DOCSLIB.ORG

I|)I®Nul| Color

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
I|)I®Nul| Color Elvis Presley’s "G. I. Blues” are “cold bowl,” is a chilled Ger- THE STAR the three sets of boy twins who EVENING I man fruit soup. "It can be “work” in the baby-sitting Thursday, June 9, 1960 Amusements B-15 made with scenes. They get $2O a day for any fruit,” says ¦M HOLLYWOOD two DINING OUT Hans of the Old hours maximum toil. Their Lichtenstein Brook Farm, 7101 Brookville between men and women diners: mothers must be on the set at Europe, "but we use sour road. Chevy Chase. Md. Mr. Women are more all also a compfi- times, registered EMERSON BEAUCHAMP cherries, along with Burgundy By SHEILAH By Mills prefers steak or Men seldom GRAHAM nurse. prime i mentary. com- wine, pearl barley, and maca- ribs, and Mr. Oathings is par- ment. Producer Sam is Speigel roon sprinkled on top.” tial to steak. country-style Women like shrimp cocktails. k iM— ¦¦¦ for several hundred looking Men prefer clams. racing camels. Needs them for Come Avoid the Rush For the Record ... Vlhat Like Early, They Women are more likely to Innocent as a Babe»e his “Lawrence of Arabia” with The Two Arkansas Democrats, George Comert of the St. order varied dishes (roast beef, Marlon Brando. But someone Presidential Arms, 1320 served something else. Diners Mills and HOLLYWOOD, (NANA). —I we£ks That's Representatives Ga- Regis, 2218 Wisconsin avenue i chops, casseroles). Most men engagement.” a was telling me yesterday that G street N.W., is getting ready from out of town, he says, al- things, are frequent diners at N.W., observes these differences i order steak. Alfred Hitchcock looks inno* I lot these days in Hollywood Marlon had not most order the as yet signed on for another 12-week be- invariably big- where work race cent some actors only the dotted line. Racing camels gest steak on the menu. Local as a baby when you ask tween waiters and house eight weeks a year. owned the Arab lights. residents to him are by League. are more likely how did those censorable: The Candlelight «A * • And there may be difficulty Playhouse, choose a smaller one. "stills'* of Janet and Leigh John' The salaried talent in them. which If-* C lowest getting combines dining with ' jlf|Cf|R|| Gavin, in "Psycho'* a sequence, playgoing, starts its second Pint-Sized Pizza UT ° F LIFE ’' sea- L 7 get out and get published. “I son there on June 27. The Torino. 909 H street bl • mout ¦froze’ every one of them.” : has a says This year the N.W., new name. It’s now management tb a jitf/i *JI la “I Hitch. Seems to me that the known as "Melo’s Toino Italian ! anticipates a slightly less fran- ads for movies are getting worse THE LYONS DEN Restaurant.” tic pace in getting customers and worse. Melo Cicala, the new owner, seated, meals Films of More Than Routine Merit Buddy Rogers will not be By LEONARD LYONS served and dishes says he’s going to run what DRIVE IN THEATERS home when Mary Pickford has cleared in time for the start the Italians call a “trattoria"— “PLEASE DON’T EAT THE DAISIES”—Doris Day in a comic hsr auction rustic case for domestic inspired Jean Kerr’s best-seller. big for the Eleanor of the show. a both full- caper by PALMER DRIVE-IN Just Cleveland course “ROOM AT THE TOP”—Simone Laurence Roosevelt Cancer Fund on June Lifce dinners and casual Signoret, Harvey Rt. 704, Pa’mer "The menu will be all a la George Highway 2*. Buddy leaves on the 20th snacks. in the searing story of a ruthless success-seeker. SP. 3-5155. NEW YORK New York charge: A 10-cent per program carte,” explains Frank A. for Mediterranean missile bases "For instance,” says Melo, “THE SCAPEGOAT”—SIiek tale of mistaken identity with KARTOONS the became charge, in Britain’s Vlcek, manager. "That will ROCK to entertain American service- suddenly like Cleve- as theaters, "we have a pizza that’s only Alec Guinness playing a good-and-evil dual role. 9:00. HUDSON and raise the for it. mean greater variety but few- DORIS DAY nfan. stars might money six inches in “NORTH BY NORTHWEST”—Cary Grant flees spies and . Top are bat-; i land—only