Cash Box Disk Jockey Poll in Which They Were Named the Top Vocal Group
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2015 Arts Catalyst Big Idea Factory
campus so that we could create a compilation video to be used the following week. - Spoken word by Propaganda: - Baptism Video: Compilation video of baptism celebrations at all campuses from previous week. - Lane’s Challenge: We plan to close the message with Lane’s story that concludes the FYWBTG book. Perhaps the part he wrote as a challenge to all of us could come in his own words through video or audio? - Song - You Are Not Alone by MJ -maybe redo it acoustic or some such - Song - Frank Turner “The Way I Tend to be” - Worship Song - You Are God Alone (not a God) - Phillips, Craig, and Dean EASTER AT COMMUNITY: Easter Must Haves: Opening video - Call to worship, Lilies, Communion - Extra Special!, Pop Culture - Hit song, Story of Life Change, A reason to come back - Promo for next series, Language to translate to a newcomer, Original video content, Scripture reading (call and response), He is Risen!! Cross imagery, HUMOR, Cry, First Impressions awesomeness, A-team - Opening Moment - sound track - audio storytelling (use example of Peter for dialog, make it fit with “I Bet My Life” song, dark, frightening, goes into a song that is rockin’, bright - Alive by Israel Houghton suggested -Your last walk in music is the start of this track. Cue where it goes to black. Thunderbolts, storm etc. Welcome - short, not who we are. Welcome, lets sing - Two song worship set - Bumper - Message Element order Message: Testimony - Mary Beth Bittel. Maybe she plays forever on the Cello - Communion prep underneath Forever - Kari Jobe Pass communion during opening parts of the song. -
(Pdf) Download
Artist Song 2 Unlimited Maximum Overdrive 2 Unlimited Twilight Zone 2Pac All Eyez On Me 3 Doors Down When I'm Gone 3 Doors Down Away From The Sun 3 Doors Down Let Me Go 3 Doors Down Behind Those Eyes 3 Doors Down Here By Me 3 Doors Down Live For Today 3 Doors Down Citizen Soldier 3 Doors Down Train 3 Doors Down Let Me Be Myself 3 Doors Down Here Without You 3 Doors Down Be Like That 3 Doors Down The Road I'm On 3 Doors Down It's Not My Time (I Won't Go) 3 Doors Down Featuring Bob Seger Landing In London 38 Special If I'd Been The One 4him The Basics Of Life 98 Degrees Because Of You 98 Degrees This Gift 98 Degrees I Do (Cherish You) 98 Degrees Feat. Stevie Wonder True To Your Heart A Flock Of Seagulls The More You Live The More You Love A Flock Of Seagulls Wishing (If I Had A Photograph Of You) A Flock Of Seagulls I Ran (So Far Away) A Great Big World Say Something A Great Big World ft Chritina Aguilara Say Something A Great Big World ftg. Christina Aguilera Say Something A Taste Of Honey Boogie Oogie Oogie A.R. Rahman And The Pussycat Dolls Jai Ho Aaliyah Age Ain't Nothing But A Number Aaliyah I Can Be Aaliyah I Refuse Aaliyah Never No More Aaliyah Read Between The Lines Aaliyah What If Aaron Carter Oh Aaron Aaron Carter Aaron's Party (Come And Get It) Aaron Carter How I Beat Shaq Aaron Lines Love Changes Everything Aaron Neville Don't Take Away My Heaven Aaron Neville Everybody Plays The Fool Aaron Tippin Her Aaron Watson Outta Style ABC All Of My Heart ABC Poison Arrow Ad Libs The Boy From New York City Afroman Because I Got High Air -
CASH BOX 26 WEST 47Th STREET
VOLUME XIV FEBRUARY 1, 1953 NUMBER 20 tars in the folk field in recent months whose “Indian Love Call” on the Iin- it not only in the folk hut also in the shown with Lew Chudd (center) presi- . K. Makela (right), his manager. His in 1 Tell” backed with “All That I Ask Is Sympathy”. www.americanradiohistory.com Here’s How Wurlitzer’s Low Pressure Tone Arm Plus the 2 Mil Zenith Cohra Stylus 2 MIL STYLUS RIDES FREELY ON SHOULDER OF 45 RPM FINE GROOVE RECORD en Hundreds The Rudolph Wurlitzer Company • North Tonawanda, N. Y. www.americanradiohistory.com FIRST CLASS PERMIT No. 43309 (Sec. 34.9, P. L. & R.) NEW YORK, N. Y. BUSINESS REPLY CARD NO POSTAGE STAMP NECESSARY IF MAILED