Pimp C Still Pimpin Album Download Pimp C

Total Page:16

File Type:pdf, Size:1020Kb

Pimp C Still Pimpin Album Download Pimp C pimp c still pimpin album download Pimp C. Chad Butler (December 29, 1973 ? December 4, 2007), better known by his stage name Pimp C, was an American rapper and producer. He was one half of the influential hip-hop group UGK. Chad Lemon Butler was born in Port Arthur, Texas. There he met his friend, who would later become Bun B and together they formed the Houston-based rap group UGK. They rapped 'underground', until they both made a deal with Bigtyme Records. Pimp worked hard on the first UGK project, The Southern Way, which was avaliable in 1988 and on casette only. Chad Lemon Butler was born in Port Arthur, Texas. There he met his friend, who would later become Bun B and together they formed the Houston-based rap group UGK. They rapped 'underground', until they both made a deal with Bigtyme Records. Pimp worked hard on the first UGK project, The Southern Way, which was avaliable in 1988 and on casette only. It wasn't until 1992 that UGK really broke through into the hip hop/rap world. Jive Records signed them and they released Too Hard to Swallow. Pimp worked hard with Bun B for a while, until going on a hiatus in 1996, where the group would not work. In this time Pimp was aware that UGK's fans were slowly slipping. Pimp C contributed to several tracks, until UGK came back on top by guest starring in tracks, such as Big Pimpin' and Sippin' on Some Syrup. Pimp C and Bun B came back with Dirty Money in 2001, but the album failed both critically and financially. As Dirty Money was going through problems, Pimp was faced with even more problems. Pimp C was incarerated for an aggravated gun assault charge in 2002. People cheered the catch phrase "Free Pimp C". During this time Bun B lived on the UGK name. Jive Records was forced to release a greatest hits for UGK and Bun B was forced to go solo, as Pimp C was locked up.[1] Rap-A-Lot Records signed Pimp C, while in prison he released his solo debut Sweet James Jones Stories. Bun B also released his debut, which Pimp C slightly contributed to. Finally, on December 30, 2005, Pimp C was released from prison and was on parole until December 2009.[2] Pimp C guest starred in many people's songs and contributed to artists, such as Slim Thug and T.I.. After that he started working again with Bun B on tracks for their upcoming UGK project UGK (Underground Kingz), which would end up being their most successful project of all time, in either artist's careers. Pimp C released two solo albums. 4 months after the release of UGK (Underground Kingz), Pimp C died. On December 4, 2007, Pimp C was found dead at the Mondrian Hotel in West Hollywood, California, after Los Angeles County Fire Department responded to a 911 call. The department arrived at his sixth floor hotel room to find Pimp C dead in bed. This was three days after Pimp C performed with Too Short at the House of Blues in Los Angeles.[3][4] The Los Angeles County Coroner's office state Pimp C died from an accidental overdose of Promethazine/Codeine "syrup" mixed with a pre- existing medical condition, sleep apnea, which causes a person to stop breathing during sleep.[5][6] After his death, he made posthumous appearances on Bun B's song "Underground Thang" (also featuring Chamillionaire) from II Trill and much later, an as-of-yet untitled track which is to be featured on Chamillionaire's third album Venom. The latter track is produced by Pimp C, making this his last production credit. Big Pimpin' | Gettin' blowed with the motherfuckin' Jigga Man, fool! We be big pimpin', spendin' cheese. We be big pimpin' on B.L.A.D.'s. We be big pimpin' down in P.A.T. It's just that Jigga Man, Pimp C, and B-U-N B. Smokin' out, pourin' up. Keepin' lean up in my cup. All my car got leather and wood. In my hood we call it "buck" Everybody wanna ball. Holla at broads at the mall. If he up, watch him fall. Nigga, I can't fuck with y'all. If I wasn't rappin', baby. I would still be ridin' Mercedes. Comin' down and sippin' daily. No record 'til whitey pay me. Uhhh, now what y'all know about them Texas boys? Comin' down in candied toys. Smokin' weed and talkin' noise. We be big pimpin', spendin' cheese. We be big pimpin' on B.L.A.D.'s. We be big pimpin' down in P.A.T. It's just that Jigga Man, Pimp C, and B-U-N B. On