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2018 Alumni Performance 45Th Anniversary Show Program
A Message from Josefa Villanueva-Reyes, Artistic Director and Founder: I welcome you with great joy and happiness to celebrate the Santa Clara Ballet’s 45th Anniversary of the Nutcracker Ballet. The Santa Clara Ballet continues the legacy left to us by our late Director and choreographer, Benjamin Reyes, by sharing this favorite family Christmas Ballet with our community, our student and professional dancers and our loyal supporters. The Company’s roots started right here in Santa Clara, and has continued despite the usual problems of obtaining funding and support. We can continue because of all of you who are present in our performances, and through your generous donations and volunteer work. The Company continues its work in spreading the awareness and the love of dance to warm families and contribute to the quality of life of the community. For this Sunday’s performance of our 45th Annual Nutcracker, the stage will be graced by our Alumni who serve as a testament to the success of the company’s influence to the community and the world beyond. Thank you for your presence today and please continue to join us on our journey. Josefa Reyes JOSEFA VILLANUEVA-REYES started her training in the Philippines with Roberta and Ricardo Cassell (a student of Vincenzo Celli). She was formerly a member of the San Francisco Ballet Company and the San Francisco Opera Ballet. Previous to that, she performed as a principal dancer with the San Francisco Ballet Celeste for four years. Her performing experience included multiple lead roles from the classical repertory. Villanueva-Reyes taught at the San Francisco Conservatory of Ballet and Theatre Arts as well as San Jose City College. -
Jews and Jewishness in the Dance World an International Research Conference at Arizona State University
September –October 2018 Jews and Jewishness in the Dance World an international research conference at Arizona State University celebrating and examining the impact of Jews and the Jewish experience on the dance field and broader communities | 1 Jews and Jewishness in the Dance World welcome Dear Conference Participant: On behalf of the organizing committee, I would like to warmly welcome you to Jews and Jewishness in the Dance World, an international conference at Arizona State University (ASU). Organized by the Center for Jewish Studies and the Herberger Institute for Design and the Arts at ASU, the conference and related events celebrate the substantial contribution of Jews to the world of dance as choreographers, dancers, dance educators, scholars and theorists. The conference also critically reflects on how dance expresses the complex, variegated Jewish historical experience as well as on the social and cultural role of dance in Jewish communities all over the world. This international and interdisciplinary conference is truly unique, bridging dance performance, scholarship, education and therapy. The event convenes over 100 dance practitioners and scholars from across the world, representing a wide variety of dance styles, disciplines and religious orientations. Two years in the making, it showcases the pioneering work on Judaism and the arts undertaken by the Center for Jewish Studies led by Dr. Hava Tirosh-Samuelson, Regents’ Professor of History and Director of the Center for Jewish Studies. The impetus was the hiring of the world-renowned Jewish choreographer, Liz Lerman, by the Herberger Institute for Design and the Arts, and my own ongoing scholarship at the intersection of dance and Jewish studies, within the School of Film, Dance and Theatre. -
Grantee Advised Grants Grants That Support SVCF's Grantmaking Strategies Total 10 Books a Home $256,500.00 $256,500.00 10,000 De
