Diversity & Inclusion Calendar

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Diversity & Inclusion FALL CALENDAR Engage your campus with powerful movie programming that drives important conversations and helps foster an inclusive environment. July | Disability JanuaryIndependence Day August | Women’sJanuary Equality Day World Religion Day (1/19) World Religion Day (1/19) © 2021 Universal City Studios Productions LLLP. All Rights Reserved. © 2021 Columbia Pictures Industries, Inc. Bros. Ent. All rights reserved. © 2021 Warner © 2021 Paramount Pictures Bros. Ent. All rights reserved. © 2021 Warner © 2021 Disney/Pixar September |January Hispanic Heritage Month October | NationalJanuary Bullying Prevention Month World Religion Day (1/19) World Religion Day (1/19) © 2021 Disney/Pixar © 2021 Disney Enterprises Inc. © Lions Gate Entertainment, Inc. © 2021 Columbia Pictures Industries, Inc. © 2021 Paramount Pictures © 2021 Metro-Goldwyn-Mayer Pictures Inc. All Rights Reserved. November |January Veteran’s Day December | JanuaryWorld AIDS Day World Religion Day (1/19) World Religion Day (1/19) © 2021 Home Box Office, Inc. All rights reserved. © 2021 Paramount Pictures © 2021 Disney Enterprises Inc. © 2021 Columbia Pictures Industries, Inc. © Universal Studios HBO® and all related programs are the property of Home Box Office, Inc. © 2021 Columbia Pictures Industries, Inc. Diversity & Inclusion SPRING CALENDAR Engage your campus with powerful movie programming that drives important conversations and helps foster an inclusive environment. January | MartinJanuary Luther King Day February | BlackJanuary History Month World Religion Day (1/19) World Religion Day (1/19) © 2021 Paramount Pictures Bros. Ent. All rights reserved. © 2021 Warner © Focus Features LLC. © A24 Films © Focus Features LLC. © 2021 Warner Bros. Ent. All rights reserved. © 2021 Warner March | Women’sJanuary History Month April | CelebrateJanuary Diversity Month World Religion Day (1/19) World Religion Day (1/19) © Universal Studios © Miramax Films © 2021 Paramount Pictures © Lions Gate Entertainment, Inc. © 2021 Paramount Pictures © Amazon Studios May | Asian PacificJanuary American Heritage Month June | Pride MonthJanuary World Religion Day (1/19) World Religion Day (1/19) © A24 Films © Focus Features LLC. © Universal Studios © 2021 Disney Enterprises Inc. Bros. Ent. All rights reserved. © 2021 Warner © 2021 Disney Enterprises Inc. COL61678.

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Trekkies Beware! Paramount Pictures V. Axanar Productions by Joel M
Thursday, March 23, 2017 LAW BUSINESS TECHNOLOGY BUSINESS TECHNOLOGY LAW TECHNOLOGY LAW BUSINESS RECORDERdaily at www.therecorder.com Trekkies Beware! Paramount Pictures v. Axanar Productions By Joel M. Grossman ovie and far and actually produce a very TV stu- professional movie funded by dios often crowdsourcing? That is the allow their question raised by the case of fans to Paramount Pictures Corp. v. Mengage in behavior which tech- Axanar Productions, Inc. The nically might violate copyright case has not been fully liti- or trademark law. For exam- gated, but the district court’s ple, the studio which owns the ruling on cross-motions for copyright to Star Wars might summary judgment is both let fans produce a short video amusing and instructive. in which fans dress up as Darth To begin with the basic facts, Vader or Princess Leia, and act plaintiff Paramount Pictures Trek films before with no law- out a scene from the film. If and CBS own the copyright to suit from Paramount, Axanar the fans post their homemade the Star Trek television shows sought to go “where no man 10 minute video on You Tube, and Paramount owns the copy- has gone before” and produce the studio probably wouldn’t right to the thirteen full-length a professional Star Trek film, mind. They might even encour- movies that followed. While with a fully professional crew, age such amateur tributes, as the copyright owners allowed many of whom worked on one they might keep interest in the fans to make their own ama- or more Star Trek productions.
