New Pulp-Related Books and Periodicals Available from Michael Chomko for August 2006
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Cosmopolis 3 (Editor’S Note: Mr
COSMOPOLIS Volume 1, Issue 3 March 2000 Cheers, Keeping the Gate Jeff On February 4 of this year, I received mail from Paul “This is preposterous! Must we welcome each scoundrel of time Rhoads, asking me if I were interested in joining VIE management. I answered with a hesitant “yes”; hesitant, into our midst, to satiate himself on our good things, meanwhile because I was standing in a different line when management perverting our customs?” skills were passed out. He responded that he had the “gatekeeper” function in mind, a job that had previously been Jack Vance, Rhialto the Marvellous done by him, as well as Mike Berro, Suan Yong, and now Tim When Bob Lacovara asked me to write this article, I Stretton, whose function as head of the proofreading team was immediately asked Jeff’s permission to quote him. This was his keeping him busy enough, thank you. I accepted. response: So from that day, I have been the human being on the I’m flattered...please quote whatever you like, with full attribution. other side of [email protected] and After all, I’m proud of my Vance geekness ;-) [email protected], the first person to get the good news that another discerning reader has thrown his lot in with Of course, the gatekeeper isn’t simply there to sign people the VIE or offered to assist in its realization. I have received up and pass them on to the webmasters and team leaders. A mail from Europe (Scandinavia and the Netherlands), North certain amount of time is spent answering questions that many America (including the LA suburb I grew up in), Australia and of you have about various aspects of the VIE. -
LITERAIR MAANDBLAD VOOR SF, FANTASTIEK & HORROR Vol.1, No
LITERAIR MAANDBLAD VOOR SF, FANTASTIEK & HORROR vol.1, no.2 / februari 1973 Samensteller en uitgever : EDDY C. BERTIN Res.Murillo - tel.09/23.26.86 Dr.Van Bockxstaelestraat 80 B-9002 Ledeberg/Belgium. * gratis supplement : checklists A.E.Van Vogt & Edmund Cooper * * aspekten van de sexualiteit en erotiek in science-fiction * * had Dracula dit geweten * 2 SF-GIDS No.2 - Februari 1973 Literair maandblad voor science-fiction, fantastiek en horror. Samengesteld en uitgegeven door : EDDY C. BERTIN, Residentie Murillo, Dr. Van Bockxstaelestraat, 80 B-9002 Ledeberg/Belgium.tel.09/23.26.86 SF-GIDS(c)1973 by Eddy C.Bertin.De af- zonderlijke rechten van opgenomen arti kels behoren aan de auteurs. SF-GIDS verschijnt maandelijks, uitgezonderd in juni en december. Het laatste jaarnum mer zal een index bevatten. Prijs: 15 BF(fl.1,10)per nummer.Jaar abonnement: 120 BF(fl.9). Halfjaarsabon nement: 60 BF(fl.4,50).Stort op postre kening 520 van de Generale Bankmaat schappij,9000 Gent,België,met vermel ding "voor bankrekening PSG-290/0012982/ 05 EDDY BERTIN,abonn.SF-Gids"; of mits internationaal postmandaat of postassig natie op naam en adres van uitgever. ---------------- * * * ----------------- * * * ( )UITGEVERS: door U uitgegeven boeken worden besproken op blz ( )PUBLISHER8: your books are reviewed on following pages ( )MEDEWERKERS: Uw bijdrage of bespre- kingen staan op blz ---------------- * * * ----------------- * * * AANVULLING BIJ SF-GIDS No.1 : checklist P.K.DICK: DEATH OF AN ANTI-WATCHER(SF roman,versch.1968);P.K.DICK OMNIBUS(UK, bevat romans no.s.8/16/20;versch.1970) CORRECTIES BIJ SF-GIDS No.1: checklist DICK:rom.18(MTS)versch.1964(niet 1965) rom.25(NWFLY)vers.1966(niet 1968) TIJDMACHINE blz.7 regel 35: lees 'Mor locks' (en niet 'Eloi'). -
Cosmopolis#57
