Prescott—Everybody's Home Town
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Copyright by Jordyn Elizabeth Keller 2017
Copyright by Jordyn Elizabeth Keller 2017 The Report Committee for Jordyn Elizabeth Keller Certifies that this is the approved version of the following report: Anne Boleyn’s Musical Life Through an Examination of Rcm MS 1070 APPROVED BY SUPERVISING COMMITTEE: Supervisor: Luisa Nardini Andrew Dell’Antonio Anne Boleyn’s Musical Life Through an Examination of Rcm MS 1070 by Jordyn Elizabeth Keller Report Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Music The University of Texas at Austin December 2017 Dedication To all of the amazing women who have inspired me through the years. Acknowledgements This report would not have been possible without the love and support of some incredibly special people. To my husband, Thomas who is my Tabitha in every way. Thank you for challenging me every day and for being a sounding board for my ideas, an editor of my work, and a pillar of love and support. The completion of this report would not have been possible without the constant encouragement and guidance of Luisa Nardini. Thank you for inspiring me with your strength and believing in me even when it was hard to believe in myself. To Andrew Dell’Antonio whose energy, compassion, and generosity is unparalleled and has been indispensable during this process. Joseph Ovalle, my fiercest friend. I would not have survived graduate school without you. Thank you for always being in my corner. Erin Highland, my favorite kitten whose constant light and enthusiasm has sustained me through some of the most difficult times. -
J a N U a R Y 2 0
january 2003 Published by the American Recorder Society, Vol. XLIV, No. 1 Vol. American Recorder Society, by the Published sheet music www.moeck-music.de recorders early music flauto penta modern music flauto 1 folk&pop flauto 1 plus methods/tutors worls school recorders books flauto rondo rottenburgh modern music steenbergen music cartoons stanesby periodicals hotteterre tibia. magazin für holzbläser kynseker zfs recorders music series renaissance-consort cds breukink walter van hauwe renaissance jeremias schwarzer krummhorn trio diritto cornamuse dulcian shawm shalmei flute cornetti baroque flute oboe rackett chalumeau sopran clarinet Sole agent for the USA: Tel: 1-860-364-5431 Magnamusic Distributors Inc., Fax: 1-860-364-5168 P.O. Box 338, [email protected] Sharon, CT 06069 www.magnamusic.com EDITOR’S ______NOTE ______ ______ ______ ______ Volume XLIV, Number 1 January 2003 Last year was a year when it seemed that FEATURES many eyes were on the United Kingdom as THE AGE OF CONSORTS...?. 6 Queen Elizabeth II celebrated her Golden An iconographic conundrum is examined Jubilee in June 2002. Anglophiles on this by Anthony Rowland-Jones side of the Atlantic and those just wanting Music at the English Court (1509-1642) . 10 to observe the festivities followed the fêtes, A recorder concert with historical notes or at least watched with interest as PBS 4 by Constance M. Primus documentaries chronicled her years. Birth of a Song . 14 One newspaper article described “We’re ARS,” a newly-composed song for Play-the-Recorder Day Britain’s “main cultural ambassador” dur- by Carolyn Peskin ing the 50-year reign of this Queen Eliza- beth as “rock ‘n’ roll.” Not so in years past, as outlined in this DEPARTMENTS issue by two frequent contributors to Advertiser Index . -
The King, the Cardinal, the Concubine, and the Chronicler: a Lesson in Fluid Prejudice Sarah Crites [email protected]
Western Kentucky University TopSCHOLAR® Honors College Capstone Experience/Thesis Honors College at WKU Projects Spring 5-9-2011 The King, the Cardinal, the Concubine, and the Chronicler: A Lesson in Fluid Prejudice Sarah Crites [email protected] Follow this and additional works at: http://digitalcommons.wku.edu/stu_hon_theses Part of the English Language and Literature Commons, and the History Commons Recommended Citation Crites, Sarah, "The King, the Cardinal, the Concubine, and the Chronicler: A Lesson in Fluid Prejudice" (2011). Honors College Capstone Experience/Thesis Projects. Paper 314. http://digitalcommons.wku.edu/stu_hon_theses/314 This Thesis is brought to you for free and open access by TopSCHOLAR®. It has been accepted for inclusion in Honors College Capstone Experience/ Thesis Projects by an authorized administrator of TopSCHOLAR®. For more information, please contact [email protected]. Copyright by Sarah Crites 2011 ABSTRACT George Cavendish’s