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Project 1 Part 2 Sample Paper
Global Market of Dream Company: A24 As A24 continued to grow, it eventually became apparent that the small independent o.-., -t.,.. o..t1 company would have to build its status in the filmdistribution market internationall1 Around 1+,uc t 2016, A24 had some profound success when their films Room and Ex Machina gained Oscar nominations (Busch). Because of this, A24 hired investment banker Sasha Lloyd to oversee A24's international base and be the main force behind international release and distribution (Busch). As of this last year, A24 has well established itself in the global market for film distribution One of A24's most notable releases from2019, Midsommar, was distributed in the ) � 'j014 I\� ,tW. �C-('l•"'4 1' tN,t.. 1 ( UK, Australia, New Zealand, Germany, Austria, Switzerland, Spain, South Korea, Greece, C,O�t'- "-·' E..l,M,,ttf ( I,\k,. throughout the Middle East, Thailand, and Indonesia (Kay)) Of this countries, a notable one to b-�� . - ·) investigate is Germany. Germany has a population of 80,159,662 people, with 87% of citizens speaking German ("The World Factbook: Germany"). Germany has the fifth largest economy in the world, with a $3.701 trillion GDP, and there is 89.6% of the population utilizing the internet ("Germany"). To see how A24 is accepted in Germany, the best example is to view the film 1 Jvfidsommar's run in the country. /vlidsommarwas released in Germany on September 26 '\ 2019. I\O-t �1,1,td_ Th. lr-"""M� The filmwas l��-ttle*.S), with German subtitles being utilized to bridge the language barrier gap.
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New Programming Customer Movie
EVERYTHING YOU NEED FOR successful events, SIMPLY Programming Toolkit | Fall/Winter 2017 © Universal Studios Press © 2017 Disney/Pixar © Universal Studios © Paramount Pictures © Columbia Pictures Industries, Inc. New Movie Programming Customer Releases Event Ideas Ideas Spotlight NEW Releases © Warner Bros. Entertainment Inc. © Warner © 2017 Disney/Pixar © Universal Studios Despicable Me 3 Wonder Woman Cars 3 Anticipated October 2017 Anticipated September 2017 Anticipated October 2017 PG; 90 minutes; Universal Studios PG-13; 141 minutes; Warner Bros. G; 109 minutes; Walt Disney Pictures Gru battles Balthazar Bratt, a 1980s child star- An Amazon princess leaves her island home Race car Lightning McQueen suffers a severe turned-supervillain, in this animated sequel. and journeys to the outside world, which is crash while trying to compete with a younger being consumed by a massive war. With the rival named Jackson Storm. Afterward, help of an American pilot, she works to put an McQueen embraces new technologies as he end to the conflict. trains for a return to the racetrack. EVENT Idea! EVENT EVENT Promotion Idea Idea The minions are back at it again! Create Allow guests the opportunity to In this movie, legendary Lightning buzz for your movie showing by passing craft their own Tiara or Bracelets of McQueen has to prove that he still has out yellow balloons in your community that Submission. Give them the chance to what it takes to win. Foster a friendly look just like the little stars of the movie. show off their creations at a pop-up sense of competition that mimics the All you need are markers, yellow balloons, photo booth at the event.
