November 20, 1959
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B£Om\ PLAZA I****?™.Mth Republic 7-1000 5:20, 7:20 and 9:30 Pm
¦ ¦ n fWW.'Vf • 1 'W W W 1 , i.m.i **so issif ¦pr—- THE EVENING STAR PRIOR TO NEW YORK Washington, D. C., Tuesday, November 3, 1959 \ - ’*> s • . ... A-14 4 vi... NATIONAL-MAT, . /v' TOM’W 2! hollywoodm/M "AMERICA'S FIRST THEATRE" Tonight 8:10; Motinoo, Wad. 4 Sat. THE PASSING SHOW ON STAGE IN PERSON Mother Sought By SHEILAH GRAHAM New rfiifijm/ AFli fh* For Inge's Drama ML, Metro's a Busy Place Ih.Him . irn mi M s be lllAlOn. HOLLYWOOD (NANA)— i on low budgets, and have good By JAT CARMODY “To please you,” said pro- i selling campaigns. “Take TOMIOHT at S«3G Oram* Editor of The Star ducer A1 Zugsmith, “I’m 1 *AI Capone’—it cost $538,000, mo MAUNBf7004 f) Ifit did not sound frivolous, one could suggest that the title changing the title of ‘Teacher i and will gross around $3 million Tickets New at fcaelfca, Motels, Fair Was a Sexpot’ to j . One Steses. Sean. Inge's play at National be amplified to read ‘Teacher America . Bill Cas- of William the could ” in alone "A Loss of Roses and Shirley Booth." Was Not a Sexpot.’ We , tle’s ‘House on a Haunted Hill’ PELLEAS «t America! Secsrity ITmt U It used to read "A Loss of Roses" with Shirley Booth, as were lunching at Metro where < cost only $125,000 to make, and everyone knows, but this was before Miss Booth decided that A1 is preparing the “Teacher” : has already earned a million MELISANDE the play was not for her and vice versa. -
Guide to the Caroline R. Jones Papers
Guide to the Caroline R. Jones Papers NMAH.AC.0552 Mimi Minnick, et al 1999, 2006, 2017 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Scope and Contents........................................................................................................ 3 Arrangement..................................................................................................................... 3 Biographical / Historical.................................................................................................... 2 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 6 Series 1: Personal Papers, 1953-1986.................................................................... 6 Series 2: Business Papers, 1965-1995.................................................................... 8 Series 3: Agency Records, 1963-1987.................................................................. 23 Series 4: Caroline Jones Advertising Agency Records, 1987-1996...................... -
PUNKS! TOPICALITY and the 1950S GANGSTER BIO-PIC CYCLE
cHAPTER 6 PUnKs! TOPIcALItY AnD tHe 1950s gANGSTER BIo-PIc cYcLe ------------------------------- PeteR stAnfield “This is a re-creation of an era. An era of jazz Jalopies Prohibition And Trigger-Happy Punks.” — Baby Face Nelson this essay examines a distinctive and coherent cycle of films, pro- duced in the late 1950s and early 1960s, which exploited the notoriety of Prohibition-era gangsters such as Baby Face Nelson, Al Capone, Bonnie Parker, Ma Barker, Mad Dog Coll, Pretty Boy Floyd, Machine Gun Kelly, John Dillinger, and Legs Diamond. Despite the historical specificity of the gangsters portrayed in these “bio-pics,” the films each display a marked interest in relating their exploits to contemporary topical con- cerns. Not the least of these was a desire to exploit headline-grabbing, sensational stories of delinquent youth in the 1950s and to link these to equally sensational stories of punk hoodlums from 1920s and 1930s. In the following pages, some of the crossovers and overlaps between cycles of juvenile delinquency films and gangster bio-pics will be critically eval- uated. At the centre of analysis is the manner in which many of the films in the 1950s bio-pic gangster cycle present only a passing interest in pe- riod verisimilitude; producing a display of complex alignments between the historical and the contemporary. 185 peter stanfield DeLInQUENTS, gANGSTERs, AnD PUnKs In the 1950s, the representation of gangsters and of juvenile delinquents shared a common concern with explaining deviancy in terms of a rudi- mentary psychology, -