IN THE UNITED STATES 4c—POSTAGE WILL BE PAID BY— THE CASH BOX 26 WEST 47th STREET NEW YORK (19). N. Y. www.americanradiohistory.com OPERATORS: FOR YOUR CONTINUED PROFITS — MAIL THIS POSTCARD NOW! O nO OO *vj Ui Ui K) — ADDRESS ^ > ^I— £ C» NAME OE RECORD HERE CDM CD Co £ > « ? ARTIST ^ o> OR P CD > CA ^ BAND I a S c/> » mX 73 CD HERE CD CD < > www.americanradiohistory.com The CashBox February 7, 1953 Volume XIV Number 20 • PUBLISHED EVERY WEEK BY Speediest Wav To Bigger The Cash Box Puhlishing Co., Inc. 26 West 47th Street, New York 36, N. Y. (All Phones: JUdson 6-2640) JOE ORLECK • And Better Profits: CHICAGO OFFICE 32 West Randolph St., Chicago 1, III. (All Phones: DEarborn 2-0045) BILL GERSH • LOS ANGELES OFFICE 6363 Wilshire Blvd., Los Angeles, Cal. -
Sem Título-1
Leonard Neufeld and Kathy Acker on the cover of Theory, by Leonard Neufeld, poetry book produced and distributed by the author, March 1972; staple binding, print of 100 signed by Neufeld. Black and white photograph: © Laurence (Larry) Fink. theory by Leonard Neufeld produced and distributed by the author March 1972 if I don’t get to know you how can i make proper use of you please allow me to serve you in any way i can let’s walk down the street and talk about the people the idea being to clarify other extremes than our own no one will notice us until next month then we might be famous rich and/or powerful i’d like to move through life causing as little pain as possible you’d like to move through life causing as little pain as possible * * * it’s time to leave nobody’s coming don’t send money how can you dance at a time like this she said she has walls in her mind i believe her i believe in her i didn’t want to come home they were a little piece of the old life i stayed away but she won’t admit how she could feel * * * he was on the inside looking out they were on the outside looking on life starts in a funny way he is as ephemeral as a rainbow he isn’t subtle he’s learning something 4 Leonard Neufeld Theory (3 / 1972) daddy isn’t home, mommy’s asleep, baby’s crying the sound of a car door in the foggy night i will become one with the universe she rubbed his ass and giggled when he sucked her nipple * * * step right in only 69¢ let’s fuck i really want to lick you do you mind how much where is it i didn’t like it let’s go i feel very bad -
Alexander Thoma Soliloquy
Alexander Thoma soliloquy To my beautiful daughters avAurelia Victoria & Arabella Eleanor ae soliloquy Dear Listener, It struck me in the fall of 2019 that the time had come for “Soliloquy”, the lead song from the musical Carousel dating back to 1945. A Soliloquy is a monologue addressed to oneself, thoughts spoken out loud without addressing another person and often used as a tool in drama. This marvelous orchestration by Rodgers and Hammerstein, that has been forgotten by many, has been in my ears for the last thirty years. However, it required perhaps the beginning of fatherhood, to be ready for this very particular, almost operatic piece of music. When I was in preparation for the album, I obviously did not imagine that by the spring of 2020, the world order would be upside down and nothing would ever be quite the same, as we knew it. Surly, we all had plenty of time and opportunity in the past months to conduct a soliloquy - for the better or the worse. For me that had something very positive, for a soliloquy may surpass the possibility of self-reflection, but in fact it can empower you, to listen to your instincts and your heart! The fourth studio production of mine has been the most ambitious one so far and the music we produced barely fitted on a CD. With the title song, as well as all time classics such as “Ol’ Man River”, “In the Still of the Night”, “Three Coins in the Fountain”, and many others, you will find a music selection on this record ,that reflects the distinctive era of the ‘Great American Song Book’ and hence continues with my tribute to this fantastic music genre. -
2017 Benchmarks Study.Pdf
