Copyrighted Material

Total Page:16

File Type:pdf, Size:1020Kb

Copyrighted Material bindex.qxd 1/3/06 11:39 AM Page 285 Index NOTE: Page numbers in italics refer to illustrations and photos. Adler, Polly, 129 Backer, Evelyn (Evie) Weil, 75, 113, Adolfo, 188, 198–201, 203 151–154, 153, 162, 255 Aga Khan, Karim, 133, 170 Bailey, David, 181 Agnelli, Gianni, 69–72, 71, 133 Baker, Russell, 246 at ball, 139, 148, 233, 244–245 “Bal des Ardents, Le,” 107–108 cruises hosted by, 76–77, 97, 138 Baldwin, Billy, 226, 258 Agnelli, Marella, 34–35, 69–73, 71, balls 130 charity, 101–103, 180 at ball, 139, 148, 190, 239–240, hosted by Beistegui, 203, 244 244–245 hosted by Dunne, 66, 111, 112, 180 cruises hosted by, 76–77, 97, 138 masquerade (bal masqué), 107–110 Albee, Edward, 142 Mods and Rockers Ball, 103 Alexander, Shana, 99, 179 Paraguay ball plans, 255 Alsop, Susan Mary, 135, 215 See also Black and White Ball Amory, Cleveland, 110–111, 128–129 Bankhead, Tallulah, 28, 179 Answered Prayers (Capote), 51–52, 94, Barry, Bertha Eastmond, 126–128 101, 252–254 Barzini, Benedetta, 145, 232–233 Arvin, Newton, 26, 32, 36 Beaton, Cecil, 31, 38, 40, 41, 100, 120, Astor, Brooke Marshall, 44, 182, 193 243 Astor, Caroline, 109–110, 124 at ball, 139, 227 Astor, Carrie, 109–110 Capote’s letters to, 92, 114 Astor, Minnie. See Fosburgh, Minnie on Capote’s lifestyle, 76 Cushing AstorCOPYRIGHTEDMy FairMATERIAL Lady design by, 111, 156, 194 Astor, Vincent, 44 views on ball, 150 Avedon, Richard, 34, 132, 139, 181, “beautiful people” (“BP”), 165 203, 227, 258 Beistegui, Charles de, 203, 244 Bender, Marilyn, 118, 186 Baby Boomers, 118 Benton, Robert, 248–250 Bacall, Lauren, 85, 90–92, 132, 142, Berendt, John, 197 215–216, 229 Berenson, Marisa, 194, 200, 202, 208, Bachardy, Don, 143, 212, 229–230 210, 215 285 bindex.qxd 1/3/06 11:39 AM Page 286 286 INDEX Bergdorf, Herman, 190 Bouche, Denise, 210 Bergdorf Goodman, 190–193, 198, 200, Boular, Sonny, 14–15 258 Bouvier, “Black” Jack, 115, 116 Bergen, Candice, 143, 208, 243–244 Bouvier, Janet, 115, 116 Bernstein, Leonard, 132, 133, 141, 178 Bowles, Paul, 38 Bigi, 190–191 Bradley, Jenny, 31–32 Birstein, Ann, 195, 224, 229 Breakfast at Tiffany’s (Capote), 7, 51, 67 Bjorkman, Carol, 119, 165–167, 258 Holly Golightly character, 7, 51, 100, at ball, 143, 215, 223 141 reports on ball by, 172, 202, 207, 239 masks in, 198 Black, Charles Alden, 127 Smith and, 64 Black and White Ball, 1–4, 211–214 stage version, 100, 141–142, 205 Capote’s reaction to, 5–6, 205–208, Tiffany’s and, 81 216, 234 Brooks, Richard, 100 cost, 254 Brown, Jimmy, 248, 249 criticism, 243–247, 248–250, 249 Brown, Pat, 248, 249 dancing, 146–147, 159–160 “Brush with Truman Capote, A” (New decor, 113, 153, 154, 156–157 York World Journal Tribune), 202 dresses, 189–197, 237–239, 238 Buchwald, Art, 84, 138 guest arrivals to, 220–228 Buckley, William F., 248 guest list, creation of, 123–124, Bundy, McGeorge, 84, 85, 229, 232 131–134, 135–149, 136, 153–154 Burden, Amanda Mortimer, 44–47, guest list, reaction to, 176–181, 118–120, 130, 146, 194, 238, 204–205, 230, 240–243 239 guest of honor selection, 33, Burden, Carter, 120, 127–128, 146 117–122, 123 (See also Graham, Katharine “Kay”) Caen, Herb, 244 invitations, 5, 160–162, 177 Caen, Maria Theresa, 208, 215 masks, 109, 166, 188, 191, 198–204, Camus, Albert, 31 225, 226, 237–239 Canfield, Michael, 115–116 media coverage, 164, 172, 202–204, Cannel, Ward, 247 207, 216, 225, 236–243 Capote, Joseph (stepfather), 