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Fall 2009 – Spring 2010) • a Refereed Journal • ISSN 1545-2271 • ______
South Central Music Bulletin VIII/1-2 (Fall 2009 – Spring 2010) • A Refereed Journal • ISSN 1545-2271 • http://www.scmb.us _________________________________________________________________________________________ South Central Music Bulletin A Refereed, Open-Access Journal ISSN 1545-2271 Volume VIII, Issues 1-2 (Fall 2009 – Spring 2010) __________________________________________________________________________________________ Editor: Dr. Nico Schüler, Texas State University Music Graphics Editor: Richard D. Hall, Texas State University Editorial Review Board: Dr. Paula Conlon, University of Oklahoma Dr. Stacey Davis, University of Texas – San Antonio Dr. Lynn Job, North Central Texas College Dr. Kevin Mooney, Texas State University Dr. Dimitar Ninov, Texas State University Ms. Sunnie Oh, Independent Scholar & Musician Dr. Robin Stein, Texas State University Dr. Leon Stefanija, University of Ljubljana (Slovenia) Dr. Paolo Susanni, Yaşar University (Turkey) Dr. Lori Wooden, University of Central Oklahoma Subscription: Free This Open Access Journal can be downloaded from http://www.scmb.us. Publisher: South Central Music Bulletin http://www.scmb.us © Copyright 2009 by the Authors. All Rights Reserved. 1 South Central Music Bulletin VIII/1-2 (Fall 2009 – Spring 2010) • A Refereed Journal • ISSN 1545-2271 • http://www.scmb.us _________________________________________________________________________________________ Table of Contents Message from the Editor by Nico Schüler … Page 3 Research Article: Composer Stephen Lias: Biographical Notes, Musical Style, and Analytical Discussion of Songs of a Sourdough by April Stephens … Page 4 Composer Portrait: A Portrait of, and Interview with, Composer Kenneth (Ken) Metz by Aaron Carter-Cohn … Page 21 Book Reviews: Portable Music & Its Functions by A. Williams by Johanna L. Friedrich … Page 45 James K. Wright: Schoenberg, Wittgenstein and the Vienna Circle by Rebekah K. -
Such Stuff Podcast Season 8, Episode 2: Being Vulnerable [Music Plays
Such Stuff podcast Season 8, Episode 2: Being vulnerable [Music plays] Imogen Greenberg: Hello, and welcome to another episode of Such Stuff, the podcast from Shakespeare's Globe. Today, we're continuing with our series on the relationship between the arts and wellbeing. Throughout the series, we'll be exploring the ways the arts can enrich our lives, help us tackle mental health issues and help us find expression and connection again, after a year of isolation. Last week, we chatted to psychotherapist, Rachel Williams, who spoke extraordinarily about the importance of the arts for expression and empathy to help us to look after our brains. In this episode, we wanted to dig a bit deeper into this idea of expression and vulnerability. Whilst the arts and creativity can help us to find release for our feelings, that can also be very exposing, especially after a year when we've been very used to staying in and not expressing ourselves. How can we take care of ourselves as we head out of lockdown and back into the world? What can lessons from the arts teach all of us and how might the arts help us make some of these transitions? This week, Artistic Director, Michelle Terry, is joined by Director, Sarah Bedi and Drama Therapist, Annemarie Gaillard. For a number of years, Sarah and Annemarie have been working together, including here at the Globe, to make sure that wellbeing and mental health practices are part of rehearsal rooms and theater making processes. For theater companies, they have a brief six week window when they must access a lot of feeling, emotion, psychological depth and then share that with the world in a moment of acute vulnerability. -
Keane, for Allowing Us to Come and Visit with You Today