the canopy, my stamina be. Enough for Pamela Anderson Lee. MTV jam of the week. Made my money quick, then back to the streets. But still sittin' on blades, sippin' that Ray. Standin' on the corner of my block, hustlin' Still gettin' that cane. Half what I paid slippin' right through customs. It'll sell by night, its egg shell white. I got so many grams, if the man find out. It will land me in jail for life. But I'm still big pimpin', spendin' cheese. With Bun B, Pimp C, and Timothy. We got bitches in the back of the truck. Laughin' it up, Jigga Man: that's what's up! We be big pimpin', spendin' cheese. We be big pimpin' on B.L.A.D.'s. We be big pimpin' down in P.A.T. It's just that Jigga Man, Pimp C, and B-U-N B. Big Pimpin' Similar Songs. singer(s) other song details. Listen to Jay-Z Big Pimpin' MP3 song. Big Pimpin' song from the album Volume. 3. Life and Times of S. Carter is released on Nov 2007 . The duration of song is 04:44. This song is sung by Jay-Z. Related Tags - Big Pimpin', Big Pimpin' Song, Big Pimpin' MP3 Song, Big Pimpin' MP3, Download Big Pimpin' Song, Jay-Z Big Pimpin' Song, Volume. 3. Life and Times of S. Carter Big Pimpin' Song, Big Pimpin' Song By Jay-Z, Big Pimpin' Song Download, Download Big Pimpin' MP3 Song. Connect. Discover. Share. Get the most out of your experience with a personalized all-access pass to everything local on events, music, restaurants, news and more. Enter your email or sign up with a social account to get started. Already registered? Login › Houston's independent source of local news and culture. Recommended For You. Shifting Of Energy: DEM Roots Release New Single "Feng Shui" Houston Concert Watch 6/23: Charley Crockett, American Aquarium and More. Download: Pimp C, 1973-2007. Local Community Journalism. Support the independent voice of Houston and help keep the future of Houston Press free. A quick note: This isn't by any means a definitive Pimp C playlist. Over on the XXL blogs, Noz is doing an amazing job unearthing all manner of Pimp-related rarities, and you owe it to yourself to dig a little deeper and check it out. 1. Solomon Burke: "Got to Get You Off of My Mind." Preview/Buy from iTunes. Pimp grew up steeped in music, particularly Southern soul music. His father was a trumpet player for Burke, among others. In this Noz interview, Pimp talked about being a kid and playing around with his father's jukebox and piano, singing in his choir, and playing trumpet in his school band. There's a great moment in the interview where Pimp talks about something his stepfather, who was also Pimp's music teacher, told him when he first started producing rap records: "Put some music in that shit, you know you know how to read music. Put some goddamn melody in that shit and maybe you can get some money." Pimp took that suggestion and ran with it. In the early 90s, a few other producers were playing around with live instruments and warmer, expansive tones: Dr. Dre, DJ Slip and the Unknown DJ, the Rap-A-Lot stable of house producers, a few others. But Pimp's tracks sounded even fuller and more layered than those guys' work. And rather than just looping up his tracks, Pimp kept new elements fading in and out for his tracks' entire running time. Consider, for example, the piano that noses around the corners of "It's Supposed to Bubble," never settling into one basic figure, or the murmuring blues-guitar curls buried in "Diamonds and Wood." Pimp's beats could be intense and vicious, but even then they always subtly mutated and evolved. He was a musician first. 2. UGK: "Feel Like I'm the One Who's Doin' Dope" Preview/Buy from iTunes. One of the weird things about really early UGK is that at the beginning, Pimp was pretty much just as good a rapper as Bun. There's something vaguely awkward and tentative about Bun's delivery early on, at least compared to the insanely on-beat authoritative preacher's rumble he'd develop soon enough. Pimp, meanwhile, arrived more or less fully formed, sinking his distinctive nasal drawl deep into his beats, stretching out his syllables in a mocking singsong and displaying a serious eye for lyrical detail. This song, from UGK's 1992 Jive debut Too Hard to Swallow , is a Pimp solo showcase, and it follows the same basic narrative template as the Geto Boys' "Mind Playin' Tricks on Me": Pimp paranoid and hallucinating, not sure he can trust himself.
