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4 Social Scene' Beats Critics
page B2 VVKIIIV November 11, 2005 MANITOU MESSENGER 4 Social scene' beats critics 17-member collective lives up to hype By April Wright before you realize Staff Writer they have started, and after the first part of "Hyped" and "heavily-produced" are not the album, these catchphrases normally associated with good tracks are necessary: records. But the heavily hyped 17-piece collective Not only do you need Broken Social Scene has delivered a strong, ambi your breath back, but tious and innovative fourth album. they help keep the The Canadian band's eponymous fourth album. album from feeling Broken Social Scene, has been one of the most antic rushed. ipated albums of the year for indie rockers. In the The tracks "Fire weeks and months before its official release, fans Eye'd Boy," clambered for leaked versions of the record and "Windsurfing Nation" pushed the band onto Amazon's Top 50 CD List. and "Swimmers" Some critics were even declaring it "album of the sound almost manic year" based on the leaks. next to each other. The And does it live up to the hype? The answer is former varies between "A History of Loneliness" an emphatic "Yes!" The album starts out with "Our being mellow and By Lisa Gulya Faces Split the Coast," which sets up the mellow, ostentatious and even Singles at St. Olaf tend to complain. We're but danceable, sound for which Broken Social tually collapses into a lonely, we say, and no one dates casually, Scene is notorious. The band incorporates brass gentle chaos. while others around us are happily hooked instruments tastefully into the song. -
Still Runnin' with the Devil
Music.Gear.Style. No.74 October 2015 Van Halen Live Still Runnin’ With the Devil NEW ALBUMS from the Dead Weather, Kurt Vile, Patty Griffin, Metric, the Weeknd, Iron Maiden, Slayer, Protomartyr, Mike Reed, and More THE GENIUS OF THE LATEST MILES DAVIS ARCHIVAL COLLECTION FOO FIGHTERS AND CHEAP TRICK ROCK WRIGLEY FIELD GERMAN EXCELLENCE: AMG’s Giro Turntable AMERICAN STYLE: Fern & Roby’s Compact Integrated Amp LONG-TERM LOVE: Rega’s Aria Phono BRITISH BRILLIANCE: The ProAc Tablette Anniversary Fun Toys from Apple, IKEA, and More! WCT_TONE_Dec2014.indd 1 6/10/15 3:31 PM Listen to Your Speakers In A New Way Don’t let your existing wired loudspeakers miss out on high-resolution streaming audio. Paradigm’s new PW AMP delivers 200-Watts of Ultra Class-D power and lets you wirelessly stream high-resolution audio to existing loudspeakers over your home Wi-Fi network. Set-up is simple, app control is easy, and your options are unlimited. Go wireless, with Paradigm-level performance. Exclusive Anthem Room Correction (ARC™) technology uses a digital microphone with advanced DSP algorithms to correct for room distortions in any space. You’ll actually hear the difference ARC makes. ™ PW600 Wireless Freedom. Paradigm Performance. PW800™ A Better Audio Experience. PWLINK ™ PWAMP™ Stream music to any Paradigm Premium Wireless Series product using your Android, PC or iOS device. Only Paradigm delivers wireless performance that is truly on par with traditional non-streaming audio systems. ARC ™ Digital Microphone Room Correction Technology Visit paradigm.com for more info. tone style Meteor M2 Powered 87 Speakers Vintage Look, Portable Sound 11. -
WAV / Kotori Magazine Issue 6 the Prodigy Dilated Peoples George
WWW.KOTORIMAG.COM MAGAZINE WWW.KOTORIMAG.COM MAGAZINE TM MUSIC/ART/POLITICS/CULTURE MUSIC/ART/POLITICS/CULTURE 006 / THE PRODIGY DILATED PEOPLES - GEORGE CLINTON FLIGHT COMICS - METRIC - SASHA & DIGWEED GRAM RABBIT MALKOVICH MUSIC DJ MUGGS PORTUGAL. THE MAN GOAPELE TIM FITE TWO GALLANTS USA $3.99 CANADA $4.99 ISSUE 6 SILVERSUN PICKUPS 0 6 0 74470 04910 4 BOMBAY DUB ORCHESTRA KOTORIMAG.COM RSE7!6SPRINGADPDF0- # - 9 #- -9 #9 #-9 + TABLE OF CONTENTS DILATED PEOPLES 12 They’re almost prophetic, hooking up with Kanye and Alchemist before most of the world even knew those names...now they’re back, and with 20/20, their vision is better