BIL KEANE June 28, 1999 Joan Horne and myself, Ann Townsend, interviewers for the Town of Paradise Valley Historical Committee are privileged to interview Bil Keane. Mr. Keane has been a long time resident of the Town of Paradise Valley, but is best known and loved for his cartoon, The Family Circus. Thank you, Mr. Keane, for allowing us to come and visit with you today. May we have your permission to quote you in part or all of our conversation today? Bil Keane: Absolutely, anything you want to quote from it, if it's worthwhile quoting of course, I'm happy to do it. Ann Townsend: Thank you very much. Tell us a little bit about yourself and what brought you to hot Arizona? Bil Keane: Well, it was a TWA plane. I worked on the Philadelphia Bulletin for 15 years after I got out of the army in 1945. It was just before then end of 1958 that I had been bothered each year with allergies. I would sneeze in the summertime and mainly in the spring. Then it got in to be in the fall, then spring, summer and fall. The doctor would always prescribe at that time something that would alleviate it. At the Bulletin I was doing a regular comic and I was editor of their Fun Book. I had a nine to five job there and we lived in Roslyn which was outside Philadelphia and it was one hour and a half commute on the train and subway. I was selling a feature to the newspapers called Channel Chuckles, which was the little cartoon about television which I enjoyed doing. -
Wonderful! 143: Rare, Exclusive Gak Published July 29Th, 2020 Listen on Themcelroy.Family
Wonderful! 143: Rare, Exclusive Gak Published July 29th, 2020 Listen on TheMcElroy.family [theme music plays] Rachel: I'm gonna get so sweaty in here. Griffin: Are you? Rachel: It is… hotototot. Griffin: Okay. Is this the show? Are we in it? Rachel: Hi, this is Rachel McElroy! Griffin: Hi, this is Griffin McElroy. Rachel: And this is Wonderful! Griffin: It‘s gettin‘ sweaaatyyy! Rachel: [laughs] Griffin: It‘s not—it doesn‘t feel that bad to me. Rachel: See, you're used to it. Griffin: Y'know what it was? Mm, I had my big fat gaming rig pumping out pixels and frames. Comin‘ at me hot and heavy. Master Chief was there. Just so fuckin‘—just poundin‘ out the bad guys, and it was getting hot and sweaty in here. So I apologize. Rachel: Griffin has a very sparse office that has 700 pieces of electronic equipment in it. Griffin: True. So then, one might actually argue it‘s not sparse at all. In fact, it is filled with electronic equipment. Yeah, that‘s true. I imagine if I get the PC running, I imagine if I get the 3D printer running, all at the same time, it‘s just gonna—it could be a sweat lodge. I could go on a real journey in here. But I don‘t think it‘s that bad, and we‘re only in here for a little bit, so let‘s… Rachel: And I will also say that a lot of these electronics help you make a better podcast, which… is a timely thing. -
PERMIT APPLICATION Uchana"Ib~ Appleton, WI 54915 13 Aac;;:&;;:Wm Phone: (920) 734-8599 APPLICATION#: J,OJO-Tjlg
Town of Buchanan GENERAL BUILDING & ZONING ~ N178 County Road N PERMIT APPLICATION uchana"ib~ Appleton, WI 54915 13 aac;;:&;;:wm Phone: (920) 734-8599 APPLICATION#: J,OJO-tJlg Applicant/Contractor lnfonnatlon Applicant Name (lndlv., Org. or Entity) Authorized Representative TiUe Modem Sheet Metal Megan Krieser Bookkeeper Malling Address City State IPostal Code 2180American Dr Neenah WI 54915 E-mail Address Telephone (include area code) Fax (Include area code) [email protected] 920-733-4713 920-733-0882 Landowner lnfonnatlon (If different than Applicant) Name (Organization or EnUty) Contact Person TiUe Bob Granger owner Mailing Address City State IPostal Code N280 Rogers Ln Appleton WI 54915 E-mail Address Telephone Onelude area code) Fax (Include area code) 920-788-1614 Project or Site Location Site Address I Location: Parcel ID(s): IPlat I CSM I Lot No.: N280 Rogers Ln tJ300Fh300 Current Zoning: I Current Use: Lot Dimensions: Front: Side: Rear. Side: I LotArea: 0 acres or D square feet Project lnfonnatlon Structure: ~ Trades: §enia~ - f!lacigal a1dg.; §el!li!.!l!s!i -Accessoa a1i;tg.: Iii Principal 0New D Plumbing Front: Side: Front: Side: 0Accessory 0Addition D Electrical Rear. Side: Rear: Side: 0 Other. liJ Other. liJ HVAC bQl CoJ1:er1ge; Laad Disturbance; fmleg !&§gtoUsm; Existing: Area (Sq Ft): Replacement of 1 furnace Proposed: Fill/Ex (Cu Yds): Any IBJICI disturlling aclivltles over 4.000 squa1& Estimated Cost of Project: feat or /UJillfl & excavation IDIBllllfl over 100 cubic Height (to peak): yards 1&qu/18S a saparate erosj)n control & $3,649.00 stonnwater mamigement pennlt. Project Plans (see reverse side) 0 SitePlan 0 Building Plans D Grading/Drainage & Erosion Control Plan/Permit Additional Requirements (Check all that apply) 0 Special Exception No. -
