A Finding Aid to the Edna Andrade Papers, 1917-Circa 1986, in the Archives of American Art

Total Page:16

File Type:pdf, Size:1020Kb

A Finding Aid to the Edna Andrade Papers, 1917-Circa 1986, in the Archives of American Art A Finding Aid to the Edna Andrade Papers, 1917-circa 1986, in the Archives of American Art Jayna M. Josefson Processing of this collection received federal support from the Collections Care Initiative Fund, administered by the Smithsonian American Women's History Initiative and the National Collections Program 2021/05/24 Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Scope and Contents........................................................................................................ 2 Biographical / Historical.................................................................................................... 2 Arrangement..................................................................................................................... 2 Names and Subjects ...................................................................................................... 2 Container Listing ............................................................................................................. 4 Series 1: Biographical Material, 1917-circa 1986..................................................... 4 Series 2: Correspondence, 1925-1981.................................................................... 5 Series 3: Printed Material, 1930s-1970s.................................................................. 7 Series 4: Photographs, 1917-1980.......................................................................... 8 Edna Andrade papers AAA.andredna Collection Overview Repository: Archives of American Art Title: Edna Andrade papers Identifier: AAA.andredna Date: 1917-circa 1986 Creator: Andrade, Edna, 1917-2008 Extent: 5.4 Linear feet Language: English . Summary: The papers of painter and educator Edna Andrade measure 5.4 linear feet and date from 1917 to circa 1986. The collection documents Andrade's career through biographical materials including a video recording, personal and professional correspondence, printed material, and photographs including five photo albums. Of note are examples of propaganda Andrade created for the Office of Strategic Services during World War II. Administrative Information Acquisition Information Edna Andrade donated her papers to the Archives of American Art in 1987 and 2004. Related Materials The Archives of American Art also holds an oral history interview with Edna Andrade conducted 1987 April 1-29. Available Formats Portions of the collection are available on 35mm microfilm reels 4225-4230 at Archives of American Art offices, and through interlibrary loan. Researchers should note that the arrangement of material described in the container inventory does not reflect the arrangement of the collection on microfilm. Processing Information The 1987 donation was microfilmed after receipt. The entire collection was processed, and a finding aid prepared by Jayna Josefson in 2021. Preferred Citation Edna Andrade Papers, 1917-circa 1986. Archives of American Art, Smithsonian Institution. Restrictions This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information. Page 1 of 8 Edna Andrade papers AAA.andredna Conditions Governing Use The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information. Biographical / Historical Edna Andrade (1917-2008) was a painter and educator active in Philadelphia, Pennsylvania. She was known for her optical illusion paintings. Born in Portsmouth, Virginia in 1917, Edna Davis Wright began her study of art at the Barnes Foundation in Marion, Pennsylvania. Later, she studied at the Pennsylvania Academy of the Fine Arts and earned her degree from the University of Pennsylvania in 1937. She won Cresson Scholarships to travel to Europe in 1936 and 1937. In 1941, she married architect C. Preston Andrade. During WWII, Andrade worked under Eero Saarinen in the Office of Strategic Services (OSS) where she designed propaganda. After the war, Andrade returned to Philadelphia, where she began a long teaching career at the Philadelphia College of Art from 1958 until her retirement in 1982. Andrade was part of the Op Art movement in the 1960s and also