one major league diameter—just “PILLOW TALK” ** * * er dishes.” about Eva Marie Saint in a thriller Alfred Hitchcock. tMng for Oren Borsten's new ball club, and big theaters right for one person corking by 9:21. AUDIE MURPHY no MEMOS: Adlai Stevenson The Presidential Arms is also play, "The Innocents of Sum- who’s not too hungry. It’s “SAPPHIRE”—Yvonne Mitchell and Nigel Patrick in a su- “Hell Bent for Leather” goigig. The cabbie who took me said at Lotus Club that he hoping that diners will show mer.” Oren's television show ! tl\e called a pizzetta.” perior British whodunit, tidy and suspenseful. I'Scope and Colon. 11:23 downtown last still can’t understand up a little earlier now that for U.S. Steel, "The Case of; Friday night why au- they’ve had a * the to chuckle about diences laugh when he insists summer of ex- Rt. 1 E. W. 10EW S SO. 8-8722 Missing Wife,” will be seen began being Cold Bowl Returns he’s a candidate perience. Mr. Vlcek recom- Warner Theaters WINELAND THEATERS Allgust 10. to not ... Martha Stanley MT. VERNON OPEN AIR permitted make a right turn has will make tour mends getting there an hour Kaltschale made its ARE All AIR CONDITIONED »• * » Raye a summer Richmond Hwy,—South of Alex. into West Forty-fifth street at and half before annual the ABC DRIVE-IN in the play. “Personal Appear- a show time for appearance on I Children Free—Free Playground DAVID If the writers’ strike is over, 11:15—at what used to be a leisurely meal. menu at the Old Europe, 2434 AMBASSADOR DORIS DAY. NIVEN, in I DAY ONLY?! r ance" . John Leggett’s novel, Gina Wisconsin ¦RAT RACE.” Debbie Reincidi. “PLEASE DON’T STEVE COCHRAN Lollobrigida will return theater-break time. "It feels avenue N.W., and LITA MILAN "Wilder Stone,” was just bought Tuny Curtis. Imo, 3:35, d.35. from Canada with her that is here. EAT THE DAISIES” husband strange.” he said. It is strange. CBS-TV. means summer r.)5, 9:40. “I, MOBSTER” by Visiting Appetites Color, at 1(1:59. FB6B PARKER. and son 15 to ** • Kaltschale, which means 1 wo 6 I At 10:20- August co-star After-theater business, like the • AVA!fill JEFF CHANDLER. In "THE JAY- nVtUiUA " It's easy to out-of- It End with Tony Curtis in "Lady L." traffic, has dwindled with the spot an Conn. Ave N.W. HAWKERS. color, at 9. Could Only in Death!! THE LOST ROYALTIES: town customer at the Charcoal ‘PLEA BE DON’T EAT THE Doris Dav “GANG WAR” . May Britt, the talk of Lon- theaters dark and the magic of DAISIES," Day. id Niven, HILLSIDE DRIVE-IN Evelyn Waugh said that the House, 608 Montgomery street, ti;5U, y;l6. At 8:50 don because of her dates with our midnights vanished. 6200 Morlboro hila RE. 6 2165 ! most distressing thing an Alexandria. RrVFRV V LI. 3-3300. 13th & F There still au- DAVMLI FRANK SINATRA. GINA LOLLO- Sammy Davis, jr„willbe flying was off-Broadway bts . N.e. Free Perking BRIGIDA. in thor can hear from a fan is: In the first place, says Kris- to her native Stockholm soon, and the restaurants and night- “THEY CAME TO CORDURA, “NEVER SO FEW” CHAPEL "I’ve been waiting for weeks tos Kiriakow, one of the Cooper. 6.UU, 9:20. GUNFIGHTER QUEENS clubs ’• at to explain everything to her to lure the pleasure- IN,ABILENE, Buster Crabbe. 8:10. Color, 10:55. JOHN ERICSON. I Ager Rd. at Hamilton (off Queen* to your book out of the in get owners, the visitors usually W seekers. The tables at the | CAI VTRT FE. 3-6055. 2334 Wh. Chapel Rd- , Hyatts. Min*, from public library.” orders a VUIiVMI Sil. and D. C. WA. 7-2900 cocktail. He may even Ave. N.W. Free “Pretty Boy Floyd” Spg. This is how the new version Forum of the 12 Caesars of- Parking At 9. ** * * take his business elsewhere “PLEASE DON T EAT THE America Rocks With Laughter ered such contrast as of "Blood and Sand" is shaping Robert DAISIES," Doris Day, David Niven, ANArRSTYA 1415 Good Hop< DORIS DAY when he finds he can’t have 6:00, AHAbUdIIA Frost and Milton Berle. The THE TEACHER: The poten- 9:45. THE WIND CANNOT Rd s E LU. 1-7070 : —Robert Evans in the Dirk 8:OU DAVID NIVEN Tyrone one. READ," Bogarde, only. DORIfi DAY. DAVID NIVEN, in I back room of a Third tial employer of a governess! Power role, Sophia Loren in avenue rriITRAY 8-2841. 