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Annual Report 2010 / 2011
Annual Report 2010 / 2011 Table of Contents Grants for the Arts Progress Report . 4 Grants for the Arts FY 2010/2011 Budget . 5 Proposed 2010-11 Hotel Tax Revenue Allocation (in millions) . 6 Grants for the Arts Programs . 7 Annual Grants to San Francisco Arts Organizations . 8 Arts and Tourism—A Partnership with the San Francisco Convention and Visitors Bureau . 30 San Francisco Arts Monthly . 30 SFArts .org . 30 Nonrecurring Events Fund . 31 Handbook for Arts Organizations . 31 Special Initiatives . 31 Nonprofit Performing Arts Loan Program . 32 Cultural Data Project Statistics . 33 Grants for the Arts 2010/11 Annual Report 3 Grants for the Arts Progress Report BY Kary SCHULMAN, DIRECTOR n times of plenty, plan for scarcity; in times $250,000 grant, received by the Arts Commission of scarcity, plan for plenty . That old adage with matching funds from Grants for the Arts and The I has never been more apropos as now, when Mayor’s Office of Economic Development, will catalyze the arts continue to struggle through the current an artistic revitalization of the Mid-Market/Tenderloin period of scarcity which, unfortunately, few neighborhood . foresaw . However, we are encouraged by the undiminished creative energy of many groups And in terms of service to the field: actively engaged in artistic renewal to coincide with the time when plenty will return . • The Dynamic Adaptability Conference was held on January 28, 2010 . This conference brought Although the City of San Francisco’s finances showed a together over 700 arts workers and supporters deficit of over $400M, the Mayor’s budget kept funding in the Herbst Theatre for a free all-day event to all of the arts agencies at the previous year’s level in featuring a keynote speech by Jonah Lehrer recognition that we had already pared to the bone and (Proust was a Neuroscientist), and panels and that further decreases would threaten the integrity of presentations by a number of local and regional our programs . -
To See the Full #Wemakeevents Participation List
#WeMakeEvents #RedAlertRESTART #ExtendPUA TOTAL PARTICIPANTS - 1,872 and counting Participation List Name City State jkl; Big Friendly Productions Birmingham Alabama Design Prodcutions Birmingham Alabama Dossman FX Birmingham Alabama JAMM Entertainment Services Birmingham Alabama MoB Productions Birmingham Alabama MV Entertainment Birmingham Alabama IATSE Local78 Birmingham Alabama Alabama Theatre Birmingham Alabama Alys Stephens Performing Arts Center (Alabama Symphony) Birmingham Alabama Avondale Birmingham Alabama Iron City Birmingham Alabama Lyric Theatre - Birmingham Birmingham Alabama Saturn Birmingham Alabama The Nick Birmingham Alabama Work Play Birmingham Alabama American Legion Post 199 Fairhope Alabama South Baldwin Community Theatre Gulf Shores Alabama AC Marriot Huntsville Alabama Embassy Suites Huntsville Alabama Huntsville Art Museum Huntsville Alabama Mark C. Smith Concert Hall Huntsville Alabama Mars Music Hall Huntsville Alabama Propst Arena Huntsville Alabama The Camp Huntsville Alabama Gulfquest Maritime Museum Mobile Alabama The Steeple on St. Francis Mobile Alabama Alabama Contempory Art Center Mobile Alabama Alabama Music Box Mobile Alabama The Merry Window Mobile Alabama The Soul Kitchen Music Hall Mobile Alabama Axis Sound and Lights Muscle Shoals Alabama Fame Recording Studio Muscle Shoals Alabama Sweettree Productions Warehouse Muscle Shoals Alabama Edwards Residence Muscle Shoals Alabama Shoals Theatre Muscle Shoals Alabama Mainstreet at The Wharf Orange Beach Alabama Nick Pratt Boathouse Orange Beach Alabama -
Herbst Theatre
