Volume CXXXV, Number 21, May 4, 2018
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Biology of Sex (Biol 213) Fall 2014 Tamatha Barbeau Sep/1/14 the Biology of Beauty in the Media: “My Humps”
Biology of Sex (Biol 213) Fall 2014 Tamatha Barbeau Sep/1/14 The Biology of Beauty in the Media: “My Humps” The music video “My Humps”, by the Black-Eyed Peas (link and lyrics below) provides a good example of several concepts discussed in this course. The lyrics and interplay between Fergie and Will.I.Am in the video provides clear demonstrations of topics covered under our Biology of Beauty lectures. One of these topics is male competition for females. In the video Fergie says “They say I’m really sexy. The boys they wanna sex me. They always standing next to me…”, which implies that multiple men are competing for her attention. However, Fergie is choosy – demonstrating female choice – when she says (They are) “Tryin’ a feel my hump, hump. Lookin’ at my lump, lump. U can look but you can’t touch it, If u touch it I’ma start some drama, You don’t want no drama, No, no drama, no, no, no, no drama. So don’t pull on my hand boy, You ain’t my man, boy.” This shows that she is making the choice, and that unwelcome advances from a man she has not chosen will be rebuffed by ‘drama’. Another topic demonstrated in this video is that males and females have different reproductive agendas. Males want mating opportunities with healthy, beautiful, young (fertile) females but females want more selective mating with males that offer resources and fidelity. Fergie states that men are trying to advertise their resources when she says “I drive these brothers crazy. -
1 an Analysis About Slang Language in The
p-ISSN: 2622-7843 e-ISSN: 2622-7894 Volume 3, Issue 01, 2020 AN ANALYSIS ABOUT SLANG LANGUAGE IN THE SONG LYRICS OF THE BLACK EYED PEAS (BOOM BOOM POW, IMMA BE, PUMP IT, SHUT UP, AND MY HUMPS Febryan Bayu Ramadhan1 English and Letters Faculty, Surakarta University [email protected], Arini Hidayah2 English and Letters Faculty, Surakarta University Abstract This research concerns the analysis of slang in the song lyrics of The Black Eyed Peas entitled Boom Boom Pow, Imma Be, Pump It, Shut Up, My Humps. The are two objectives in this research, namely to tell types of the slang appeared in this song, and to explain the meaning of slang. This analysis use descriptive method due to the fact that this research describe the meaning of the slangs. The data were taken from the song lyrics of The Black Eyed Peas entitled Boom Boom Pow, Imma Be, Pump It, Shut Up and My Humps. The researcher uses document and records method to gather the data which is by taking note of the slangs appeared in this song, then classifying them by their types, after that explaining their meaning, the researcher analyzing the meanings of the slang using an American Slang Dictionary and the researcher also asked the help of a Native American in analyzing the meanings of slang, finally, give a conclusion. The researcher found there are 37 total data of slangs in the song lyrics of The Black Eyed Peas entitled Boom Boom Pow, Imma Be, Pump It, Shut Up and My Humps. Then there are 37 total data of the meaning of slangs in the song lyrics of The Black Eyed Peas entitled Boom Boom Pow, Imma Be, Pump It, Shut Up and My Humps. -
Name Artist Composer Album Grouping Genre Size Time Disc Number Disc Count Track Number Track Count Year Date Mod Ified Date