4259th “PLEASE DON’T checked her And Mr. Kiriakow has ob- J u&n i xiAie “PLEASE DON’T the last bar had the novelty of attend- on qualifications St N w Neor part played by Rita ParkinQ EAT THE DAISIES” EAT THE ance by a with Alexander Ince, the pro- "TEN DAYS JO TULARA." Sterling DAISIES” Hayworth, and Fran- ’ heavyweight champ Color, at 2:30. Antony Hayden. 12:40. 3.35, 8:30, 9 35. 5:55. 9:20 FRED C'Scope and Color in Ince said in DAY ciosa , training, Ingemar Johans- ducer-publisher. she •DAY OF THE OUTLAW." Robert MacMURRAY, ’GOOD FOR 9:05 and 12:45 taking over from Anthony A HANGING,” color, at 1:05.
Load more

Recommended publications
  • Black Soldiers in Liberal Hollywood
    Katherine Kinney Cold Wars: Black Soldiers in Liberal Hollywood n 1982 Louis Gossett, Jr was awarded the Academy Award for Best Supporting Actor for his portrayal of Gunnery Sergeant Foley in An Officer and a Gentleman, becoming theI first African American actor to win an Oscar since Sidney Poitier. In 1989, Denzel Washington became the second to win, again in a supporting role, for Glory. It is perhaps more than coincidental that both award winning roles were soldiers. At once assimilationist and militant, the black soldier apparently escapes the Hollywood history Donald Bogle has named, “Coons, Toms, Bucks, and Mammies” or the more recent litany of cops and criminals. From the liberal consensus of WWII, to the ideological ruptures of Vietnam, and the reconstruction of the image of the military in the Reagan-Bush era, the black soldier has assumed an increasingly prominent role, ironically maintaining Hollywood’s liberal credentials and its preeminence in producing a national mythos. This largely static evolution can be traced from landmark films of WWII and post-War liberal Hollywood: Bataan (1943) and Home of the Brave (1949), through the career of actor James Edwards in the 1950’s, and to the more politically contested Vietnam War films of the 1980’s. Since WWII, the black soldier has held a crucial, but little noted, position in the battles over Hollywood representations of African American men.1 The soldier’s role is conspicuous in the way it places African American men explicitly within a nationalist and a nationaliz- ing context: U.S. history and Hollywood’s narrative of assimilation, the combat film.
    [Show full text]
  • Raoul Walsh to Attend Opening of Retrospective Tribute at Museum
    The Museum of Modern Art jl west 53 Street, New York, N.Y. 10019 Tel. 956-6100 Cable: Modernart NO. 34 FOR IMMEDIATE RELEASE RAOUL WALSH TO ATTEND OPENING OF RETROSPECTIVE TRIBUTE AT MUSEUM Raoul Walsh, 87-year-old film director whose career in motion pictures spanned more than five decades, will come to New York for the opening of a three-month retrospective of his films beginning Thursday, April 18, at The Museum of Modern Art. In a rare public appearance Mr. Walsh will attend the 8 pm screening of "Gentleman Jim," his 1942 film in which Errol Flynn portrays the boxing champion James J. Corbett. One of the giants of American filmdom, Walsh has worked in all genres — Westerns, gangster films, war pictures, adventure films, musicals — and with many of Hollywood's greatest stars — Victor McLaglen, Gloria Swanson, Douglas Fair­ banks, Mae West, James Cagney, Humphrey Bogart, Marlene Dietrich and Edward G. Robinson, to name just a few. It is ultimately as a director of action pictures that Walsh is best known and a growing body of critical opinion places him in the front rank with directors like Ford, Hawks, Curtiz and Wellman. Richard Schickel has called him "one of the best action directors...we've ever had" and British film critic Julian Fox has written: "Raoul Walsh, more than any other legendary figure from Hollywood's golden past, has truly lived up to the early cinema's reputation for 'action all the way'...." Walsh's penchant for action is not surprising considering he began his career more than 60 years ago as a stunt-rider in early "westerns" filmed in the New Jersey hills.