COSMOPOLIS Number 57 January, 2005 And So It Ends SUBSCRIPTION know, we’re not done yet, but for someone who’s been I with the VIE for as long as I have (Volunteer # 76) the time remaining is vanishingly small compared to the eons DEADLINE is that have gone before. I’ve just received my last assign- JANUARY 25th! ment, and it’s like... well, the ‘last’. You know, like when you leave some place—house, employment, country—and lvl you’ll suddenly find yourself doing ‘last’ things. The deadline to order the complete set of ‘Last’ things that you’re aware of. ‘Last’ things that mat- VIE books is the 25th. ter; punctuation marks in the course of your life that add meta-meaning and frame its content. Punctuation we notice, You cannot procrastinate any longer! as if we were proofing the copy and wondering if that Order on the VIE website. comma really belongs here, or if it’s just a stylistic quirk, or if that colon should really be a full-stop. In contrast to this consider those sentence marks we don’t notice, because they, like someone wrote about Jack’s style, are Contents invisible, and by their implicitness serve to make limpid that which otherwise would be hidden. And So It Ends . 1 For everything in life, every action we take, is a ‘last’, at the same time as it is a first; only our urge to generalize, Till Noever simplify and abstract makes us believe otherwise. And, Work Tsar Report . .2 let’s face it, everything could just be ‘last’—because of our ignorance about what will be tomorrow, or maybe in the Joel Riedesel next few minutes, that will retroactively turn any given action into a ‘last’, by anybody’s definition. -
Septembre 1990, Numéro 3 (17E Année); C/O B. GOOR
BULLETIN TRIMESTRIEL D'INFORMATIONS DU CENTRE DE DOCUMENTATION DE L'ETRANGE; septembre 1990, Numéro 3 (17e année); C/o B. GOORDEN; BP33 - Uccle 4; 1180 Bruxelles (Abonnement annuel: 9 timbres à 14 FB ou 2,30 FF ou 5 C.R.I.) I) INFORMATIONS BELGES. 1) Les Editions DUCULOT (65 avenue de Lauzelle à 1348 Louvain-la-Neuve) lancent une nouvelle collection, "Les Authentiques", "donnant accès à la grande littérature d'aventures pour les jeunes adultes". Le premier titre est L'Ile au trésor ("The Sea Cook") de Robert Louis STEVENSON, roman d'aventures classique s'il en est, qui bénéficie ici d'une nouvelle traduction, intégrale, due à Geneviève PIROTTE, d'une présentation extrêmement soignée, et des superbes illustrations en quadrichromie de Newell Convers WYETH (1882-1945), reproduites d'après ses originaux pour l'édition Scribners à New York en 1911. Un magnifique travail de reconstitution, qui ne peut qu'inciter tout lecteur à un retour aux sources de sa passion littéraire et poussera le bibliophile à remplacer l'édition de sa bibliothèque par celle-ci. Un volume 18 X 23,5 cm de 274 pages pour une somme, finalement modique, de 580 FB. Il est à noter que paraîtra sous peu La Légende de la vallée somnifère de W.IRVING, titre qui devrait plus particulièrement allécher les amateurs de fantastique. Les mêmes éditions, rappelons-le, ont vu le roman Le Pic des ténèbres de Roger LELOUP (déjà renommé pour ses récits de SF en BD) couronné par le "Grand Prix de la SF française" (section jeunesse). Dans la même collection "Travelling", elles publient notamment d'autres auteurs belges, en l'occurrence L. -
000 Index Cosmopolis and Extant 20190603 1123.Xlsx
Index 2 - Index Name 3 - X 4 - Item 5 - Cosmopolis or 6 - Page 7 - Text Extant No All Articles 0001 Cosmopolis #02 1 The VIE Vision (Mazirian, Die Domaänen von Koryphon, Bodissy, F. Herbert, Azimov, S. Lem, Bradbury, Twain, Stevenson, Dickens, Balzac), p1, Paul Rhoads. All Articles 0002 Cosmopolis #02 4 The New Textual Integrity Principles (Palace of Love, Star King, Killing Machine), p4, Alun Hughes All Articles 0003 Cosmopolis #02 7 Response to Paul Rhoads’ Vision of the VIE, p7, Alun Hughes VIE Proj 0001 Cosmopolis #02 15 The VIE Vision, p1, Paul Rhoads. VIE Proj 0002 Cosmopolis #02 25 Response to ‘VIE Vision’, p7, Alun Hughes VIE Text Integrity 0001 Cosmopolis #02 37 The New Textual Integrity Principles, p4. Alun Hughes All Articles 0004 Cosmopolis #03 4 The Font in Question, p4, Paul Rhoads All Articles 0005 Cosmopolis #03 5 Is Vance a Science Fiction Author? ( Narnia, The Wizard of Oz, H.G. Wells, 1984, Brave New World, Martian Chronicles, Dune, Wodehouse, Praxiteles, Michelangelo, Tolkein, H.C. Anderson, Dunsany, Ovid, Dante, Gogol, Jane Austen, Shakespeare, Balzac, Thackery, Niven, Aldiss, Clark), p5, Paul Rhoads Format and Font 0001 Cosmopolis #03 21 The Font in Question, p4, Paul Rhoads Literary (By Author) 0029 Paul Rhoads Cosmopolis #03 35 Is Vance a Science Fiction Author?, p5 Literary 0001 Cosmopolis #03 35 Is Vance a Science Fiction Author?, p5, Paul Rhoads All Articles 0006 Cosmopolis #04 5 What Sort of Artist is Jack Vance? (The Domains of Koryphon, The Killing Machine, Lyonesse, Poussin, Tiepolo, Goya), p5, Paul Rhoads -
