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Boston Symphony Orchestra Concert Programs, Season 39,1919-1920, Trip

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Boston Symphony Orchestra Concert Programs, Season 39,1919-1920, Trip CARNEGIE HALL . NEW YORK Thursday Evening, March 18, at 8.15 Saturday Afternoon, March 20, at 2.30 \\\uiiii ^ &*, %, m s^w> 3 < n *jAy W N^/ 7/ (IV l^ BOSTON SYMPHONY ORQ1ESTRK INCORPORATED THIRTY NINTH Mi SEASON W9-J920 PRSGRKttttE W5^ Just as you enjoy the exquisite interpret tations of the Boston Symphony Orchestra at their concert, you can enjoy them when- ever you wish on the Victrola. It is one of the great triumphs of record- ing that enables you to hear so large an organization in your home, and it is sig- nificant that so famous an orchestra as the Boston Symphony makes Victor Records. The absolute faithfulness of these Victor Records when played on the Victrola parallels the actual performance of this great orchestra itself. Any Victor dealer will gladly play any of the Boston Symphony Orchestra records for you. Victrolas $25.00 to $950. CAMDEN, N. J. CARNEGIE HALL NEW YORK Thirty-fourth Season in New York INCORPORATED Thirty-ninth Season, 1919-1920 PIERRE MONTEUX, Conductor THURSDAY EVENING, MARCH 18 AT 8.15 AND THE SATURDAY AFTERNOON, MARCH 20 AT 2.30 WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE COPYRIGHT, 1920, BY BOSTON SYMPHONY ORCHESTRA, INCORPORATED W. H. BRENNAN, Manager G. E. JUDD, Assistant Manager — W A Y A name that is spoken with the full pride of ownership—that carries with it the deep satis- faction of possessing the ultimate expression of man's handiwork in Musical Art. A name that is cherished as a Family Tradition that keeps afresh for the next generation the associations and fond remembrances which cluster around the home piano. Supreme achievement of patience, skill and ex- perience, founded on inborn Ideals of Artistry. r Catalogue and prices on application Sold on convenient payments Old pianos tal^en in exchange Inspection invited 107—109 East 14th Street New York Subway Express Stations at the Door REPRESENTED BY THE FOREMOST DEALERS EVERYWHERE Thirty-ninth Season, 1919-1920 PIERRE MONTEUX, Conductor Violins. Theodorowicz, J. Roth, 0. Bak, A. Gerardi, A. Concert-master. Rissland, K. Mahn, F. Ribarsch, A. Hoffmann, J. Traupe, W. Goldstein, H. Ringwall, R. Pinfield, C. Sauvlet, H. Di Natale, J. Henkle, R. Gundersen, R. Thillois, F. Goldstein, S. Fiedler, A. Deane, C. Fiedler, B. Kurth, R. Diamond, S. Langley, A. Bryant, M. Leveen, P. Kurkdjie, N. Blackman, A. Violas. Denayer, F. Berlin, V. Van Veen, H. Kay, W. Grover, H, Wittmann, F. Van Wynbergen, C. Shirley, P. Blumenau, W. Salis, J. Violoncellos. Bedetti, J. Miquelle, G. Nagel, R. Belinski, M. Warnke, J. Schroeder, A. Keller, J. Barth, C. Fabrizio, E. Stockbridge, C. Basses. Kunze, M. Jaeger, A. Ludwig, O. Agnesy, K. Gerhardt, G. Seydel, T. Schurig, R. Frankel, I. Flutes. Oboes. Clarinets. Bassoons. Laurent, G. Longy, G. Sand, A. Laus, A. Brooke, A. Lenom, C. Mimart, P. Mueller, E. DeMailly, C. Stanislaus, H. Forlani, N. Piller, B. Piccolo. English Horns. Bass Clarinet. Contra-Bassoon. Battles, A. Mueller, F. Vannini, A. Fuhrmann, M. Speyer, L. Horns. Horns. Trumpets. Trombones. Wendler, G. Van Den Berg, C. Heim, G. Adam, E. Lorbeer, H. Versney, C. Mann, J. Sordillo, F. Hain, F. Hess, M. Mager, G. Mausebach, A. Gebhardt, W. Folk, G. Kloepfel, L. Kenfield, L. Tuba. Harps. Tympani. Percussion. Mattersteig, P. Holy, A. Neumann, S. Ludwig, C Burkhardt, H. Cella, T. Gardner, C. Zahn, F. Organ. Librarian. Snow, A. Rogers, L. J *&s»a» AN INVITATION TO MUSIC LOVERS A pleasant half hour may be spent at our store inspecting the newest ^m0 ^ ^ piauas Music lovers are invited to hear or play for themselves these exquisite instruments. More beautiful than ever, the famous Chick- ering tone, coupled with their well known durability makes the choice of a Chickering one that insures perfect satisfaction during the long years of its usefulness. John Wanamaker Broadway andJNinth Street New York, N. Y. : — CARNEGIE HALL .... NEW YORK THURSDAY EVENING, MARCH 18 AT 8.15 The Programme as changed is as follows Beethoven .... Symphony No. 4 in B-flat major, Op. 60 I. Adagio : Allegro vivace. II. Adagio. III. Allegro vivace ; Trio : Un poco meno allegro. IV. Allegro ma non troppo. Prelude to "Lohengrin" "A Siegfried Idyll" "Forest Murmurs" from "Siegfried" 1 Excerpts from Act III of "The Mastersingers" Introduction—Dance of the Apprentices Welcome to Hans Sachs SATURDAY AFTERNOON, MARCH 20 AT 2.30 The Programme as changed is as follows: Beethoven .... Overture to "Fidelio" Mozart .... Symphony in G minor (Kochel 550) I. Allegro molto. II. Andante. III. Mennetto : Trio. IV. Finale : Allegro assai. Borodin, "On the Steppes of Central Asia," Orchestral Sketch, Op. 7 Debussy Petite Suite Arranged for orchestra by Henri Bttsseb I. En bateau. II. Cortege. III. Menuet. IV. Ballet. There will be an intermission of ten minutes after the symphony. CARNEGIE HALL NEW YORK Thirty-fourth Season in New York Thirty-ninth Season, 1919-1920 