inspire incredible change across a broad and diverse One for the money, range of issues. And as if saving the planet, serving humanity, and Two for the show, building a better future weren’t enough, they also three to get ready... made time to generously share their results to help make the data in this Study as comprehensive and The internet is raucous, and hectic, and noisy. reliable as possible. Every day, nonprofits compete for attention with For those who help Benchmarks rock: we salute you. countless voices in an epic battle of the bands, on impossibly crowded stages ranging from web Now, meet The Benchmarks Band: browsers to mobile devices to email inboxes to Jonathan Benton, Theresa Bugeaud, and Sarah social media feeds. Vanderbilt: Data and Keyboards If you want to be heard, you gotta get loud. So for Will Valverde: Lyrics th this, our 11 Benchmarks Study, there was really only Liz Ertner and Amy Peyrot: Backup Vocals one choice: turn it up to 11. Emily Giorgione and Laura Klavon: Album Design, Stylists This year’s Benchmarks Study turns the volume Bobby Burch and Michael King: Engineers way, WAY up. We’ve included more data from more supporter contacts in more media from more Sally Brzozowski, Karen Hopper, Sam Lichtman, Ben participating nonprofits in more sectors than ever Page-Gil: Soundcheck before. Websites. Fundraising. Email. Advertising. Lucy Midelfort: Talent Management, Participant Outreach Social media. More. Madeline Stanionis: Bandleader Our goal is to help you follow the beat that is driving And a huge shout out to our partners at the results for nonprofits online. -
Uptown Conversation : the New Jazz Studies / Edited by Robert G
uptown conversation uptown conver columbia university press new york the new jazz studies sation edited by robert g. o’meally, brent hayes edwards, and farah jasmine griffin Columbia University Press Publishers Since 1893 New York Chichester, West Sussex Copyright © 2004 Robert G. O’Meally, Brent Hayes Edwards, and Farah Jasmine Griffin All rights reserved Library of Congress Cataloging-in-Publication Data Uptown conversation : the new jazz studies / edited by Robert G. O’Meally, Brent Hayes Edwards, and Farah Jasmine Griffin. p. cm. Includes index. ISBN 0-231-12350-7 — ISBN 0-231-12351-5 1. Jazz—History and criticism. I. O’Meally, Robert G., 1948– II. Edwards, Brent Hayes. III. Griffin, Farah Jasmine. ML3507.U68 2004 781.65′09—dc22 2003067480 Columbia University Press books are printed on permanent and durable acid-free paper. Printed in the United States of America c 10 9 8 7 6 5 4 3 2 1 p 10 9 8 7 6 5 4 3 2 1 contents Acknowledgments ix Introductory Notes 1 Robert G. O’Meally, Brent Hayes Edwards, and Farah Jasmine Griffin part 1 Songs of the Unsung: The Darby Hicks History of Jazz 9 George Lipsitz “All the Things You Could Be by Now”: Charles Mingus Presents Charles Mingus and the Limits of Avant-Garde Jazz 27 Salim Washington Experimental Music in Black and White: The AACM in New York, 1970–1985 50 George Lewis When Malindy Sings: A Meditation on Black Women’s Vocality 102 Farah Jasmine Griffin Hipsters, Bluebloods, Rebels, and Hooligans: The Cultural Politics of the Newport Jazz Festival, 1954–1960 126 John Gennari Mainstreaming Monk: The Ellington Album 150 Mark Tucker The Man 166 John Szwed part 2 The Real Ambassadors 189 Penny M. -
Vanguard Label Discography Was Compiled Using Our Record Collections, Schwann Catalogs from 1953 to 1982, a Phono-Log from 1963, and Various Other Sources