painted abstract landscapes. Edna Andrade died in 2008 in Philadelphia, Pennsylvania. Scope and Contents The papers of painter and educator Edna Andrade measure 5.4 linear feet and date from 1917 to circa 1986. The collection documents Andrade's career through biographical materials including a video recording, personal and professional correspondence, printed material, and photographs including five photo albums. Of note are examples of propaganda Andrade created for the Office of Strategic Services during World War II. Personal correspondence includes letters exchanged between Andrade with her parents, husband C. Preston Andrade, and sister, Mary. Professional correspondence concerns the exhibition of her works of art and teaching career. Arrangement The collection is arranged as 4 series. • Series 1: Biographical Material, 1917-circa 1986 (0.9 linear feet; Box 1, 6) • Series 2: Correspondence, 1925-1981 (1.6 linear feet; Boxes 1-2) • Series 3: Printed Material, 1930s-1970s (1.8 linear feet; Boxes 3-6, OV 7) • Series 4: Photographs, 1917-1980 (1.1 linear feet; Boxes 5-6) Names and Subject Terms This collection is indexed in the online catalog of the Smithsonian Institution under the following terms: Page 2 of 8 Edna Andrade papers AAA.andredna Subjects: Optical art Women artists Women educators Women painters Types of Materials: Video recordings Names: Andrade, C. Preston (Clarence Preston), 1912-1977 Occupations: Educators -- Pennsylvania -- Philadelphia Painters -- Pennsylvania -- Philadelphia Page 3 of 8 Series 1: Biographical Material Edna Andrade papers AAA.andredna Container Listing Series 1: Biographical Material, 1917-circa 1986 0.9 Linear feet (Boxes 1, 6) Scope and Artworks by Andrade consist of childhood sketches and doodles, including her first attempt Contents: at the ABCs; four drawings; three signed woodcuts; and one abstract silkscreen print, signed and dated 1966. An artwork inventory gives the titles, dimensions, and possible sales records of works by Andrade. School records include report cards and completed assignments from elementary school through college. Of particular note is propaganda designed by Andrade for the Office of Strategic Services during World War II, in the form of photographs of her work and printed material. A video recording produced by Hollins College is a profile of Edna Andrae. Box 1, Folder 1 "A Vision Transformed: Profile of Artist Edna Andrade" Hollins College, circa 1986 1 Videocassettes (VHS) Box 1, Folder 2 Artwork, circa 1920-1966 Box 1, Folder 3-7 Artwork Inventory, circa 1960s Box 1, Folder 8 Awards and Certificates, 1980-1982 Box 6, Folder 3 Awards and Certificates, Oversized, 1936, 1985 Box 1, Folder 9-10 Baby Books, 1917-circa 1922 Box 1, Folder 11 Biographical Sketches and Resumes, 1970s-1987 Box 1, Folder 12-13 OSS Propaganda Designs, circa 1940-1944 Box 6, Folder 2 OSS Propaganda Designs, circa 1940-1944 Box 1, Folder 14 Passports, 1936-1977 Box 1, Folder 15-16 School Records, 1920-1937 Box 1, Folder 17 Travel Souvenirs, 1936 Box 1, Folder 18 Wedding Invitation, 1941 Return to Table of Contents Page 4 of 8 Series 2: Correspondence Edna Andrade papers AAA.andredna Series 2: Correspondence, 1925-1981 1.6 Linear feet (Boxes 1-2) Scope and Letters between Edna and her family include correspondents C. Preston Andrade, Mary Contents: Wright, Ruth Porter Wright, and Thomas Wright. Letters from Andrade to her parents when she was a student at the Pennsylvania Academy include discussions of her teachers Hugh Breckenridge, Henry McCarter, and Albert Laessle, among others, and their critiques of her work. Additionally, she discusses her 1936 and 1938 trips abroad on Cresson Scholarships, and war work in Washington, D.C. Letters from C. Preston Andrade (Andy) discuss her exhibitions, sales, and her paintings, as well as document his work as an architect with the Ford Foundation in India. General correspondence is with friends and colleagues including Nell Blaine, Daisy Myers, Peggy James, Jay Robinson, and Allen Thrasher. Also found are Andrade's letters to famous figures including President Eisenhower and Walter Winchell. Professional correspondence relates to commissions, exhibitions, competitions, awards and loans to the East Hampton Gallery in New York City and to many Philadelphia art institutions, and the exhibition Philadelphia Focuses on Women in the Visual Arts. Some letters
