"I Shall Be with You on Your Wedding-Night": Lacan and the Uncanny Author(s): Mladen Dolar Source: October, Vol. 58, Rendering the Real (Autumn, 1991), pp. 5-23 Published by: The MIT Press Stable URL: http://www.jstor.org/stable/778795 Accessed: 08-07-2016 18:56 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact
[email protected]. The MIT Press is collaborating with JSTOR to digitize, preserve and extend access to October This content downloaded from 128.91.26.204 on Fri, 08 Jul 2016 18:56:05 UTC All use subject to http://about.jstor.org/terms "I Shall Be with You on Your Wedding-Night": Lacan and the Uncanny MLADEN DOLAR The dimension of the uncanny, introduced by Freud in his famous paper, is located at the very core of psychoanalysis.' It is the dimension where all the concepts of psychoanalysis come together, where its diverse lines of argument form a knot. The uncanny provides a clue to the basic project of psychoanalysis. And yet Freud appears to be somewhat at a loss about how to make use of this clue. Although he enumerates a number of instances of the uncanny, giving an array of examples embellished with theoretical reflections, he leaves us in the end with only a sketch or a prolegomenon to a theory of the uncanny.