“I'm All That Stands Between Them and Chaos:” a Monstrous Way of Ruling In
ARTICLE https://doi.org/10.1057/s41599-020-00562-3 OPEN “I’m all that stands between them and chaos:” a monstrous way of ruling in A Song of Ice and Fire ✉ Györgyi Kovács 1 The article explores Tyrion Lannister’s rule in King’s Landing in the second volume of A Song of Ice and Fire books, A Clash of Kings. In the reception of ASOIAF and the TV show Game of Thrones, Tyrion was considered one of the best rulers, and the TV show ended by making him 1234567890():,; Hand to a king who delegated the greatest part of ruling to him. The analysis is based on Foucault’s notion of monstrosity in power, which is characterized by a monstrous conduct and includes the excess and potential abuse of power. The article argues that monstrosity in his rule reveals deeper layers in Tyrion’s personality, which is initially suggested to be defined by morality. The article also comes to the conclusion that his morality limits the scope of his monstrous methods, which eventually leads to his fall from power. ✉ 1 Eötvös Loránd University, Faculty of Humanities, Budapest, Hungary. email: [email protected] HUMANITIES AND SOCIAL SCIENCES COMMUNICATIONS | (2020) 7:70 | https://doi.org/10.1057/s41599-020-00562-3 1 ARTICLE HUMANITIES AND SOCIAL SCIENCES COMMUNICATIONS | https://doi.org/10.1057/s41599-020-00562-3 Introduction ne of the most compelling features of George R. R. of his character and anticipates that in the books Tyrion will turn OMartin’s A Song of Ice and Fire (ASOIAF) books is the a villain motivated by vengeance (Bryndenbfish, 2019), which is way they present a richly detailed medieval fantasy world exactly the opposite of how his storyline ended in the TV show. -
Learn the BEST HOPPER FEATURES
FEATURES GUIDE Learn The 15 BEST HOPPER TIPS YOU’LL FEATURES LOVE! In Just Minutes! Find A Channel Number Fast Watch DISH Anywhere! (And You Don’t Even Have To Be Home) Record Your Entire Primetime Lineup We’ll Show You How Brought to you by 1 YOUR REMOTE CONTENTS 15 TIPS YOU’LL LOVE — Pg. 4 From fi nding a lost remote, binge watching and The Hopper remote control makes it easy for you to watch, search and record more, learn all about Hopper’s best features. programming. Here’s a quick overview of the basics to get you started. Welcome HOME — Pg. 6 You’ve Made A Smart Decision MENU — Pg. 8 With Hopper. Now We’re Here SETTINGS — Pg. 10 DVR TV Power Parental Controls, Guide Settings, Closed Displays your Turns the TV To Make Sure You Understand Captioning, Screen Adjustments, Bluetooth recorded programs. on/off. All That You Can Do With It. and more. Power Guide Turns the receiver Displays the Guide. APPS — Pg. 12 on/off. Netfl ix, Game Finder, Pandora, The Weather CEO and cofounder Charlie Ergen remembers Channel and more. the beginnings of DISH as if it were yesterday. DVR — Pg. 14 The Tennessee native was hauling one of those Operating your DVR, recording series and Home Search enormous C-band TV dish antennas in a pickup managing recordings. Access the Home menu. Searches for programs. truck, along with his fellow cofounders Candy Ergen and Jim DeFranco. It was one of only two PRIMETIME ANYTIME & Apps Info/Help antennas they owned in the early 1980s. -
Pacing in Children's Television Programming