Discography Of The Vanguard Label Vanguard Records was established in New York City in 1947. It was owned by Maynard and Seymour Solomon. The label released classical, folk, international, jazz, pop, spoken word, rhythm and blues and blues. Vanguard had a subsidiary called Bach Guild that released classical music. The Solomon brothers started the company with a loan of $10,000 from their family and rented a small office on 80 East 11th Street. The label was started just as the 33 1/3 RPM LP was just gaining popularity and Vanguard concentrated on LP’s. Vanguard commissioned recordings of five Bach Cantatas and those were the first releases on the label. As the long play market expanded Vanguard moved into other fields of music besides classical. The famed producer John Hammond (Discoverer of Robert Johnson, Bruce Springsteen Billie Holiday, Bob Dylan and Aretha Franklin) came in to supervise a jazz series called Jazz Showcase. The Solomon brothers’ politics was left leaning and many of the artists on Vanguard were black-listed by the House Un-American Activities Committive. Vanguard ignored the black-list of performers and had success with Cisco Houston, Paul Robeson and the Weavers. The Weavers were so successful that Vanguard moved more and more into the popular field. Folk music became the main focus of the label and the home of Joan Baez, Ian and Sylvia, Rooftop Singers, Ramblin’ Jack Elliott, Doc Watson, Country Joe and the Fish and many others. During the 1950’s and early 1960’s, a folk festival was held each year in Newport Rhode Island and Vanguard recorded and issued albums from the those events. -
Songs by Artist
Sound Master Entertianment Songs by Artist smedenver.com Title Title Title .38 Special 2Pac 4 Him Caught Up In You California Love (Original Version) For Future Generations Hold On Loosely Changes 4 Non Blondes If I'd Been The One Dear Mama What's Up Rockin' Onto The Night Thugz Mansion 4 P.M. Second Chance Until The End Of Time Lay Down Your Love Wild Eyed Southern Boys 2Pac & Eminem Sukiyaki 10 Years One Day At A Time 4 Runner Beautiful 2Pac & Notorious B.I.G. Cain's Blood Through The Iris Runnin' Ripples 100 Proof Aged In Soul 3 Doors Down That Was Him (This Is Now) Somebody's Been Sleeping Away From The Sun 4 Seasons 10000 Maniacs Be Like That Rag Doll Because The Night Citizen Soldier 42nd Street Candy Everybody Wants Duck & Run 42nd Street More Than This Here Without You Lullaby Of Broadway These Are Days It's Not My Time We're In The Money Trouble Me Kryptonite 5 Stairsteps 10CC Landing In London Ooh Child Let Me Be Myself I'm Not In Love 50 Cent We Do For Love Let Me Go 21 Questions 112 Loser Disco Inferno Come See Me Road I'm On When I'm Gone In Da Club Dance With Me P.I.M.P. It's Over Now When You're Young 3 Of Hearts Wanksta Only You What Up Gangsta Arizona Rain Peaches & Cream Window Shopper Love Is Enough Right Here For You 50 Cent & Eminem 112 & Ludacris 30 Seconds To Mars Patiently Waiting Kill Hot & Wet 50 Cent & Nate Dogg 112 & Super Cat 311 21 Questions All Mixed Up Na Na Na 50 Cent & Olivia 12 Gauge Amber Beyond The Grey Sky Best Friend Dunkie Butt 5th Dimension 12 Stones Creatures (For A While) Down Aquarius (Let The Sun Shine In) Far Away First Straw AquariusLet The Sun Shine In 1910 Fruitgum Co. -
Songs by Artist
Songs by Artist Title Title (Hed) Planet Earth 2 Live Crew Bartender We Want Some Pussy Blackout 2 Pistols Other Side She Got It +44 You Know Me When Your Heart Stops Beating 20 Fingers 10 Years Short Dick Man Beautiful 21 Demands Through The Iris Give Me A Minute Wasteland 3 Doors Down 10,000 Maniacs Away From The Sun Because The Night Be Like That Candy Everybody Wants Behind Those Eyes More Than This Better Life, The These Are The Days Citizen Soldier Trouble Me Duck & Run 100 Proof Aged In Soul Every Time You Go Somebody's Been Sleeping Here By Me 10CC Here Without You I'm Not In Love It's Not My Time Things We Do For Love, The Kryptonite 112 Landing In London Come See Me Let Me Be Myself Cupid Let Me Go Dance With Me Live For Today Hot & Wet Loser It's Over Now Road I'm On, The Na Na Na So I Need You Peaches & Cream Train Right Here For You When I'm Gone U Already Know When You're Young 12 Gauge 3 Of Hearts Dunkie Butt Arizona Rain 12 Stones Love Is Enough Far Away 30 Seconds To Mars Way I Fell, The Closer To The Edge We Are One Kill, The 1910 Fruitgum Co. Kings And Queens 1, 2, 3 Red Light This Is War Simon Says Up In The Air (Explicit) 2 Chainz Yesterday Birthday Song (Explicit) 311 I'm Different (Explicit) All Mixed Up Spend It Amber 2 Live Crew Beyond The Grey