniverse is here! Eleventh Roger Hargreaves [] The greatest mash-up in the entire Whoniverse is here! Pricing, promotions and availability may vary by location and at Target. Readable copy. In Dr. Facts provided about each film include country of origin, year of release, story line, credits, cast, and running time. More Details View Larger Image. Nov 27, Ken rated it it was amazing. Twelfth continues this series of witty and tongue-in-cheek storybooks--each featuring one of the twelve Doctors. Second continues this series of witty and tongue-in-cheek storybooks—each featuring one of the twelve Doctors. We never did learn what Missy was up to. A cute Mr Men book Doctor Who style :. HB Edn Paperback , 32 pages. -
Gallifrey: No
GALLIFREY: NO. 5 PDF, EPUB, EBOOK James Peaty,Una McCormack,David Llewellyn,Gary Russell,Sean Carlsen,Louise Jameson,Lalla Ward | none | 28 Feb 2013 | Big Finish Productions Ltd | 9781844359585 | English | Maidenhead, United Kingdom Gallifrey: No. 5 PDF Book As if she's fallen off a cliff. Arcadia , Gallifrey's "second city", was protected by a large number of sky trenches. Series 8. The War Doctor was present at the Fall of Arcadia , and it was there that he left his warning of "No More" for the combatants. Gallifrey had at least two large moons and a ring system, similar to Saturn in Earth 's solar system. Episode 3. What is Doctor Who? What did the Master do? TV : The Invasion of Time Rassilon later referred to the area that the barn in which the Doctor had slept as a child as the Drylands , claiming that no one of importance lived there. There's some sloppy exposition, revealing that The Fourth Doctor got stuck between times during his abduction and he has to sit this one out and some other sundries. The Tenth Doctor returned it to the time lock by shooting and destroying the diamond which connected Gallifrey to Earth. Share Tweet. Missy later told the Doctor that Gallifrey had returned to its original position. It was also called Gallifrey Original. I won't look. Wait, wait, wait, wait. Although these battles were stopped by Rassilon, the Death Zone remained and later became home to the Tomb of Rassilon. Doctor Who : Gallifrey stories. Basically The Third Doctor and Sarah Jane are traversing the Mountain to get to the Tomb when they come upon this guy, and there's nothing about him that doesn't suck. -
Series 8, Episode 1
Series 8, Episode 1 “DEEP BREATH” By STEVEN MOFFAT Producer NIKKI WILSON Director BEN WHEATLEY DURATION: 79’07” 24FPS UK TX SPOOL NO: TBC PROG ID: DRR B081E/01 DOCTOR WHO - POST PRODUCTION SCRIPT – SERIES 8 10:00:00 EXT. SKY - DAY A beautiful blue sky - no clue where this is. A huge, thunderous impact, earth-shaking - and now, swaying into view the head of a Tyrannosaurus Rex. It roars, it sways its mighty head - And now another sound. The tolling of bell. The Tyrannosaurus, looking around. Now bending to investigate this strange noise. Panning down with the mighty to discover the clock tower of Big Ben. Now there are the cries of terrified Londoners, screams and yells. CUT TO: 10:00:21 EXT. BANKS OF THE THAMES - DAY A row of terrified Victorian Bobbies, cordoning off gob-smacked members of the public. The screams continue, and we see their view of the Tyrannosaur dwarfing Big Ben. At the front is jaw-dropped Inspector Gregson, staring up at the impossible creature. Pushing their way, through the garden, comes the Veiled Detective herself - Madame Vastra. Following, Jenny Flint and Strax. 10:00:37 INSPECTOR GREGSON Madame Vastra, thank God. I'll wager you've not seen anything like this before! Vastra steps forward, looking up at the bellowing creature - VASTRA Well - She throws back her veil, revealing her green, reptile skin. VASTRA (cont'd) - not since I was a little girl. © BBC 2014 PRIVATE AND CONFIDENTIAL DOCTOR WHO - POST PRODUCTION SCRIPT – SERIES 8 Jenny and Strax, stepping forward to join her. -
Doctor Who 1 Doctor Who
Doctor Who 1 Doctor Who This article is about the television series. For other uses, see Doctor Who (disambiguation). Doctor Who Genre Science fiction drama Created by • Sydney Newman • C. E. Webber • Donald Wilson Written by Various Directed by Various Starring Various Doctors (as of 2014, Peter Capaldi) Various companions (as of 2014, Jenna Coleman) Theme music composer • Ron Grainer • Delia Derbyshire Opening theme Doctor Who theme music Composer(s) Various composers (as of 2005, Murray Gold) Country of origin United Kingdom No. of seasons 26 (1963–89) plus one TV film (1996) No. of series 7 (2005–present) No. of episodes 800 (97 missing) (List of episodes) Production Executive producer(s) Various (as of 2014, Steven Moffat and Brian Minchin) Camera setup Single/multiple-camera hybrid Running time Regular episodes: • 25 minutes (1963–84, 1986–89) • 45 minutes (1985, 2005–present) Specials: Various: 50–75 minutes Broadcast Original channel BBC One (1963–1989, 1996, 2005–present) BBC One HD (2010–present) BBC HD (2007–10) Picture format • 405-line Black-and-white (1963–67) • 625-line Black-and-white (1968–69) • 625-line PAL (1970–89) • 525-line NTSC (1996) • 576i 16:9 DTV (2005–08) • 1080i HDTV (2009–present) Doctor Who 2 Audio format Monaural (1963–87) Stereo (1988–89; 1996; 2005–08) 5.1 Surround Sound (2009–present) Original run Classic series: 23 November 1963 – 6 December 1989 Television film: 12 May 1996 Revived series: 26 March 2005 – present Chronology Related shows • K-9 and Company (1981) • Torchwood (2006–11) • The Sarah Jane Adventures (2007–11) • K-9 (2009–10) • Doctor Who Confidential (2005–11) • Totally Doctor Who (2006–07) External links [1] Doctor Who at the BBC Doctor Who is a British science-fiction television programme produced by the BBC. -