Herbst Theatre CONTENT 3 Introduction 4 Capacity & Floor Plan 5 Seating Chart 6 Rental Rates 7 Fees & Expenses 8 Technical Specifications 9 Equipment 10 Booking Instructions 11 Food & Beverage 12 Film & Photography 13 Frequently Asked Questions 15 Rules & Regulations 17 Directions & Parking 18 Contact Information ABOUT SFWMPAC Home to many of the Bay Area’s most dynamic performing arts presenters, the San Francisco War Memorial and Performing Arts Center (SF WMPAC) is a landmark cultural institution owned and operated by the City and County of San Francisco. SAN FRANCISCO WAR MEMORIAL & PERFORMING ARTS CENTER | HERBST THEATRE 2 he Herbst Theatre is a cornerstone of San Francisco T performing arts, with more than 200 shows presented on its stage every year. Distinguished as the historic site of the United Nations Charter signing in 1945, it is now the primary venue for many of the Bay Area’s premier cultural organizations, including San Francisco Performances, Philharmonia Baroque Orchestra, New Century Chamber Orchestra and Chamber Music SF. The Herbst Theatre is housed in the Veterans Building, which echoes the Beaux-Arts design of the War Memorial Opera House and is also home to The Green Room. Adorned by a series of stunning Frank Brangwyn murals originally painted for the 1915 Panama-Pacific International Exposition, this 892-seat auditorium has been fully renovated and the venue now features new stage-level dressing rooms, a dedicated rehearsal space and a modern performer lounge. SAN FRANCISCO WAR MEMORIAL & PERFORMING ARTS CENTER -
Civic Center Plaza Flagpoles Historical Background
Civic Center Plaza Flagpoles Historical Background Preceeding Events The flagpoles were installed during a period of great nationalism, especially in San Francisco. The Charter of the United Nations was signed in 1945 in the War Memorial Hall Building (Herbst Theatre); while the War Memorial Opera House, and other local venues were host to the two-month-long gathering of global unity. There were some 3500 delegation attendees from 50 nations, and more than 2500 press, radio and newsreel representatives also in attendance. (United Nations Plaza was dedicated later, in 1975, on the east side of the plaza as the symbolic leagcy of that event.) World War II was still in the minds of many, but a more recent event was the statehood of both Alaska and Hawaii during 1959, which brought thoughts of the newly designed flag to the fore, especially to school children who saluted the flag each morning. With two new stars, it looked different. And finally, John F. Kennedy was elected preident in November 1960; he was the youngest president ever elected bringing a new optimism and energy to the country. The Pavilion of American Flags Although all of the flagpoles seen today were in the original design, there does not seem to have been a specific theme for what the many staffs would display. The central two parallel rows containing a total of 18 flagpoles, known as The Pavilion of American Flags, flank the east-facing view of the Civic Center Plaza from the mayor’s office. An idea was presented that would feature flags which played an important role in the nation’s history. -
Van Ness Avenue Bus Rapid Transit Project Final Environmental Impact
Van Ness Avenue Bus Rapid Transit Project Chapter 4: Affected Environment, Final Environmental Impact Statement/ Environmental Consequences, and Environmental Impact Report Avoidance, Minimization, and/or Mitigation Measures CHAPTER SUMMARY: This chapter summarizes how the No Build and the three build alternatives (including the LPA, with or without the Vallejo Northbound Station Variant) are expected to affect the environment, both positively and adversely, and also proposes avoidance, minimization, and mitigation measures for any adverse impacts. Topics covered in this chapter include Land Use, Growth Inducement, Community Impacts, Utilities, Visual/Aesthetics, Cultural Resources, Hydrology and Floodplain, Water Quality and Storm Water Runoff, Geology/Soils/Seismic/Topography, Hazardous Waste/Materials, Air Quality, Noise and Vibration, Energy, Biological Environment, and Construction Impacts. CHAPTER 4 Affected5B Environment, Environmental Consequences, and Avoidance, Minimization, and/or Mitigation Measures Environmental analyses presented in this chapter are primarily based on a series of technical studies prepared for the Van Ness Avenue BRT Project. These studies consist of the following: Tree Removal Evaluation and Planting Opportunity Analysis (BMS Design Group, 2013) Air Quality Technical Report and Addendum (Terry A. Hayes Associates Inc., 2013) Natural Resources Technical Memorandum (Garcia and Associates, 2009) Historic Property Survey (Parsons, 2010) Archaeological and Native American Cultural Resources Sensitivity Assessment -