Recommended publications
  • Conference Program
    I WEDNESDAY PM 2:OO-5:OO Art Libraries Versailles Terrace Chairman: Elizabeth R. Usher / Metropolitan Museum of Art Bibliographical Reports: ART bibliographies / Roger Bilboul 1European Bibliographical Center Planning for the Center for Advanced Studies in the Visual Arts I.I. M. Edelstein 1 National Gallery of Art Centro di Documentation / Alessandra Marchi / Centro di Documentation, Florence RiLA / Michael Rinehart / Sterling and Francine Clark Art Institute / Judy Ann Goldman and AntoinettePeterson Panel Discussion: The Art Library-Today and in the Future Moderator: Gerd Muehsarn / Queens College Panel: The Viewpoint of the Professor / Scholar User / Hanna Deinhard / Queens College The Viewpoint of the University Art Librarian / Jean L. Finch 1 Stanford University Libraries The Viewpoint of the Small Art Museum Librarian / Barbara Lipton I The Viewpoint of the Artist/Scholar User / Alvin Smith / Queens College The Viewpoint of the Large Art Museum Librarian 1 Frank Sommer I Winterthur Museum The Viewpoint of the Curator/Specialist/Scholar User I Louise A. Svendsen / Guggenheim Museum The Viewooint of the Curator/Scholar User / Georoe Szabo /The Lehman Open house at studios and galleries Information available at Social Events Desk 3:OO-6:00 Reception The Century Association Limited to300 persons 1 Invitations available at Social Events Desk 7 West 43rd Street An opportunity to view the Century Club's collection of New York, New York 19th century American painting WEDNESDAY PM 6:OO-9:OO Convocation The Metropolitan Grace Rainev, Rooers-
    [Show full text]
  • Edna Andrade
    EDNA ANDRADE Biography 1917–2008 Born in Portsmouth, VA Education 1937-38 Post Graduate Study, Pennsylvania Academy of the Fine Arts, Philadelphia, PA 1937 B.F.A., Pennsylvania Academy of the Fine Arts and University of Pennsylvania, Philadelphia, PA 1935-36 The Barnes Foundation, Merion, PA Solo Exhibitions 2017 Symmetries, Locks Gallery, Philadelphia, PA Prints, Locks Gallery, Philadelphia, PA 2016 Paintings and Works on Paper, Locks Gallery, Philadelphia, PA Paintings and Works on Paper, Locks Gallery, Philadelphia, PA 2015 Edna Andrade, Harnett Museum of Art, University of Richmond, VA Astrologer’s Garden, Locks Gallery, Philadelphia, PA 2012 Works on Paper: 1959-1962, Locks Gallery, Philadelphia, PA Color Motion: Edna Andrade Prints, The Print Center, Philadelphia, PA 2010 Drawings, Locks Gallery, Philadelphia, PA 2009 Toward Infinity, Locks Gallery, Philadelphia, PA 2007 Sensational: Edna Andrade’s Drawings, Woodmere Art Museum, Philadelphia, PA Optical Paintings, 1960–1966, Locks Gallery, Philadelphia, PA 2006 Geometry’s Garden, Locks Gallery, Philadelphia, PA Diamonds are Forever: Edna Andrade, The Print Center, Philadelphia, PA 2004 Edna Andrade, Locks Gallery, Philadelphia, PA 2003 Optical Paintings, 1963-1986, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA 2002 Rocks and Cliffs, Locks Gallery, Philadelphia, PA 1999 Drawing a Fine Line: Works from the Seventies, Locks Gallery, Philadelphia, PA 1997 Paintings 1960-1990, Locks Gallery, Philadelphia, PA Recent Works on Paper, Locks Gallery, Philadelphia,
    [Show full text]
  • Edna Andrade, Raijput Collage 1984 Prismacolor on Black Rives, 20 1/2 X 13 Inches Edna Andrade
    FOR IMMEDIATE RELEASE Contact: Locks Gallery T 215-629-1000/F 215-629-3868 [email protected] Edna Andrade, Raijput Collage 1984 prismacolor on black Rives, 20 1/2 x 13 inches Edna Andrade Taking Shape September 6 - October 19, 2019 Opening Reception: Friday, September 6 from 5:30 - 7:30pm Locks Gallery is pleased to announce Taking Shape, an overview of Edna Andrade’s geometric work from the 1960s through the 1980s that forefronts her studies, drawings, and sketches, alongside selected larger-scale paintings. The presentation highlights the methodical working practice of an artist who was perpetually re-working and investigating new forms. Andrade was deeply invested in shape, vision, and color, and her well-known Op Art paintings were the products of hundreds of hours of preparation. A selection of never-before-seen archival pieces reveal her lifelong, thoroughgoing investigation of the optics of seeing through process and study. 