COSMOPOLIS Number 22 January, 2002
COSMOPOLIS Number 22 January, 2002 Contents The VIE Text Flow (in which a VIE text must endure the eyes of The VIE Text Flow . 1 by Joel Riedesel many assorted and dissimilar characters) The phases of text production explained by Joel Riedesel, Work Flow Commissar Work Tsar Status Report . 5 As everyone knows, the goal of the VIE is to produce by Joel Riedesel and establish the corrected, authoritative, and authorized version of the complete works of Jack Vance. Doing so Project Report . 6 involves many phases and steps; two might be considered by Paul Rhoads most interesting: Textual Integrity, where VIE volunteers attempt to find Jack’s words; and Composition, where VIE You Have Done It! . 7 volunteers artistically re-present Jack’s words. The rest by Hans van der Veeke of VIE work concerns removal of typos introduced by Volunteer work credits for completed texts: editors and, particularly, errors of all kinds introduced Ullward’s Retreat, Mazirian the Magician, The in the course of VIE work itself! Languages ofPao, The Men Return I’ve divided the numerous steps of the VIE Text Flow into the following phases (these are detailed further on): The Mathematical Vance. 9 by Richard Chandler 1. Raw Verified Text Phase Math examples from Jack’s works 2. Double-Digitization Phase 3. Techno-Proof Phase In Favor of Science Fiction? . 10 4. Textual Integrity Phase by Paul Rhoads 5. Composition Phase Is Vance a science fiction writer or not? 6. Golden Master Phase The goal of phases 1 through 3 is to produce a text suit- Letters to the Editor. -
000 Index Cosmopolis and Extant 20190603 1123.Xlsx
Index 2 - Index Name 3 - X 4 - Item 5 - Cosmopolis or 6 - Page 7 - Text Extant No VIE Proj 0002 Cosmopolis #02 25 Response to ‘VIE Vision’, p7, Alun Hughes All Articles 0003 Cosmopolis #02 7 Response to Paul Rhoads’ Vision of the VIE, p7, Alun Hughes All Articles 0002 Cosmopolis #02 4 The New Textual Integrity Principles (Palace of Love, Star King, Killing Machine), p4, Alun Hughes VIE Text Integrity 0001 Cosmopolis #02 37 The New Textual Integrity Principles, p4. Alun Hughes All Articles 0001 Cosmopolis #02 1 The VIE Vision (Mazirian, Die Domaänen von Koryphon, Bodissy, F. Herbert, Azimov, S. Lem, Bradbury, Twain, Stevenson, Dickens, Balzac), p1, Paul Rhoads. VIE Proj 0001 Cosmopolis #02 15 The VIE Vision, p1, Paul Rhoads. All Articles 0005 Cosmopolis #03 5 Is Vance a Science Fiction Author? ( Narnia, The Wizard of Oz, H.G. Wells, 1984, Brave New World, Martian Chronicles, Dune, Wodehouse, Praxiteles, Michelangelo, Tolkein, H.C. Anderson, Dunsany, Ovid, Dante, Gogol, Jane Austen, Shakespeare, Balzac, Thackery, Niven, Aldiss, Clark), p5, Paul Rhoads Literary (By Author) 0029 Paul Rhoads Cosmopolis #03 35 Is Vance a Science Fiction Author?, p5 Literary 0001 Cosmopolis #03 35 Is Vance a Science Fiction Author?, p5, Paul Rhoads All Articles 0004 Cosmopolis #03 4 The Font in Question, p4, Paul Rhoads Format and Font 0001 Cosmopolis #03 21 The Font in Question, p4, Paul Rhoads Pfifle 0001 Cosmopolis #04 30 Planet of Retribution (story), p1, George Rhoads All Articles 0006 Cosmopolis #04 5 What Sort of Artist is Jack Vance? (The Domains of Koryphon, -
Cosmopolis#50