13, 15, 20, menswear, 198 24, 41, 42 menu, 79, 157, 163, 230 Capote, Nina (mother), 9–15, 17–18, music, 157–159, 213, 218, 228, 230 21, 24, 36, 41, 42 plans for, 16, 100–103, 112, 151–154 Capote, Truman, 16, 96, 153, 222 Plaza Hotel, 79, 154–156, 213, 258 books by pre-ball dinner parties, 147, 214–218 Answered Prayers, 51–52, 94, 101, security for, 203–204, 208, 230–231, 252–254 235 The Grass Harp, 39–40 Blackwell, Earl, 128 Handcarved Coffins, 254 Blair, Josie, 203 House of Flowers, 40 Block, Kenneth Paul, 173, 202, 238, Local Color, 39 239 The Muses Are Heard, 51 Bogart, Humphrey, 90, 91 Music for Chameleons, 255 bindex.qxd 1/3/06 11:39 AM Page 287 INDEX 287 Other Voices, Other Rooms, 22–23, at ball, 141 25, 28–29, 31, 32 on In Cold Blood, 98 Summer Crossing, 21, 38, 79 Cerf, Phyllis, 27, 30–31, 39, 82, 154 characteristics of, 12, 24–25, 37–38, Chaplin, Charlie, 28 61, 100 Charles VI, king of France, 107–108 childhood of, 9–15, 17–19 Chez Ninon, 193 on criminal investigations, 137 Chicken Hash, 79, 157, 163, 230 death of, 256 “Christmas Memory, A” (Capote), 12, early parties thrown by, 14–16, 30, 100, 205 31, 39 Churchill, Pamela. See Harriman, friends as book subjects of, 51–52, Pamela Digby Churchill Hayward 252–256 Churchill, Randolph, 70 Indiscretion of an American Wife Clarke, Gerald, 38, 255 (film), 40 Clutter family, 59–61, 98, 245, 246. in International Celebrity Register, 128 See also In Cold Blood (Capote) love life of, 26, 32, 36–40, 64, Combs, Sean “Puffy,” 259 251–252 (See also Dunphy, Jack) Cooke, Hope, 171 at New Yorker, 19–20, 30 “Côte Basque, La” (Capote), 253 post-ball problems of, 250–256 Cowles, Fleur, 128 residences of, 74–76, 135, 251 Cowley, Marjorie Craig, 182–183 short stories by: Cunningham, William, 165, 191, 258 “A Christmas Memory,” 12, 100, Curtis, Charlotte, 143, 156, 170–172, 205 204, 220, 240–243 “La Côte Basque,” 253 Curtis, Tony, 248, 249 “Miriam,” 23 Cushing, Harvey, 43, 46 “Mojave,” 252 Cushing, Mary “Minnie,” 144–145 “Mrs. Busybody,” 13 Cushing sisters. See Fosburgh, Minnie “Unspoiled Monsters,” 254 Cushing Astor; Paley, Barbara “The Walls Are Cold,” 23 “Babe”; Whitney, Betsy Cushing views on California, 28, 251–252 Roosevelt writing for Vogue, 27–28, 138 See also Black and White Ball; Daly, John, 169 Breakfast at Tiffany’s; In Cold Blood; dancing, 146–147, 159. See also balls; individual names of friends Black and White Ball “Capote Corner” (New York Times Book Dancing for All Occasions, 160 Review), 30 Daniel, Clifton, 171 “Carol” (WWD), 166 Daniel, Margaret Truman, 232 Carson, Joanne, 255, 256, 258 Davies, Elizabeth, 161–162, 174, 204, Cartier, 202 223, 241 Caruso, Enrico, 155 Davis, George, 23, 25 Cassini, Igor, 168–169 De la Renta, Oscar, 144 Castillo, Antonio, 189 Dewey, Alvin, 62, 65–68, 81–86, 258 Celebrity Service, 128 at ball, 144, 196–197, 216, 229, 231 Cerf, Bennett, 27, 30–31, 39, 51, 82, on criminal investigations, 137 94, 137 views on Capote, Smith, 64 bindex.qxd 1/3/06 11:39 AM Page 288 288 INDEX Dewey, Marie, 62, 66–68, 97, 258 Women’s Wear Daily, 164–167 at ball, 144, 196–197, 202, 211, 216 youth and, 118, 119 In Cold Blood publicity and, 81–86 See also Black and White Ball; masks; dieting fads, 182 individual designer names Dietrich, Marlene, 28, 139, 177 Faulk, Bud, 11 Dillon, Sydney, 253 Faulk, Callie, 11 DuBois, Diana, 115 Faulk, Jennie, 11 Duchin, Eddy, 158 Faulk, Lillie Mae. See Capote, Nina Duchin, Peter, 157–159, 208, 218, 228, (mother) 234, 259 