Recommended publications
  • Mike Jones What Ya Know About
    What Ya Know About Mike Jones What ya know about switching lanes holding wood grain What ya know about switching lanes holding wood grain What ya know about switching lanes holding wood grain What ya, what ya know about, what ya, what ya know about What ya know about that candy paint with butter guts V-V-S, princess cuts with purple stuff up in my cup I'm grippin on that grain man, switching lane to lane man In my Rover Range man, like Collie on them heaven thang I'm in the parking lot with my candy apple drop Hop inside, press a button, watch my top pass out See I'm a hustler on my grind, the four vogues fit for reclining Watch me smile and show my grill so y'all can see that I'm a shine 2 8 1, 3 3 oh, eight zero zero fo' Thats my cell phone number hit me up on the low I'm from the city of the clutch where the music screwed up I'm switching lanes, holding grain, about to tear the curb up, baby What ya know about some vogue tires and 84's Candy paint red cherry blossom drippin off the door I'm from the place where our smiles stay iced out Diamonds in our mouth, baby jammin on this Swishahouse I'm Paul Wall the peoples champ, the trunk popper I'm something like a chick magnet catching all the boppers We used to ride choppers back in 9-8 Still jammin grey tapes in this Lone Star state I'm from the place we be sippin on prescription cough syrup It's some icy white shoes and a tall tee shirt I got the trunk on crack with neon lights in the back We still jammin Robert Davis what ya know about that baby Pulling up holding, got the top folding
    [Show full text]
  • Be Sure to Log on to Our Friday Online Edition. 2 April 17, 20O'7
    Tuesday, April 17, 2007 Volume 133, Issue 20 Be sure to log on to our Friday online edition. 2 April 17, 20o'7 2 News 6 Who's who in Newark 14 Editorial 15 Opinion 17 Mosaic 21 Fashion Forward 26 Classifieds 28 Sports TIIE REVIEW/Meaghan Jones A Nor'Easter swept through Newark on Saturday night causing flooding and chilly temperatures. 31 Sports Commentary lv<~l> exclJJsives Check out these articles and more on UDreview.com • PROJECT P~OVIDES HOPE FOR UGANDAN FAMILIES • DEL. STUDENT NAMED AMERICA'S HOTTEST COLLEGE.GIRL • UNIVERSITY HONORED AT UN FOR TOP-RANKING STUDY ABROAD PROGRAM • CHRYSLER OFFERS NEW .BUY -OUT PACKAGES TO EMPLOYEES Courtesy ofAmber Stratton Courtesy ofSAE Junior Amber Stratton won $10,000 in Sororities participate in Paddy Murphy, a week-long CollegeHumor.com's Hottest College Girl Contest. charity event. The Review is published once weekly every Tuesday of the school year, Editor In Chief Administrative News Editor Columnist except during Winter and Summer Sessions. Our main office is located at 250 Dan Mesure Stephanie Haight Laura Beth Dlugatch Perkins Student Center, Newark, DE 19716. If you have questions about advertising Executive Editor City News Editor Cait Simpson Kevin Mackiewicz Managing Sports Editors or news content, see the listings below. National/State News Editor Steve Russolillo, Jason Tomassini Editorial Editors Sarah Lipman Sports Editors Brian Citino, Kyle Siskey News Features Editor Michael LoRe, Brendan Reed, Copy Desk Chiefs Maggie Schiller Dane Secor J Display Advertising (302) 831-1398 Emily
    [Show full text]
  • University of Houston Oral History of Houston Project Houston History