TOPICALITY and the 1950S GANGSTER BIO-PIC CYCLE
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Kent Academic Repository CHAPTER 6 PUNKS! TOPICALITY AND THE 1950s gANgSTER BIO-PIC CYCLE ------------------------------- peter Stanfield “This is a re-creation of an era. An era of jazz Jalopies Prohibition And Trigger-Happy Punks” — Baby Face Nelson this essay examines a distinctive and coherent cycle of films, pro- duced in the late 1950s and early 1960s, which exploited the notoriety of Prohibition-era gangsters such as Baby Face Nelson, Al Capone, Bonnie Parker, Ma Barker, Mad Dog Coll, Pretty Boy Floyd, Machine Gun Kelly, John Dillinger, and Legs Diamond. Despite the historical specificity of the gangsters portrayed in these “bio-pics,” the films each display a marked interest in relating their exploits to contemporary topical con- cerns. Not the least of these was a desire to exploit headline-grabbing, sensational stories of delinquent youth in the 1950s and to link these to equally sensational stories of punk hoodlums from 1920s and 1930s. In the following pages, some of the crossovers and overlaps between cycles of juvenile delinquency films and gangster bio-pics will be critically eval- uated. At the centre of analysis is the manner in which many of the films in the 1950s bio-pic gangster cycle present only a passing interest in pe- riod verisimilitude; producing a display of complex alignments between the historical and the contemporary. 15 peter stanfield DELINQUENTS, gANgSTERS AND PUNKS In the 1950s, the representation of gangsters and of juvenile delinquents shared a common concern with explaining deviancy in terms of a rudi- mentary psychology, which held that criminality was fostered by psycho- pathic personalities. -
Spelman's Political Warriors
SPELMAN Spelman’s Stacey Abrams, C’95 Political Warriors INSIDE Stacey Abrams, C’95, a power Mission in Service politico and quintessential Spelman sister Kiron Skinner, C’81, a one-woman Influencers in strategic-thinking tour de force Advocacy, Celina Stewart, C’2001, a sassy Government and woman getting things done Public Policy THE ALUMNAE MAGAZINE OF SPELMAN COLLEGE | SPRING 2019 | VOL. 130 NO. 1 SPELMAN EDITOR All submissions should be sent to: Renita Mathis Spelman Messenger Office of Alumnae Affairs COPY EDITOR 350 Spelman Lane, S.W., Box 304 Beverly Melinda James Atlanta, GA 30314 OR http://www.spelmanlane.org/SpelmanMessengerSubmissions GRAPHIC DESIGNER Garon Hart Submission Deadlines: Fall Issue: Submissions Jan. 1 – May 31 ALUMNAE DATA MANAGER Spring Issue: Submissions June 1 – Dec. 31 Danielle K. Moore ALUMNAE NOTES EDITORIAL ADVISORY COMMITTEE Alumnae Notes is dedicated to the following: Jessie Brooks • Education Joyce Davis • Personal (birth of a child or marriage) Sharon E. Owens, C’76 • Professional Jane Smith, C’68 Please include the date of the event in your submission. TAKE NOTE! EDITORIAL INTERNS Take Note! is dedicated to the following alumnae Melody Greene, C’2020 achievements: Jana Hobson, C’2019 • Published Angelica Johnson, C’2019 • Appearing in films, television or on stage Tierra McClain, C’2021 • Special awards, recognition and appointments Asia Riley, C’2021 Please include the date of the event in your submission. WRITERS BOOK NOTES Maynard Eaton Book Notes is dedicated to alumnae and faculty authors. Connie Freightman Please submit review copies. Adrienne Harris Tom Kertscher IN MEMORIAM We honor our Spelman sisters. If you receive notice Alicia Lurry of the death of a Spelman sister, please contact the Kia Smith, C’2004 Office of Alumnae Affairs at 404-270-5048 or Cynthia Neal Spence, C’78, Ph.D. -
Film Noir Database