Grants that support SVCF's Grantee Advised Grants Total grantmaking strategies 10 Books A Home $256,500.00 $256,500.00 10,000 Degrees $5,000.00 $5,000.00 100 Women Charitable Foundation, Inc. $1,500.00 $1,500.00 1000 Friends of Oregon $1,500.00 $1,500.00 10000 Cries for Justice $20,000.00 $20,000.00 108 Monkeys $50,000.00 $50,000.00 1-A District Agricultural Association $2,000.00 $2,000.00 31heroes Projects $5,000.00 $5,000.00 350 Org $400.00 $400.00 3rd I South Asian Independent Film $10,000.00 $10,000.00 4 Paws For Ability, Inc. $250.00 $250.00 4word $5,000.00 $5,000.00 826 Michigan $1,000.00 $1,000.00 826 Valencia $17,500.00 $17,500.00 826LA $262.50 $262.50 A Foundation Building Strength Inc. $13,500.00 $13,500.00 A Future in Hope $2,000.00 $2,000.00 A Gifted Education, Inc. $1,000.00 $1,000.00 A Home Within, Inc. $200.00 $200.00 A Network for Grateful Living, Inc. $1,000.00 $1,000.00 A Place to Start $50,000.00 $50,000.00 A Safe Place, Inc. $3,500.00 $3,500.00 A Window Between Worlds $1,000.00 $1,000.00 A Wish With Wings, Inc. $3,000.00 $3,000.00 A Woman's Work, Inc. $3,500.00 $3,500.00 Grants that support SVCF's Grantee Advised Grants Total grantmaking strategies A. J. Muste Memorial Institute $400.00 $400.00 A.S.S.I.A. -
The Curriculum
The Curriculum . 3 Literature . 63 Africana Studies . 3 Mathematics . 73 Anthropology . 3 Middle Eastern and Islamic Studies . 76 Architecture and Design Studies . 7 Modern and Classical Languages and Art History . 7 Literatures . 77 Asian Studies . 10 Music . 78 Biology . 13 Philosophy . 88 Chemistry . 16 Physics . 91 Chinese . 19 Political Economy . 93 Classics . 20 Politics . 93 Cognitive and Brain Science . 20 Psychology . 97 Computer Science . 21 Public Policy . 107 Dance . 24 Religion . 108 Development Studies . 29 Russian . 111 Economics . 30 Science and Mathematics . 112 Environmental Studies . 33 Pre-Health Program Ethnic and Diasporic Studies . 34 Social Science . 113 Film History . 35 Sociology . 113 Filmmaking, Screenwriting and Media Spanish . 116 Arts . 37 Theatre . 118 French . 38 Urban Studies . 131 Games, Interactive Art, and New Genres 40 Visual Arts . 132 Gender and Sexuality Studies . 41 Architectural Design Geography . 41 Drawing German . 42 Filmmaking Greek (Ancient) . 44 New Media Health, Science, and Society . 45 Painting History . 45 Photography International Studies . 55 Printmaking Italian . 56 Sculpture Japanese . 58 Visual Fundamentals Latin . 59 Writing . 149 Latin American and Latino/a Studies . 60 Faculty . 161 Lesbian, Gay, Bisexual, and Transgender Studies . 60 Sarah Lawrence College is accredited by the Middle Modern Language and Literature (1101) BA States Association and the New York State Music (1004) BA Education Department. Philosophy (1509) BA Politics (2207) BA The following programs are registered by the New Premedical (4901) BA York State Education Department* for the degrees Psychology (2001) BA listed (registration number in parentheses). Religion (1510) BA Enrollment in other than registered or otherwise Sociology (2208) BA approved programs may jeopardize a student’s Theatre (1007) BA eligibility for certain student-aid awards. -
YAGP 2015 Semi-Finals San Francisco, CA February 13 - 15, 2015
YAGP 2015 Semi-finals San Francisco, CA February 13 - 15, 2015 Dear Participants, Parents and Teachers, It is with great pleasure that we welcome you to the YAGP 2015 Semi-Finals in San Francisco, CA! We hope you will enjoy learning from each other as well as the many distinguished dance professionals gathered here. As many of you already know, we have designed the YAGP experience in such a way that every participant, regardless of their level of training or career goals, can benefit greatly from the multitude of educational and professional opportunities available throughout the event. Competition entries are organized by birth date starting with our youngest participants. The only exceptions to this order are special considerations due to costume changes. We are proud to say that in only 16 short years YAGP has become the largest