than ever. Baby, Rakaa, and Evidence get all loose with our one and only Simonita. THE PRODIGY 40 Let the madness ensue as Maxim, Keith, and Liam reload The Prodigy cannon for another go round. Safety and sanity be damned. The electronic music world has never been the same since the Firestarter grabbed hold of us in the 90s. In this issue we explore the trials and tribs of megastardom and the never ending struggle to retain the punk rock performance belt they’ve been brandishing for years. GEORGE CLINTON 48 “Think! It ain’t illegal yet!!” That’s about the only venture outside the halls of justice that the P Funk Master has been able to afford of WOLFMOTHER late. Four score and seven lawyers later, the 08 man who fostered the groove for a nation of hip “You ever heard of Wolfmother?” ‘No.’ hop protagonists gets his pay day and let’s his “WOLFMOTHER WOLFMOTHER WOLF- story be told here in this exclusive interview. -
Issue 13 RE: WORK the AUTISM TAPES TH
Open to new points of view A Norton Rose Fulbright magazine RE: RE: issue 13 RE: WORK THE AUTISM TAPES THE MOVIE’S ABOUT TO START THE PHOTO ESSAY: LOOKING DOWN LIFE A Norton Rose Fulbright magazine magazine Fulbright A Norton Rose Issue 13 Issue : Richard Calnan RICHARD CALNAN ON JURISPRUDENCE In 2009, the highest court in the United a self-evident truth that the service provided Kingdom ceased to be the House of Lords by the courts is more important than that and became the Supreme Court. Although provided by, say, the National Health Service. its location had changed, the identity of its The Court went back to the Magna Carta judges had not, and the expectation was that to justify the conclusion that we all have a the change of name would have little effect constitutional right of unimpeded access to in practice. Nine years on, this is less clear. the courts. Although charging fees does not Supreme means supreme. prevent proceedings being brought, it does This reflection is prompted by R (on the constitute a serious hindrance to doing so. application of UNISON) v Lord Chancellor Legislation can only impede access to the in 2017. In 2011, the Government decided courts if it is very clearly expressed to do so. that fees should be charged to those using The Act under which the Order was made employment tribunals in order to transfer did not contain words which specifically some of the cost burden from taxpayers authorised the prevention of access to to users. It decided to do this by using the tribunals. -
10,000 Maniacs Beth Orton Cowboy Junkies Dar Williams Indigo Girls
Madness +he (,ecials +he (katalites Desmond Dekker 5B?0 +oots and Bob Marley 2+he Maytals (haggy Inner Circle Jimmy Cli// Beenie Man #eter +osh Bob Marley Die 6antastischen BuBu Banton 8nthony B+he Wailers Clueso #eter 6oA (ean #aul *ier 6ettes Brot Culcha Candela MaA %omeo Jan Delay (eeed Deichkind 'ek181Mouse #atrice Ciggy Marley entleman Ca,leton Barrington !e)y Burning (,ear Dennis Brown Black 5huru regory Isaacs (i""la Dane Cook Damian Marley 4orace 8ndy +he 5,setters Israel *ibration Culture (teel #ulse 8dam (andler !ee =(cratch= #erry +he 83uabats 8ugustus #ablo Monty #ython %ichard Cheese 8l,ha Blondy +rans,lants 4ot Water 0ing +ubby Music Big D and the+he Mighty (outh #ark Mighty Bosstones O,eration I)y %eel Big Mad Caddies 0ids +able6ish (lint Catch .. =Weird Al= mewithout-ou +he *andals %ed (,arowes +he (uicide +he Blood !ess +han Machines Brothers Jake +he Bouncing od Is +he ood -anko)icDescendents (ouls ')ery +ime !i/e #ro,agandhi < and #elican JGdayso/static $ot 5 Isis Comeback 0id Me 6irst and the ood %iddance (il)ersun #icku,s %ancid imme immes Blindside Oceansi"ean Astronaut Meshuggah Con)erge I Die 8 (il)er 6ear Be/ore the March dredg !ow $eurosis +he Bled Mt& Cion 8t the #sa,, o/ 6lames John Barry Between the Buried $O6H $orma Jean +he 4orrors and Me 8nti16lag (trike 8nywhere +he (ea Broadcast ods,eed -ou9 (,arta old/inger +he 6all Mono Black 'm,eror and Cake +unng &&&And -ou Will 0now Us +he Dillinger o/ +roy Bernard 4errmann 'sca,e #lan !agwagon -ou (ay #arty9 We (tereolab Drive-In Bi//y Clyro Jonny reenwood (ay Die9 -
