Stripping the Willow Sculpture by Julian Wild
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Quercus Phellos.Indd
Quercus phellos (Willow Oak) Beech Family (Fagaceae) Introduction: Willow oak is a member of the red oak group with willow-shaped leaves. The fi ne foliage of the willow oak is one of its best ornamental features. The willow oak has excellent texture, rounded form, attrac- tive bark, and beautiful winter features (fi ne-texture, persistent leaves and twiggy form). Culture: The willow oak is an excellent choice as a shade tree. It thrives in moist, well-drained, acidic soil and full sun. The willow oak will tolerate pollution and drought and is considered a trouble-free tree as long as soil pH is acidic. Willow oak has a fi brous root system and is therefore easy to transplant. It has no serious disease or Botanical Characteristics: insect problems. As little as 1 inch of fi ll soil can kill an oak. Native habitat: Southeastern USA in alluvial soils, swamps. Additional comments: Willow oak is an excellent large shade tree. Its Growth habit: Unique among the oaks, the wil- low oak has a rounded habit. fi ne texture contrasts with the coarseness of most other red oaks. It is one of the best oaks for avenue plantings Tree size: Growing fast for an oak, it can reach or large residences. Willow oak is a fast-growing oak 70’ in height and equal width. that transplants easily and is tolerant of a wide range of growing conditions. Flower and fruit: Female fl owers are incon- Willow oak is a member of the red oak group spicuous; however the pendulous male catkins without lobed leaves. -
Distribution of Sales of Manufacturing Plants
SALESF O MANUFACTURING PLANTS: 1929 5 amounts h ave in most instances been deducted from the h eading, however, are not representative of the the total sales figure. Only in those instances where total amount of wholesaling done by the manufacturers. the figure for contract work would have disclosed data 17. I nterplant transfers—The amounts reported for individual establishments, has this amount been under this heading represent the value of goods trans left in the sales figure. ferred from one plant of a company to another plant 15. I nventory.—The amounts reported under this of the same company, the goods so transferred being head representing greater production than sales, or used by the plant to which they were transferred as conversely, greater sales than goods produced, are so material for further processing or fabrication, as con— listed only for purposes of reconciling sales figures to tainers, or as parts of finished products. production figures, and should not be regarded as 18. S ales not distributed.—In some industries, actual inventories. certain manufacturing plants were unable to classify 16. W holesaling—In addition to the sale of goods their sales by types of customers. The total distrib— of their own manufacture, some companies buy and uted sales figures for these industries do not include sell goods not made by them. In many instances, the sales of such manufacturing plants. In such manufacturers have included the sales of such goods instances, however, the amount of sales not distributed in their total sales. The amounts reported under is shown in Table 3. -
Evergreen Trees Agonis Flexuosa
Evergreen Trees Agonis flexuosa – Peppermint Willow Graceful willow-like evergreen tree (but without the willows voracious root system) with reddish-brown, deeply furrowed bark to 25’-30’. New leaves and twigs have an attractive reddish cast; clustered small white flowers and brownish fruits are not particularly ornamental. Casaurina stricta – Beefwood Pendulous gray branches; resembles a pine somewhat; tolerates drought, heat, wind, fog. Growth to 20’- 30’. Cinnamomum camphora - Camphor Evergreen trees to 40 feet, with 20-foot spread.. In winter foliage is a shiny yellow green. In early spring new foliage may be pink, red or bronze, depending on tree. Unusually strong structure. Clusters of tiny, fragrant yellow flowers in profusion in May. Geijera parviflora- Australian Willow Evergreen trees with graceful, fine-textured leaves, to 30 feet, 20 feet wide. Main branches weep up and out; little branches hang down. Much of the grace of a willow, much of the toughness of eucalyptus, moderate growth and deep non-invasive roots. Laurus nobilis – Grecian Laurel Slow growth 12-40’. Natural habit is compact, broad-based, often multi-stemmed, gradually tapering cone. Leaves lethery, aromatic. Clusters of small yellow flowers followed by black or purple berries. Magnolia Grandiflora – ‘Little Gem’- Dwarf Southern Magnolia Small tree to 20’ in height. Showy white flowers in the summer. Green glossy leaves. Maytenous boaria - Mayten Evergreen tree with slow to moderate growth to an eventual 30-50 feet, with a 15-foot spread, with long and pendulous branchlets hanging down from branches, giving tree a graceful look. Habit and leaves somewhat like a small scale weeping willow. -
Invasive Trees of Georgia Pub10-14