DOCUMENT RESUME ED 434 364 CS 510 117 AUTHOR McCollum, James F., Jr.; Bryant, Jennings TITLE Pacing in Children's Television Programming. PUB DATE 1999-03-00 NOTE 42p.; Paper presented at the Annual Meeting of the Association for Education in Journalism and Mass Communication (82nd, New Orleans, LA, August 4-7, 1999). PUB TYPE Reports Research (143) Speeches/Meeting Papers (150) EDRS PRICE MF01/PCO2 Plus Postage. DESCRIPTORS *Childrens Television; Content Analysis; Preschool Education; *Programming (Broadcast); Television Research IDENTIFIERS Sesame Street ABSTRACT Following a content analysis, 85 children's programs were assigned a pacing index derived from the following criteria:(1) frequency of camera cuts;(2) frequency of related scene changes;(3) frequency of unrelated scene changes;(4) frequency of auditory changes;(5) percentage of active motion;(6) percentage of active talking; and (7) percentage of active music. Results indicated significant differences in networks' pacing overall and in the individual criteria: the commercial networks present the bulk of the very rapidly paced programming (much of it in the form of cartoons), and those networks devoted primarily to educational programming--PBS and The Learning Channel--present very slow-paced programs. (Contains 26 references, and 12 tables and a figure of data.) (RS) ******************************************************************************** * Reproductions supplied by EDRS are the best that can be made * * from the original document. * ******************************************************************************** Pacing in Children's Television Programming James F. McCollum Jr. Assistant Professor Department of Communication Lipscomb University Nashville, TN 37204-3951 (615) 279-5788 [email protected] Jennings Bryant Professor Department of Telecommunication and Film Director Institute for Communication Research College of Communication Box 870172 University of Alabama Tuscaloosa, AL 35487-0172 (205) 348-1235 PERMISSION TO REPRODUCE AND OF EDUCATION [email protected] U.S. -
The Ghosts of War by Ryan Smithson
THE GHOSTS OF WAR BY RYAN SMITHSON RED PHASE I. STUCK IN THE FENCE II. RECEPTION III. BASIC TRAINING PART I IV. MAYBE A RING? V. EQ PLATOON VI. GI JOE SCHMO VII. COLD LIGHTNING VIII. THE EIGHT HOUR DELAY IX. THE TOWN THAT ACHMED BUILT X. A TASTE OF DEATH WHITE PHASE XI. BASIC TRAINING PART II XII. RELIEF XIII. WAR MIRACLES XIV. A TASTE OF HOME XV. SATAN’S CLOTHES DRYER XVI. HARD CANVAS XVII. PETS XVIII. BAZOONA CAT XIX. TEARS BLUE PHASE XX. BASIC TRAINING PART III XXI. BEST DAY SO FAR XXII. IRONY XXIII. THE END XXIV. SILENCE AND SILHOUETTES XXV. WORDS ON PAPER XXVI. THE INNOCENT XXVII. THE GHOSTS OF WAR Ghosts of War/R. Smithson/2 PART I RED PHASE I. STUCK IN THE FENCE East Greenbush, NY is a suburb of Albany. Middle class and about as average as it gets. The work was steady, the incomes were suitable, and the kids at Columbia High School were wannabes. They wanted to be rich. They wanted to be hot. They wanted to be tough. They wanted to be too cool for the kids who wanted to be rich, hot, and tough. Picture me, the average teenage boy. Blond hair and blue eyes, smaller than average build, and, I’ll admit, a little dorky. I sat in third period lunch with friends wearing my brand new Aeropostale t-shirt abd backwards hat, wanting to be self-confident. The smell of greasy school lunches filled e air. We were at one of the identical, fold out tables. -
Town of East Longmeadow Use of Town Property Application
TOWN OF EAST LONGMEADOW USE OF TOWN PROPERTY APPLICATION 60 Center Square East Longmeadow, MA 01028 413-525-5400 June 2019 rev. USE OF TOWN PROPERTY APPLICATION – TOWN OF EAST LONGMEADOW Thank you for considering the Town of East Longmeadow for your event! The Town of East Longmeadow is pleased to welcome a variety of special events, from community festivals to concerts and athletic competitions. It is the goal of the Town of East Longmeadow to work with event managers and organizers to help ensure that the events taking place in our community are both safe and successful, while minimizing the impact on our residents and businesses. Completing this form is the first step in your application process. This is not your permit. Completing and submitting this application does not confirm your date or signify any intention by the Town to approve this