Faulk, Sook, 11–12 Dudley, Drew, 147 Fell, John R., 102 Duke, Doris, 127, 148, 162 Ferber, Edna, 27, 30–31 Dunne, Dominick, 66, 111, 112, 180 Fonda, Henry, 132, 142 Dunphy, Jack, 36–40, 52, 65, 227, 229, Ford, Henry, 139, 304 244, 251 Fosburgh, James, 44, 76, 143 Dynel, 185–186 Fosburgh, Minnie Cushing Astor, 43, 44, 139 Eason, Archie, 201 Fox, Joe, 68, 85, 94, 141 Elizabeth Arden, 182 Frankau, Ethel, 191 Esquire, 197, 248–250, 249 Fremont-Smith, Eliot, 99 Esquire’s Fashions for Men (Berendt), Friede, Eleanor, 135–136, 146–147, 197 148, 161, 217 Eula, Joe, 202 Frost, Robert, 20, 30 Evangelista, Joe, 213, 217–218, Furstenberg-Herdringen, Franz Egon 227–228, 233, 258 von, 54 “Everybody’s Whispering” (Sheppard), 167 Galbraith, John Kenneth, 229, 234 exercise trends, 182–183 Garbo, Greta, 28, 139 Gill, Brendan, 232 Fairchild, Edmund, 164 Gimbel, Piedy, 82, 217 Fairchild, John, 57, 164–165 Goodman, Andrew, 199 Fakhri Bey, Ahmed, 54 Goodman, Edwin, 190 fans, as fashion accessory, 225 Goodson, Mark, 178, 212, 216 Farrow, Mia, 137, 222, 228 Gordon, Benny, 159, 230 fashion industry Graham, Katharine “Kay,” 6, 82–87, dresses for ball, 189–197 137, 222, 245, 252, 258 International Best Dressed List, at ball, 210, 226, 227, 229, 230, 236, 129–130 243 menswear for ball, 198 dress worn by, 197, 259 pantsuits, 193 on Agnelli cruise, 76–77, 97 society columns and, 164–174 as guest of honor, 121, 122, 123, 162 stores, boutiques, 190–193, 194–195, mask worn by, 200 239, 243, 258 Graham, Philip, 76 trends, 152, 167, 181–186, 191–192, Grass Harp, The (Capote), 39–40 198–199 Greenhill, Fred, 174 bindex.qxd 1/3/06 11:39 AM Page 289 INDEX 289 Greenwald, Marilyn S., 172 Holzer, Leonard, 119 Greenwich, Connecticut, 18 House of Flowers (Capote), 40 Greenwich Village, 24 Humplik, Heinz, 182 Guest, C. Z., 34–35, 55, 82, 104–106, Hylton, Elizabeth, 84, 135, 195–196, 130, 254, 258 211–212 at ball, 240–241 dress worn by, 190 illustration(s), 125 Guest, Winston Frederick Churchill, art of, 172–174 105, 240–241 masks, 109, 166, 188 Guinness, Dolores, 54, 130, 170 In Cold Blood (Capote), 2, 59–61, 96 Guinness, Gloria, 34–35, 53–58, 55, criminal investigation of case, 62–65, 130, 132–133, 170, 258 137 at ball, 139, 229, 232 criticism of, 245, 246 dress worn by, 189–190 documentary about, 78–82 Guinness, Thomas Loel, 54–56, 170, execution of Smith and Hickock, 207 65–68 Gundersen, Karen, 80–81, 143, 193 as movie, 93, 95, 100, 205 Gunther, John, 222 as “nonfiction novel,” 60, 81, 97 publication of, 74, 77–78, 81–82, 205 hair styles, 184–186, 209–210 publicity about, 95–100, 138 Halston, 130, 167, 194, 198–201, 203, research for, 61–65 208, 215 sales of, 86–87, 99 Hamill, Pete, 245–246 “In crowd,” 131 Handcarved Coffins (Capote), 254 Indiscretion of an American Wife Hardenbergh, Henry, 154–156 (Capote), 40 Harriman, Averill, 70, 137, 158 “Inside Fashion” (Herald Tribune), 167 Harriman, Marie, 158 International Best Dressed List, Harriman, Pamela Digby Churchill 129–130 Hayward, 34–35, 70, 182, 217, 258 International Celebrity Register (Amory), at ball, 142, 190, 201 128–129 Leland Hayward and, 92–93, 152 “International Daisy Chain” (game), 39 Hart, Kitty Carlisle, 39, 258 Isherwood, Christopher, 143, 212 Hawks, Howard, 90 Ives, Marion, 25 Hayward, Leland, 88, 90–93, 132, 142, 151–152 Jagger, Mick, 103 Hayward, Pamela.
Recommended publications
  • Truman Capote's Early Short Stories Or the Fight of a Writer to Find His