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April 2021 New Titles List University of Dubuque
April 2021 New Titles List University of Dubuque Local Item Call Local Item Permanent Number Author Name Title Publisher NamePublication Date Edition Language Name Material Format Material Subformat Shelving Location N/A Neonatology today. Neonatology Today,2006 N/A English JOURNALS/MAGAZIN EJOURNALS/EMAGA ES ZINES Parkman, Francis, A half century of Little, Brown, and Co.,1899 Frontenac English BOOKS PRINTBOOK conflict / edition. Schur, Michael,Scanlon, The Good Place. Universal 2019 N/A English VIDEOS DVDS Claire,Miller, Beth Television,Shout! Factory, McCarthy,Holland, Dean,Bell, Kristen,Danson, Ted,Harper, William Jackson,Jamil, Jameela,Carden, D'Arcy,Jacinto, Manny,; Shout! Factory (Firm),Universal Television (Firm), AM151 .T54 2019 Garcia, Tristan,Normand, Theater, garden, ÉCAL/University of Art 2019 N/A English BOOKSPRINTBOOK New Book Collection: Vincent,; École cantonale bestiary :a and Design Lausanne 1st Floor d'art de Lausanne,Haute materialist history of ;Sternberg Press, école spécialisée de exhibitions / Suisse occidentale. BF789.C7 P3713 Pastoureau, Michel,; Green :the history of Princeton University 2014 N/A English BOOKSPRINTBOOK New Book Collection: 2014 Gladding, Jody, a color / Press, 1st Floor BJ1521 .H76 2020 Miller, Christian B.,West, Integrity, honesty, Oxford University Press,2020 N/A English BOOKSPRINTBOOK New Book Collection: Ryan, and truth seeking / 1st Floor BR65.A9 W47 Wessel, Susan, On compassion, Bloomsbury Academic,2020 N/A English BOOKSPRINTBOOK New Book Collection: 2020 healing, suffering, 1st Floor and the purpose of the emotional life / BS195 .R48 2019 Wansbrough, Henry, The Revised New Image,2019 First U.S. edition. English BOOKSPRINTBOOK New Book Collection: Jerusalem Bible 1st Floor :study edition / BS2553 .R83 Ruden, Sarah, The Gospels / Modern Library,2021 First edition.
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Paramount Pictures and Dreamworks Pictures' "GHOST in the SHELL" Is in Production in New Zealand
April 14, 2016 Paramount Pictures and DreamWorks Pictures' "GHOST IN THE SHELL" is in Production in New Zealand HOLLYWOOD, Calif.--(BUSINESS WIRE)-- Paramount Pictures and DreamWorks Pictures have announced that production is underway on "GHOST IN THE SHELL," starring Scarlett Johansson ("AVENGERS: AGE OF ULTRON," "LUCY") and directed by Rupert Sanders ("SNOW WHITE AND THE HUNTSMAN"). The film is shooting in Wellington, New Zealand. This Smart News Release features multimedia. View the full release here: http://www.businesswire.com/news/home/20160414005815/en/ Paramount Pictures will release the film in the U.S. on March 31, 2017. The film, which is based on the famous Kodansha Comics manga series of the same name, written and illustrated by Masamune Shirow, is produced by Avi Arad ("THE AMAZING SPIDER-MAN 1 & 2," "IRON MAN"), Ari Arad ("GHOST RIDER: SPIRIT OF VENGEANCE"), and Steven Paul ("GHOST RIDER: SPIRIT OF VENGEANCE"). Michael Costigan ("PROMETHEUS"), Tetsu Fujimura ("TEKKEN"), Mitsuhisa Ishikawa, whose animation studio Production I.G produced the Japanese "GHOST IN THE SHELL" film and television series, and Jeffrey Silver ("EDGE OF TOMORROW," "300") will executive produce. Scarlett Johansson plays the Major in Ghost in the Shell from Paramount Pictures Based on the internationally-acclaimed sci-fi and DreamWorks Pictures in Theaters March 31, 2017. (Photo: Business Wire) property, "GHOST IN THE SHELL" follows the Major, a special ops, one-of-a-kind human-cyborg hybrid, who leads the elite task force Section 9. Devoted to stopping the most dangerous criminals and extremists, Section 9 is faced with an enemy whose singular goal is to wipe out Hanka Robotic's advancements in cyber technology.