Name Artist Composer Album Grouping Genre Size Time Disc Number Disc Count Track Number Track Count Year Date Mod ified Date Added Bit Rate Sample Rate Volume Adjustment Kind Equalizer Comments Play Count Last Played Skip Cou nt Last Skipped My Rating Location Kun Faya Kun www.Songs.PK A.R Rahman, Javed Ali, Mohit Chauhan Music: A .R Rahman Rockstar www.Songs.PK Bollywood Music 9718690 472 4 2011 10/2/2011 3:25 PM 11/16/2012 9:13 PM 160 44100 MPEG audio file www.Songs.PK D:\Music\rockstar\rockstar04(www.songs.pk).mp3 Thayn Thayn www.Songs.PK Abhishek Bachchan, Ayush Phukan and Earl www.Songs.PK Dum Maaro Dum www.Songs.PK Bollywood Music 4637567 204 5 2011 3/17/2011 4:19 AM 11/16/2012 9:13 PM 174 44100 MPEG audio file www.Songs.PK D:\Music\RFAK\nm\dummaardum05(www.songs.pk).mp3 Kaun Hai Ajnabi www.Songs.PK Aditi Singh Sharma & K.K Shankar Ehsan Lo y Game www.Songs.PK Bollywood Music 5461864 238 4 2011 3/27/2011 4:08 AM 11/16/2012 9:13 PM 173 44100 MPEG audio file www.Songs.PK D:\Music\RFAK\nm\game04(www.songs.pk).mp3 Yahaan Roadies 8 MyDiddle.com Airport MyDiddle.com Roadies 8 MyDiddle.com MyDiddle.com 3758166 232 12/12/2010 10:29 AM 11/16/2012 9:13 PM 128 44100 MPEG aud io file MyDiddle.com D:\Music \mm\MTV Roadies 8 Yahaan (Theme Song).mp3 Deva Shree Ganesha www.Songs.PK Ajay Gogavale Music: AjayAtul | Lyric s: Amitabh Bhattacharya Agneepath www.Songs.PK Bollywood Music 7287918 356 6 2011 4/17/2012 8:40 PM 11/16/20 12 9:13 PM 161 44100 MPEG audio file www.Songs.PK D:\Music\agneepath\agneepath06(www.songs.pk).mp3 That's My Name -
Jae Blaze CREATIVE DIRECTOR/CHOREOGRAPHER
Jae Blaze CREATIVE DIRECTOR/CHOREOGRAPHER ____________________________________________________________________________________________________ AWARDS/NOMINATIONS MTV Hip Hop Video - Black Eyed Peas “My Humps” MTV Best New Artist in a Vide - Sean Paul “Get Busy” (Nominee) TELEVISION/FILM King Of The Dancehall (Creative Director) Dir. Nick Cannon American Girl: Saige Paints The Sky Dir. Vince Marcello/Martin Chase Prod. American Girl: Alberta Dir. Vince Marcello Sparkle (Co-Chor.) Dir. Salim Akil En Vogue: An En Vogue Christmas Dir. Brian K. Roberts/Lifetime Tonight SHow w Gwen Stefani (Co-Chor.) NBC The X Factor (Associate Chor.) FOX Cheetah Girls 3: One World (Co-Chor.) Dir. Paul Hoen/Disney Channel Make It Happen (Co-Chor.) Dir. Darren Grant New York Minute Dir. D. Gorgon American Music Awards w/ Fergie (Artistic Director) ABC/Dick Clark Productions Divas Celebrate Soul (Co-Chor.) VH1 So You Think You Can Dance Canada Season 1-4 CTV Teen Choice Awards w/ Will.I.Am FOX American Idol w/ Jordin Sparks FOX American Idol w/ Will.I.Am FOX Superbowl XLV Halftime Show w/ Black Eyed Peas (Co-Chor.) FOX/NFL Soul Train Awards BET Idol Gives Back w/ Black Eyed Peas (Co-Chor.) FOX Grammy Awards w/ Black Eyed Peas (Co-Chor.) CBS / AEG Ehrlich Ventures NFL Thanksgiving Motown Tribute (Co-Chor.) CBS/NFL American Music Awards w/ Black Eyed Peas (Co-Chor.) ABC/Dick Clark Productions BET Hip Hop Awards (Co-Chor.) BET NFL Kickoff Concert w/ Black Eyed Peas (Co-Chor.) NFL Oprah w/ Black Eyed Peas (Co-Chor.) ABC/Harpo Teen Choice Awards w/ Black Eyed Peas -
Uyghur Dispossession, Culture Work and Terror Capitalism in a Chinese Global City Darren T. Byler a Dissertati
Spirit Breaking: Uyghur Dispossession, Culture Work and Terror Capitalism in a Chinese Global City Darren T. Byler A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2018 Reading Committee: Sasha Su-Ling Welland, Chair Ann Anagnost Stevan Harrell Danny Hoffman Program Authorized to Offer Degree: Anthropology ©Copyright 2018 Darren T. Byler University of Washington Abstract Spirit Breaking: Uyghur Dispossession, Culture Work and Terror Capitalism in a Chinese Global City Darren T. Byler Chair of the Supervisory Committee: Sasha Su-Ling Welland, Department of Gender, Women, and Sexuality Studies This study argues that Uyghurs, a Turkic-Muslim group in contemporary Northwest China, and the city of Ürümchi have become the object of what the study names “terror capitalism.” This argument is supported by evidence of both the way state-directed economic investment and security infrastructures (pass-book systems, webs of technological surveillance, urban cleansing processes and mass internment camps) have shaped self-representation among Uyghur migrants and Han settlers in the city. It analyzes these human