Synthetica: Reflexões Acerca Da (I)Materialidade Da Música Em Álbuns-Aplicativo
262 POLIVANOV, B. B; WALTENBERG, L. Synthetica: reflexões acerca da (i)materialidade da música em álbuns-aplicativo. Galaxia (São Paulo, Online), n. 29, p. 262-275, jun. 2015. http://dx.doi.org/10.1590/1982-25542015119291 Synthetica: reflexões acerca da (i)materialidade da música em álbuns-aplicativo Beatriz Brandão Polivanov Lucas Waltenberg Resumo: A partir do álbum-aplicativo Synthetica, lançado em 2013 pela banda canadense Metric, este artigo se propõe a investigar a relação entre cultura material e música na cibercultura. Em um primeiro momento, traz algumas reflexões e perspectivas sobre os conflitos entre materialidade e cultura digital. Em seguida, discute o álbum de música em um sentido mais tradicional para pensar suas aproximações e distanciamentos com o álbum-aplicativo. Por fim, analisa Synthetica, apoiado em reflexões sobre cultura remix, a materialidade da música e remediação. Conclui-se que, mesmo na cibercultura, a música possui uma complexidade material, moldando novos protocolos de escuta no diálogo entre actantes humanos e não-humanos. Palavras-chave: materialidade; cultura digital; álbum-aplicativo; música; Synthetica. Abstract: SYNTHETICA: Reflections on the (im)materiality of music in app-albums – Using the app-album "Synthetica", launched in 2013 by Canadian band Metric, as a study object, this paper aims to investigate the relationship between material culture and music in cyberculture. Firstly, it brings some reflections and perspectives about the conflicts between materiality and digital culture. Secondly, it discusses the music album in a more traditional sense to highlight its similarities and differences with the app-album. Lastly, it analyzes Synthetica, anchored by thoughts on remix culture, the materiality of music and remediation. -
Collectivity, Capitalism, Arts & Crafts and Broken Social Scene
“A BIG, BEAUTIFUL MESS”: COLLECTIVITY, CAPITALISM, ARTS & CRAFTS AND BROKEN SOCIAL SCENE by Ian Dahlman Bachelor of Arts (Hons.), Psychology and Comparative Literature & Culture University of Western Ontario, 2005 London, Ontario, Canada A thesis presented to Ryerson University and York University in partial fulfillment of the requirements for the degree of Master of Arts in the Program of Communication and Culture Toronto, Ontario, Canada, 2009 © Ian Dahlman 2009 Library and Archives Bibliothèque et Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l’édition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre référence ISBN: 978-0-494-59032-4 Our file Notre référence ISBN: 978-0-494-59032-4 NOTICE: AVIS: The author has granted a non- L’auteur a accordé une licence non exclusive exclusive license allowing Library and permettant à la Bibliothèque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par télécommunication ou par l’Internet, prêter, telecommunication or on the Internet, distribuer et vendre des thèses partout dans le loan, distribute and sell theses monde, à des fins commerciales ou autres, sur worldwide, for commercial or non- support microforme, papier, électronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L’auteur conserve la propriété du droit d’auteur ownership and moral rights in this et des droits moraux qui protège cette thèse. Ni thesis. Neither the thesis nor la thèse ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent être imprimés ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
Corpus Antville
