Stephen Poleskie
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Memorial Statements
MEMORIAL STATEMENTS Cornell University Faculty 2019-2020 Office of the Dean of Faculty Ithaca, New York Editor Carrie Shugarts Copy Editor Jill Short 1 Preface The University Faculty has always followed the practice of including within the faculty records a memorial resolution on the death of one of its members. The faculty modified this custom that was begun in the earliest days of Cornell University in 1938 as follows: Upon the death of a member of the University Faculty, the President or Dean of Faculty shall formally notify the Faculty at the next meeting and those present shall rise in respect for the memory of the deceased member. The Provost shall then appoint a committee to prepare an appropriate memorial statement. Such statements shall not be presented in the form of resolutions, as in the past, but shall be annually collected, edited, and printed by the University in a memorial booklet, which shall be sent to members of the Faculty, to the families of the deceased members, and shall be filed with University records. This booklet, prepared by the Office of the Dean of the University Faculty, contains articles in memory of those twenty-five University Faculty members whose deaths were reported in the period from July 1, 2019 through June 30, 2020. The names of the committee members who prepared the statements are given at the end of each article. 2 Richard J. Archer June 8, 1948 – September 14, 2019 Professor Richard J. Archer was born on June 8, 1948 and died September 14, 2019 following a battle with cancer. -
Pop Impressions : [Brochure] Europe/USA
Pop impressions : [brochure] Europe/USA Author Museum of Modern Art (New York, N.Y.). Department of Prints and Illustrated Books Date 1999 Publisher The Museum of Modern Art, Department of Prints and Illustrated Books Exhibition URL www.moma.org/calendar/exhibitions/183 The Museum of Modern Art's exhibition history— from our founding in 1929 to the present—is available online. It includes exhibition catalogues, primary documents, installation views, and an index of participating artists. MoMA © 2017 The Museum of Modern Art SomPI o o 4v cb ^ Jhe Museum of Modorn Art Library Moh* /"yJLIa POPIMPRESSIONS EUROPE/USA the medium. At Hamilton's urging, in 1964 London's Printsand Multiples from The Museum ofModern Art Institute of Contemporary Arts published a ground Pop art pervaded the culture of the 1960s and became breaking portfolio of twenty-four screenprints by as intertwined with the lifestyle of its time more than any many artists. The project launched the medium as a vital other aesthetic movement of the twentieth century. It tool for creative expression among contemporary flourished out of an era of unprecedented economic British artists, many of whom made their first screen- prosperity, whose manifestations became the fodder for print for this project. Several other adventurous and far- Pop's artistic upheaval.The broad appeal of its accessi sighted British publishers, including Editions Alecto and ble imagery and vivid, bright designs permanently Petersburg Press,who understood printmaking's poten expanded the audience for art. tial as the ideal vehicle to meld Pop's audacious imagery Printed images permeated the Pop vision, and fun with its democratic ideals, undertook ambitious projects damental principles of printmaking —including concepts with artists ranging from Peter Blake and David Hock- of transference and repetition —underlay the artistic ney to Allen Jones and Jim Dine. -
Oral History Interview with Brice Marden, 1972 Oct. 3
Oral history interview with Brice Marden, 1972 Oct. 3 Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a tape-recorded interview with Brice Marden on October 3, 1972 and was conducted by Paul Cummings for the Archives of American Art, Smithsonian Institution. Interview PAUL CUMMINGS: It's the third of October, 1972, Paul Cummings talking to Brice Marden. You were born when, 1938, right? BRICE MARDEN: Yes -- October 15. PAUL CUMMINGS: In Bronxville; so it is birthday time, isn't it? Well, give me some kind of general idea about Bronxville and growing up and family background, brothers and sisters and so forth. BRICE MARDEN: Well, I was born in Bronxville but actually living in a town called Briarcliff which is 32 miles north of the city. I don't know why I was born in Bronxville; there was a doctor there or something. I've always been a little embarrassed by it because it's rather a horrible town. PAUL CUMMINGS: Well, what was Briarcliff like? BRICE MARDEN: It was a small town. During the war I guess there were about 1500 people there. It's suburban. It had been farm country, you know, early in the century, then mostly residential. I was brought up in a house that was one of the old farms. There was this one man who was the kind of patron of the village . PAUL CUMMINGS: Who was that? BRICE MARDEN: A guy named Law, but that was back in the turn of the century. -
The Museum of Modern Art U West 53 Street, New York, N.Y
The Museum of Modern Art U West 53 Street, New York, N.Y. 10019 Tel. 956-6100 Cable: Modernart FOR RELEASE: SEPTEMBER 11, 1975 76 JEFFERSON FALL PENTHOUSE ART LENDING SERVICE EXHIBITION 76 JEFFERSON, an exhibition of 38 works produced at that Lower East Side New York address, is the Fall Penthouse exhibition of the Art Lending Service of The Museum of Modern Art, and will be on view from September 11 through December 1. Because of the large number of artists who have lived and worked in the building, the group of works reflects the diversity of art produced in New York 'during the last 15 years. Works by 18 artists in a variety of styles and mediums are included — abstract and realistic painting, sculpture in various materials, and drawings and prints. In addition, there are silkscreen prints published by Chiron Press, which was also located at 76 Jefferson Street from 1963 to 1967. The exhibition has been organized by Richard Marshall, se lections advisor to the Museum's Art Lending Service, and all of the works are for sale. The artists represented in the exhibition who lived and/or worked at 76 Jefferson Street are Milet Andrejevic, E. H. Davis, John Duff, Mel Edwards, Janet Fish, Valerie Jaudon, Neil Jenney, Richard Kalina, Kenneth Kilstrom, Kobashi, Robert Lobe, Brice Marden, Robert Neuwirth, Steve Poleskie, David Robinson, Ed Shostak, Gary Stephan and Neil Williams. The artists whose Chiron Press prints will be on view are Richard Anuskiewicz, Allan d'Arcangelo, Jim Dine, Rosalyn Drexler, Al Held, Robert Indiana, Alex Katz, Ellsworth Kelly, Nicholas Krushenick, Marisol, Robert Motherwell, Louise Nevelson, James Rosenquist, Saul Steinberg, Ernest Trova, Andy Warhol, Jack Youngerman, and Larry Zox.