50Th Anniversary Report
GrantGrantss FORFOR THE THE ArtsArts The First 50 Years Acknowledgements Grants for the Arts appreciates the many who contributed recollections to this retrospective. We acknowledge all who have been important in our first 50 years, the hundreds of grantees, public and private donors, fellow funders, and the city’s many far-sighted policymakers and elected officials whose guidance and support over the decades have helped ensure GFTA’s continuing success. Edwin M. Lee, Mayor of San Francisco Amy L. Brown, Acting City Administrator Grants for the Arts Citizens Advisory Committee Clara Chun Daniels, Attorney, Kirin Law Group Berta Concha, Community Consultant Donna Ficarrotta, Managing Director, Union Square Business Improvement District Dan Goldes, Strategic Advisor, San Francisco Travel Linc King,Vice President and General Manager, Beach Blanket Babylon Ebony McKinney, Emerging Arts Professionals Jackie Nemerovski, Arts Manager/Consultant Tere Romo, Program Officer for Arts and Culture, The San Francisco Foundation Charles Roppel, Certified Professional Life Coach Ruth Williams, Program Officer, Community Technology Foundation Grants for the Arts Staff Kary Schulman, Director Renee Hayes, Associate Director Valerie Tookes, Senior Finance and Operations Manager Khan Wong, Senior Program Manager Brett Conner, Administration and Communications Manager Grants for the Arts … The First 50 Years Produced by San Francisco Study Center Reporter and Writer: Marjorie Beggs Editor: Geoff Link Designer: Lenny Limjoco Grants for the Arts’ first 25 years is documented in detail in “The San Francisco Hotel Tax Fund: Twenty-Five Years of Innovative Funding,” by Cobbett Steinberg, published in the Spring 1986 issue of Encore, the quarterly magazine of the San Francisco Performing Arts Library and Museum. -
Opera As Politics the Troubled History of San Francisco’S War Memorial Opera House
LETA & MILLER Opera as Politics The Troubled History of San Francisco’s War Memorial Opera House ABSTRACT This article describes the troubled, politically fraught path to the realization of San Francisco’s War Memorial Opera House, the first municipally owned operatic performance venue in the nation. Although envisioned prior to the 1906 earthquake (in which the two most important opera houses in the city were de- stroyed), the realization of an innovative concept in which the people of the city would found and maintain an opera house took a quarter century to materialize. Supporters of the idea ascribed to the common sentiment of the time that classical music had an “elevating” and “ennobling” potential to “uplift” the poor and create a more responsible citizenry, but opera’s historic association with wealth and elitism counteracted these argu- ments and blocked progress on the building until at last, in the 1920s, San Franciscans raised $2 million in direct contributions and voted for a $4 million bond issue. KEYWORDS: San Francisco Opera, War Memorial Opera House AN FRANCISCO’S War Memorial Opera House, the first municipally owned operatic performance venue in the United States, opened with great fanfare in October S 1932. The 3,200-seat hall continues to the present day to provide a home for the San Francisco Opera and the San Francisco Ballet and, until the erection of the Louise M. Davies Symphony Hall in 1980, also served as the venue for the San Francisco Sym- phony. The path to the building’s realization, however, was torturous, obstructed by road- blocks, attacked with vituperative rhetoric, and derailed by political maneuvering over the course of more than two decades. -
Lease Or Sale O'farrell St