    HHA# 00812 Interviewee: Obi, Anthony Interview Date: March 25, 2013 University of Houston Oral History of Houston Project Houston History Interviewee: Anthony “Fat Tony” Obi Interview Date: March 25, 2013 Place: Agora on Westheimer, Houston, Texas Interviewer: Narmi Mena Transcriber: Michelle Kokes Keywords: Fat Tony, Anthony Obi, hip hop culture, hip hop music, rap music, EPs, mixtapes, solo artists, independent artists, 2000s, Hollywood Floss, Roc-a- fella Records, Cam‟Ron, Juelz, DIY music, 80s punk rock, DIY punk, Minor Threat, Black Flag, the Ramones, DJ Screw, UGK, Prince, chopped and screwed, Rap-A-Lot Records, Geto Boys, Scarface, Devin the Dude, Odd Squad, South Park Coalition, SPC, Swishahouse, Chamillionaire, Paul Wall, Mike Jones, VICE News, VICE Documentaries, Black Panthers, Houston rap, Houston music scene, Carnegie Vanguard High School, experimental music, local music, regional music, southern rap, southern culture, mainstream rap, A$AP Rocky, Kendrick Lamar, Drake, Purple Swag, marijuana, lean, purple drank, codeine, drug culture, Lil Wayne, SCREWDARGAB, RABDARGAB, OG Ron C, Youtube, Rice University, culture, music industry, 1990s, 1980s, Compton, Los Angeles, New Orleans, Lil B, Childish Gambino, Riff Raff, Fitzgerald‟s, Free Press Summer Fest Abstract: Anthony Obi is a Houston native Nigerian-American rap artist that goes by the name “Fat Tony.” Having an interest in music since a very young age, Fat Tony began making music with a group of friends during his high school years. After the group‟s disbandment Fat Tony released his first song called “Love Life” while collaborating with local artist Hollywood Floss. Fat Tony cites his earliest influences to an early 2000s single called “Oh Boy” by Cam‟Ron and Juelz, two Roc-a- fella Records artists.
    [Show full text]
  • LIL SCRAPPY 4TH ANNUAL OZONE AWARDS PATIENTLY WAITING & TJ’S DJ’S RECAP SPECIAL EDITION
    OZONE MAGAZINE ISSUE #50: YOUR FAVORITE RAPPER’S FAVORITE MAGAZINE LUDA!GETS PERSONAL 1st ANNUAL RUNNIN’ CRE OZONE AWARDS LIL SCRAPPY &TJ’S DJ’s DIT CHECKS WITH NO SHAME NOW SWISHAHOUSE: RECAP: PAUL WALL with UGK / LIL WAYNE MICHAEL WATTS TRINA / DAVID BANNER LIL KEKE & MORE LUDACRIS / SHAWNNA 8BALL & MJG / PITBULL YUNG JOC / RICK ROSS WEBBIE / CRIME MOB TRAE / TRICK DADDY YOUNG JEEZY / PLIES T-PAIN / PAUL WALL JACKI-O / LIL BOOSIE COOL & DRE / KHIA YOUNG DRO / B.G. & MANY MORE PLUS: CHARLAMAGNE THA GOD’S “WHY IT SUCKS TO BE DIDDY” OCTOBER 2006 ISSUE # 4TH ANNUAL PATIENTLY WAITING SPECIAL EDITION 50 ISSUE #50: YOUR FAVORITE RAPPER’S FAVORITE MAGAZINE SWISHA THEHOUSE: NEW GENERATION LUDACRIS LIL SCRAPPY 4TH ANNUAL OZONE AWARDS PATIENTLY WAITING & TJ’s DJ’s RECAP SPECIAL EDITION 10 oct06contents PUBLISHER/EDITOR-IN-CHIEF: Julia Beverly MUSIC EDITOR: Maurice G. Garland ASSOCIATE EDITOR: Matt Sonzala ADVERTISING SALES: COVER STORIES Che’ Johnson (Gotta Boogie) Greg G Ludacris pg 52-54 PROMOTIONS DIRECTOR: Malik “Copafeel” Abdul SwishaHouse pg 46-50 MARKETING DIRECTOR: David Muhammad LEGAL CONSULTANT: Kyle P. King, P.A. (King Law Firm) SUBSCRIPTIONS MANAGER: Destine Cajuste ADMINISTRATIVE: Cordice Gardner Nikki Kancey Tana Hergenraeder CONTRIBUTORS: ADG, Amanda Diva, Bogan, Carlton Wade, Charlamagne the God, Charles Parsons, Chuck T, E-Feezy, Edward Hall, Felita Knight, Iisha Hillmon, Jacinta Howard, Jaro Vacek, Jessica Koslow, J Lash, Jason Cordes, Jo Jo, Johnny Louis, Kamikaze, Keadron Smith, Keith Kennedy, K.G. Mosley, Killer Mike, King Yella, Lamar Lawshe, Lisa Coleman, Marcus DeWayne, Mercedes (Strictly Streets), Ms. Rivercity, Natalia Gomez, Ray Tamarra, Rico Da Crook, Robert Gabriel, Rohit Loomba, Shannon McCollum, Spiff, Swift, Wally Sparks, Wendy Day STREET REPS: Al-My-T, B-Lord, Big Teach (Big Mouth), Bigg C, Bigg V, Black, Brian Franklin, Buggah D.