COSMOPOLIS number 50 June 2004 COSMOPOLIS NUMBER 50 l A GOLDEN MILESTONE Most publications begin with carefully defined goals, effort, it describes the evolution of the VIE’s rigorous financing, staff, and enough articles accumulated to process to restore and preserve the wonder of Jack suffice for at least the first few issues. Marketing and Vance’s artistry, it illuminates just how important each advertising revenues are major considerations, for without volunteer is to the entire project. them, failure is around the corner. Endorsements from well-known authors and critics are crucial. This is This issue of Cosmopolis reports that the Vance Integral all the stuff of a good publishing business plan. With Edition project is over 75% of the way toward reaching these in hand, fifty issues is an optimistic but hopefully its goal. Ah, but it also retains that spirit of camaraderie reasonable objective. And then there was the concept for that exists among the volunteers, as evidenced by Chuck Cosmopolis... King’s article reminding friends around the world of his favorite elixir and inviting them to share it with This, the 50th issue of Cosmopolis, is the most recent him. Richard Chandler’s eighth article analyzing Jack evidence of a vast work-product produced by volunteers, Vance’s forays into astrophysics is a complete joy to read, most of whom lack any experience in journalistic even if parts might be beyond the comprehension of the publishing. Cosmopolis was conceived to be simply a average non-physicist. And Scanner/Imp Joel Hedlund means of generating interest in and support for a much suggests that all of the momentum that has attended the larger vision: publishing forty-four volumes containing VIE might not and perhaps should not be lost when the the collected works of an author deemed worthy of such last of the VIE’s forty-four volumes have been shipped. -
Read Ebook {PDF EPUB} Lost Moons by Jack Vance Lost Moons in Two Different Dustjackets
Read Ebook {PDF EPUB} Lost Moons by Jack Vance Lost Moons in two different Dustjackets. Here are two different Dustjackets from Lost Moons. The first one was of the trade edition with 878 copies I think. The second one? Was that from a library edition? And how many copies? Does someone know more? Mar 26, 2018 #2 2018-03-26T18:28. The signed and trade, and Presentation copies all have the upper dust jacket. That's all I know for sure. I looked through some of my old U/M catalogs, and the two for HARDCOVERS FALL 1987 and SPRING 1988 show the lower dust jacket in the ad for the book. Since it was originally published in 1982, they may have changed the artwork for a 2nd printing. Lost Moons by Jack Vance. Jack Vance is certainly one the most inventive writers in SF&F, capable of creating very detailed and fascinating environments, but unfortunately, rarely giving them any further exploration or depth. His early stories are great entertainment, but later fiction became less accessible, with confusing plot-lines and irrelevant side-stories. However, at his best, Vance shines as a most spectacular visionary in history of SF&F. "Abercrombie Station" (also as part of "Monsters in Orbit") (Jean Parlier series) © Thrilling Wonder Stories, Feb 1952 Monsters In Orbit, 1965 - -/ cool sf story. "Assault On A City" © Universe # 4, 1974 Lost Moons, 1982 --novella : 1975 Locus /4 --novella : 1975 Jupiter --/ fourth place sf novella --/ wonder award --/ adventure award --/ style award. Keeping in mind the year of its writing - 1974 - this novella predated many classic "cyberpunk" urban environments and, specifically, "Bladerunner" visuals. -
Cosmopolis#07
COSMOPOLIS Volume 1, Issue 7 July 2000 preparation. To experience his work is to experience A Studied Whimsy wonder after wonder. There is always just enough emotional Among the hordes of fantasy and science fiction authors distance, but never scorn or blunt satire, nothing to kill an eager attachment to each passing phase and phrase. Had not of the present day, one writer stands out as the master prose Vance invented the term, he would still have been an stylist: Jack Vance. But his mastery does not rest merely on the matter of style… appropriate writer to cite under the heading. To read Vance is to delight in the NOW of prose fiction, and to achieve a I am nearing the end of his Lyonesse