    [Show full text]
  • Filmbrief Aus Frankreich
    Filmbrief aus Frankreich Autor(en): Arnaud Objekttyp: Article Zeitschrift: Schweizer Film = Film Suisse : offizielles Organ des Schweiz. Lichtspieltheater-Verbandes, deutsche und italienische Schweiz Band (Jahr): 7 (1941-1942) Heft 103 PDF erstellt am: 02.10.2021 Persistenter Link: http://doi.org/10.5169/seals-734881 Nutzungsbedingungen Die ETH-Bibliothek ist Anbieterin der digitalisierten Zeitschriften. Sie besitzt keine Urheberrechte an den Inhalten der Zeitschriften. Die Rechte liegen in der Regel bei den Herausgebern. Die auf der Plattform e-periodica veröffentlichten Dokumente stehen für nicht-kommerzielle Zwecke in Lehre und Forschung sowie für die private Nutzung frei zur Verfügung. Einzelne Dateien oder Ausdrucke aus diesem Angebot können zusammen mit diesen Nutzungsbedingungen und den korrekten Herkunftsbezeichnungen weitergegeben werden. Das Veröffentlichen von Bildern in Print- und Online-Publikationen ist nur mit vorheriger Genehmigung der Rechteinhaber erlaubt. Die systematische Speicherung von Teilen des elektronischen Angebots auf anderen Servern bedarf ebenfalls des schriftlichen Einverständnisses der Rechteinhaber. Haftungsausschluss Alle Angaben erfolgen ohne Gewähr für Vollständigkeit oder Richtigkeit. Es wird keine Haftung übernommen für Schäden durch die Verwendung von Informationen aus diesem Online-Angebot oder durch das Fehlen von Informationen. Dies gilt auch für Inhalte Dritter, die über dieses Angebot zugänglich sind. Ein Dienst der ETH-Bibliothek ETH Zürich, Rämistrasse 101, 8092 Zürich, Schweiz, www.library.ethz.ch http://www.e-periodica.ch sie im Produktionsjahre 1940/41 auf 23 tion zu decken, und so werden nach wie calha, la Reine des Gitanes» mit Viviane Filme anstieg; für die Saison 1941/42 ist vor, trotz der großen Knappheit an Romance, Roger Duchesne, Georges wieder mit einer bedeutsamen Erhöhung ausländischen Devisen, Lizenzen für die Flamant und Georges Grey.
    [Show full text]
  • Hollywood Stars and Their Army Service from the Spanish American
    James E. Wise, Paul W. Wilderson. Stars in Khaki: Movie Actors in the Army and Air Services. Annapolis: Naval Institute Press, 2000. xi + 244 pp. $24.95, cloth, ISBN 978-1-55750-958-1. Reviewed by Charles C. Kolb Published on H-PCAACA (November, 2000) Hollywood Stars and their Army Service from In Stars in Blue we learned about Wayne the Spanish American War to Vietnam Morris, Douglas Fairbanks, Jr., Henry Fonda, This splendid book is the third and fnal vol‐ Humphrey Bogart, Paul Newman, Aldo Ray, ume in historian-biographer Wise's trilogy and it Ernest Borgnine, Robert Montgomery, Cesar makes a ftting companion to its two illustrious Romero, and dozens of other flm stars. With the predecessors. In 1997 Wise and his co-author Ann sequel, Stars in the Corps , we discovered the con‐ Rehill wrote Stars in Blue: Movie Actors in Ameri‐ tributions made by more than 30 motion picture ca's Sea Services in which flm actors who served stars including Sterling Hayden, Tyrone Power, in the U.S. Navy, Naval Reserve, Coast Guard, or Steve McQueen, Lee Marvin, Gene Hackman, Coast Guard Reserve from 1920 through the Kore‐ George C. Scott, Harvey Keitel, Brian Dennehy, an War are profiled. Wise and Rehill also au‐ Hugh O'Brien, Ed McMahon, and Dale Dye. As in thored Stars in the Corps: Movie Actors in the these two volumes, the emphasis in Stars in Khaki United States Marines (1999) which covers the is on World War II. Many of the men who served same period but emphasizes Marines in the Pacif‐ in the U.S.