engineering and urban planning projects and the way their effects are contested in new media, film, television, photography and literature. It finds that this form of capitalist production utilizes the discourse of terror to justify state investment in a wide array of policing and social engineering systems that employs millions of state security workers. The project also presents a theoretical model for understanding how Uyghurs use cultural production to both build and refuse the development of this new economic formation and accompanying forms of gendered, ethno-racial violence. -
American Eagle Outfitters and the Black Eyed Peas Get Serious About ''Monkey Business''
NEWS RELEASE American Eagle Outfitters and The Black Eyed Peas Get Serious About ''Monkey Business'' 5/25/2005 WARRENDALE, Pa.--(BUSINESS WIRE)--May 25, 2005-- AE Launches In-store and Online Nationwide Promotion with DMX MUSIC and Interscope Records to Debut The Black Eyed Peas' New Album American Eagle Outfitters, Inc. (AE) (NASDAQ:AEOS) along with DMX MUSIC and Interscope Records today announced an innovative, cross-promotional marketing campaign to launch The Black Eyed Peas' new album, "Monkey Business." The partnership brings together one of today's hottest bands and one of the nation's leading lifestyle retailers for an initiative that is unprecedented in size and scope. Kicking off Saturday, May 28th, the promotion features exclusive listening parties in AE's 847 stores throughout the United States and Canada and is highlighted by a sweepstakes on ae.com in which one lucky person can win a trip for two to AE's new flagship store in Seattle for a shopping spree with The Black Eyed Peas on June 25th. This comprehensive program, designed and implemented by DMX MUSIC and AE with the support of Interscope Records, gives shoppers in American Eagle Outfitters stores a preview of The Black Eyed Peas' forthcoming release between the hours of 1 and 4pm on May 28th. In addition, selected AE stores in 13 major markets (New York, Los Angeles, Seattle, Chicago, Washington D.C., Philadelphia, Boston, Dallas, Atlanta, Miami, Detroit, San Francisco, and Pittsburgh) will host special events that day which will include exciting giveaways such as gift bags for the first 50 people to arrive plus tickets for local Black Eyed Peas concerts and AE merchandise. -
Dance Music & Songs
Top 10’s – Dance Music & Songs Dance Music Top 10 50's 1. Chuck Berry – Johnny B Good 2. Dion – Runaround Sue 3. Chubby Checker – Let’s Twist Again 4. Jerry Lee Lewis – Great Balls Of Fire 5. The Beatles – Twist and Shout 6. Big Bopper – Chantilly Lace 7. Elvis Presley – Can’t Help Falling In Love 8. Bill Haley – Rock Around The Clock 9. The Commitments – Mustang Sally 10. The Kingsmen – Louie Louie Top 10 60's or Motown 1. Temptations – Aint To Proud To Beg 2. Aretha Franklin - Respect 3. Stevie Wonder – I Was Made To Love Her 4. Diana Ross – Someday We’ll Be Together 5. Michael Jackson - ABC 6. The Foundations – Build Me Up Buttercup 7. Rolling Stones - Satisfaction 8. Temptations – My Girl 9. Ike and Tina Turner – Proud Mary (newer version) 10 David Sanborn & Babi Floyd - Shotgun Top 10 70's and Disco 1. Beegees - Stayin’ Alive 2. Abba – Dancin’ Queen 3. Grease Megamix 4. Kool and The Gang - Celebration 5. Donna Summer – Last Dance 6. Village People - YMCA 7. KC and The Sunshine Band – That’s The Way 8. Gloria Gaynor – I Will Survive 9. Marvin Gaye – Got To Give It Up 10. Franki Valli - Oh What A Night Top Ten 80's Dance Hits 1. EWF - September 2. George Clinton - Atomic Dog 3. Dead Or Alive – Spin Me Around 4. B52’s – Love Shack 5. Madonna - Holiday 6. GoGo’s – We Got The Beat/Our Lips are Sealed 7. Romantics – What I like About You 8. Billy Idol – Mony Mony 9. Michael Jackson - Thriller 10. -
Most Requested Songs of 2009