600 Washington Square South [continued on reverse] Philadelphia PA 19106 tel 215.629.1000 fax 215.629.3868 [email protected] www.locksgallery.com Edna Wright Andrade (1917-2008) lived and worked in Philadelphia for the majority of her career after first moving to the city to attend the Pennsylvania Academy of Fine Arts. Renowned for her challenging optical and hard-edged abstract paintings, the artist had a significant influence on the Philadelphia art scene for over forty years. At PAFA Andrade was awarded two Cresson Traveling Scholarships that allowed her to visit Europe, exposing her to Bauhaus ideologies and post-war artists that indelibly influenced her approaches to color, abstraction, and teaching.
    [Show full text]
  • Ruth Fine Audio Transcript Invisible City Philadelphia
    Ruth Fine Audio Transcript Invisible City Philadelphia Sid: Today is July 24, 2015 and we're in the home of Ruth Fine. We are interviewing her for discovery grant from PEW Center for the Arts and Heritage. The grant is called Invisible City Philadelphia in the Vernacular Avant-Garde. You were born in Philadelphia, a native Philadelphian. What did your parents do? Ruth: My mother actually graduated from what was then the Industrial School of Art in 1935. My father on the other hand didn't graduate high school. He was enough of the feminists that in the early 30s wouldn't marry my mother until she graduated college. He was a furniture salesman. My mother painted all her life in she taught and she painted until she died at the age of 90. S: What neighborhood you live in? R: Initially I lived in Northern Liberties which is so trendy now. Then we moved to the Northeast and as an adult I lived in various places. S: Was there art in your home? R: There was art in my home and lots of visits to the museum. I started going to PCA at the age of 11 on Saturday mornings. It has been in the family for a long time. S: At that time it was the Philadelphia Museum School of Art? R: When I was in art school it had three names. It started out as the Philadelphia Museum School of Art, it changed to the Philadelphia Museum College of Art and then changed to the Philadelphia College of Art.
    [Show full text]
  • Exploring the Senses: Beyond the Frame Michael Peter Bilali Dickinson College
    Dickinson College Dickinson Scholar Student Scholarship & Creative Works By Year Student Scholarship & Creative Works 2-17-2012 Exploring the Senses: Beyond the Frame Michael Peter Bilali Dickinson College Samantha Chappell Dickinson College Julia David Heydemann Dickinson College Danielle Rose Kelly Dickinson College Rachel Kathleen Lyons Dickinson College See next page for additional authors Follow this and additional works at: http://scholar.dickinson.edu/student_work Part of the Modern Art and Architecture Commons Recommended Citation Lee, Elizabeth, et al. Exploring the Senses: Beyond the Frame. Carlisle, Pa.: The rT out Gallery, Dickinson College, 2012. This Exhibition Catalog is brought to you for free and open access by the Student Scholarship & Creative Works at Dickinson Scholar. It has been accepted for inclusion in Student Scholarship & Creative Works By Year by an authorized administrator of Dickinson Scholar. For more information, please contact [email protected]. Authors Michael Peter Bilali, Samantha Chappell, Julia David Heydemann, Danielle Rose Kelly, Rachel Kathleen Lyons, Norah Elizabeth Maxwell, Diana Morales, Jennifer Carol Rokoski, Emily Hadden Rother, Sarah Katherine Winner, Elizabeth Lee, and Trout Gallery This exhibition catalog is available at Dickinson Scholar: http://scholar.dickinson.edu/student_work/18 Exploring the Senses: Beyond the Frame Exploring the Senses: Beyond the Frame February 17 – April 14, 2012 Curated by: Peter Bilali Samantha Chappell Julia David Heydemann Danielle Kelly Rachel Lyons Norah Maxwell Diana Morales Jen Rokoski Emily Rother Sarah Winner THE TROUT GALLERY • Dickinson College • Carlisle, Pennsylvania Acknowledgements Each fall, students in the art history senior seminar research painstaking attention to detail. This year, in particular, she and write a catalogue for an exhibition that opens in The has gone above and beyond the call of duty.