Pub. No. 39 October 2016 Invasive Trees of Georgia by Dr. Kim D. Coder, Professor of Tree Biology & Health Care Warnell School of Forestry & Natural Resources, University of Georgia Georgia has many species of trees. Some are native trees and some have been introduced from outside the state, nation, or continent. Most of Georgia’s trees are well- behaved and easily develop into sustainable shade and street trees. A few tree species have an extrodinary ability to upsurp resources and take over sites from other plants. These trees are called invasive because they effectively invade sites, many times eliminat- ing other species of plants. There are a few tree species native to Georgia which are considered invasive in other parts of the country. These native invasives, may be well-behaved in Georgia, but reproduce and take over sites elsewhere, and so have gained an invasive status from at least one other invasive species list. Table 1. There are hundreds of trees which have been introduced to Georgia landscapes. Some of these exotic / naturalized trees are considered invasive. The selected list of Georgia invasive trees listed here are notorious for growing rampantly and being difficult to eradicate. Table 2. Table 1: Native trees considered invasive in other parts of the country. scientific name common name scientific name common name Acacia farnesiana sweet acacia Myrica cerifera Southern bayberry Acer negundo boxelder Pinus taeda loblolly pine Acer rubrum red maple Populus deltoides Eastern cottonwood Fraxinus americana white ash Prunus serotina black cherry Fraxinus pennsylvanica green ash Robinia pseudoacacia black locust Gleditsia triacanthos honeylocust Toxicodendron vernix poison sumac Juniperus virginiana eastern redcedar The University of Georgia is committed to principles of equal opportunity and affirmative action. -
Utrecht Art Supplies What Not to Use As Varnish
Utrecht Art Supplies What Not to Use as Varnish • Removable with light solvents and gentle manipulation (should not require strong solvents or hard scrubbing) • Should not fuse with, soften or dissolve completely dry paint • Resin content should be documented to aid in later cleaning and care Alkyd Alkyd-based painting mediums are great for improving paint flow, imparting gloss, increasing transparency, and promoting a tough, flexible Ask the Expert: "Lately I've been finishing my paint film, but as a top-coat, they aren't oil paintings with a coat of alkyd medium to give reversible with even very harsh solvents. A coat a shiny finish. My friend says this might not be a of alkyd is permanent, for better or worse. Also, good idea. If I can coat an acrylic painting with some alkyd mediums impart harsh glare, making gloss medium, what's the problem with using it difficult to install and light the finished work. alkyd medium on oils?" Wax A: Artists sometimes make the mistake of top- coating a painting with a medium or other Wax is sometimes used as a top-coat over material which gives a good appearance in the paintings, but it has some significant short term, but which causes problems later. shortcomings for this application. Wax remains Alkyd-based painting mediums are great for their soft indefinitely, so it doesn't impart protection intended purpose, but alkyds don't meet the against mechanical damage from handling and requirements of a picture varnish. casual contact. Wax also tends to attract and hold dust. Cold wax medium has an attractive A picture varnish should satisfy these appearance when first applied, especially when functions: buffed to a shine, but can later become • Permanently neutral in color and lackluster. -
Varnishing Than with Any Other Stage of the Painting Process
INFO SHEET 301 UPDATED JULY 2016 VA R NISHING We get more questions about varnishing than with any other stage of the painting process. Varnishing should be an almost mechanical process undertaken to give your painting a protective coating with the surface quality you prefer (gloss, satin, etc.) and possibly an enhancement of colour contrast. But, if you leave it till the last moment and use a varnish you are not used to, you can ruin the work you are trying to protect. Anxiety and disappointment can be avoided easily if you do sample pieces using the same materials as the painting and varnish them, not the painting, until you get the effect you wanted. Water-based varnishes are tricky to apply and not removable if you dislike the effect, so we suggest they should only be used by artists who have already tried the above experiment. CHROMA SOLVENT FINISHING VARNISHES We recommend and prefer our Chroma Solvent Finishing Varnishes, because they can be used on all our Chroma paint brands, Atelier Interactive, Jo Sonja’s or Archival Oils. Application of all these varnishes is by brush (a broad house paint brush), and clean up is with mineral spirits. If applying multiple coats, allow 24 hours drying time between applications. Choose from these finishes: Gloss Solvent Finishing Varnish • Apply as is for a full gloss, usually one coat. To reduce gloss add Invisible Varnish to your taste. Try 2 parts varnish to 1 part Invisible Varnish, up to 1:1 for less sheen. NOTE: The new varnishes have an anti-mould additive which is diluted if you add turpentine, so to maintain the mould protection for tropical conditions dilute with Invisible Varnish instead. -