    Truman Capote’s Early Short Stories or The Fight of a Writer to Find His Own Voice Emilio Cañadas Rodríguez Universidad Alfonso X El Sabio (Madrid) Abstract Truman Capote’s early stories have not been studied in depth so far and literary studies on Truman Capote’s short stories start with his first collection “A Tree of Night and Other Stories”, published in 1949. Stories previous to 1945 such as “The Walls Are Cold”, “A Mink’s of One’s Own” or “The Shape of things” are basically to be discovered and their relevance lie on the fact of being successful narrative exercises that focus more in the construction of characters than in the action itself. They are stories to be read “on one sitting” and stories that make the reader foresee Capote’s skilful short narrative in the future. It is our aim, then, in this paper to present the first three ever written stories by Truman Capote, to analyse them and to remark their relevance for Capote’s literary universe. Dwarfed and darkened by narrative masterpieces such as In Cold Blood (1965) or Other Voices, Other Rooms (1948) , Truman Capote’s short stories have never been as acclaimed or studied as his novels. Literary critics have predominantly focussed their criticism on Capote’s work as a novelist emphasizing on the “Gothicism” and “the form of horror” in Other Voices, Other Rooms or the author’s innovative techniques in In Cold Blood.1 However, apart from the complete research of Kenneth T. Reed, there are several studies on Capote’s whole literary career like William Nance’s or Helen S.
    [Show full text]
  • Serial Historiography: Literature, Narrative History, and the Anxiety of Truth
    SERIAL HISTORIOGRAPHY: LITERATURE, NARRATIVE HISTORY, AND THE ANXIETY OF TRUTH James Benjamin Bolling A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature. Chapel Hill 2016 Approved by: Minrose Gwin Jennifer Ho Megan Matchinske John McGowan Timothy Marr ©2016 James Benjamin Bolling ALL RIGHTS RESERVED ii ABSTRACT Ben Bolling: Serial Historiography: Literature, Narrative History, and the Anxiety of Truth (Under the direction of Megan Matchinske) Dismissing history’s truths, Hayden White provocatively asserts that there is an “inexpugnable relativity” in every representation of the past. In the current dialogue between literary scholars and historical empiricists, postmodern theorists assert that narrative is enclosed, moribund, and impermeable to the fluid demands of history. My critical intervention frames history as a recursive, performative process through historical and critical analysis of the narrative function of seriality. Seriality, through the material distribution of texts in discrete components, gives rise to a constellation of entimed narrative strategies that provide a template for human experience. I argue that serial form is both fundamental to the project of history and intrinsically subjective. Rather than foreclosing the historiographic relevance of storytelling, my reading of serials from comic books to the fiction of William Faulkner foregrounds the possibilities of narrative to remain open, contingent, and responsive to the potential fortuities of historiography. In the post-9/11 literary and historical landscape, conceiving historiography as a serialized, performative enterprise controverts prevailing models of hermeneutic suspicion that dominate both literary and historiographic skepticism of narrative truth claims and revives an ethics responsive to the raucous demands of the past.