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FALL CALENDAR Engage Your Campus with Powerful Movie Programming That Drives Important Conversations and Helps Foster an Inclusive Environment
Diversity & Inclusion FALL CALENDAR Engage your campus with powerful movie programming that drives important conversations and helps foster an inclusive environment. July | Disability JanuaryIndependence Day (7/26) August | Women’sJanuary Equality Day (8/26) World Religion Day (1/19) World Religion Day (1/19) © 2020 Universal City Studios Productions LLLP. All Rights Reserved. © 2020 Columbia Pictures Industries, Inc. Bros. Ent. All rights reserved. © 2020 Warner © 2020 Paramount Pictures Bros. Ent. All rights reserved. © 2020 Warner © 2020 Disney/Pixar September |January Hispanic Heritage Month October | NationalJanuary Bullying Prevention Month World Religion Day (1/19) World Religion Day (1/19) © 2020 Disney/Pixar © 2020 Disney Enterprises Inc. © Lions Gate Entertainment, Inc. © 2020 Columbia Pictures Industries, Inc. © 2020 Paramount Pictures © 2020 Metro-Goldwyn-Mayer Pictures Inc. All Rights Reserved. November |January Election Year December | JanuaryWorld AIDS Day (12/1) World Religion Day (1/19) World Religion Day (1/19) © 2020 Universal City Studios Productions LLLP. All Rights Reserved. © 2020 Universal City Studios Productions LLLP. All Rights Reserved. © Lions Gate Entertainment, Inc. © 2020 Columbia Pictures Industries, Inc. © Universal Studios © 2020 Columbia Pictures Industries, Inc. Diversity & Inclusion SPRING CALENDAR Engage your campus with powerful movie programming that drives important conversations and helps foster an inclusive environment. January | MartinJanuary Luther King Day (1/20) February | BlackJanuary History Month World Religion Day (1/19) World Religion Day (1/19) © 2020 Paramount Pictures Bros. Ent. All rights reserved. © 2020 Warner © Focus Features LLC. © A24 Films © Focus Features LLC. © 2020 Warner Bros. Ent. All rights reserved. © 2020 Warner March | Women’sJanuary History Month April | CelebrateJanuary Diversity Month World Religion Day (1/19) World Religion Day (1/19) © Universal Studios © Miramax Films © 2020 Paramount Pictures © Lions Gate Entertainment, Inc.
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Paramount Consent Decree Review Public Comments 2018
COMMENTS OF THE NATIONAL ASSOCIATION OF THEATRE OWNERS U.S. DEPARTMENT OF JUSTICE, ANTITRUST DIVISION REVIEW OF PARAMOUNT CONSENT DECREES October 1, 2018 National Association of Theatre Owners 1705 N Street, N.W. Washington, D.C. 20036 (202) 962-0054 I. INTRODUCTION The National Association of Theatre Owners (“NATO”) respectfully submits the following comments in response to the U.S. Department of Justice Antitrust Division’s (the “Department”) announced intentions to review the Paramount Consent Decrees (the “Decrees”). Individual motion picture theater companies may comment on the five various provisions of the Decrees but NATO’s comment will focus on one seminal provision of the Decrees. Specifically, NATO urges the Department to maintain the prohibition on block booking, as that prohibition undoubtedly continues to support pro-competitive practices. NATO is the largest motion picture exhibition trade organization in the world, representing more than 33,000 movie screens in all 50 states, and additional cinemas in 96 countries worldwide. Our membership includes the largest cinema chains in the world and hundreds of independent theater owners. NATO and its members have a significant interest in preserving an open marketplace in the North American film industry. North America remains the biggest film-going market in the world: It accounts for roughly 30% of global revenue from only 5% of the global population. The strength of the American movie industry depends on the availability of a wide assortment of films catering to the varied tastes of moviegoers. Indeed, both global blockbusters and low- budget independent fare are necessary to the financial vitality and reputation of the American film industry.