Corpus Epistemológico da Investigação Vídeos musicais referenciados pela comunidade Antville entre Junho de 2006 e Junho de 2011 no blogue homónimo www.videos.antville.org Data Título do post 01‐06‐2006 videos at multiple speeds? 01‐06‐2006 music videos based on cars? 01‐06‐2006 can anyone tell me videos with machine guns? 01‐06‐2006 Muse "Supermassive Black Hole" (Dir: Floria Sigismondi) 01‐06‐2006 Skye ‐ "What's Wrong With Me" 01‐06‐2006 Madison "Radiate". Directed by Erin Levendorf 01‐06‐2006 PANASONIC “SHARE THE AIR†VIDEO CONTEST 01‐06‐2006 Number of times 'panasonic' mentioned in last post 01‐06‐2006 Please Panasonic 01‐06‐2006 Paul Oakenfold "FASTER KILL FASTER PUSSYCAT" : Dir. Jake Nava 01‐06‐2006 Presets "Down Down Down" : Dir. Presets + Kim Greenway 01‐06‐2006 Lansing‐Dreiden "A Line You Can Cross" : Dir. 01‐06‐2006 SnowPatrol "You're All I Have" : Dir. 01‐06‐2006 Wolfmother "White Unicorn" : Dir. Kris Moyes? 01‐06‐2006 Fiona Apple ‐ Across The Universe ‐ Director ‐ Paul Thomas Anderson. 02‐06‐2006 Ayumi Hamasaki ‐ Real Me ‐ Director: Ukon Kamimura 02‐06‐2006 They Might Be Giants ‐ "Dallas" d. Asterisk 02‐06‐2006 Bersuit Vergarabat "Sencillamente" 02‐06‐2006 Lily Allen ‐ LDN (epk promo) directed by Ben & Greg 02‐06‐2006 Jamie T 'Sheila' directed by Nima Nourizadeh 02‐06‐2006 Farben Lehre ''Terrorystan'', Director: Marek Gluziñski 02‐06‐2006 Chris And The Other Girls ‐ Lullaby (director: Christian Pitschl, camera: Federico Salvalaio) 02‐06‐2006 Megan Mullins ''Ain't What It Used To Be'' 02‐06‐2006 Mr. -
PRESENTS a RHOMBUS MEDIA and BEST BOY ENTERTAINMENT
PRESENTS WRITTEN and DIRECTED by STEPHEN DUNN a RHOMBUS MEDIA and BEST BOY ENTERTAINMENT production US DISTRIBUTOR www.strandreleasing.com HEAD OFFICE 6140 W Washington Blvd Culver City, CA 90232 USA Phone: +1 310 836 7500 Fax: +1 310 836 7510 E-mail: [email protected] by Stephen Dunn Canada, 2015, 90 minutes, English, Coming-of-Age Drama Elevation Pictures presents a Rhombus Media and Best Boy Entertainment production, written and directed by Stephen Dunn and starring Connor Jessup (BLACKBIRD, FALLING SKIES) in the coming of age drama, CLOSET MONSTER. Also starring in the film are Aaron Abrams (HANNIBAL, YPF), Joanne Kelly (WAREHOUSE 13, HOSTAGES), Aliocha Schneider (THREE NIGHT STAND), Jack Fulton (LIFE, PAY THE GHOST), Sofia Banzhaf (SILENT RETREAT), Mary Walsh (THE HOUR HAS 22 MINUTES, THE GRAND SEDUCTION), and Isabella Rossellini (BLUE VELVET, ENEMY) as a talking hamster named Buffy. CLOSET MONSTER tells the story of Oscar Madly (Jessup), a creative and driven teenager who hovers on the brink of adulthood. Destabilized by his dysfunctional parents, unsure of his sexuality, and haunted by horrific images of a tragic gay bashing he witnessed as a child, Oscar dreams of escaping the town he feels is suffocating him. A talking hamster, imagination and the prospect of love help him confront his surreal demons and discover himself. CLOSET MONSTER marks the debut feature film for writer/director Stephen Dunn (POP UP PORNO, WE WANTED MORE, LIFE DOESN’T FRIGHTEN ME). The film is an official Ontario-Newfoundland co-production, produced by Kevin Krikst (METHOD, PARACHUTE) and Fraser Ash (DUST) of Rhombus Media in Toronto and Edward J. -
Metric's Less-Than-Measured Response to Musical
Metric’s less-than-measured response to musical success | Entertainment ... http://registerguard.com/rg/entertainment/34031487-67/metrics-less-tha... FEBRUARY 26, 2016 SUBSCRIBER SERVICES MUSIC 1 of 7 2/26/2016 1:32 PM Metric’s less-than-measured response to musical success | Entertainment ... http://registerguard.com/rg/entertainment/34031487-67/metrics-less-tha... Rock band The Metric plays at McDonald Theatre on Saturday, Feb. 20. (Alysse Gakjen) B J B For The Register‐Guard FEB. 19, 2016 Tweet 1 n music, sometimes you just have to let the beat keep driving you on. Metric’s synthy, introspective electronic pop‐rock emerges from an eclectic background, an independent outlook and a willingness to keep moving forward. Between the four band members, they’ve lived in India, Great Britain, several Canadian provinces and a handful of cities in the United States. As a band, they’ve been based in Toronto, Montreal, New York, Los Angeles and London. 2 of 7 2/26/2016 1:32 PM Metric’s less-than-measured response to musical success | Entertainment ... http://registerguard.com/rg/entertainment/34031487-67/metrics-less-tha... Metric began as a duo. Originally named Mainstream, it was formed in Toronto in 1998 by Emily Haines (lead vocals, synthesizers, guitar) and James Shaw (guitar, synthesizers, backing vocals). Three years later, they were joined by Joshua Winstead (bass, synthesizers, backing vocals) and Joules Scott‐Key (drums and percussion). They’ve since released six albums, touring the United States, Canada and Europe in support of each of them. Along the way they’ve picked up a smattering of accolades, including multiple Juno Awards and a Satellite Award nomination for “The Twilight Saga: Eclipse” theme song “Eclipse (All Yours),” written by composer Howard Shore and Haines, in 2011. -