    [Show full text]
  • Truman Capote Papers [Finding Aid]
    Truman Capote Papers A Finding Aid to the Collection in the Library of Congress Manuscript Division, Library of Congress Washington, D.C. 2011 Contact information: http://hdl.loc.gov/loc.mss/mss.contact Additional search options available at: http://hdl.loc.gov/loc.mss/eadmss.ms011026 LC Online Catalog record: http://lccn.loc.gov/mm81047043 Prepared by Manuscript Division Staff Collection Summary Title: Truman Capote Papers Span Dates: 1947-1965 ID No.: MSS47043 Creator: Capote, Truman, 1924-1984 Extent: 70 items ; 8 containers ; 3.2 linear feet Language: Collection material in English Location: Manuscript Division, Library of Congress, Washington, D.C. Summary: Author and dramatist. Chiefly literary manuscripts, including notebooks, journals, drafts, and manuscripts of prose fiction, dramas and screenplays, and other writings. Selected Search Terms The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein. People Brando, Marlon. Capote, Truman, 1924-1984. Capote, Truman, 1924-1984. Breakfast at Tiffany's; a short novel and three stories. 1958. Capote, Truman, 1924-1984. In cold blood : a true account of a multiple murder and its consequences. 1965. Capote, Truman, 1924-1984. Other voices, other rooms. 1948. Subjects American fiction. American literature. Drama. Fiction. Literature. Motion picture plays. Musicals. Short stories. Occupations Authors. Dramatists. Administrative Information Provenance The papers of Truman Capote, author and dramatist, were given to the Library of Congress by Capote in 1967-1969. Processing History The papers of Truman Capote were arranged and described in 1968 and 1997.
    [Show full text]
  • AMERICAN MASCULINITIES, 1960-1989 by Brad
    “HOW TO BE A MAN” AMERICAN MASCULINITIES, 1960-1989 by Brad Congdon Submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy at Dalhousie University Halifax, Nova Scotia March 2015 © Copyright by Brad Congdon, 2015 . To Krista, for everything. ii TABLE OF CONTENTS LIST OF FIGURES............................................................................................................vi ABSTRACT......................................................................................................................vii ACKNOWLEDGEMENTS .............................................................................................viii CHAPTER 1: INTRODUCTION .......................................................................................1 1.1 “MEN” AS THE SUBJECT OF MASCULINITIES...................................5 1.2 “LEADING WITH THE CHIN”: ESQUIRE MAGAZINE AS HEGEMONIC MASCULINITY PROJECT.............................................16 1.3 CHAPTER BREAKDOWN......................................................................25 CHAPTER 2: AN AMERICAN DREAM: MAILER’S GENDER NIGHTMARE............32 2.1 CRISIS! THE ORGANIZATION MAN AND THE WHITE NEGRO....35 2.2 AN AMERICAN DREAM AND HEGEMONIC MASCULINITY ...........43 2.3 AN AMERICAN DREAM AND ESQUIRE MAGAZINE.....……….........54 2.4 CONCLUSION: REVISION AND HOMOPHOBIA...............................74 CHAPTER 3: COOLING IT WITH JAMES BALDWIN............................................... 76 3.1 BALDWIN’S CRITIQUE OF HEGEMONIC MASCULINITY..............80
    [Show full text]
  • Rich, Attractive People in Attractive Places Doing Attractive Things Tonya Walker Virginia Commonwealth University
    Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2006 Rich, Attractive People In Attractive Places Doing Attractive Things Tonya Walker Virginia Commonwealth University Follow this and additional works at: http://scholarscompass.vcu.edu/etd Part of the English Language and Literature Commons © The Author Downloaded from http://scholarscompass.vcu.edu/etd/992 This Thesis is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. Rich, Attractive People Doing Attractive Things in Attractive Places - A Monologue from Hell - - by Tonya Walker, Master of Fine Arts Candidate Major Director: Tom De Haven, Professor, Department of English Acknowledgement This thesis could not have been completed - completed in the loosest sense of the word - had in not been for the time and involvement of three men. I'd like to thank my mentor David Robbins for his unfailing and passionate disregard of my failings as a writer, my thesis director Tom De Haven for his patient support and stellar suggestions that are easily the best in the book and my husband Philip whose passionate disregard of my failings and patient support are simply the best. Abstract RICH, ATTRACTIVE PEOPLE IN ATTRACTIVE PLACES DOING ATTRACTIVE THINGS By Tonya Walker, M.F.A. A these submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts at Virginia Commonwealth University. Virginia Commonwealth University, 2006 Major Director: Tom De Haven, Professor, Department of English Rich, Attractive People in Attractive Places Doing Attractive Things is a fictional memoir of a dead Manhattan socialite from the 1950's named Sunny Marcus.