Lorna Jowett Is a Reader in Television Studies at the University Of
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by NECTAR 1 The Girls Who Waited? Female Companions and Gender in Doctor Who Lorna Jowett Abstract: Science fiction has the potential to offer something new in terms of gender representation. This doesn’t mean it always delivers on this potential. Amid the hype surrounding the 50th anniversary of Doctor Who, the longest running science fiction series on television, a slightly critical edge is discernable in the media coverage concerning the casting of the twelfth Doctor and issues of representation in the series. This paper examines Doctor Who in the broader context of TV drama and changes to the TV industry, analysing the series’ gender representation, especially in the 2005 reboot, and focusing largely on the female ‘companions’. Keywords: gender representation, television, feminism, BBC. When I put together an earlier version of this paper two years ago, I discovered a surprising gap in the academic study of Doctor Who around gender. Gender in science fiction has often been studied, after all, and Star Trek, another science fiction television series starting in the 1960s (original run 1966-69) and continued via spin-offs and reboots, has long been analysed in terms of gender. So why not Doctor Who? Admittedly, Doctor Who’s creators have no clear philosophy about trying to represent a more equal society, as with the utopian Trek. The lack of scholarship on gender in Doctor Who may also be part of a lack of scholarship generally on the series—academic study of it is just gaining momentum, and only started to accumulate seriously in the last five years. -
From Cybermen to the TARDIS: How the Robots of Doctor Who Portray a Nuanced View of Humans and Technology
From Cybermen to the TARDIS: How the Robots of Doctor Who Portray a Nuanced View of Humans and Technology GWENDELYN S. NISBETT AND NEWLY PAUL Critics and fans have praised the 2000s reboot of the science fiction classic Doctor Who for its increasing use of social commentary and politically relevant narratives. The show features the adventures of the Doctor and his companions, who have historically been humans, other aliens, and occasionally robots. They travel through time and space on a spaceship called the TARDIS (which is shaped like a 1960s British police box). The show is meant for younger audiences, but the episodes involve political and social commentary on a range of issues, such as racism, sexism, war, degradation of the environment, and colonialism. The Doctor is an alien from Gallifrey and can (and does) regenerate into new versions of the Doctor. Scholars have commented extensively about the show in the context of gender and race, political messaging, transmedia storytelling, and fandom. In this project, we examine the portrayal of robots and labor, a topic that is underexplored in relation to this show. Doctor Who makes for an interesting pop culture case study because, though the show has a huge global fan base, its heart remains in children’s programming. The series originated in 1963 on the British Broadcasting Corporation (BBC) as a show for children that incorporates lessons related to courage, ingenuity, kindness, and other such qualities, which it continues to do to this day. Doctor Who is also interesting because the Doctor has a history of machines as companions: K-9 the GWENDELYN S. -
TARDIS TILES Be the First to Cross the Maze of TARDIS Doors and Reach Draw a Card the Opposite Edge
OBJECTIVE TURN OVERVIEW TARDIS TILES Be the first to cross the maze of TARDIS doors and reach Draw a card the opposite edge. - Players MUST draw a card at the beginning of their turn GAME SET UP Play a card - Players MUST play one card from their hand. Remove the TARDIS Control Tile from the Door Tiles Closed Door Tiles TARDIS Key Tile (the one with the orange border) and shuffle the rest. Move your pawn to an open tile Players cannot move onto Closed Any player who lands on a TARDIS - Optional, you don’t have to move your pawn Create a 7x7 grid with the TARDIS Control Tile at the Doors. Key Tile receives a bonus action. They Massive disturbances within the Time Vortex have caused if you don’t want to. center, to represent the TARDIS. The closed door side of are able to open or close another ™ & © BBC several time streams to overlap inside the TARDIS. And now, ™ & © BBC the tiles should be facing up. door (of ANY color). several iterations of the Doctor are loose on the TARDIS at the Each player chooses a Doctor pawn and places it on Players do not receive this bonus same time (it’s ok, it’s bigger on the inside). Now they have to the outside edge of the TARDIS grid, closest to them. Only action just by opening the door. They must move their compete to escape their own TARDIS! Reme one player can start on each edge. In a two player game, mb PLAYING THE GAME pawn onto the tile to use the TARDIS Key. -