Life of Wolsey is one of the best known contemporary biographies from the Tudor era. Written during a time that has fascinated historians for centuries, Cavendish’s work has been used and quoted by many authors from many different time periods. These writers produced biographies of Cardinal Thomas Wolsey, the subject of Cavendish’s biography; Henry VIII, whom Wolsey served as chief minister; and Anne Boleyn, Henry VIII’s love and eventual queen. The dynamics among these three individuals is shown in Cavendish’s work and in subsequent biographies related to that era. As time passed, authors became more and more suspicious of the biases inherent in Cavendish’s book. Because of this, modern writers use the work sparingly or at least explain the problems with the text before quoting it. -
The Transmission and Reception of the Marian Antiphon in Early Modern Britain
The Transmission and Reception of the Marian Antiphon in Early Modern Britain Volume 1 of 2 Daisy M. Gibbs Submitted in partial fulfilment of the degree of Doctor of Philosophy School of Arts and Cultures, Newcastle University May 2018 Abstract A substantial proportion of extant pre-Reformation sacred music by English composers survives only in Elizabethan manuscript sources. The evident popularity of this music among copyists and amateurs after it became obsolete in public worship remains largely unexplained, however. Using the Marian votive antiphon as a case study, exemplified by the surviving settings of the popular antiphon text Ave Dei patris filia, this thesis comprises a reception history of pre-Reformation sacred music in post-Reformation England. It sheds light on the significance held by pre-Reformation music to Elizabethan copyists, particularly in relation to an emergent sense of British nationhood and the figure of the composer as a category of reception, in doing so problematising the long-standing association between the copying of pre-Reformation sacred music and recusant culture. It also uses techniques of textual filiation to trace patterns of musical transmission and source interrelationships, and thereby to gauge the extent of manuscript attrition during the sixteenth-century Reformations. Chapters 1 and 2 discuss the production of the Ave Dei patris antiphon corpus, particularly the ways in which its meanings were shaped by composers in the decades before the English Reformations. Chapter 3 concerns the transformations undergone by the Marian antiphon during the 1540s and 1550s and following the Elizabethan Settlement. The remaining chapters discuss the post-1559 afterlife of pre-Reformation polyphony. -
Projeto Anne Boleyn
UNIVERSIDADE FEDERAL DO RIO GRANDE DO SUL INSTITUTO DE LETRAS FLÁVIA ADRIANA ANDRADE Ficções de Anna Bolena Na História e na Literatura contemporâneas TESE DE DOUTORADO PORTO ALEGRE, 2013 2 FLÁVIA ADRIANA ANDRADE Ficções de Anna Bolena Na história e na literatura contemporâneas Tese apresentada ao Instituto de Letras da Universidade Federal do Rio Grande do Sul para obtenção do título de Doutor em Letras Área de concentração: Literatura Comparada Orientadora: Profa. Dra. Rita Terezinha Schmidt PORTO ALEGRE 2013 3 Nome: ANDRADE, Flávia Adriana. Título: Ficções de Anna Bolena, na história e na literatura contemporâneas. Tese apresentada ao Instituto de Letras da Universidade Federal do Rio Grande do Sul para obtenção do título de Doutor em Letras. Aprovado em: 02\07\2013 BANCA EXAMINADORA Prof. Dr. _____________________________ Instituição:_____________ Julgamento: ______________________ Assinatura: _______________ Prof. Dr. _____________________________ Instituição:_____________ Julgamento: _______________________ Assinatura: _______________ Prof. Dr. _____________________________ Instituição:_____________ Julgamento: _______________________ Assinatura: _______________ 4 Para minha sobrinha Isadora. Para minha avó, Sílvia Andrade (in memorian). 5 AGRADECIMENTOS A CAPES, pela bolsa de estudos. Ao Programa de Pós-Graduação em Letras, na pessoa do coordenador, Prof. Dr. Valdir Flores. À secretaria do Programa de Pós-Graduação em Letras, especialmente ao secretário Canísio, onde sempre fui atendida com presteza e cordialidade. À gráfica ExpanSSiva pelo belo trabalho na confecção das folhas personalizadas. Aos terapeutas, Glívia Almeida e Fernando Matos Ribeiro Silva, pelo valioso suporte. À direção da Escola Monte Cristo, na pessoa da Profa. Silvana Viegas, e à coordenação da EJA da Escola Neusa Brizola, na pessoa da Profa. Rita Azzolin, pela compreensão e flexibilidade.