    [Show full text]
  • Print Catalogue
    ORPHÉE | ORPHEUS | ORFEUS Directed by Jean Cocteau Starring : Jean Marais, François Périer, María Casarès, Marie Déa, Roger Blin, Juliette Greco 1950 | 91’ | B&W | OV French | Fantasy | DCP Film restored in 2008 Subtitles : English, German, Finnish Rights : International (except for UK, USA & Anglophone Canada) Once again Jean Cocteau updates a classic to a compelling modern allegory. Jean Marais is Orpheus, a poet in search of inspiration. Marie Déa is radiant as Eurydice. María Casarès is Death, the imperious and se- ductive princess, whose glove-clad hand ripples though a mirror, leading Orpheus to another world. “If a poet has a dream, it is not of becoming famous, but of being believed.” - Jean Cocteau Cannes Film Festival, Cannes Classics, 2008 LA PISCINE | THE SWIMMING POOL DER SWIMMING POOL Directed by Jacques Deray Starring : Alain Delon, Romy Schneider, Maurice Ronet, Jane Birkin 1968 | 120’ | Colour | OV French | Crime, Drama | DCP Film restored in 2008 Subtitles : English, German, Dutch Rights : International (except USA, Canada, Italy, Russia, Japan, Ex-USSR, Dutch-speaking territories) Jean-Paul and Marianne spend lazy holidays at their villa in idyllic Southern France. However when Harry and his attractive young daughter Penelope show up, the dreamy summer days are suddenly filled with unspoken tension and jealousy. The shimmering swimming pool becomes the scene of a crime of passion. * Music by Michel Legrand 2 LA BANDERA | ESCAPE FROM YESTERDAY KOMPANIE DER VERLORENEN Directed by Julien Duvivier Starring : Jean Gabin, Anabella, Robert Le Vigan 1935 | 100’ | B&W | OV French | French classic | DCP Film restored in 2006 Subtitles : English, German Rights : International Jean Gabin is unforgettable as a French Legionnaire relentlessly pursued by his criminal past – and a fellow soldier who seems to know a little too much about him… Sent to the frontline, the two men come to terms with their courage in the face of danger.
    [Show full text]
  • God Loves Uganda | the Hooping Life | Tim’S Vermeer | the Address | Life According to Sam | the Story of the Jews Scene & He D
    July-August 2014 VOL. 29 THE VIDEO REVIEW MAGAZINE FOR LIBRARIES N O . 4 IN THIS ISSUE God Loves Uganda | The Hooping Life | Tim’s Vermeer | The Address | Life According to Sam | The Story of the Jews scene & he d LET BAKER & TAYLOR’S SCENE & HEARD TEAM HELP MAKE BUILDING AND MAINTAINING YOUR A/V COLLECTION EASIER WITH OUR PROFESSIONAL DIGITAL MEDIA PROCESSING (DMP) SERVICES! DMP off s a v iety of key benefi ts and feat es including: ■ Digitally reproduced original cover artwork ■ Personalized library contact information ■ Detailed content checklists and messaging ■ Circulation-tough polyvinyl CD and DVD cases ■ Single, double, multiple and locking security cases available ■ Large assortment of customized, embedded labels — genre, spine and more! To learn about DMP and other A/V products and services, contact your Sales Consultant today to discuss a custom-tailored solution for all your needs! 800-775-2600 x2050 [email protected] www.baker-taylor.com STAY CONNECTED: Spotlight Review God Loves Uganda streets, LGBT activists identified in newspa- HHH1/2 pers, and finally to a killing. Williams seems (2013) 83 min. DVD: to be everywhere with his camera (although $24.95. First Run he also makes assiduous use of archival and Publisher/Editor: Randy Pitman Features (avail. from other material): on buses with young Ameri- most distributors). Closed can ministers in Uganda, in parliamentary Associate Editor: Jazza Williams-Wood captioned. session, and at town hall-like meetings where Copy Editor: Kathleen L. Florio Stunning in its rev- gay pornography is shown (even to children) elations about the ways Editorial Assistant: Chris Pitman with the intent of fomenting intolerance.