Top 200 Most Requested Songs Based on nearly 2 million requests made at weddings & parties through the DJ Intelligence music request system in 2009 RANK ARTIST SONG 1 AC/DC You Shook Me All Night Long 2 Journey Don't Stop Believin' 3 Lady Gaga Feat. Colby O'donis Just Dance 4 Bon Jovi Livin' On A Prayer 5 Def Leppard Pour Some Sugar On Me 6 Morrison, Van Brown Eyed Girl 7 Beyonce Single Ladies (Put A Ring On It) 8 Timberlake, Justin Sexyback 9 B-52's Love Shack 10 Lynyrd Skynyrd Sweet Home Alabama 11 ABBA Dancing Queen 12 Diamond, Neil Sweet Caroline (Good Times Never Seemed So Good) 13 Black Eyed Peas Boom Boom Pow 14 Rihanna Don't Stop The Music 15 Jackson, Michael Billie Jean 16 Outkast Hey Ya! 17 Sister Sledge We Are Family 18 Sir Mix-A-Lot Baby Got Back 19 Kool & The Gang Celebration 20 Cupid Cupid Shuffle 21 Clapton, Eric Wonderful Tonight 22 Black Eyed Peas I Gotta Feeling 23 Lady Gaga Poker Face 24 Beatles Twist And Shout 25 James, Etta At Last 26 Black Eyed Peas Let's Get It Started 27 Usher Feat. Ludacris & Lil' Jon Yeah 28 Jackson, Michael Thriller 29 DJ Casper Cha Cha Slide 30 Mraz, Jason I'm Yours 31 Commodores Brick House 32 Brooks, Garth Friends In Low Places 33 Temptations My Girl 34 Foundations Build Me Up Buttercup 35 Vanilla Ice Ice Ice Baby 36 Bee Gees Stayin' Alive 37 Sinatra, Frank The Way You Look Tonight 38 Village People Y.M.C.A. -
The Black Eyed Peas 'Pump It' up on Big Screens
THE BLACK EYED PEAS ‘PUMP IT’ UP ON BIG SCREENS NATIONWIDE WITH THE E.N.D. WORLD TOUR LIVE PRESENTED BY BLACKBERRY CONCERT EVENT LIVE FROM LOS ANGELES ON MARCH 30 NCM Fathom and AEG Live Team Up Again to Present an Exclusive One-Night Concert Performance with Behind-the-Scenes Footage Broadcast LIVE to Nearly 500 Select Movie Theaters Centennial, Colo. – Feb. 11, 2010 – The Black Eyed Peas are getting the party started across the country on The E.N.D. World Tour, presented by BlackBerry® and will rock the big screen as their concert performance from Los Angeles is transmitted LIVE nationwide on Tuesday, March 30th. Broadcast from STAPLES Center to nearly 500 select movie theaters across America, The Black Eyed Peas: The E.N.D. World Tour LIVE Presented by BlackBerry event will feature a 30-minute exclusive program for movie theater audiences, including behind-the-scenes footage and band interviews. Tickets for The Black Eyed Peas: The E.N.D. World Tour LIVE Presented by BlackBerry on March 30 at 10:30 p.m. Eastern / 9:30 p.m. Central / 8:30 p.m. Mountain / 7:30 p.m. Pacific are available at participating theater box offices and online at www.FathomEvents.com. For a complete list of theater locations and prices, please visit the web site (theaters and participants may be subject to change). “This tour is not the E.N.D. but the beginning of The Black Eyed Peas experience presented to you in full Pea fashion,” says Taboo of The Black Eyed Peas. -
Year-End Edition 2006 Mediabase Overall Label Share 2006
MEDIABASE YEAR-END EDITION 2006 MEDIABASE OVERALL LABEL SHARE 2006 ISLAND DEF JAM TOP LABEL IN 2006 Atlantic, Interscope, Zomba, and RCA Round Out The Top Five Island Def Jam Music Group is this year’s #1 label, according to Mediabase’s annual year-end airplay recap. Led by such acts as Nickelback, Ludacris, Ne-Yo, and Rihanna, IDJMG topped all labels with a 14.1% share of the total airplay pie. Island Def Jam is the #1 label at Top 40 and Hot AC, coming in second at Rhythmic, Urban, Urban AC, Mainstream Rock, and Active Rock, and ranking at #3 at Alternative. Atlantic was second with a 12.0% share. Atlantic had huge hits from the likes of James Blunt, Sean Paul, Yung Joc, Cassie, and Rob Thomas -- who all scored huge airplay at multiple formats. Atlantic ranks #1 at Rhythmic and Urban, second at Top 40 and AC, and third at Hot AC and Mainstream Rock. Atlantic did all of this separately from sister label Lava, who actually broke the top 15 labels thanks to Gnarls Barkley and Buckcherry. Always powerful Interscope was third with 8.4%. Interscope was #1 at Alternative, second at Top 40 and Triple A, and fifth at Rhythmic. Interscope was led byAll-American Rejects, Black Eyed Peas, Fergie, and Nine Inch Nails. Zomba posted a very strong fourth place showing. The label group garnered an 8.0% market share, with massive hits from Justin Timberlake, Three Days Grace, Tool and Chris Brown, along with the year’s #1 Urban AC hit from Anthony Hamilton. -