    [Show full text]
  • Abstract Humanities Jordan Iii, Augustus W. B.S. Florida
    ABSTRACT HUMANITIES JORDAN III, AUGUSTUS W. B.S. FLORIDA A&M UNIVERSITY, 1994 M.A. CLARK ATLANTA UNIVERSITY, 1998 THE IDEOLOGICAL AND NARRATIVE STRUCTURES OF HIP-HOP MUSIC: A STUDY OF SELECTED HIP-HOP ARTISTS Advisor: Dr. Viktor Osinubi Dissertation Dated May 2009 This study examined the discourse of selected Hip-Hop artists and the biographical aspects of the works. The study was based on the structuralist theory of Roland Barthes which claims that many times a performer’s life experiences with class struggle are directly reflected in his artistic works. Since rap music is a counter-culture invention which was started by minorities in the South Bronx borough ofNew York over dissatisfaction with their community, it is a cultural phenomenon that fits into the category of economic and political class struggle. The study recorded and interpreted the lyrics of New York artists Shawn Carter (Jay Z), Nasir Jones (Nas), and southern artists Clifford Harris II (T.I.) and Wesley Weston (Lii’ Flip). The artists were selected on the basis of geographical spread and diversity. Although Hip-Hop was again founded in New York City, it has now spread to other parts of the United States and worldwide. The study investigated the biography of the artists to illuminate their struggles with poverty, family dysfunction, aggression, and intimidation. 1 The artists were found to engage in lyrical battles; therefore, their competitive discourses were analyzed in specific Hip-Hop selections to investigate their claims of authorship, imitation, and authenticity, including their use of sexual discourse and artistic rivalry, to gain competitive advantage.
    [Show full text]
  • Rap Vocality and the Construction of Identity
    RAP VOCALITY AND THE CONSTRUCTION OF IDENTITY by Alyssa S. Woods A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Music: Theory) in The University of Michigan 2009 Doctoral Committee: Associate Professor Nadine M. Hubbs, Chair Professor Marion A. Guck Professor Andrew W. Mead Assistant Professor Lori Brooks Assistant Professor Charles H. Garrett © Alyssa S. Woods __________________________________________ 2009 Acknowledgements This project would not have been possible without the support and encouragement of many people. I would like to thank my advisor, Nadine Hubbs, for guiding me through this process. Her support and mentorship has been invaluable. I would also like to thank my committee members; Charles Garrett, Lori Brooks, and particularly Marion Guck and Andrew Mead for supporting me throughout my entire doctoral degree. I would like to thank my colleagues at the University of Michigan for their friendship and encouragement, particularly Rene Daley, Daniel Stevens, Phil Duker, and Steve Reale. I would like to thank Lori Burns, Murray Dineen, Roxanne Prevost, and John Armstrong for their continued support throughout the years. I owe my sincerest gratitude to my friends who assisted with editorial comments: Karen Huang and Rajiv Bhola. I would also like to thank Lisa Miller for her assistance with musical examples. Thank you to my friends and family in Ottawa who have been a stronghold for me, both during my time in Michigan, as well as upon my return to Ottawa. And finally, I would like to thank my husband Rob for his patience, advice, and encouragement. I would not have completed this without you.