    [Show full text]
  • Exposition Louis De Funès
    EXPOSITION LOUIS DE FUNÈS 15.07.20 ˃ 31.05.21 Véritable homme-orchestre, de Funès était mime, bruiteur, danseur, chanteur, pianiste, chorégraphe, en somme un créateur, un auteur à part entière. À travers plus de 300 œuvres, peintures, dessins et maquettes, documents, sculptures, costumes et, bien sûr, extraits de films (La Folie des grandeurs, Les Aventures de Rabbi Jacob, La Grande Vadrouille, L’Aile ou la cuisse, la série des Gendarme…), l’exposition dévoile ainsi la diversité de son talent comique. EXPOSITION - FILMS - CONFÉRENCES - DISCUSSIONS - LECTURE - VISITES GUIDÉES - CATALOGUE… Alain Kruger, commissaire avec le concours de Thibaut Bruttin Serge Korber, conseiller du commissaire CONTACTS PRESSE LA CINÉMATHÈQUE FRANÇAISE Elodie Dufour [email protected] 01 71 19 33 65 / 06 86 83 65 00 Assistée d’Emmanuel Bolève [email protected] 01 71 19 33 49 2 SOMMAIRE 1- EXPOSITION ET CATALOGUE Du 15 juillet 2020 au 31 mai 2021 p4 Pile électrique et face atomique par Alain Kruger Au fil de l’exposition Catalogue Louis de Funès, à la folie Une coédition Éditions de La Martinière / La Cinémathèque française Visites guidées Les samedis et dimanches 18, 19, 25 et 26 juillet à 11h15 et 14h15. Puis, à partir de septembre : tous les samedis et dimanches à 11h15 Journées d’ateliers pour le jeune public Jeudi 16 juillet de 9h30 à 16h30 / Vendredi 17 juillet de 9h30 à 16h30 2- FILMS + DIALOGUES AVEC DANIÈLE THOMPSON p12 Les Aventures de Rabbi Jacob Samedi 12septembre à 15h / Le Corniaud Dimanche 13 septembre à 14h30 3- CONFÉRENCES p13 «
    [Show full text]
  • Press-Release-Films
    FRENCH CULTURE IN THE UNITED STATES HIGHER EDUCATION, ARTS, FRENCH LANGUAGE For Immediate Release The 5th Annual Films on the Green Festival A series of free French screenings adapted from French and American literature in NYC parks Screening of “Two Days in Paris” (Deux Jours à Paris) by Julie Delpy at Columbia University, 2011 New York, May 2, 2012—The Cultural Services of the French Embassy and the City of New York Parks & Recreation announce the return of its popular free outdoor series of French screenings. For the fifth consecutive year, Films on the Green will present French films in New York City parks in June and July, as well as a special screening at Columbia University in September. The 2012 Films on the Green Festival will feature 8 free French screenings all adapted from French and American literature. Through an array of different cinematic genres – thriller, comedy, drama, romance and musical, the 2012 line-up includes films adapted from a wide range of literary styles – fairy tale (“Donkey Skin”), poetry (“The Snows of Kilimanjaro”) and graphic novel (“Persepolis”) – and highlights how great French directors like François Truffaut, Jacques Demy or Costa-Gavras have adapted works of literature. The series begins on Friday June 1st in Central Park with the screening of the comedy “OSS 117: Cairo, Nest of Spies” by the 2012 Oscar winning director of “The Artist,” Michel Hazanavicius. The film stars the talented Bérénice Bejo Press Contact: Kathryn Hamilton Tel: (646) 316 6926 — [email protected] FRENCH CULTURE IN THE UNITED STATES HIGHER EDUCATION, ARTS, FRENCH LANGUAGE and 2012 Oscar winning actor Jean Dujardin who plays a James Bond-type with rather unorthodox methods.