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Epix Launches on Atlantic Broadband in Johnstown and Surrounding Areas
EPIX LAUNCHES ON ATLANTIC BROADBAND IN JOHNSTOWN AND SURROUNDING AREAS New Service Includes Eight Premium Movie and Original Programming Channels JOHNSTOWN, Pa., – December 21, 2015 –Atlantic Broadband, the nation's 12th largest cable operator, today announced it is now offering EPIX, the premium entertainment network, in Johnstown and the surrounding service areas including Conemaugh, Davidsville, Geistown, Hollsopple, Richland, Westmont and Windber. The launch delivers thousands of movies and original programs including original documentaries, concerts and comedy specials to Atlantic Broadband customers across eight new channels: EPIX East, EPIX West, EPIX2, EPIX Drive In, EPIX East HD, EPIX West HD, EPIX 2 HD and EPIX Hits HD. “As the evolution of entertainment continues, and consumers demand more commercial-free programming, we are thrilled to partner with EPIX to deliver its premium content,” said Atlantic Broadband’s CEO and Chief Revenue Officer, David Isenberg. “This is yet another way of showcasing Atlantic Broadband’s innovation through key industry partnerships, and the commitment to the communities we serve.” “EPIX is thrilled to be partnering with Atlantic Broadband, as it continues to be a leading provider of entertainment products and services,” said Mark Greenberg, President and CEO, EPIX. “This launch expands our footprint into new markets and provides an exciting opportunity for EPIX to bring Hollywood’s biggest films and blockbuster content to Atlantic Broadband’s large base of subscribers.” A leader in multi-platform availability of the largest lineup of big movies, EPIX will provide Atlantic Broadband customers with access to thousands of titles including top blockbuster hits such as The Hunger Games: Mockingjay Part 1, Interstellar, Sponge Bob and Selma.
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EPIX Big on Any Screen
Adobe Flash Platform Success Story EPIX Big on any screen EPIX drives innovation with the Adobe® Flash® Platform—giving subscribers unprecedented access to premium HD content while connecting with friends, family, and fans on devices everywhere EPIX Audiences across the United States are going to movies, concerts, and all kinds of New York, New York entertainment when and where they want to—online, on tablets, and on mobile www.epixhd.com devices. EPIX—a joint venture of Paramount Pictures, Lionsgate, and MGM Studios— is using the Adobe Flash Platform to redefine the way movie buffs consume video across devices. The partnership brings current releases, classics, and original entertainment to all video platforms: linear TV, on demand, online, and mobile. However, EPIX subscribers are not just tuning in; they are sharing premium HD video experiences with friends, family, and fans. At the crest of the ‘TV everywhere’ wave, EPIX is leveraging the Adobe Flash Platform to design, build, and execute broadband authentication systems, available to over 30 million U.S. homes through its distribution partners—including Charter Communications, Cox Communications, DISH Network, Mediacom Communications, NCTC, Suddenlink Communications, and Verizon FiOS. Additionally, Netflix members can instantly watch EPIX offerings streamed over the Internet. “The Adobe Flash Platform drives our differentiation, giving us the easiest, most flexible, cost-effective way to gain unprecedented access to the widest possible audience on emerging platforms.” Nora Ryan Chief of staff, EPIX Challenge Adobe technology provides EPIX with the tools to distinguish itself on the multiscreen video landscape. • Provide premium HD video “The Adobe Flash Platform drives our differentiation, giving us the easiest, most flexible, cost-effective entertainment to widest possible way to gain unprecedented access to the widest possible audience on emerging platforms,” says Nora audience Ryan, chief of staff at EPIX.
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Press Releases
Press Releases O’Melveny Guides ViacomCBS Through MIRAMAX Investment April 3, 2020 RELATED PROFESSIONALS FOR IMMEDIATE RELEASE Bruce Tobey CENTURY CITY—April 3, 2020—O’Melveny represented leading media and entertainment company Century City ViacomCBS (Nasdaq: VIACA; VIAC) in its acquisition of a 49percent stake in film and television studio D: +13102466764 MIRAMAX from beIN Media Group. The transaction, previously announced in December 2019, closed today. Amy Siegel ViacomCBS acquired 49 percent of MIRAMAX from beIN for a total committed investment of US$375 million. Century City Approximately US$150 million was paid at closing, while ViacomCBS has committed to invest US$225 million D: +13102466805 —comprised of US$45 million annually over the next five years—to be used for new film and television Silvia Vannini productions and working capital. Century City D: +13102466895 In addition, ViacomCBS’s historic film and television studio, Paramount Pictures, entered an exclusive, long term distribution agreement for MIRAMAX’s film library and an exclusive, longterm, firstlook agreement Eric Zabinski allowing Paramount Pictures to develop, produce, finance, and distribute new film and television projects Century City based on MIRAMAX’s IP. D: +13102468449 Rob Catmull ViacomCBS creates premium content and experiences for audiences worldwide, driven by a portfolio of Century City iconic consumer brands including CBS, Showtime Networks, Paramount Pictures, Nickelodeon, MTV, D: +13102468563 Comedy Central, BET, CBS All Access, Pluto TV, and Simon & Schuster. Eric H. Geffner beIN MEDIA GROUP is a leading independent global media group and one of the foremost sports and Century City entertainment networks in the world.