    [Show full text]
  • Outkast'd and Claimin' True
    OUTKAST’D AND CLAIMIN’ TRUE: THE LANGUAGE OF SCHOOLING AND EDUCATION IN THE SOUTHERN HIP­HOP COMMUNITY OF PRACTICE by JOYCELYN A. WILSON (Under the direction of Judith Preissle) ABSTRACT The hip­hop community of practice encompasses a range of aesthetic values, norms, patterns, and traditions. Because of its growth over the last three decades, the community has come to include regionally­specific networks linked together by community members who engage in meaningful practices and experiences. Expressed through common language ideologies, these practices contribute to the members’ communal and individual identity while simultaneously providing platforms to articulate social understandings. Using the constructs of community of practice and social networks, this research project is an interpretive study grounded primarily in the use of lyrics and interviews to investigate the linguistic patterns and language norms of hip­ hop’s southern network, placing emphasis on the Atlanta, Georgia southern hip­hop network. The two main goals are to gain an understanding of the role of school in the cultivation of the network and identify the network’s relationship to schooling and education. The purpose is to identify initial steps for implementing a hip­hop pedagogy in curriculum and instruction. INDEX WORDS: Hip­hop community of practice, social network, language ideology, hip­hop generation, indigenous research, schooling, education OUTKAST’D AND CLAIMIN’ TRUE: THE LANGUAGE OF SCHOOLING AND EDUCATION IN THE SOUTHERN HIP­HOP COMMUNITY OF PRACTICE by JOYCELYN A. WILSON B.S., The University of Georgia, 1996 M.A., Pepperdine University, 1998 A Dissertation Submitted to the Graduate Faculty of the University of Georgia in Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY ATHENS, GEORGIA 2007 ã 2007 Joycelyn A.
    [Show full text]
  • Common Field Convening. Houston, Tx + Online. Mmxx
    THE LOOP ROAD WORK AHEAD COMMON FIELD CONVENING. HOUSTON, TX + ONLINE. MMXX LETTERS FROM THE CO-EDITORS THE LOOP refers to Interstate 610, a 38-mile-long loop that marks the border between the City of Houston and Greater Houston. An important distinction for Houstonians, the neighborhoods inside and outside the loop are referred to as the Inner Loop and Outer Loop, respectively. This publication’s title, The Loop, refers to the complex identities of Houston’s various neighborhoods. Houston is touted as the “most diverse city in America;” instead of simply telling this fact, The Loop shows our diverse and multicultur- We wish to recognize the indigenous land and peoples that Reyes and I are both proud Houstonians born and raised al artist community through our contributors’ voices. Houston is built upon: in Bayou City. We commissioned pieces for this publica- tion to showcase the pulsing electricity of creativity, histo- Akokisa, Sana, Atakapa, Karankawa, and to any others we, ry, culture, community, and innovation coursing through- the editors, are unaware of. out Houston neighborhoods, which subconsciously or consciously inspire and inform our art community every- Originally, this publication was meant to provide more view- day. This publication is a labor of love. A tribute to our TABLE OF CONTENTS points and ideas of Houston since the Common Field Conven- city. Reyes, the contributors, and I all have deep connec- ing 2020 was to be held mainly in the Midtown area. As such, tions to Houston. My connections extend beyond the the contributors and their works give insights to H-Town that bounds of this publication: Convening participants would not have had a chance to see or CONTRIBUTORS the time to get to know.