895 O’FARRELL ST SAN FRANCISCO CA 94109 LEASE OR SALE Starboard TCN Worldwide, as exclusive Agent, is pleased to offer 895 O'Farrell Street for Lease or Sale. The property parcel is 9,596 square feet (SF) and located on the corner of O'Farrell Street and Polk Street inside the Van Ness Corridor and just north of the Civic Center. The property zoning is NC-Neighborhood Commercial and according to the Planning Department the height limit is 130-E (Feet). For Information Please Contact: SUSAN JORDAN 44 Montgomery St. Suite #1650 [email protected] San Francisco, CA. 94104 415.595.1554 The information has been secured by Starboard TCN Worldwide from sources believed to be reliable. It is not guaranteed, however, and should be verified LIC #01408046 prior to consummating any transaction. O'FARRELL ST 895 SAN FRANCISCO CA 94109 FOR LEASE Location 895 O'Farrell St, San Francisco CA 94109 Neighborhood Downtown/Civic Building Area (SF) 12,920 First Floor (SF) 9,596 Second Floor (SF) 3,324 Basement Storage Area (not included in Base Rent) Zoning District NC-Neighborhood Commercial Ceiling Height 20’ (estimate) Type Office, Entertainment Term 5 - 10 Years Base Rent $39,000/Month, NNN Lower Polk Street is a diverse and thriving neighborhood, including local residents, families, children, young millennials, students, artists, business owners, seniors, employees and visitors from all over the world. There is a wide array of restaurants, stores, health clubs, entertainment venues and music, lounges and bars. Polk Street is well known for its vibrant night life and community events. -
Civic Center Public Realm Plan Overview Planning Commission | January 28, 2016 Civic Center Public Realm Plan Presentation Overview
CIVIC CENTER PUBLIC REALM PLAN Photo Credit: Blake Marvin. CIVIC CENTER PUBLIC REALM PLAN OVERVIEW PLANNING COMMISSION | JANUARY 28, 2016 CIVIC CENTER PUBLIC REALM PLAN PRESENTATION OVERVIEW 1. Introduction 2. Planning History 3. Design Challenges 4. Plan Components & Schedule 5. Discussion/Questions CIVIC CENTER PUBLIC REALM PLAN HEART OF THE CITY INITIATIVE The Civic Center Public Realm Plan will be just one component of a variety of City efforts that are studying the social, economic, transportation, land-use, and urban design issues in the greater Downtown San Francisco area. The Planning Department refers to these collective efforts as the “Heart of the City” initiative in its work program. CIVIC CENTER PUBLIC REALM PLAN PROPOSED PLAN AREA TURK STREET GOLDEN GATE AVENUE UC Hastings San Francisco Supreme Court of Public Utilities California Commission California REDWOOD STREET Public Utilities Superior Court of California HYDE STREET Commission 50 UN Plaza MCALLISTER STREET Asian Art Federal Building Museum (Civic Center 7TH STREET Parking Garage) LARKIN STREET United Nations POLK STREET Veterans Building FULTON STREET Plaza VAN NESSAVENUE Herbst Theatre Civic Center Plaza Orpheum City Hall Theater Public Library (Brooks Hall) SF Ballet War Memorial Opera House GROVE STREET Performing Arts 8TH STREET Parking Garage SF Dept of Public Health Bill Graham Civic Auditorium Davies DR. TOM WADDELL PLACE Symphony Hall MARKET STREET FRANKLIN STREET HAYES STREET 9TH STREET PLAN AREA BOUNDARY San Francisco Design Focus Area GOUGH STREET Unified School District DESIGN FOCUS AREA SF Jazz 10TH STREET LANDMARK DISTRICT BOUNDARY FELL STREET MISSION STREET 11TH STREET OAK STREET PAGE STREET HAIGHT STREET Pictometry, mosaicked by City and County Department of Technology, San Francisco Enterprise GIS Program CIVIC CENTER PUBLIC REALM PLAN PLANNING HISTORY 1912 1912 Bird’s Eye View of John Galen Howard Proposal for Civic Center CIVIC CENTER PUBLIC REALM PLAN PLANNING HISTORY Post-World War II plans for Civic Center focused on expansion and modernization. -
Participation List
#WeMakeEvents #RedAlertRESTART #ExtendPUA TOTAL PARTICIPANTS - 1,609 Participation List Name City State jkl; Dossman FX Birmingham Alabama Alabama Theatre Birmingham Alabama Alys Stephens Performing Arts Center (Alabama Symphony) Birmingham Alabama Avondale Birmingham Alabama Iron City Birmingham Alabama Saturn Birmingham Alabama The Nick Birmingham Alabama Work Play Birmingham Alabama South Baldwin Community Theatre Gulf Shores Alabama AC Marriot Huntsville Alabama Embassy Suites Huntsville Alabama Huntsville Art Museum Huntsville Alabama Mark C. Smith Concert Hall Huntsville Alabama Mars Music Hall Huntsville Alabama Propst Arena Huntsville Alabama The Camp Huntsville Alabama Gulfquest Maritime Museum Mobile Alabama The Steeple on St. Francis Mobile Alabama Alabama Contempory Art Center Mobile Alabama Alabama Music Box Mobile Alabama The Merry Window Mobile