    [Show full text]
  • Oral History Interview with Edna Andrade
    Oral history interview with Edna Andrade Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 General............................................................................................................................. 2 Scope and Contents........................................................................................................ 1 Scope and Contents........................................................................................................ 1 Biographical / Historical.................................................................................................... 1 Names and Subjects ...................................................................................................... 2 Container Listing ...................................................................................................... Oral history interview with Edna Andrade AAA.andrad87 Collection Overview Repository: Archives of American Art Title: Oral history interview with Edna Andrade Identifier: AAA.andrad87
    [Show full text]
  • Philadelphia College of Art, November 20 Through December 15, 1978
    Digitized by the Internet Archive in 2011 with funding from LYRASIS IVIembers and Sloan Foundation http://www.archive.org/details/pointexhibitionpOOphil »•••. •••• u. •.,.' Photographs: Geoffrey Clements, p. 26 Bevan Davies, pp. 19, 21 eeva-inkeri, p. 24 Nancy Foote, p. 18 Robert Mates, p. 25 Eric Pollitzer, pp. 20, 22, 23 Sherwin, Creenburg, McGranahan, &May Inc., p. 16 Philadelphia College of Art Gallery Staff Janet Kardon / Director of Exhibitions Paula Marincola / Assistant to the Director Gordon Gibfried / Security Attendant Point has been funded in part by the National Endowment for the Arts in Washington D.C., a Federal Agency, and the Pennsylvania Council on the Arts © Philadelphia College of Art 1978 Printed in U.S.A. Library of Congress Catalogue Card Number 78-71253 Design by Stephen Lawlor ' » O /^ 1 « • V- Edna Andrade Jennifer Bartlett Cynthia Carlson Chuck Close Agnes Denes Sally Hazelet Drummond Bilg6 Friedlaender Nancy Graves Al Held Douglas Huebler Patrick Ireland Robert Irwin David Kettner Roy Lichtenstein Larry Poons Richard Pousette-Dart Warren Rohrer David Sharpe Alan Shields Perry Steindel Peter Young In art, a dot is a primary mark. In geometry, a point has position but no size or shape. Between these perceptual/conceptual extremes lie a range of usages for the point or dot that include perception and pattern recognition, science, coding of information and language. A point on a compass indicates location. On a map or sky chart it can be a city or star. Its decimal placement determines quantity. It signifies a moment in time and is a unit of measurement. A line is composed of an infinite number of points.