    [Show full text]
  • Houston Rapper Kirko Bangz Is Riding a Buzz Right Now Worthy of Attention. with a DJ Drama Hosted Mixtape Blazing the Streets No
    Houston rapper Kirko Bangz is riding a buzz right now worthy of attention. With a DJ Drama hosted mixtape blazing the streets now, Kirko’s been gaining a foothold in the talented Southern rap scene. MTV’s RapFix Representing Houston, Kirko Bangz is one of the most popular young MCs on the 'net. He can harmonize and rap, so it's no surprise that the Drake comparisons are starting to roll in. His single, 'Drank In My Cup,' strengthened his star power and after dropping his most recent mixtape, 'The Progression 2: A Young Texas Playa,' Bangz is not only perfecting his craft but well on his way to etching out his own niche in the hip-hop arena. AOL’s TheBoomBox.com - “Black History Month 2012: 10 New Black Artists” (#5) Kirko Bangz is the type of artist that some people may not truly appreciate until hindsight becomes a factor…there’s something authentic about his style that cannot be ignored…As long as he continues with his progression (no pun intended) and shows that he’s more than radio- friendly, he could get there much sooner than later. AllHipHop.com This kid is going to be a problem once people really take notice. HipHopWired.com Kirko Bangz got next out of H-Town. Believe that OzoneMag.com Pretty boy swag! Is that even legal? Pretty smile, pretty eyes, pretty pockets, and such a disgusting delivery. How can these polar opposites intermingle with such a peaceful cohesion? Ask Kirko Bangz. The Houston native, has organically channeled the art of redirecting the lust for his looks into a lasting respect for his creative core.
    [Show full text]
  • Audio + Video 6/22/10 Audio & Video Releases *Click on the Artist Names to Be Taken Directly to the Sell Sheet
    New Releases WEA.CoM iSSUE 12 JUNE 22 + JUNE 29, 2010 LABELS / PARTNERS Atlantic Records Asylum Bad Boy Records Bigger Picture Curb Records Elektra Fueled By Ramen Nonesuch Rhino Records Roadrunner Records Time Life Top Sail Warner Bros. Records Warner Music Latina Word audio + video 6/22/10 Audio & Video Releases *Click on the Artist Names to be taken directly to the Sell Sheet. Click on the Artist Name in the Order Due Date Sell Sheet to be taken back to the Recap Page Street Date CX- ANDERSON, NON 524055 LAURIE Homeland (CD/DVD) $23.98 6/22/10 5/26/10 B.o.B Presents: The Adventures of Bobby Ray ATL A-518903 B.O.B. (Vinyl) $22.98 6/22/10 6/2/10 The Great Ray Charles (180 ACG A-1259 CHARLES, RAY Gram Vinyl) $24.98 6/22/10 6/2/10 CD- TSG 25486-D CHESNUTT, MARK Outlaw $17.98 6/22/10 6/2/10 REP A-47736 CLAPTON, ERIC August (Vinyl) $22.98 6/22/10 6/2/10 Coltrane Jazz (180 Gram ACG A-1354 COLTRANE, JOHN Vinyl) $24.98 6/22/10 6/2/10 Plays The Blues (180 Gram ACG A-1382 COLTRANE, JOHN Vinyl) $24.98 6/22/10 6/2/10 CX- LYNYRD Live From Freedom Hall RLP 177815 SKYNYRD (CD/DVD) $24.98 6/22/10 5/26/10 DV- LYNYRD RLP 109169 SKYNYRD Live From Freedom Hall (DVD) $14.99 6/22/10 5/26/10 ROBERT CD- RANDOLPH & THE WB 511230 FAMILY BAND We Walk This Road $13.99 6/22/10 6/2/10 CD- SMITH, AARON MFL 524761 NIGEL Everyone Loves To Dance $13.98 6/22/10 6/2/10 CD- NEK 524367 UFFIE Sex Dreams and Denim Jeans $13.99 6/22/10 6/2/10 CD- MFL 524463 VARIOUS ARTISTS Giggling & Laughing $13.98 6/22/10 6/2/10 CD- FBY 524346 VERSA EMERGE Fixed At Zero $13.99 6/22/10 6/2/10
    [Show full text]
  • Crimmigration with Thousands of Legal Residents Locked up Indefinitely, Far from Home, Texas' Immigrant Detention Centers Are Boiling Over