Black Eyed Peas They've Transcended Their Vigilant Hip-Hop Roots And
Black Eyed Peas They've transcended their vigilant hip-hop roots and have become a global phenomenon, the likes of which the music world has rarely seen. Ever-curious and ever-confident, that group is The Black Eyed Peas, and after energizing crowds 'round the globe with the monster-stomp of Elephunk, it's time for the quartet – William, Fergie, apl.de.ap and Taboo to get down to business – Monkey Business, that is. 2003’s Elephunk was a breakthrough album for The Black Eyed Peas, vaulting them to a level of success unparalleled by any other hip-hop group. The accolades are quick to recite: 7.5 million albums sold worldwide, 4 Grammy nominations, 1 Grammy award, and an unforgettable performance on the 2005 broadcast. But fitted with loose rhymes, buoyant anthemic funk and an ebullient live spirit, the album also heralded a new sound for the modern age – one that is inspired by hip-hop, eschews boundaries and inhibitions, and cuts across ages, races and backgrounds. It is a sound that can be described only as One Nation Under A Black Eyed Peas Groove. But if Elephunk was the group being crowned prince of the castle, then Monkey Business, their fourth album, is The Black Eyed Peas conquering the throne to become King. It is an album that further intensifies their passion for making music together, for connecting with their audience through the most fundamental ways: making people have a good time. It is a credo that has inspired the group since they formed in the late 1990s, earning their keep in the nurturing environment of Los Angeles' vibrant hip-hop underground. -
A Black Girl's Song Misogynoir, Love, and Beyoncé's Lemonade
Taboo: The Journal of Culture and Education Volume 16 | Issue 2 Article 9 September 2017 A Black Girl’s Song Misogynoir, Love, and Beyoncé’s Lemonade Zeffieaines G Miami University of Ohio, Oxford, Ohio, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/taboo Recommended Citation Gaines, Z. (2018). A Black Girl’s Song Misogynoir, Love, and Beyoncé’s Lemonade. Taboo: The Journal of Culture and Education, 16 (2). https://doi.org/10.31390/taboo.16.2.09 Taboo,Zeffie Fall Gaines 2017 97 A Black Girl’s Song Misogynoir, Love, and Beyoncé’s Lemonade Zeffie Gaines Abstract This article examines Beyoncé’s 2016 album Lemonade in the context of black feminist theory, misogynoir, and issues of black self-love. After a brief overview of the initial response to Beyoncé’s album, this essay explores the deeper, metaphorical implication of Lemonade. This essay demonstrates that while Lemonade is ostensibly about marital infidelity, the trope of unfaithfulness is used to make a more profound commentary on the ontological crisis around blackness and black womanhood in American culture. Through close readings of several important scenes and tracks in Lemonade, this essay demonstrates that this album constitutes a masterwork by Beyoncé and should be understood as an important intervention against racist and patriarchal representations of black womanhood. Ultimately, Lemonade articulates a black feminist aesthetic that embraces the tenacity and cultural originality of the black woman. Keywords: black feminist theory, self-love, racism, patriarchy Introduction I can’t hear anything but maddening screams & the soft strains of death & you promised me you promised me… somebody/anybody Zeffie Gaines is an associate professor in the Department of English at Miami University of Ohio, Oxford, Ohio.