    [Show full text]
  • Individual Exhibitions
    DIANE BURKO S O L O E X H I B I T I O N S 2021 – UPCOMING: DIANE BURKO: CONFRONTING CLIMATE CHANGE, the American University Museum, Washington D.C. 2019 Nordic Changes, American Swedish Historical Museum, Philadelphia, PA ENDANGERED, Cindy Lisica Gallery, Houston, TX 2018 Repairing the Earth (Tikkun Olam): Diane Burko, Artist and Environmental Activist, Rodeph Shalom, Philadelphia, PA Endangered: from Glaciers to Reefs, National Academy of Sciences, Washington, D.C Diane Burko: Vast and Vanishing, Rowan University Art Gallery, Glassboro, NJ 2017 Glacial Shifts, Changing Perspectives, Paintings and Photographs by Diane Burko, Walton Art Center, Fayetteville, AR 2016 Traces of Change, Cindy Lisica Gallery, Houston, TX Glacial Dimensions: Art and the Global Ice Melt, Diane Burko and Paula Winokur, Burger Gallery, Kean University, Union, NJ 2014 Diane Burko Photographs: Investigating the Environment, LewAllen Galleries, Santa Fe, NM 2013 Diane Burko: Glacial Perspectives, Zimmerli Art Museum, Rutgers University, New Brunswick, NJ 2012 Diane Burko: Water Matters, LewAllen Gallery, Santa Fe, NM 2011 Diane Burko: Photo Show, Locks Gallery, Philadelphia, PA Politics of Snow II, Woodrow Wilson School, Bernstein Gallery, Princeton University, Princeton 2010 Politics of Snow, Locks Gallery, Philadelphia, PA 2007 Alumni Invitational II: Diane Burko, Linda Karshon, Joshua Marks, Bing Wright, Tang Museum, Skidmore College Saratoga Springs, NY Diane Burko: Closer to Home, Philadelphia International Airport, Philadelphia, PA 2006 Flow, Tufts University
    [Show full text]
  • Annual Report 2014 Annual Report 2014 Report Annual 59
    Annual Report 2014 Philadelphia Museum of Art Annual Report 2014 59 16 2 Board of Trustees 4 Letter from the Chair 47 6 A Year at the Museum 8 Collecting 26 Exhibiting 40 Learning 48 Connecting and Collaborating 58 Building 68 Conserving 76 Supporting 90 Staffing and Volunteering 6 14 96 A Calendar of Exhibitions and Events 104 Financial Statements 110 Committees of the Board of Trustees 112 Support Groups 115 Volunteers 118 Museum Staff 2 Annual Report 2014 Board of Trustees 3 Board of Trustees Trustees Honorary Trustees Trustees Ex-Officio Officers Marta Adelson Mrs. Jack M. Friedland Dr. Donald B. Parks Hon. Arlin M. Adams Hon. Tom Corbett Constance H. Williams Governor, Commonwealth of Chair, Board of Trustees and John R. Alchin Kimberley H. Gray Raymond G. Perelman Nancy M. Berman Pennsylvania Chair of the Executive Committee Dennis Alter David Haas Ajay Raju James D. Crawford Hon. Michael A. Nutter H. F. (Gerry) Lenfest Barbara B. Aronson Anne F. Hamilton Lynda R. Resnick Stephanie S. Eglin Mayor, City of Philadelphia Raymond G. Perelman Chairs Emeriti Andrea M. Baldeck, M.D. Lynne Honickman Lyn M. Ross William H. Flammer, Jr. Hon. Darrell L. Clarke President, City Council Dennis Alter Sheldon M. Bonovitz Osagie O. Imasogie Marsha W. Rothman Dorrance H. Hamilton Barbara B. Aronson Timothy Rub Julian A. Brodsky Ira Brind Joan M. Johnson Pia RoyChowdhury William H. Helfand The George D. Widener David Haas Director and Chief Executive Julian A. Brodsky Berton E. Korman Mark E. Rubenstein James J. Kim Lynne Honickman Officer Victoria McNeil Le Vine Priscilla S.
    [Show full text]
  • Looking Questions
    NATURE NIGHT SEA The artist Edna Andrade is inspired by nature, perhaps because she grew up in Portsmouth, Virginia, near the seacoast. After attend- ing the Pennsylvania Academy of the Fine Arts in Philadelphia and working as an architectural draftsperson, Andrade began to paint geometric abstractions like Night Sea. While making this painting, 1977 Acrylic on canvas she remembered swimming with her young friends in the Chesapeake 15 72 x 71 /16 inches (182.9 x 182.7 cm) Bay on a beautiful summer night in which there was a lot of phos- EDNA ANDRADE American, born 1917 phorescence, a glowing light emitted by tiny sea creatures in the dark: “As we splashed around in the waves we got these little LOOKING QUESTIONS sparkles all over us, and in a way that was one of the most wonderful How many small, glowing starlike experiences visual and tactile, and everything else that I could shapes do you see? ever imagine.” What colors do you see? What does this combination of colors Andrade first worked out the design forNight Sea in pen-and-ink make you think of? drawings. Then she used a Mylar template to create the painting in Look for curving shapes. What do acrylic. Twenty-five small stars appear to glow, sending out slender they remind you of? rays of pink and green light in a precise, geometric pattern. The tip Can you see any curving lines? (Be sure to look very carefully!) of each ray touches the tip of another, creating luminescent fans that What kind of movement flow into each other like waves suspended in blue-black space.