    [Show full text]
  • Europe in the Writings of Truman Capote Or the Steps to the Creation of the Nonfiction Novel
    EUROPE IN THE WRITINGS OF TRUMAN CAPOTE OR THE STEPS TO THE CREATION OF THE NONFICTION NOVEL Emilio Cañadas Rodríguez Universidad Camilo José Cela Last 25th August 2004, we celebrated the 20th anniversary of the death of the American writer Truman Capote and simultaneously, in the following months, two milestones in his literary career: the fortieth anniversary of Truman Capote’s publication of the first lines of his masterpiece: In Cold Blood1 and the forty-fifth anniversary of the publication of Local Color, where the author gives a very personal and distinctive portrait of Europe; a kind of reportage of a post-war continent that now, years after, has just lived the expansion of the European Community last 1st of May. Due to the celebration of these events in the following months, it is the aim of this research to study the connexion between Truman Capote and Europe: his vision, his opinion, his writings, travels and, furthermore, the importance and the transcendent role of Europe as the root for the non-fiction novel in the making of In Cold Blood. Europe has always been a recurrent topic in the history of American Literature. As a starting point for our issue, we think first of Henry James, who sent his characters to Europe searching, looking for the land of experience, looking for the “tree of knowledge”, a place to learn and a place to be refilled with that experience and that knowledge2. We think of Washington Square and how Dr. Sloper believed 1 Although the book itself was published at the turn of the year 1965, the appearance of chapters or parts of the story in The New Yorker started after the summer of 1965.First chapter on the 25th September 1965.
    [Show full text]
  • Truman Capote Introduction
    Truman Capote Introduction Some famous interpretations examples of Capote’s literary works: Capote Trailer: http://www.youtube.com/watch?v=mvZq4sbyR_w In Cold Blood Trailer (1967): http://www.youtube.com/watch?v=7IL-4wAzVCg&feature=related Breakfast at Tiffany’s Trailer: http://www.youtube.com/watch?v=urQVzgEO_w8 What happened on this date? October 29, 1929 The Great Depression Began in October 29, 1929, yet not the worst crash in history, but one that toppled the US economy. o The entire stock market lost about 12% of its value, which is a lot What are stocks? o They are tiny pieces of a company, called “shares” that are sold to generate money for the company o These shares are traded between people and supply and demand of certain stocks makes the price go up and down o In 1929 the price of all of the stocks in market went down quickly so quickly the people who keep track of prices could not keep up So, what happened? o Farm income fell by 50% so if your family was living on a farm and it generated $10,000 a year in profit, you now had to live on only $5,000 o Factories closed, banks (who also invested in the stock market) closed and the people whose money was being kept in those banks was lost o Why? Because banks don’t keep everyone’s money all at the same time they take a little from one customer to give to another and vice versa o Soon, 25% of the country was without work compared to 4-5% today So there were traveling workers who sought work in states other than their own – a “tinker” There were long lines to wait for work People where very poor President Franklin D.