    [Show full text]
  • Johnson County Unclaimed Funds As of 7/6/2018
    •Notice of Unclaimed Property •By Kathy Blackwell •Johnson County Treasurer • •This notice is provided in accordance with Section 76.201 of the Texas Property Code regarding •unclaimed funds. Unclaimed funds, referenced by the names on the following list, are in the custody of •Kathy Blackwell, Johnson County Treasurer. Only those names with property valued at $100.00 or less, are included in this list. •Any person possessing a legal or beneficial interest in the reported funds may contact the Johnson •County Treasurer's Office at 817-556-6340 to obtain information about the amount of the funds and the •procedure to make a claim to receive the funds. The unclaimed property is presumed abandoned and •subject to Chapter 76 of the "Texas Property Code." •All other claims for property valued over $100.00 should be made to the Texas Unclaimed Property Department in the State Comptrollers Office. •800-321-2274 •or online at •www.window.state.tx.us JOHNSON COUNTY UNCLAIMED FUNDS AS OF 7/6/2018 LAST NAME: FIRST NAME: ADDRESS City,State, ZIP AMOUNT: DATE ON LIST Abdelkhalez Jalael Sabri 216 Cr 805A Cleburne Tx 76031 $ 16.42 7/8/2019 Abney John T 229 Mountain Air Joshua, Tx 76058 $ 10.00 6/23/2017 Aboites-Baylon German 229 Mountain Aire Cleburne, Tx 76031 $ 26.00 6/23/2017 Aboulhosn Joe M Ii 2005 Irma St Tucson, Az 85712 $ 2.32 6/23/2017 Abrego Sylvester C 5800 Cr 1012 Joshua, Tx 76058 $ 2.27 6/23/2017 Abundis Rosa 3319 Nw Loraine Cleburne, Tx 76031 $ 6.82 6/23/2017 Abunijmeh Yousef A 1908 Fm 3048 Godley, Tx 76044 $ 37.00 6/23/2017 Acevedo Roel 1720 John West Rd 1108 Dallas Tx 75228 $ 0.16 6/23/2017 Acosta Allysan S 4208 Broken Arrow Rd Ft.
    [Show full text]
  • Robert C. Schmitt
    ROBERT C. SCHMITT Hawai'i in the Movies, 1898—1959, Part IV THIS RESEARCH NOTE further amends the lists of feature films made in or about Hawai'i previously published by the Hawaiian His- torical Society. In 1988, the Society issued a monograph describing 120 such motion pictures produced prior to statehood.1 Three years later an addendum listed twelve others, plus further details about three of the films previously cited.2 Three others were added in 1992.3 Here are twenty-six more that have come to the author's attention since then, plus new material on one noted earlier. 1933 Lucky Devils RKO Radio. 3 Feb. 1933; Hon., NA. Sound, b&w, 60, 64, or 70 min. Dir., Ralph Ince. With Bill Boyd, Dorothy Wilson, William Gargan. Adventure-drama about Hollywood stuntmen. Halfway through the picture, the hero marries and honeymoons in Hawai'i.4 !934 Song of the Islands Palmer Miller and Curtis Nagel for the Hawaii Tourist Bureau. 1934; Hon., NA. Sound, Vericolor (an early two-color process), 40 min. Robert C. Schmitt, an associate editor of the Journal and a frequent contributor to its pages, is a retired statistician for the Hawai'i State Department of Business, Economic Develop- ment and Tourism. The Hawaiian Journal of History, vol. 30 (1996) 211 2 12 THE HAWAIIAN JOURNAL OF HISTORY Dir., NA. With Pualani Mossman, Sam Kapu, Ray Kinney, Don Blanding. A travelogue about the Islands, made for the Hawaii Tourist Bureau. The same title was used in a 1942 Betty Grable musical. Four ten- minute travelogues, one each for the major islands, were produced by the same group and also released in 1934.