PIERRE MONTEUX, Conductor FIFTH CONCERT THURSDAY EVENING, MARCH 18 AT 8.15 PROGRAMME Berlioz . Fantastic Symphony No. i in C major, Op. 14 \ I. Dreams, Passions. Largo; Allegro agitato e appassionato assai. II. A Ball. Waltz: Allegro non troppo. III. Scene in the Meadows. Adagio. IV. March to the Scaffold. Allegretto non troppo. V. Dream of a Sabbath. Larghetto; Allegro. Carpenter Concertino for Pianoforte and Orchestra (First Performance in New York) I. Allegro con moto. II. Lento grazioso. III. Allegro risoluto. Piano, E. Robert Schmitz " Wagner Overture to " The Flying Dutchman MASON & HAMLIN PIANO USED There will be an intermission of ten minutes after the symphony 5 '' " The Best in Travel Raymond and Whitcomb Company is the only large American company with any long experience in the tourist field. Our 40 years' experience and our in- timate, up-to-the-minute knowledge of the completely new conditions all over the world make our service of inestimable value to travelers at this particular time. Remarkable tours, including France and all the Famous Battle- fields, Belgium, Switzerland and Italy. Best hotels, finest train and automobile service and exceptional arrangements. Depart- ures Mar. 20 and later. Two unusally attractive tours includ- ing Spain and Algeria and Tunisia leave in March and April. No one who visits Europe in 1920 will have a satisfactory trip unless he has hotel reservations in France, Belgium and along the Battlefield Front. Accommodations are insufficient to take care of everyone. If you are wise you will make your arrangements with a company which has assured hotel and steamship reservations. Raymond & Whitcomb has not only its own offices and representatives in Paris but also a French representative, for many years the head of the leading French tourist organization. Now is the time to begin making your plans for next Spring and Summer. Protect yourself at once by making a preliminary reservation with us. Wonderful tours twice a week in March, including New Orleans, Apache Trail, Grand Canyon and the famous resort hotels of Southern California. Finest accommodations everywhere and ex- tensive automobiling. Delightful tours to St. Augustine, Palm Beach, Miami and Havana. Frequent departures February to March. Luxurious Cruises by splendid specially chartered steamships to Cuba, Jamaica, Panama, Central America and Nassau-Bahamas. Fascinating shore excursions. Sailings April 3 and April ic. Also tours to South America, Japan-China and Round the World Send for Booklet Desired RAYMOND & WHITCOMB CO. 225 FIFTH AVENUE, Telephone, Madison Square 6270 New York — Berlioz Fantastic Symphony, No. 1 in C major, Op. 16a . Hector died in Paris, (Bom at la Cote Saint-Andre (Isere), December 11, 1803; March 9, 1869.) This symphony forms the first part of a work entitled "Episode de ]a vie d'un artiste" (Episode in the Life of an Artist), the second part of which is the lyric monodrama, "Lelio, ou le retour a la vie" (Lelio; or, The Return to Life). Berlioz published the following preface * to the full score of the symphony : PROGRAMME OF THE SYMPHONY. A young musician of morbid sensibility and ardent imagination poisons himself with opium in a fit of amorous despair. The narcotic dose, too weak to result in death, plunges him into a heavy sleep accompanied by the strang- est visions, during which his sensations, sentiments, and recollections are translated in his sick brain into musical thoughts and images. The beloved woman herself has become for him a melody, like a fixed idea which he finds and hears everywhere. PART I. DREAMS, PASSIONS. He first recalls that uneasiness of soul, that vague des passions, those mo- ments of causeless melancholy and joy, which he experienced before seeing inspired her whom he loves ; then the volcanic love with which she suddenly him, his moments of delirious anguish, of jealous fury, his returns to loving tenderness, and his religious consolations. PART II. A BALL. He sees his beloved at a ball, in the midst of the tumult of a brilliant fete. PART III. SCENE IN THE FIELDS. One summer evening in the country he hears two shepherds playing a Ranz-des-vaclies in alternate dialogue ; this pastoral duet, the scene around him, the light rustling of the trees gently swayed by the breeze, some hopes he has recently conceived, all combine to restore an unwonted calm to his heart and to impart a more cheerful coloring to his thoughts ; but she appears * The translation into English of this preface is by William Foster Apthorp. OF GREAT INTEREST TO VIRTUOSI, TEACHERS AND PUPILS OF THE THE LATEST SERIES OF WORKS BY OLD MASTERS ARRANGED BY The following composers are included in the new series ANTONIOTTI (1692-1776) CORELLI (1653-1713) HERVELOIS (1 670- 17-?) ARIOSTI (1666-1740) DALL'ABACO (1675-1742) LECLAIR (1697-1764) BIRCKENSTOCK (1687-1733) DUPUITS (1741-17-?) LOEILLET (1653-1728) BONONCINI (1680-17-?) GALLIARD (1687-1749) MARCELLO (1686-1739) CAPORALE (I6-P-17-?) GRAZIOLI (1710-1780) SENAILLE (1687-1730) VALENTINI (1681-17-?) Write for complete lists.
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