trilogy, in the last pages kind of euphoria. There is this sense of timelessness to of Madouc. And, once again, I come across an amusing concept every one of his productions. that the author throws in for the fun of it, and to fill out his The sense of time in Vance’s work, however, is not broad vision of the social world. This time, the social world simply this, not one unpredictable scene metamorphosing includes not a strain of humanity in some far reach of the galaxy, but the strain of “humanity” in the fairies of Thripsey into the next, succession after succession. There is always a quite different sense, too, a sense of vast reaches of time, Shee. stretching back, back, back. (Implying, with less certainty, a The concept? “Sklemik.” In a footnote, Vance defines it stretching forward, forward, forward.) thus: As Vance sees it, human beings learn and unlearn the Untranslatable: A fairy word signifying (1) passionate same lessons. -
Cosmopolis#49
COSMOPOLIS Number 49 May, 2004 a1 g2 a CONTENTS VIE NEWS AS OF APRIL 26 d d d d d Joel Riedesel reports that only two texts remain in TI. We are Vie News, Paul Rhoads: at the brink of a major milestone. See the Master Tracking Chart TI, Textport, New Subscribers . 1 on the VIE site for information about which texts remain to be Volume Post-Proofing, End Notes . 2 composed and Proofed. Among these texts, and currently in Post- News from France. 3 Proofing, is Clang, an un-published film SF scenario from 1981, which will appear in Volume 44. d d d d d Work Tsar’s Report, Joel Riedesel . .3 In news from the Composition team, Joel Anderson, composer of Volume 35: Cugel: The Skybreak Spatterlight, has requested vignettes The End Of TI, Steve Sherman . 4 for the six section title pages. See sample on this page. Myth, & The ‘New Culture’, Paul Rhoads . 7 Textport proceeds apace, with Patrick Dusoulier recently announc- Don’t Look Now, David B. Williams . 19 ing a series of completions of Wave Two texts, including: ‘Jack Vance On…’, Rob Gerrand . 23 Cugel the Clever The Narrow Land Wannek The Man in the Cage The Houses of Iszm Dirdir The Mathematical Vance, Richard Chandler . 24 The Deadly Isles The Gift of Gab Pnume Nopalgarth Chasch As all will remember, Textport is the process whereby our text-files are updated with any textual changes included during the post-TI Compositional—Post-Proofing stages. Such issues are usually the result of Composition Review, or Post-Proofing comments. -
Cosmopolis#08
COSMOPOLIS Volume 1, Issue 8 August 2000 An Honor Roll: The Digitizers Donna Adams Alfred The Houses of Iszm Mazirian the Magician (The Dying Earth) Parapsyche Sulwen’s Planet Mark Adams The Gift of Gab The House on Lily Street Derek Benson The Augmented Agent The Devil on Salvation Bluff Green Magic The New Prime (Brain of the Galaxy) The World Between Connie Brown Clang The Magnificent Red-hot Jazzing Seven Richard Chandler The Dirdir The Enchanted Princess (The Dreamer) The Man in the Cage Nopalgarth (The Brains of Earth) Phalid (Phalid’s Fate) The Phantom Milkman Planet of the Black Dust Rumfuddle Strange People, Queer Notions The View from Chickweed’s Window John Councill Sail 25 (Dust of Far Suns) Ian Davies Rhialto the Marvelous Cosmopolis 1 Evert Jan de Groot Star King Mike Dennison D.P. The Fox Valley Murders The Pleasant Grove Murders Sjambak The Temple of Han Rob Friefeld The Dark Ocean David Hecht Crusade to Maxus Joel Hedlund Big Planet The Chasch Commander Tynott’s Insufferable Redheaded Daughter (Assault on a City) Emphyrio The Magnificent Riverboats of the Lower Vissel River, Lune XXIII, South Big Planet The Pnume The Roguskhoi (The Brave Free Men) Throy (File recovery) Vandals of the Void The Wanish (Servants of the Wankh) Alun Hughes Coup de Grace (Worlds of Origin) Rumfuddle The Stark Wild Thyme and Violets John Hunt Son of the Tree Andreas Irle Bird Isle The Flesh Mask (Take My Face) Jurriaan Kalkman The Domains of Koryphon (The Gray Prince) R. C. “Bob” Lacovara Space Opera Kyle McAbee Four Hundred Blackbirds David