    [Show full text]
  • Kansas Reads in Cold Blood by Truman Capote, January 29-February 29, 2008 [Press Release] (2008)
    AN ONLINE COLLECTION OF INFORMATION ON TRUMAN CAPOTE'S IN COLD BLOOD provided by the Kansas Center for the Book and the Kansas State Library 2008 Included in this collection: • Kansas Reads In Cold Blood by Truman Capote, January 29-February 29, 2008 [press release] (2008) • Kansas Reads In Cold Blood by Truman Capote, January 29-February 29, 2008 [poster] (2008) • Kansas Reads In Cold Blood by Truman Capote - Bibliography (2008) • Kansas Reads In Cold Blood by Truman Capote - Book Review / Denise Galarraga (2008) • Kansas Reads In Cold Blood by Truman Capote - Program Ideas (2008) • Kansas Reads In Cold Blood by Truman Capote - Resources (2008) • Kansas Reads In Cold Blood by Truman Capote - Resources - Discussion Questions (2008) January 29 - February 29, 2008 A statewide reading project sponsored by the Kansas Center for the Book! ▪ ▪ ▪ ▪ ▪ ▪ ▪ ▪ ▪ ▪ ▪ ▪ ▪ Selected by a committee of experienced & qualified librarians, In Cold Blood was chosen for its broad-based appeal that could encourage & sustain spirited discussion. "K.B.I. Agent Harold Nye has speculated that Capote spoke to more people connected to the murder of the Clutters than did the Bureau. These interviews took place as Capote spent the better part of four years tromping around western Kansas, amassing thousands of pages of notes. This research, however, only accounts for an element of the book’s success, for Capote transformed it with a novelist’s imagination. The result serves as a meditation on suffering as he dramatizes cherished moments from the last days of Nancy Clutter, the sleepless nights of detective Al Dewey, and the tormented thoughts of Perry Smith." --Paul Fecteau, Professor of English Washburn University, Topeka Please use this site as resource for both personal & classroom information as you read and study the book.
    [Show full text]
  • Truman Capote – a Popular Author at a Turning Point in His Life
    Table of Contents The Play p. 2 The Playwright p. 3-4 The History p. 5 Big Ideas p. 5-6 La Côte Basque p. 7-8 Solo Plays p. 9 Further Reading p. 10 Especially for p. 11 Students Learning Connections & Standards p. 12 Director Lynette Barkley Producers The John Noffo Kahn & December 2, 2016 – January 1, 2017 Mark Addison Foundation Dramaguide written by Gary Cadwallader Dramaguide The Play Character Truman Capote – a popular author at a turning point in his life The Setting Capote's apartment at 870 United Nations Plaza, New York City, a week before Christmas: 1975 The Story “The truth is, I’m very good news for all those women. Those beautiful, intelligent, privileged, lonely women. They are absolutely crazy about me, and that’s a fact. Why? Because damn it, I like them. I pay attention to them. I listen. I understand their problems. I make them laugh. I tell them how to dress, what makeup to wear, what to read and who to love. When they’re miserable, I tuck them into bed and tell them bedtime stories…What they like best is something horrendous about someone impeccable. (beat) Don’t we all.” Jay Presson Allen, Tru Truman Capote’s “La Côte Basque, 1965,” a chapter from his latest book, Answered Prayers, was recently published in Esquire magazine, and his closest friends are no longer speaking to him. Capote is surprised and astonished at their silence. Alone during the holidays when his social calendar is typically busy, the consequences of his actions become clear and he calms himself with alcohol and drugs, and reminisces about his life, interesting friends, and holidays past.