    [Show full text]
  • Once Upon a Time in Hollywood
    RICK DALTON—Once he had his own TV series, but now Rick’s a washed-up villain-of- theweek drowning his sorrows in whiskey sours. Will a phone call from Rome save his fate or seal it? CLIFF BOOTH—Rick’s stunt double, and the most infamous man on any movie set because he’s the only one there who might have gotten away with murder. SHARON TATE—She left Texas to chase a movie-star dream and found it. Sharon’s salad days are now spent on Cielo Drive, high in the Hollywood Hills. CHARLES MANSON—The ex-con’s got a bunch of zonked-out hippies thinking he’s their spiritual leader, but he’d trade it all to be a rock ’n’ roll star. HOLLYWOOD 1969— YOU SHOULDA BEEN THERE COLUMBIA PICTURES PRESENTS A FILM BY QUENTIN TARANTINO LEONARDO DICAPRIO BRAD PITT MARGOT ROBBIE IN ONCE UPON A TIME IN HOLLYWOOD MARGARET QUALLEY TIMOTHY OLYPHANT JULIA BUTTERS DAKOTA FANNING BRUCE DERN AND AL PACINO TECHNICOLOR ® PRODUCED BY DAVID HEYMAN SHANNON MCINTOSH QUENTIN TARANTINO WRITTEN AND DIRECTED BY QUENTIN TARANTINO Dedication This book is dedicated to My Wife DANIELLA and My Son LEO Thanks for creating a happy home from which to write in. ALSO To all the actor Old Timers who told me tremendous stories about Hollywood in this period. And it’s because of them that you hold this book in your hands now. Bruce Dern * David Carradine * Burt Reynolds Robert Blake * Michael Parks * Robert Forster and especially Kurt Russell Contents Cover Title Page Dedication Chapter One: “Call Me Marvin” Chapter Two: “I Am Curious (Cliff)” Chapter Three: Cielo Drive Chapter Four: Brandy,
    [Show full text]
  • Haben Es Die Amerikanischen Kinobesitzer Leichter?
    Haben es die amerikanischen Kinobesitzer leichter? Autor(en): J.W. Objekttyp: Article Zeitschrift: Schweizer Film = Film Suisse : offizielles Organ des Schweiz. Lichtspieltheater-Verbandes, deutsche und italienische Schweiz Band (Jahr): 7 (1941-1942) Heft 101 PDF erstellt am: 26.09.2021 Persistenter Link: http://doi.org/10.5169/seals-734829 Nutzungsbedingungen Die ETH-Bibliothek ist Anbieterin der digitalisierten Zeitschriften. Sie besitzt keine Urheberrechte an den Inhalten der Zeitschriften. Die Rechte liegen in der Regel bei den Herausgebern. Die auf der Plattform e-periodica veröffentlichten Dokumente stehen für nicht-kommerzielle Zwecke in Lehre und Forschung sowie für die private Nutzung frei zur Verfügung. Einzelne Dateien oder Ausdrucke aus diesem Angebot können zusammen mit diesen Nutzungsbedingungen und den korrekten Herkunftsbezeichnungen weitergegeben werden. Das Veröffentlichen von Bildern in Print- und Online-Publikationen ist nur mit vorheriger Genehmigung der Rechteinhaber erlaubt. Die systematische Speicherung von Teilen des elektronischen Angebots auf anderen Servern bedarf ebenfalls des schriftlichen Einverständnisses der Rechteinhaber. Haftungsausschluss Alle Angaben erfolgen ohne Gewähr für Vollständigkeit oder Richtigkeit. Es wird keine Haftung übernommen für Schäden durch die Verwendung von Informationen aus diesem Online-Angebot oder durch das Fehlen von Informationen. Dies gilt auch für Inhalte Dritter, die über dieses Angebot zugänglich sind. Ein Dienst der ETH-Bibliothek ETH Zürich, Rämistrasse 101, 8092 Zürich, Schweiz, www.library.ethz.ch http://www.e-periodica.ch sich von Monat zu Monat verzögert hatte; Pierre Benoit (ein Plan, der schon aus dem Posten von Universitätsstudenten als Hauptdarsteller werden neben Josette Jahre 1939 stammt und nur durch den eingenommen, die sich damit das Weiterstudieren Day jetzt Raimu, Pierre Blanchar, Krieg vereitelt wurde), «Les Deux ermöglichen.
    [Show full text]