Library of Congress Classification
T TECHNOLOGY (GENERAL) T Technology (General) Periodicals and societies. By language of publication 1 English 2 French 3 German 4 Other languages (not A-Z) (5) Yearbooks see T1+ 6 Congresses Industrial museums, etc. see T179+ International exhibitions see T391+ 7 Collected works (nonserial) 8 Symbols and abbreviations Dictionaries and encyclopedias 9 General works 10 Bilingual and polyglot Communication of technical information 10.5 General works Information centers 10.6 General works Special countries United States 10.63.A1 General works 10.63.A2-Z By region or state, A-Z 10.65.A-Z Other countries, A-Z 10.68 Risk communication 10.7 Technical literature 10.8 Abstracting and indexing Language. Technical writing Cf. QA42 Mathematical language. Mathematical authorship 11 General works 11.3 Technical correspondence 11.4 Technical editing 11.5 Translating 11.8 Technical illustration Cf. Q222 Scientific illustration Cf. T351+ Mechanical drawing 11.9 Technical archives Industrial directories 11.95 General works By region or country United States 12 General works 12.3.A-Z By region or state, A-Z Subarrange each country by Table T4a 12.5.A-Z Other regions or countries, A-Z Subarrange each country by Table T4a 13 General catalogs. Miscellaneous supplies 14 Philosophy. Theory. Classification. Methodology Cf. CB478 Technology and civilization 14.5 Social aspects Class here works that discuss the impact of technology on modern society For works on the role of technology in the history and development of civilization see CB478 Cf. HM846+ Technology as a cause of social change History Including the history of inventions 14.7 Periodicals, societies, serials, etc. -
A Handbook on Japanning by William N. Brown
A HANDBOOK ON JAPANNING FOR IRONWARE, TINWARE, WOOD, ETC. WITH SECTIONS ON TIN-PLATING AND GALVANIZING BY WILLIAM N. BROWN SECOND EDITION: REVISED AND ENLARGED WITH THIRTEEN ILLUSTRATIONS LONDON SCOTT, GREENWOOD AND SON "THE OIL AND COLOUR TRADES JOURNAL" OFFICES 8 BROADWAY, LUDGATE, E.C. 1913 D. VAN NOSTRAND COMPANY 8 WARREN ST., NEW YORK First Edition under title "A Handbook on Japanning and Enamelling", 1901 Second Edition, Revised and Enlarged, under title "A Handbook on Japanning"— January, 1913 CONTENTS PAGE SECTION I. INTRODUCTION. 1-5 Priming or Preparing the Surface to be Japanned 4 The First Stage in the Japanning of Wood or of Leather without a Priming 5 SECTION II. JAPAN GROUNDS. 6-19 White Japan Grounds 7 Blue Japan Grounds 9 Scarlet Japan Ground 9 Red Japan Ground 10 Bright Pale Yellow Grounds 10 Green Japan Grounds 10 Orange-Coloured Grounds 11 Purple Grounds 11 Black Grounds 11 Common Black Japan Grounds on Metal 12 Tortoise-shell Ground 12 Painting Japan Work 13 Varnishing Japan Work 17 SECTION III. JAPANNING OR ENAMELLING METALS. 20-28 Enamelling Bedstead Frames and similar large pieces 24 Japanning Tin, such as Tea-trays and similar goods 25 Enamelling Old Work 27 SECTION IV. THE ENAMELLING AND JAPANNING STOVE—PIGMENTS SUITABLE FOR JAPANNING WITH NATURAL LACQUER—MODERN METHODS OF JAPANNING WITH NATURAL JAPANESE LACQUER. 29-48 Appliances and Apparatus used in Japanning and Enamelling 29 Modern Japanning and Enamelling Stoves 34 Stoves heated by direct fire 34 Stoves heated by hot-water pipes 36 Pigments suitable for Japanning with Natural Lacquer 45 White Pigments 45 Red Pigments 46 Blue Pigment 46 Yellow Pigments 46 Green Pigment 46 Black Pigment 46 Methods of Application 46 Modern Methods of Japanning and Enameling with Natural Japanese 47 Lacquer SECTION V. -
Duke of York Gardens Tree Walk Guide (PDF, 890KB)
Set on the banks of the River Freshney, work on the Duke of York Prior to this, the area was mainly farmland with the River Freshney The park is separated by a foot path that links York Street with Haven Gardens began in 1877 but it wasn’t opened until September meandering through it, and in1787 the only street present was Avenue. The eastern side of the park consists of areas to sit and take in 1894. The Mayor of Grimsby, George Doughty, performed the Haycroft Street which led to the south bank of the River Freshney. the wildlife whilst the western side of the park provides a more active opening ceremony accompanied by his wife and family. offering including play equipment, parkour, football and basketball. 1 Silver Birch Betula pendula 4 Holm Oak Quercus ilex 7 Holly Ilex aquifolium Holm oaks are different to other oaks in Distinguished by its white bark, the silver birch They can live for 300 years and can be seen flowering that they keep their leaves all year, they improves the soil by taking on otherwise here in October and November, and holly is dioecious are evergreen. They still produce acorns, inaccessible nutrients deep in the ground with its meaning that male and female flowers are found on which are smaller than our native oak very deep roots. These nutrients become part of different trees. The male flowers are scented and the acorns. the tree which are recycled when the leaves fall. female flowers, once pollinated by insects, produce bright red berries throughout winter. -
Plants Used in Basketry by the California Indians
