Babyface for the Cool in You Album Free Download for the Cool in You | Listen to Babyface for the Cool in You MP3 Song

babyface for the cool in you album free download For The Cool In You | Listen to Babyface For The Cool In You MP3 song. For The Cool In You song from the album The Essential Babyface is released on Jun 2003 . The duration of song is 04:53. This song is sung by Babyface. Related Tags - For The Cool In You, For The Cool In You Song, For The Cool In You MP3 Song, For The Cool In You MP3, Download For The Cool In You Song, Babyface For The Cool In You Song, The Essential Babyface For The Cool In You Song, For The Cool In You Song By Babyface, For The Cool In You Song Download, Download For The Cool In You MP3 Song. Grown & Sexy. Not everyone was left convinced by Babyface's previous solo album, 2001's Face2Face. Many critics and fans found it to be a desperate act of some form, containing several stabs at with-it youthfulness that would've sounded out of character on his early albums with the Deele, not to mention something he put together almost 20 years later. He was either tired of doing the expected or was attempting to appeal to more than the thirty- and fortysomethings (or both). Those who were left disappointed by that album will probably be happy to have the Face of old back with Grown & Sexy, a back-to-basics album that sounds a lot more natural in comparison. While this is very familiar territory, few cover it as well. Written with longtime partner Daryl Simmons and produced with relative newcomer Gregg Pagani (LeAnn Rimes, Will Smith), Grown & Sexy doesn't have any songs that immediately jump out and fall in line with the biggest hits, but it does make up for that with its consistency. Mostly light and easygoing, though not without its fair share of female-male drama (and a couple touches of humor), it's capped off by a great dancefloor track in the form of "She's International," showing that he needn't necessarily stick to ballads with acoustic guitars. Playlist. Covers albums tend to be dashed off as a way to fulfill an artist's last remaining contractual obligation to his or her label. However, Playlist is Babyface's first release for Mercury, following 2005's Grown & Sexy, and he put a lot of heart and soul into the material, all of which connected with him as a youngster listening to '70s AM radio. Most of the sources are anything but cool: James Taylor, Jim Croce, Dan Fogelberg, Dave Loggins, and Bread. (Then again, Bread were sort of like the Coldplay of their day.) Apart from Bob Dylan's "Knockin' on Heaven's Door," everything is suited for Babyface, often to the point where the songs don't sound tremendously different from what he has written during the last several years. While you could go back as far as the first Deele songs for indications that he had more than soul and funk in his background, this album really conveys how much he owes to '70s singer/songwriters. In addition to the eight covers, there are two new songs, both of which fit into the album's scheme sonically while being far from lightweight subject-wise. In "Not Going Nowhere," he talks to one of his sons in the wake of divorce ("I've got a room with your name on the door/Your favorite things you could ever ask for"), and "The Soldier Song" addresses those who have had their lives taken by war ("Hope was all he had to cope/But he never made it home"). Babyface for the cool in you album free download. No amount is too big or too small. Any donation is appreciated. Why Not? It helps the blog survive! Thursday, June 21, 2012. Babyface. Collection of Babyface. As a singer, producer, and songwriter, Babyface was an inescapable presence in virtually every major facet of pop music during the '90s. His own recordings helped rejuvenate the R&B tradition of the smooth, sensitive, urban crooner and made him a staple of urban contemporary radio. Yet their considerable success was eclipsed by his songwriting and production work for other artists, which linked him with some of the biggest stars and hit singles of the decade (and not just in the realm of R&B). You'd be hard-pressed to name a '90s hitmaker with a track record more consistently successful and versatile than Kenny "Babyface" Edmonds. Kenneth Edmonds was born April 10, 1959, in Indianapolis and began playing in local R&B bands as a teenager. He served a stint in Bootsy Collins' backing unit (where he earned his nickname) and subsequently joined the funk outfit Manchild, which signed a record deal in 1977 and