    [Show full text]
  • Download Commencement Program
    UNIVERSITY OF THE ARTS 143RD COMMENCEMENT 143 CLASS OF 2021 BOARD OF TRUSTEES OFFICERS Jeffrey A. Lutsky, Chairman Brian Effron, Vice Chairman William R. Gast ’68, Secretary Bruce E. Kardon, Treasurer David Yager, ex officio, President and CEO TRUSTEES Judson A. Aaron ’81 Joseph Aristone Ralph Citino Eleanor L. Davis Deanna S. DeCherney ’66 Patricia Fowler UNIVERSITY OF THE ARTS Travis Gaylord Amy H. Goldman 143RD COMMENCEMENT Peter Haas Nathaniel P. Hamilton Jr. ’07 Seth Lehr Elaine C. Levitt Robert G. Little ’81 Karen Lotman Dr. Noel Mayo ’60 Ronald Naples Adolf A. Paier Lawrence S. Reichlin Ebonne Ruffins Mark H. Samuels Stephen Sypherd Raj Tewari Laurie Wagman Harriet G. Weiss Kenneth Wong LIFE TRUSTEES Ira Brind Sam S. McKeel TRUSTEES EMERITI Commencement Ceremony George A. Beach ’58 Mary Louise Beitzel ’51 SATURDAY, MAY 22, 2021 Sondra Myers Albert E. Wolf FACULTY REPRESENTATIVES Karl Staven Fadi Skeiker (non-voting faculty representative) COMMENCEMENT CEREMONY SATURDAY, MAY 22, 2021 Performance Processional—9:30 a.m. “With A Little Help From My Friends” Ceremony—10:00 a.m. University of the Arts School of Music Commencement Ensemble, Held virtually at commencement.uarts.edu featuring Graduating Vocal Performance Majors Greetings from the Alumni Association Kate Flannery BFA ’87 (Acting) PERSONAL MESSAGES Silver Star Outstanding Alumni Awards Parents, Professors, Fellow Graduates, Staff and Friends Alex Da Corte BFA ’04 (Printmaking) Presented by Sid Sachs, Chief Curator and Director of Exhibitions Osceola Davis-Smith BM/BMED ’70
    [Show full text]
  • Op Listin Og Áhrif Hennar Á Hönnun
    OP LISTIN OG ÁHRIF HENNAR Á HÖNNUN Ari S. Arnarsson Ari S. Arnarsson - Grafísk hönnun - Op listin og áhrif hennar á hönnun Leiðbeinandi: Aðalsteinn Ingólfsson Janúar 2010 Efnisyfirlit: 1. kafli - Inngangur ............................................................. 05 2. kafli - Sagan .................................................................... 05 Uppruni ............................................................................... 05 Helstu frumkvöðlar ............................................................. 06 Victor Vasarely .................................................................. 06 Bridget Riley ..................................................................... 06 Tilraunir með liti .................................................................. 07 The Responsive Eye ............................................................ 09 3. kafli - Hvað er Op Art? .................................................... 10 Áhrif lita og birtumagns ...................................................... 12 Gestalt - skynheildarsálfræði ............................................... 12 Tilraunir sálfræðingsins Akiyoshi Kitaoka .......................... 13 4. kafli - Áhrif á hönnun ...................................................... 13 Innanhúsarkitektúr ............................................................... 13 Fatahönnun .......................................................................... 14 Önnur hönnun ...................................................................... 15 Nútímahönnun ....................................................................
    [Show full text]