    03 19 2010 ERVER PLUS SCHOOLHOUSE CROCK Why is Texas prosecuting adults for dropping out? by Forrest Wilder Crimmigration With thousands of legal residents locked up indefinitely, far from home, Texas' immigrant detention centers are boiling over. BY MELISSA DEL BOSQUE ON THE COVER Inside the Port Isabel Detention Center PHOTO BY JAZMINE ULLOA POINT OF NO RETURN by del Bosque With thousands of legal residents locked up indefinitely, far from home, Texas' immigrant detention centers are boiling over. Non criminal detainees held in the Alpha dorm PHOTO BY JAZMINE ULLOA II DOWN FOR THE COUNT SCHOOLHOUSE CROCK by Kevin Sieff by Forrest Wilder The profitable game of including immi- Why is Texas prosecuting adults for OBSERVER grants in the census then deporting them. dropping out? ONLINE The Texas Observer is going REGULARS DATELINE: IRON CANVAS URBAN COWGIRL on spring break, DIALOGUE NECHES RIVER Border wall makeover Twilight of the so there will not Osi POLITICAL An East Texas eco- by Super-Americans be an April 2 INTELLIGENCE system is saved by the by Ruth Pennebaker issue. But you can Oti EDITORIAL courts. Let's go paddling. STATE OF THE MEDIA keep track of the 05 BEN SARGENT'S by Dan Coke. New School Journalism PURPLE STATE latest Texas news LOON STAR STATE by Bill Minutaglio Friendly Fire on our daily Web 19 HIGHTOWER REPORT 22 CRITIC'S NOTEBOOK by Bob Moser site. Also check 23 POETRY A Houston hip-hop duo HUNGRY EYE out immigrant by Jack Myers reunites to slow down Michael Nye's exhibit at 29 EYE ON TEXAS detainee inter- SXSW.
    [Show full text]
  • Mike Jones the American Dream Mp3, Flac, Wma
    Mike Jones The American Dream mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: The American Dream Country: US Released: 2007 Style: Thug Rap MP3 version RAR size: 1186 mb FLAC version RAR size: 1371 mb WMA version RAR size: 1171 mb Rating: 4.5 Votes: 168 Other Formats: AU AA VQF MIDI APE MP2 RA Tracklist Hide Credits The American Dream CD 1 Turnin Headz 3:12 My 64 2 3:53 Featuring – Bun B, Snoop Dogg 3 Mr. Jones 3:36 4 Like What I Got 3:03 Still Tippin' 5 3:35 Featuring – Paul Wall, Slim Thug 6 Back Then 4:07 American Dream DVD American Dream The Movie 1 89:35 Featuring [Actor] – A-3, Kiotti, Mellow , Mike Jones Credits A&R – Anzel "Intl Red" Jennings*, Mike Jones Executive-Producer – Mike Jones Mastered By – Brian Gardner (tracks: 5, 6), Mike Dean (tracks: 1 to 4) Mixed By – Mike Dean (tracks: 1 to 4), Towdown* (tracks: 5, 6) Producer – Michael "5000" Watts (tracks: 5, 6), Myke Diesel (tracks: 3), Salih* (tracks: 1, 2, 4 to 6) Notes The Compact disc contains a link that unlocks Internet based material, movies, interviews et. al. Barcode and Other Identifiers Barcode: 093624989974 Other versions Category Artist Title (Format) Label Category Country Year The American Dream (CD, Warner Bros. Records, 368828-2 Mike Jones 368828-2 US 2007 EP, Enh, Cle + DVD) Swishahouse Related Music albums to The American Dream by Mike Jones Mike Jones, Slim Thug, Missy Elliott - Before The Rise quincy jones - roots; the saga of an american family Mike Jones Featuring Bun B and Snoop - My 64 Lil Keke Da Don - Undaground All-Stars Da Texas Line Up Mike Will Made-It - Ransom Walls Of Jericho - The American Dream Mike Jones / Paul Wall - Still Tippin' / I'ma Pimp Mike Jones Featuring Slim Thug & Paul Wall - Still Tippin' A-G-2-A-KE - Mil-Ticket Jesus Jones - A Perverse Conversation With Jesus Jones.
    [Show full text]