www.kingofthepeds.com © P.S. Marshall (2021) Film Noir Database This database has been created by author, P.S. Marshall, who has watched every single one of the movies below. The latest update of the database will be available on my website: www.kingofthepeds.com The following abbreviations are added after the titles and year of some movies: AFN – Alternative/Associated to/Noirish Film Noir BFN – British Film Noir COL – Film Noir in colour FFN – French Film Noir NN – Neo Noir PFN – Polish Film Noir www.kingofthepeds.com © P.S. Marshall (2021) TITLE DIRECTOR Actor 1 Actor 2 Actor 3 Actor 4 13 East Street (1952) AFN ROBERT S. BAKER Patrick Holt, Sandra Dorne Sonia Holm Robert Ayres 13 Rue Madeleine (1947) HENRY HATHAWAY James Cagney Annabella Richard Conte Frank Latimore 36 Hours (1953) BFN MONTGOMERY TULLY Dan Duryea Elsie Albiin Gudrun Ure Eric Pohlmann 5 Against the House (1955) PHIL KARLSON Guy Madison Kim Novak Brian Keith Alvy Moore 5 Steps to Danger (1957) HENRY S. KESLER Ruth Ronan Sterling Hayden Werner Kemperer Richard Gaines 711 Ocean Drive (1950) JOSEPH M. NEWMAN Edmond O'Brien Joanne Dru Otto Kruger Barry Kelley 99 River Street (1953) PHIL KARLSON John Payne Evelyn Keyes Brad Dexter Frank Faylen A Blueprint for Murder (1953) ANDREW L. STONE Joseph Cotten Jean Peters Gary Merrill Catherine McLeod A Bullet for Joey (1955) LEWIS ALLEN Edward G. Robinson George Raft Audrey Totter George Dolenz A Bullet is Waiting (1954) COL JOHN FARROW Rory Calhoun Jean Simmons Stephen McNally Brian Aherne A Cry in the Night (1956) FRANK TUTTLE Edmond O'Brien Brian Donlevy Natalie Wood Raymond Burr A Dangerous Profession (1949) TED TETZLAFF George Raft Ella Raines Pat O'Brien Bill Williams A Double Life (1947) GEORGE CUKOR Ronald Colman Edmond O'Brien Signe Hasso Shelley Winters A Kiss Before Dying (1956) COL GERD OSWALD Robert Wagner Jeffrey Hunter Virginia Leith Joanne Woodward A Lady Without Passport (1950) JOSEPH H. -
Mrfß® Free Kiddieland
lish actor who died recently. He THE EVENING STAR HOLLYWOOD told Matthews to go to the Woihington, D. C. Amusements A-15 Wardrobe Dept, for his cos- Monday, Auguit t, J 960 HAROLD HEFFERNAN tume. “What’s the period?” the By ¦ Itrwg Nr- venerable actor asked, and was art Wanaly Hmim told “1895.” He replied: "Then OPENING Om." —MkMTHU*,JT4« Ameche Notes I’ll wear my own suit,” and Changes showed its label, made in 1895. I Strangers I • * 5 «* HOLLYWOOD (NANA) really don’t know. I believe it RIDE: A lady phoned Doug IX When | THURSDAY! “Movie stars nowadays are is, but I wouldn’t swear to It.; Whitney, of Buckingham Liv- so We Meet aging ahead of their time. Too I made darned many pic- ery, to rent a Rolls-Royce. Her | i W* CtrxmaScoo«. O Vs. JEAN GABIN many responsibilities, too many tures, I’veforgotten the plots of father, she said, was having his l'rB9|b , S 3 EaS’man COLOR 96th birthday, and she wanted l* knotty that once were half of them.” I AIH-CONOITIONSO ¦ problems ¦ • ”” to him a *111 give new experience. TRANS-LUX , shouldered the training and ** * * by “His 96th birthday?” said ¦ IITH » H ST. QI. 7-7tW [ li!l:ll^y.bll|lil.'ii!:»!l.T.U.ieZ>3| | skill of the studio heads.” COSTUMES: Mike Todd’s Whitney. “Would you like us Don Ameche, who as film files show records of this in- to put a bottle of champagne in the bar of the car?” biographer of "Alexander Gra- cident concerning "Around the .. -
Tulsa Athletics Athletic Facilities General General Information 1
2008-09 THE UNIVERSITY OF TULSA General Information 1 2008-09 Opponents 91 INTRO Table of Contents ................... .1 Opponent Information ........... 92-96 The City of Tulsa ................. 2-3 Series Records vs. The University of Tulsa ............. 4-7 2008-09 Opponents ........... 97-98 Tulsa Athletics .................. 8-11 Athletic Facilities ................ 12-13 Tulsa Records 99 Donald W. Reynolds Center ....... 14-15 Reynolds Center Records ....... 100-101 PLAYERS Attendance Records ............... .15 Year-by-Year Leaders .......... 102-103 General Information Strength & Conditioning ............. .16 1,000-Point Scorers ............... .104 Location: Tulsa, Oklahoma Year-by-Year Individual Leaders ...... .105 Founded: 1894 Enrollment: 4,165 Players 17 Single Season Leaders ............. .105 Nickname: Golden Hurricane 2008-09 Season Outlook ......... 