Hyman Leaves USC for Texas A&M
University of South Carolina Scholar Commons July 2012 7-3-2012 The aiD ly Gamecock, TUESDAY, July 3, 2012 University of South Carolina, Office oftude S nt Media Follow this and additional works at: https://scholarcommons.sc.edu/gamecock_2012_jul Recommended Citation University of South Carolina, Office of Student Media, "The aiD ly Gamecock, TUESDAY, July 3, 2012" (2012). July. 1. https://scholarcommons.sc.edu/gamecock_2012_jul/1 This Newspaper is brought to you by the 2012 at Scholar Commons. It has been accepted for inclusion in July by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. dailygamecock.com UNIVERSITY OF SOUTH CAROLINA TUESDAY, JULY 3, 2012 VOL. 109, NO. 06 ● SINCE 1908 Hyman leaves USC for Texas A&M Pastides contemplates interim fi rst coaching hires, as the basketball replacement for athletic director team had a program-worst 10 wins with Darrin Horn as head coach. Isabelle Khurshudyan Hyman hired new USC coach Frank [email protected] Martin from Kansas State to replace Horn. South Carolina President Harris Under Hyman, the Gamecocks Pastides heard the rumors leading also had NCAA troubles, as an up to his meeting with Athletics investigation revealed $55,000 in Director Eric Hyman, but when the impermissible benefi ts, leading to a two met Friday afternoon, there was three-year probation, monetary fi ne nothing Pastides could do to stop and a reduction of scholarships. The Hyman from leaving for the same school’s self-imposed penalties were position at Texas A&M. accepted by the NCAA and a show- “I thanked him for his cause was added to the program. -
Cfc Announces Participants for the Slaight Music Residency
FOR IMMEDIATE RELEASE: CFC ANNOUNCES PARTICIPANTS FOR THE SLAIGHT MUSIC RESIDENCY Four talented creators chosen to participate in new initiative, focused on building stronger Canadian onscreen musical talent TORONTO, September 25, 2012 – CFC (Canadian Film Centre) is pleased to welcome the four participants of the inaugural SLAIGHT MUSIC RESIDENCY. The final selection committee was comprised of the program’s Songwriter Chair, Jim Cuddy (Blue Rodeo), mega-hit songwriter/record producer/ performer Marc Jordan (Josh Groban, Rod Stewart, Cher, Bette Midler, Bonnie Raitt, Diana Ross), filmmaker/lyricist Michael McGowan (Score: A Hockey Musical), composer/conductor Glenn Morley (One Magic Christmas), Emmy Award-nominated composer Amin Bhatia (“Flashpoint”) and Oscar-nominated and Emmy Award-winning filmmaker Larry Weinstein (Rhombus Media). After an extensive selection process, the four participants of The Slaight Music Residency include: • Jeff Morrow, a Toronto-based composer and musician whose credits include “Crash Canyon” (Teletoon/MTV), “The Passionate Eye” (CBC) and “The Fifth Estate” (CBC). He has also contributed music to “The Bridge” (CBS/CTV). He is currently scoring “Rocket Monkeys” (Teletoon) and a feature-length documentary about the Attawapiskat First Nation with director Victoria Lean. Morrow holds a Bachelor of Music from McGill University, and works as an in-house composer at the Eggplant Collective. • Todor Kobakov, a composer and producer, Kobakov has seven feature film scores to his credit, including The Samaritan, Cold Blooded, and Young People Fucking. His work for Cold Blooded won the Audience Award at the 2012 Fantasia Film Festival. Kobakov has also created vivid soundtracks for short films, TV and dozens of Canadian and international commercials.