    [Show full text]
  • Giorgio Armani
    ^£; GIORGIO ARMANI GIORGIO ARMAN GuggenheimMUSEur Published on the occasion of the exhibition Hardcover edition distributed by GIORGIO ARMANI Harry N. Abrams Organized by Germano Celant and Harold Koda 100 Fifth Avenue with Susan Cross and Karole Vail New York, New York 10011 Exhibition designed by Robert Wilson Hardcover edition distributed in German-speaking countries by Solomon R. Guggenheim Museum. New York Hatje Cantz Verlag October 20. 2000-January 17. 2001 Senefelderstrasse 12 D-73760 Ostfildern Guggenheim Museum Bilbao Germany March 12-August 26. 2001 Catalogue design: Takaaki Matsumoto. Matsumoto Incorporated, New York Giorgio Armani © 2000 The Solomon R Guggenheim Foundation. New York. Two different covers have been created for this catalogue. One of them features All rights reserved. photographs by Tom Munro. The other, a special edition, is covered with fabric chosen by All Giorgio Armani works © Giorgio Armani S.p.A. Giorgio Armani. Used by permission. All rights reserved. Frontispiece: Andy Warhol, Giorgio Armani, 1983 (detail) isbn 0-89207-235-0 (softcover) isbn 0-8109-6927-0 (hardcover. Abrams) Printed in Germany by Cantz isbn 3-7757-0979-9 (hardcover. Hatje) isbn 0-89207-236-9 (fabric edition) Guggenheim Museum Publications 1071 Fifth Avenue New York, New York 10128 CONTENTS viii Preface and Acknowledgments by Thomas Krens ARCHITECTURE/DESIGN of xiv Giorgio Armani: Toward the Mass Dandy by 200 The Elegance of the Everyday: The Interiors Germano Celant Giorgio Armani by Donald Albrecht 204 Armani by Design by Andrea Branzi PRIVATE AND PUBLIC Special Photography Projects by Thomas Schenk, Goldberg 2 Interview with Armani by Ingrid Sischy Guido Mocafico, Michel Comte.
    [Show full text]
  • Costume Institute Records, 1937-2011
    Costume Institute records, 1937-2011 Finding aid prepared by Arielle Dorlester, Celia Hartmann, and Julie Le, with additions by Celia Hartmann Processing of this collection was funded in part by a generous grant from the Leon Levy Foundation This finding aid was generated using Archivists' Toolkit on June 21, 2019 The Metropolitan Museum of Art Archives 1000 Fifth Avenue New York, NY, 10028-0198 212-570-3937 [email protected] Costume Institute records, 1937-2011 Table of Contents Summary Information .......................................................................................................3 Historical note..................................................................................................................... 4 Scope and Contents note.....................................................................................................6 Arrangement note................................................................................................................ 7 Administrative Information .............................................................................................. 7 Related Materials .............................................................................................................. 8 Controlled Access Headings............................................................................................... 8 Collection Inventory..........................................................................................................10 Series I. Collection Management................................................................................10
    [Show full text]
  • In Cold Blood 112
    UNDERSTANDING TRUMAN CAPOTE UNDERSTANDING CONTEMPORARY AMERICAN LITERATURE Matthew J. Bruccoli, Founding Editor Linda Wagner-Martin, Series Editor Volumes on Edward Albee | Sherman Alexie | Nelson Algren | Paul Auster Nicholson Baker | John Barth | Donald Barthelme | The Beats Thomas Berger | The Black Mountain Poets | Robert Bly | T. C. Boyle Truman Capote | Raymond Carver | Michael Chabon | Fred Chappell Chicano Literature | Contemporary American Drama Contemporary American Horror Fiction Contemporary American Literary Theory Contemporary American Science Fiction, 1926–1970 Contemporary American Science Fiction, 1970–2000 Contemporary Chicana Literature | Robert Coover | Philip K. Dick James Dickey | E. L. Doctorow | Rita Dove | John Gardner | George Garrett Tim Gautreaux | John Hawkes | Joseph Heller | Lillian Hellman | Beth Henley James Leo Herlihy | David Henry Hwang | John Irving | Randall Jarrell Charles Johnson | Diane Johnson | Adrienne Kennedy | William Kennedy Jack Kerouac | Jamaica Kincaid | Etheridge Knight | Tony Kushner Ursula K. Le Guin | Denise Levertov | Bernard Malamud | David Mamet Bobbie Ann Mason | Colum McCann | Cormac McCarthy | Jill McCorkle Carson McCullers | W. S. Merwin | Arthur Miller | Stephen Millhauser Lorrie Moore | Toni Morrison’s Fiction | Vladimir Nabokov | Gloria Naylor Joyce Carol Oates | Tim O’Brien | Flannery O’Connor | Cynthia Ozick Suzan-Lori Parks | Walker Percy | Katherine Anne Porter | Richard Powers Reynolds Price | Annie Proulx | Thomas Pynchon | Theodore Roethke Philip Roth | May Sarton
    [Show full text]