Gallifrey: No. 5 Free
FREE GALLIFREY: NO. 5 PDF James Peaty,Una McCormack,David Llewellyn,Gary Russell,Sean Carlsen,Louise Jameson,Lalla Ward | none | 28 Feb 2013 | Big Finish Productions Ltd | 9781844359585 | English | Maidenhead, United Kingdom Classical Gallifrey: Serial The Five Doctors It is the original home world of the Time Lordsthe civilisation to which the main protagonist, the Doctor belongs. It is located in a binary star system [2] million light years from Earth. In the revived series onwards Gallifrey was originally referred to as having been destroyed in the Time Warwhich was fought between the Time Lords and the Daleks. It was depicted in a flashback in " The Sound of Drums " [1] and appeared prominently in " The End of Time " — It is never definitively stated when the appearances of Gallifrey take place. As the planet is often reached by means of time travel, its relative present could conceivably exist almost anywhere in the Earth 's past or future as well as anywhere in the conceivable universe. From space, Gallifrey is seen as a yellow-orange planet and was close enough to central space lanes for spacecraft to require clearance from Gallifreyan Space Traffic Control as they pass through Gallifrey: No. 5 system. The Time Lords' principal city, named The Capitol, consists of shining towers protected by a mighty glass dome. The planet's so-called "second city" is Arcadia, and is seen falling to the Daleks in the minisode " The Last Day. The Doctor's granddaughter Susan first describes her home world not named as "Gallifrey" at the time as having bright, silver-leafed trees and a burnt orange sky at night in the serial The Sensorites In The Time Monsterthe Third Doctor says that "When I was a Gallifrey: No. -
Law, the Digital and Time: the Legal Emblems of Doctor Who
Law, the Digital and Time: The Legal Emblems of Doctor Who Author Tranter, Kieran Published 2017 Journal Title International Journal for the Semiotics of Law Version Accepted Manuscript (AM) DOI https://doi.org/10.1007/s11196-017-9522-0 Copyright Statement © 2017 Springer Netherlands. This is an electronic version of an article published in International Journal for the Semiotics of Law - Revue internationale de Sémiotique juridique, 30(3), 515-532, 2017. International Journal for the Semiotics of Law - Revue internationale de Sémiotique juridique is available online at: http://link.springer.com// with the open URL of your article. Downloaded from http://hdl.handle.net/10072/352711 Griffith Research Online https://research-repository.griffith.edu.au This is a preprint version of this manuscript. The final manuscript is: Kieran Tranter ‘Law, the Digital and Time: The Legal Emblems of Doctor Who’ (2017) 30(3) International Journal for the Semiotics of Law 515-532 DOI: 10.1007/s11196-017-9522-0 Law, the Digital and Time: The Legal Emblems of Doctor Who Dr Kieran Tranter Associate Professor Griffith Law School/Law Futures Centre Griffith University, Gold Coast Australia Address for Correspondence [email protected] Abstract This article is about time. It is about time, or more precisely, about the absence of time in law’s digital future. It is also about time-travelling and the seemingly ever-popular BBC science fiction television series Doctor Who. Further, it is about law’s timefullness; about law’s pictorial past and the ‘visual baroque’ of its chronological fused future. Ultimately, it is about a time paradox of seeing time run to a time when time runs ‘No More!’ This ‘timey-wimey’ article is in three parts. -
The Genesis Extermination
ADVENTURES IN SPACE AND TIME THE GENESIS EXTERMINATION SPOILERS INTRODUCTION Are you a player or the Gamemaster? If you’re a player than hold your horses. The Genesis Extermination is the next major arc The following pages contain information of the Temporal Masters campaign, following the about your future, best to keep your eyes events of The Alliance of the Daleks. The closed and your options open. Temporal Masters is a campaign arc originally As this adventure occurs concurrently conceived by the Alexandrian. with the events that transpire during the TV serial; Genesis of the Daleks. Be In this adventure the player characters will play warned that there will be spoilers of the the role of the Doctor and his companions where serial within this adventure. they will travel back to when the Daleks were created and prevent any Temporal Master tampering BACKGROUND Not only will the Doctor and his companions In the last major arc of the Temporal Masters, need to survive the dangers of the Thousand Year Dawn of the Temporal Masters the Doctor and War on Skaro but the Doctor must avoid affecting his companions had their first run in with a his own timeline. This adventure is intended to Temporal Master agent. They were also be take place directly after the events of Alliance introduced to the Tri-galactic Time Enforcers of the Daleks but it can be easily adapted to be who protect humanity’s timeline to conserve the used in another campaign. Great and Bountiful Human Empire control of this side of space and time.