Alabama The Soul Kitchen Music Hall Mobile Alabama Axis Sound and Lights Muscle Shoals Alabama Fame Recording Studio Muscle Shoals Alabama Sweettree Productions Warehouse Muscle Shoals Alabama Edwards Residence Muscle Shoals Alabama Shoals Theatre Muscle Shoals Alabama Mainstreet at The Wharf Orange Beach Alabama Nick Pratt Boathouse Orange Beach Alabama The Wharf Mainstreet Orange Beach Alabama Enlighten Entertainment Orange Beach Alabama Milly Boathouse Orange Beach Alabama Samuels Residence Orange Beach Alabama Trenor Boathouse Orange Beach Alabama Orange Beach Preforming Arts Studio Orange Beach Alabama Ultratec Owens Crossroads Alabama Russellville Municipal Auditorium Russellville -
Annual Report 2013 / 2014 Table of Contents
Annual Report 2013 / 2014 Table of Contents Grants for the Arts Progress Report . 3 Grants for the Arts FY 2013/2014 Budget . 4 Grants for the Arts Programs . 5 Annual Grants to San Francisco Arts Organizations . 6 Arts and Tourism—A Partnership with the San Francisco Convention and Visitors Bureau . 22 Nonrecurring Events Fund . 22 San Francisco Arts Monthly . 23 SFArts .org . 23 Special Initiatives . 24 Other programs . 24 2013/2014 Voluntary Arts Contribution Fund Grants . 25 2 Grants for the Arts Director’s Report BY Kary SCHULMAN, DIRECTOR Rocco Landesman, immediate past Chairman of the The 950 Project, a mixed use development, is planned National Endowment for the Arts said that he, “wanted to devote 75,000 sq . ft . to arts uses . Grants for the to create an entirely new conversation that was based Arts, along with city partners at the Mayor’s Office of not on what the arts needed but on what they bring to Economic and Workforce development and the San the table .” From its inception over 50 years ago, Grants Francisco Arts Commission have helped to coordinate for the Arts has encouraged beneficial relationships city resources for the major placemaking initiative in among the City’s many renowned arts organizations, Central Market . tourism and local business, making San Francisco a top international visitor destination while enhancing the Grants for the Arts’ main focus remains providing cultural life of residents . In other words, San Francisco on-going general operating support to the broadest has known for decades “what the arts bring to the possible range of arts organizations . -
Merola Opera Program's 60Th Anniversary Season Opens June 11
Contact: Ruben Pimentel Rachel Krasner Director of Marketing & Communications Marketing & Events Associate [email protected] [email protected] 415.936.2323 415.936.2320 Jean Shirk [email protected] 510.332.4195 FOR IMMEDIATE RELEASE / April 12, 2017 Merola Opera Program’s 60th Anniversary Season opens June 11 with Benefit Gala and Concert, with performances by Merola alumni from the last four decades including Julie Adams, John Churchwell, Kristin Clayton, Catherine Cook, Tracy Dahl, Quinn Kelsey, Bojan Knezevic, Mark Morash, Pene Pati, Issachah Savage, Zanda Švēde, Deborah Voigt, and Dolora Zajick (l to r: Deborah Voigt, Dolora Zajick, Mark Morash) (San Francisco, CA – April 12, 2017) The Merola Opera Program launches its 60th Anniversary season on Sunday, June 11 with a Benefit Gala at City Hall and a concert immediately following at Herbst Theatre in San Francisco, featuring some of the acclaimed Merola program’s most illustrious participants. The 60th Anniversary concert will feature performances by Merola alumni from the 1980s, 1990s, 2000s, and current and recent participants, including: soprano Deborah Voigt (1985); mezzo-soprano Dolora Zajick (1983); Mark Morash, pianist and Merola Opera Program Music Director (1987); and soprano Tracy Dahl (1985); soprano Kristin Clayton (1993), mezzo-soprano Catherine Cook (1990), Bojan Knezevic, bass-baritone (1992, 1993, 1994), and John Churchwell, pianist (1996); baritone Quinn Kelsey (2002); 2013 Merola graduates mezzo-soprano Zanda Švēde and tenors Pene Pati and Issachah Savage; soprano Julie Adams, and bass Anthony Reed, all from 2014; Amina Edris and Toni Marie Palmertree, sopranos; and Brad Walker, bass-baritone, both from 2015; and 2016 artists Sarah Cambidge, soprano; Amitai Pati and Kyle van Schoonhoven, tenors; Andrew G.