Sky Doo Wah Diddy Creatures (For A While) Me So Horny Don't Tread On Me Song List Generator® Printed 5/12/2021 Page 1 of 334 Licensed to Chris Avis Songs by Artist Title Title 311 4Him First Straw Sacred Hideaway Hey You Where There Is Faith I'll Be Here Awhile Who You Are Love Song 5 Stairsteps, The You Wouldn't Believe O-O-H Child 38 Special 50 Cent Back Where You Belong 21 Questions Caught Up In You Baby By Me Hold On Loosely Best Friend If I'd Been The One Candy Shop Rockin' Into The Night Disco Inferno Second Chance Hustler's Ambition Teacher, Teacher If I Can't Wild-Eyed Southern Boys In Da Club 3LW Just A Lil' Bit I Do (Wanna Get Close To You) Outlaw No More (Baby I'ma Do Right) Outta Control Playas Gon' Play Outta Control (Remix Version) 3OH!3 P.I.M.P. -
Karaoke Catalog Updated On: 15/10/2018 Sing Online on in English Karaoke Songs
Karaoke catalog Updated on: 15/10/2018 Sing online on www.karafun.com In English Karaoke Songs 'Til Tuesday What Can I Say After I Say I'm Sorry Someday You'll Want Me To Want You Voices Carry When You're Smiling (The Whole World Smiles With That Old Black Magic (Woman Voice) (H?D) Planet Earth 1930s Standards That Old Black Magic (Man Voice) Blackout Heartaches I Know Why (And So Do You) DUET Other Side Cheek to Cheek Aren't You Glad You're You 10 Years My Romance (I've Got A Gal In) Kalamazoo Through The Iris It's Time To Say Aloha No Love No Nothin' 10,000 Maniacs We Gather Together Personality Because The Night Kumbaya Sunday, Monday Or Always 10CC The Last Time I Saw Paris This Heart Of Mine Dreadlock Holiday All The Things You Are Mister Meadowlark I'm Not In Love Smoke Gets In Your Eyes 1950s Standards The Things We Do For Love Begin The Beguine Get Me To The Church On Time Rubber Bullets I Love A Parade Fly Me To The Moon Life Is A Minestrone I Love A Parade (short version) It's Beginning To Look A Lot Like Christmas 112 I'm Gonna Sit Right Down And Write Myself A Letter Crawdad Song Cupid Body And Soul Christmas In Killarney Peaches And Cream Man On The Flying Trapeze That's Amore 12 Gauge Pennies From Heaven My Own True Love (Tara's Theme) Dunkie Butt When My Ship Comes In Organ Grinder's Swing 12 Stones Yes Sir, That's My Baby Lullaby Of Birdland Far Away About A Quarter To Nine Rags To Riches Crash Did You Ever See A Dream Walking? Something's Gotta Give 1800s Standards I Thought About You I Saw Mommy Kissing Santa Claus (Man -
A Feminist Perspective on New Orleans Jazzwomen
A FEMINIST PERSPECTIVE ON NEW ORLEANS JAZZWOMEN Sherrie Tucker Principal Investigator Submitted by Center for Research University of Kansas 2385 Irving Hill Road Lawrence, KS 66045-7563 September 30, 2004 In Partial Fulfillment of #P5705010381 Submitted to New Orleans Jazz National Historical Park National Park Service 419 Rue Decatur New Orleans, LA 70130 This is a study of women in New Orleans jazz, contracted by the National Park Service, completed between 2001 and 2004. Women have participated in numerous ways, and in a variety of complex cultural contexts, throughout the history of jazz in New Orleans. While we do see traces of women’s participation in extant New Orleans jazz histories, we seldom see women presented as central to jazz culture. Therefore, they tend to appear to occupy minor or supporting roles, if they appear at all. This Research Study uses a feminist perspective to increase our knowledge of women and gender in New Orleans jazz history, roughly between 1880 and 1980, with an emphasis on the earlier years. A Feminist Perspective on New Orleans Jazzwomen: A NOJNHP Research Study by Sherrie Tucker, University of Kansas New Orleans Jazz National Historical Park Research Study A Feminist Perspective on New Orleans Jazz Women Sherrie Tucker, University of Kansas September 30, 2004 Table of Contents Acknowledgments ................................................................................................ iii Introduction ...........................................................................................................1