Figures of Light in the Early History of Relativity (1905–1914)
Figures of Light in the Early History of Relativity (1905{1914) Scott A. Walter To appear in D. Rowe, T. Sauer, and S. A. Walter, eds, Beyond Einstein: Perspectives on Geometry, Gravitation, and Cosmology in the Twentieth Century (Einstein Studies 14), New York: Springer Abstract Albert Einstein's bold assertion of the form-invariance of the equa- tion of a spherical light wave with respect to inertial frames of reference (1905) became, in the space of six years, the preferred foundation of his theory of relativity. Early on, however, Einstein's universal light- sphere invariance was challenged on epistemological grounds by Henri Poincar´e,who promoted an alternative demonstration of the founda- tions of relativity theory based on the notion of a light ellipsoid. A third figure of light, Hermann Minkowski's lightcone also provided a new means of envisioning the foundations of relativity. Drawing in part on archival sources, this paper shows how an informal, interna- tional group of physicists, mathematicians, and engineers, including Einstein, Paul Langevin, Poincar´e, Hermann Minkowski, Ebenezer Cunningham, Harry Bateman, Otto Berg, Max Planck, Max Laue, A. A. Robb, and Ludwig Silberstein, employed figures of light during the formative years of relativity theory in their discovery of the salient features of the relativistic worldview. 1 Introduction When Albert Einstein first presented his theory of the electrodynamics of moving bodies (1905), he began by explaining how his kinematic assumptions led to a certain coordinate transformation, soon to be known as the \Lorentz" transformation. Along the way, the young Einstein affirmed the form-invariance of the equation of a spherical 1 light-wave (or light-sphere covariance, for short) with respect to in- ertial frames of reference.
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