PLANTS USED IN BASKETRY BY THE CALIFORNIA INDIANS BY RUTH EARL MERRILL PLANTS USED IN BASKETRY BY THE CALIFORNIA INDIANS RUTH EARL MERRILL INTRODUCTION In undertaking, as a study in economic botany, a tabulation of all the plants used by the California Indians, I found it advisable to limit myself, for the time being, to a particular form of use of plants. Basketry was chosen on account of the availability of material in the University's Anthropological Museum. Appreciation is due the mem- bers of the departments of Botany and Anthropology for criticism and suggestions, especially to Drs. H. M. Hall and A. L. Kroeber, under whose direction the study was carried out; to Miss Harriet A. Walker of the University Herbarium, and Mr. E. W. Gifford, Asso- ciate Curator of the Museum of Anthropology, without whose interest and cooperation the identification of baskets and basketry materials would have been impossible; and to Dr. H. I. Priestley, of the Ban- croft Library, whose translation of Pedro Fages' Voyages greatly facilitated literary research. Purpose of the sttudy.-There is perhaps no phase of American Indian culture which is better known, at least outside strictly anthro- pological circles, than basketry. Indian baskets are not only concrete, durable, and easily handled, but also beautiful, and may serve a variety of purposes beyond mere ornament in the civilized household. Hence they are to be found in. our homes as well as our museums, and much has been written about the art from both the scientific and the popular standpoints. To these statements, California, where American basketry. -
Weathering Test of Coatings for Wood Panel Boards
Proceedings of the 51st International Convention of Society of Wood Science and Technology November 10-12, 2008 Concepción, CHILE Weathering Test of Coatings for Wood Panel Boards . Rose Marie M GARAY Depto. Ingeniería de la Madera Universidad de Chile Sta. Rosa 11315,Casilla 9206 Santiago Chile ABSTRACT Protection that coating gives to wood based boards exposed to weathering, depends on multiple factors such as: substratum, application, properties of the product and conditions of weathering. The decision on the utilization of a given protector is based on requirements of use and durability. The evolution through time of the substratum- protector system is studied in long-term experimental weathering test field. Coatings in service are submitted to high and low temperatures, rain effect, solar radiation and wind, which are variable in different climatic zones, causing different effects when dampness is excessive or dryness is extreme. They are formulated for particular end-use conditions and, it is necessary to check their efficiency for the conditions that the manufacturer stipulates. In this work the behaviour in service of pigmented varnish, varnish with filter UV, insecticides and fungicides, paintings and stains, solvent-borne and water-borne, is studied These products were tested to weathering in the Metropolitan Region, Santiago, La Pintana. Tests were made according to the ASTM D D1006-73 standard. Materials for test were oriented strand board (OSB) and plywood. Evaluations are realized until 24 months of weathering. cracks, spots, erosion, discoloration, sheen, shelling, humidity absorption, and swelling in thickness were evaluated. Results indicate that none of the superficial protectors offers a completely efficient protection due to the severity of the exposition which caused visual unsightly effects such as loss of color, sheen, and fluctuations in the evaluated properties. -
Japanning 101. Japanning in a Can, Easy Peasy
Japanning 101. Japanning in a Can, Easy Peasy For a full discussion on various japanning mixes, quality of finish, durability and tips and techniques for success, refer to my earlier article, Japanning, or The Art of Embracing the Arcane at www.aPlaneLife.us. I highly recommend reading this article before beginning your project to understand the various mixtures and results. Have proper expectations goes a long way toward success. At the request of some readers, this series of articles will serve as a condensed, “how-to” for japanning an antique cast iron hand plane using various japanning products and mixtures. This series will start with the easiest method, commercially available japanning mix. This article will only cover the use of commercially available Rio Grande Asphaltum Varnish, although the tips and techniques should apply equally well to another commercially available pre-mixed japanning, Old PontyPool. I have chosen to focus on the Rio Grande product as I have significant experience using it, and it is very favorably priced compared to Old PontyPool. Affordable, economically sized and delivered to your door, easy. This product delivers a very deep, rich finish. Absolutely beautiful. Rio Grande Jewelers Asphaltum Varnish is available in pint cans online for about $17.00 plus shipping. Old PontyPool is sold by the quart at around $84.00 plus shipping. A pint of asphaltum varnish should cover about 15 size 4 hand planes. Old PontyPool may have more favorable performance, I have not used it, but given a limited shelf life and the quantity sold, I believe more people will be satisfied with the Rio Grande product.