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88Th Oscars® Nominations Announced
MEDIA CONTACT Natalie Kojen [email protected] January 14, 2016 FOR IMMEDIATE RELEASE 88TH OSCARS® NOMINATIONS ANNOUNCED LOS ANGELES, CA — Academy President Cheryl Boone Isaacs, Guillermo del Toro, John Krasinski and Ang Lee announced the 88th Academy Awards® nominations today (January 14). Del Toro and Lee announced the nominees in 11 categories at 5:30 a.m. PT, followed by Boone Isaacs and Krasinski for the remaining 13 categories at 5:38 a.m. PT, at the live news conference attended by more than 400 international media representatives. For a complete list of nominees, visit the official Oscars® website, www.oscar.com. Academy members from each of the 17 branches vote to determine the nominees in their respective categories – actors nominate actors, film editors nominate film editors, etc. In the Animated Feature Film and Foreign Language Film categories, nominees are selected by a vote of multi-branch screening committees. All voting members are eligible to select the Best Picture nominees. Official screenings of all motion pictures with one or more nominations will begin for members on Saturday, January 23, at the Academy’s Samuel Goldwyn Theater. Screenings also will be held at the Academy’s Linwood Dunn Theater in Hollywood and in London, New York and the San Francisco Bay Area. Active members of the Academy are eligible to vote for the winners in all 24 categories. To access the complete nominations press kit, visit www.oscars.org/press/press-kits. The 88th Oscars will be held on Sunday, February 28, 2016, at the Dolby Theatre® at Hollywood & Highland Center® in Hollywood, and will be televised live by the ABC Television Network at 7 p.m.
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Joint Statement of Sumner M. Redstone Chairman and Chief Executive Officer Viacom Inc
CORE Metadata, citation and similar papers at core.ac.uk Provided by Indiana University Bloomington Maurer School of Law Federal Communications Law Journal Volume 52 | Issue 3 Article 3 5-2000 Joint Statement of Sumner M. Redstone Chairman and Chief Executive Officer Viacom Inc. and Mel Karmazin President and Chief Executive Officer of CBS Corp. Summer M. Redstone Viacom Mel Karmazin CBS Follow this and additional works at: http://www.repository.law.indiana.edu/fclj Part of the Antitrust and Trade Regulation Commons, and the Communications Law Commons Recommended Citation Redstone, Summer M. and Karmazin, Mel (2000) "Joint Statement of Sumner M. Redstone Chairman and Chief Executive Officer Viacom Inc. and Mel Karmazin President and Chief Executive Officer of CBS Corp.," Federal Communications Law Journal: Vol. 52: Iss. 3, Article 3. Available at: http://www.repository.law.indiana.edu/fclj/vol52/iss3/3 This Article is brought to you for free and open access by the Law School Journals at Digital Repository @ Maurer Law. It has been accepted for inclusion in Federal Communications Law Journal by an authorized administrator of Digital Repository @ Maurer Law. For more information, please contact [email protected]. Joint Statement of Sumner M. Redstone Chairman and Chief Executive Officer Viacom Inc. and Mel Karmazin President and Chief Executive Officer of CBS Corp.* Viacom CBS I. INTRODUCTION ............................................................................. 499 II. DEPARTMENT OF JUSTICE REVIEW .............................................. 503 III. FEDERAL COMMUNICATIONS COMMISSION REVIEW ................... 507 I. INTRODUCTION On September 6, 1999, Viacom Inc. and CBS Corporation agreed to combine the two companies in a merger of equals. Sumner Redstone will lead the new company, to be called Viacom, in his continued role as Chairman and Chief Executive Officer, as well as majority shareholder.
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