released three albums. After their breakup, Babyface and partner Antonio "L.A." Reid formed an urban funk group called the Deele in the early '80s, which scored a few sizable hits on the R&B charts. Babyface and Reid began producing and writing for other artists on the side, landing hits in Pebbles' "Girlfriend" and the Whispers' "Rock Steady"; following the Deele's third album in 1988, the duo left to continue their outside activities full-time, co-founding the LaFace label in 1989. Further hits followed in Bobby Brown's "Every Little Step," Sheena Easton's "The Lover in Me," and Karyn White's "The Way You Love Me" and "Superwoman," all of which performed well on both the pop and R&B charts. Babyface had actually recorded a little-noticed solo album in 1986, titled Lovers, but with his newfound success having marked him as one to watch, his solo career now began in earnest. Released in 1989, Tender Lover caught fire, spinning off four singles over the next year, including the R&B chart smashes "It's No Crime" (number one) and "Whip Appeal" (number two; both also reached the pop Top Ten); the album also went double platinum. Now firmly established as a powerhouse, Babyface went on to co-write hits for Johnny Gill ("My, My, My," nominated for the Best R&B Song Grammy), Whitney Houston ("I'm Your Baby Tonight"), and Madonna ("Take a Bow"); his biggest success, however, came with Boyz II Men, whose recording of "End of the Road" became one of the longest-running number ones in pop history (the Babyface-penned follow- up "I'll Make Love to You" was also pretty successful in its own right). He was co-nominated for an Album of the Year Grammy for his production on The Bodyguard soundtrack and went on to work with artists like Celine Dion, Mariah Carey, Gladys Knight, Aretha Franklin, En Vogue, and Mary J. Blige. As if that weren't enough, LaFace had become a highly successful and lucrative imprint, breaking artists like Toni Braxton, TLC, OutKast, and Usher (often with input from Reid and Babyface). It's no wonder Babyface wound up taking a break from his own career as a singer during the early '90s, releasing only a remix album, A Closer Look, in 1991. The proper follow-up to Tender Lover didn't appear until 1993; even so, For the Cool in You was an even bigger hit than its predecessor, going triple platinum and producing Babyface's first Top Five pop hit, the change-of-pace acoustic guitar ballad "When Can I See You Again" (which won him his first Grammy as a performer for Best Male R&B Vocal). In 1995, he scored another major success with the Waiting to Exhale soundtrack, not only producing it but scoring the film itself and writing nearly all of its songs, including the Whitney Houston smash "Exhale (Shoop, Shoop)." The same year, he won the first of three consecutive Grammys as Producer of the Year. Successes just kept coming in 1996; the guest-laden album The Day spawned another Top Ten pop/R&B hit in "Every Time I Close My Eyes," and he solidified his crossover credentials once and for all by winning a Grammy for Record of the Year as producer of Eric Clapton's "Change the World." Encouraged by the success of Waiting to Exhale, Babyface and his wife, Tracey Edmonds, formed their own film production company, which debuted in 1997 with the acclaimed urban family comedy/drama Soul Food (Babyface, naturally, masterminded the soundtrack). The next year, he contributed lyrics to the animated musical The Prince of Egypt, which went uncredited on the soundtrack album. With the movies taking up more of his time, his next musical releases were quick one-offs: an MTV Unplugged album in 1997 and the seasonal Christmas with Babyface the next year. His production and songwriting activities continued, though he remained silent as a performer for a few years. In 2000, Epic released the best-of compilation A Collection of His Greatest Hits, marking the end of his tenure with the label; he had elected to move to Arista, where L.A. Reid had been a high-ranking executive. In 2001, Babyface released a new album, Face2Face, and also produced the punk-pop soundtrack for the film Josie & the Pussycats. The back-to-basics Grown & Sexy came in July 2005, followed by 2007's covers-based Playlist for Mercury. Allmusic by Steve Huey. Album: Lovers (1986) 01. You Make Me Feel Brand New 02. Lovers 03. Chivalry 04. I Love You Babe 05. Mary Mack 06. Faithful 07. If We Try 08. Take Your Time 09. I Love You Babe (Reprise) For the Cool in You.

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