18-19 Career Leaders .................. .106 Colors: Old Gold, Royal Blue, Crimson Alphabetical and Numerical Rosters .... .19 Single-Game Records ............. .107 Conference: Conference USA Individual Records ................. .108 Home Court: Donald W. Reynolds Center (8,355) Player Profiles .................. 20-42 STAFF President: Dr. Steadman Upham Freshman Records ................ .109 Faculty Representative: Chris Anderson The Staff 43 Opponent Team Records ........... .110 Director of Athletics: Bubba Cunningham Head Coach .................. 44-47 Single-Game/Season Records ....... .111 SWA/Associate Athletics Director: Crista Troester Assistant Coaches . 48-49 -
Davidsonia a Journal of Botanical Garden Science Davidsonia Editor Iain E.P
Volume 20, Number 1 January 2010 Davidsonia A Journal of Botanical Garden Science Davidsonia Editor Iain E.P. Taylor UBC Botanical Garden and Centre for Plant Research University of British Columbia 6804 Southwest Marine Drive Vancouver, British Columbia, Canada, V6T 1Z4 Editorial Advisory Board Quentin Cronk Fred R. Ganders Daniel J. Hinkley Carolyn Jones Lyn Noble Murray Isman David Tarrant Roy L. Taylor Nancy J. Turner Kathy McClean Associate Editors Mary Berbee (Mycology/Bryology) Moya Drummond (Copy) Aleteia Greenwood (Art) Michael Hawkes (Systematics) Richard Hebda (Systematics) Douglas Justice (Systematics and Horticulture) Eric La Fountaine (Publication) Jim Pojar (Systematics) Andrew Riseman (Horticulture) Charles Sale (Finance) Janet R. Stein Taylor (Phycology) Sylvia Taylor (Copy) Roy Turkington (Ecology) Jeannette Whitton (Systematics) Davidsonia is published quarterly by the Botanical Garden of the University of British Columbia, Vancouver, British Columbia, Canada V6T 1Z4. Annual subscription, CDN$48.00. Single numbers, $15.00. All information concerning subscriptions should be addressed to the editor. Potential contributors are invited to submit articles and/or illustrative material for review by the Editorial Board. Web site: http://www.davidsonia.org/ ISSN 0045-09739 Cover: Pendulous blooms of Rhododendron cinnabarinum var. cinnabarinum Photo: Douglas Justice Back Cover: Plate from Flora Japonica, Sectio Prima, Philipp Franz von Siebold and Joseph Gerhard Zuccarini Image: Public Domain, courtesy of PlantExplorers.com Table of contents Editorial 1 Taylor Rhododendrons at UBC Botanical Garden 3 Justice Botanical history through 21 the names of paths, trails and beds in the University of British Columbia Botanical Garden: a case study Taylor and Justice Davidsonia 20:1 1 Editorial Collections Davidsonia is emerging from its second hiatus, the second in its 40 year history. -
360 Degrees of Oscar
2020 SCHEDULE 360 Degrees of Oscar Saturday, February 1 6:00 AM The Entertainer (1960) (Laurence Olivier) 7:45 AM Wuthering Heights (1939) (Flora Robson) 9:30 AM Caesar and Cleopatra (1945) (Leo Genn) 11:45 AM Quo Vadis (1951) (Peter Ustinov) 2:45 PM Billy Budd (1962) (Terence Stamp) 5:00 PM Far From the Madding Crowd (1967) (Julie Christie) 8:00 PM Doctor Zhivago (1965) (Omar Sharif) 11:30 PM Funny Girl (1968) (Barbra Streisand) 2:15 AM The Way We Were (1973) (Robert Redford) 4:30 AM The Candidate (1972) (Melvyn Douglas) Sunday, February 2 6:30 AM Ninotchka (1939) (Richard Carle) 8:30 AM Morning Glory (1933) (C. Aubrey Smith) 10:00 AM Dr. Jekyll and Mr. Hyde (1941) (Barton MacLane) 12:00 PM The Maltese Falcon (1941) (Mary Astor) 2:00 PM Little Women (1949) (Elizabeth Taylor) 4:15 PM Lassie Come Home (1943) (Donald Crisp) 6:00 PM The Private Lives of Elizabeth and Essex (1939) (Errol Flynn) 8:00 PM The Adventures of Robin Hood (1938) (Olivia de Havilland) 10:00 PM Hold Back the Dawn (1941) (Charles Boyer) 12:15 AM All This, And Heaven Too (1940) (Bette Davis) 2:45 AM Dark Victory (1939) (George Brent) 4:45 AM 42nd Street (1933) (Una Merkel) 2020 SCHEDULE Monday, February 3 6:30 AM Born to Dance (1936) (Buddy Ebsen) 8:30 AM Broadway Melody of 1936 (1936) (Eleanor Powell) 10:45 AM Lady Be Good (1941) (Red Skelton) 12:45 PM Neptune's Daughter (1949) (Betty Garrett) 2:30 PM On the Town (1949) (Frank Sinatra) 4:15 PM The Tender Trap (1955) (Carolyn Jones) 6:15 PM The Bachelor Party (1957) (Don Murray) 8:00 PM Bus Stop (1956) (Marilyn Monroe) -