application. A special event is any activity that occurs upon public or private property that affects the ordinary use of parks, playgrounds, fields, buildings, public streets, right-of-ways or sidewalks. Special Events may include festivals, fairs, concerts, carnivals, holiday celebrations, parades, athletic tournaments, road or bicycle races, etc. The Town of East Longmeadow may permit the temporary use of public properties and/or roadways for special activities. The Town coordinates the review of these events with various Town Departments to ensure that the events are conducted safely. Individuals or organizations wishing to hold events on public property, or on private property but with an impact on public property such as roads within the Town limits, including Town parks, must obtain a Use of Town Property Permit from the Town of East Longmeadow. -
Transcript of Interview with Rube Goldberg
Transcript of interview with Rube Goldberg Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface Oral History Interview with Rube Goldberg 1970 New York City Interviewer: Emily Nathan The original format for this document is Microsoft Word 10.1. Some formatting has been changed for web presentation. Speakers are indicated by their initials. Interview EN: Emily Nathan RG: Rube Goldberg EN: Mr. Goldberg, I understand the exhibition of your work in Washington is going to go way back into your past. It'll really be an enormous retrospective. RG: Yes. I'm very pleased. I think it's going to be one of the best things that's . gonna . to be sort of the climax of my career. I don't want to say that it's like looking at your own obituary [Laughs], you know, when, when they glorify somebody . EN: Looking at your own life, I would say. RG: Yeah, when they glorify somebody later in life, or they generally do it after he's gone, but I'm still here and I guess I'll be here after November the 24th when the show opens . [Laughs] EN: [Laughs] I'm sure you will. RG: . and, uh, I'm very pleased, because they, uh, they're doing it so thoroughly; they have so many, you know. They think of so many that things I've forgotten; they have drawings that I've forgotten. They have illustrations . EN: How did they find the ones you had forgotten? RG: Well, I don't know. -
Nickelodeon Sets All That Premiere Date--Saturday, June 15, at 8:30 P.M
Vital Information! Nickelodeon Sets All That Premiere Date--Saturday, June 15, at 8:30 P.M. (ET/PT), Featuring Performance by Grammy® Nominated Multiplatinum Powerhouse Trio Jonas Brothers! May 14, 2019 Original Cast Members Kel Mitchell, Lori Beth Denberg and Josh Server Guest Star in Weekly Sketch Comedy Series Return Share it: @Nickelodeon @allthat (Instagram) #allthat Click HEREfor Photo and HERE for Video BURBANK, Calif.--(BUSINESS WIRE)--May 14, 2019-- Nickelodeon’s brand-new version of its legendary sketch comedy series, All That, returns on Saturday, June 15, at 8:30 p.m. (ET/PT), with an all new cast and performance by Grammy® nominated multiplatinum powerhouse Jonas Brothers. The premiere also features appearances from legacy cast members Kel Mitchell, Lori Beth Denberg and Josh Server, who helped make the original series a 90s icon for an entire generation of kids. Executive produced by original cast member Kenan Thompson, All That will air weekly on Saturdays at 8:30 p.m. (ET/PT) on Nickelodeon. As the countdown to the premiere begins, the show opens with Mitchell, Denberg and Server imparting advice and words of wisdom to the new cast of All That sharpens their comedic skills. Coming this season, classic roles are reprised in some of the series’ most memorable sketches including: Mitchell as fast-food slacker “Ed” in “Good Burger”, Denberg dropping some hilarious new advice in “Vital Information” and appearing as “Ms. Hushbaum,” the hypocritical “Loud Librarian”. The new cast and additional guest stars will be announced at a later date. The Jonas Brothers will close the show with a performance of their smash hit “Sucker,” which debuted at number one on the Billboard Hot 100 and the US Hot Digital Songs chart.