QUARTERLY of Local Architecture and Preservation HISTORIC HUNTSVILLE FOUNDATION Founded 1974
Five Dollars COURT HOUSE, Built by George Steele A drawing by Martha Sprague Dill Winter - Spring 1990 THE HISTORIC HUNTSVILLE QUARTERLY of Local Architecture and Preservation HISTORIC HUNTSVILLE FOUNDATION Founded 1974 Officers for 1989-1990 Ginger Fail...................................................................Chairman Gerald Patterson............................................... Vice-Chairman Dale Rhoades.............................................................. Secretary Toney Daly...................................................................Treasurer Henry Hilson (Immediate Past Chairman).............Ex-Officio Elise Stephens...................................................................Editor Board of Directors Linda Allen Lynne Hereford Escoe Beatty Sharron Hill Jean Berry Henry Hilson Steve Broadfoot Alice Jellicorse Jack Burwell Billie Jones Aggie Carter Lynn Jones Skid Clark Joan Keat Lynette Cockerham Bill Munson Brenda Courtney Roger Nicholson Lesie Crowson Pattie Patrick Toney Daly Gerald Patterson Ginger Fail Dale Rhoades Billie Grosser Lyle Taylor George Grumbles Charlotte Wallace Laura Jo Hamilton Pat Woodward Dorcas Harris Sibyl Wilkinson COVER PHOTO: Charcoal Drawing of George Steele's Madison County Courthouse done by Martha Sprague Dill before the Civil War. Years later, Walter B. Jones. State Geologist, announced there is oil under the courthouse. See Huntsville Times. June 14. 1964. p. 47. Brick buildings on square may be work of the Brandon brothers. THE HISTORIC HUNTSVILLE QUARTERLY of Local -
1 MOVIES FILMED in SOUTHERN ARIZONA Year Movie Title Actors
MOVIES FILMED IN SOUTHERN ARIZONA Year Movie Title Actors Location 1910s 1913 Toll of Fear Romaine Fielding Tumacacori 1913 An Adventure on Romaine Fielding, Mary Ryan Nogales the Mexican Border & Robyn Adair 1940s 1941 Red River Valley Roy Rogers, Gale Storm & Patagonia The Sons of the Pioneers 1946 Duel in the Sun Gregory Peck & Jennifer Jones Sonoita & Tumacacori & Joseph Cotton 1948 Red River John Wayne, Montgomery Clift Elgin, Old Tucson, Fairbank, Joanne Dru & Walter Brennan Empire Ranch, Kentucky Camp 1950s 1950 Winchester 73 James Stewart, Shelly Winters Mescalo, Sonoita, Patagonia, Dan Duryea, Stephen McNally Empire Ranch, Kentucky Camp 1951 David and Gregory Peck & Susan Hayward Nogales, Sonoita, Elgin Bathsheba Raymond Massey Canelo, Patagonia & Ruby 1951 The Furies Walter Houston & Barbara Stanwick Empire Ranch @ Sonoita 1953 War Arrow Maureen O’Hara, Jeff Chandler Empire Ranch, Nogales John McIntire & Suzan Ball Pajarito, Atascosa, Tumacacori 1953 Hondo John Wayne, Geraldine Page Patagonia, Sasabe James Arness & Ward Bond 1954 Broken Lance Spencer Tracy, Robert Wagner Patagonia, Elgin, Nogales Jean Peters & Richard Widmark Empire Ranch 1954 War Arrow Maureen O’Hara, Jeff Chandler Nogales, Empire Ranch & John McIntire & Suzan Ball Atascosa & Pajarito Mtns. 1955 Oklahoma Gordon McRae, Shirley Jones Sonoita, Elgin, Canelo, Amado Gloria Grahame & Gene Nelson Patagonia, Empire Ranch & San Raphael Valley 1956 Backlash Richard Widmark Donna Reed, Nogales, Sonoita, Patagonia William Campbell & John McIntire Benson & Ruby 1 Year Movie Title Actors Location 1956 Battle Hymn Rock Hudson, Martha Hyer Nogales, Ruby, Canelo, Lochiel Anna Kashfi, & Dan Duryea 1956 Bottom of the Van Johnson & Joseph Cotton Nogales & Santa Cruz Valley Bottle 1957 Gunsight Ridge Joel McCrea, Mark Stevens Patagonia, Empire Ranch & Joan Weldon & Addison Richards Old Tucson.