student scholarship competition in the world. This is in large part due to the support of our participants and participating schools. In particular, we would like to thank the San Francisco, CA participating schools: Academy of American Ballet, CA Julia Ball-Dugan, Nicole Yip, Tanya Gunton-Carroll Academy of Classical Ballet - California, CA Crystal Petzel, Shannon Renee Bynum Agape Dance Academy, CA Melanie Useldinger, Julianna Roberts, Jill Litzenberger Alexandr Academy of Performing Arts, HI Danelle Watson Anchorage Classical Ballet Academy, AK Farah Canale, Michaelangelo Canale Angela Van School of Ballet, CA Angela Van Anti-Gravity School of Dance, Inc., CA Felicia Fry, Norine Brown Ayako School of Ballet, -
Shaina Leibson Has Enjoyed a Fifteen-Year Career As a Professional Ballet Dancer
Shaina Leibson has enjoyed a fifteen-year career as a professional ballet dancer. She has been a dancer with several companies including Alberta Ballet, Ballet Austin and Ballett im Revier in Germany. She also spent eight years dancing as a company member of the former Ballet San Jose. Ms. Leibson received her ballet training from the renowned San Francisco Ballet School. She also earned merit scholarship to spend a year studying abroad at the Performing Arts College, London Studio Centre in England where she received a diploma with high honors. Ms. Leibson attributes the longevity of her ballet career to her active interest in body mechanics focusing particularly on placement, alignment and use of lengthened muscles. For ten years she had the privilege to work with Christina Bernal, creator of the Bernal Method for ballet technique, which focuses on heathy body movement that promotes strength and balance. Ms. Leibson was a sought after instructor for this method and was invited to move to Germany where she had a position teaching professional dancers. She also served on the Gotland international Dance Seminar’s faculty for five years in Sweden. Shaina is excited to bring her teaching skills to the GYROTONIC® Method at Urban Body San Jose where she has been part of the team since 2017. She feels that GYROTONIC® is truly an exercise method for anyone, bringing both suppleness and strength. It creates a powerful physique and promotes wellness and balance to people of all ages, from all walks of life. Ms. Leibson is currently on faculty as an instructor for both Nor Cal Dance Arts and the Los Gatos Ballet. -
Jerome Robbins Dance Division Including Jerome Robbins Archive of the Recorded Moving Image
JEROME ROBBINS DANCE DIVISION INCLUDING JEROME ROBBINS ARCHIVE OF THE RECORDED MOVING IMAGE ANNUAL REPORT FISCAL YEAR 2013 COVER IMAGES First row: Her Royal Highness Princess Norodom Buppha Devi; photo by Darial Sneed. Second row: Robert Farris Thompson, Master T; photo from video shot by François Bernadi for the Jerome Robbins Archive of the Recorded Moving Image. Royal Ballet of Cambodia, 1927; photo courtesy of the National Museum of Cambodia. Maxixé Brésilienne, ca. 1914; postcard by Aimé Dupont. Third row: Merce Cunningham and Carol Sumner rehearsing Summerspace for New York City Ballet, 1966; photo by Martha Swope. Margot Fonteyn as Princess Aurora in the Royal Ballet’s Sleeping Beauty; date and photographer unknown. Fourth row: David Vaughan, dance historian. Arcell Cabuag, Clarice Young, Ronald K. Brown, and Otis Donovan Herring; photo by Dance Division staff. Fifth row: Djoniba Mouflet, Lamine Thiam, Mangue Sylla, Sekou-Dembele Pablo, and dancer; photo from video shot by François Bernadi for the Jerome Robbins Archive of the Recorded Moving Image. Carlota Santana; photo by Victor DeLiso; courtesy Flamenco Vivo Carlota Santana. Jerome Robbins Dance Division Annual Report 2013 Design by Arlene Yu Printed by GHP (Gist Herlin Press) Printing costs graciously provided by The Committee for the Jerome Robbins Dance Division © 2013 The New York Public Library, Astor, Lenox and Tilden Foundations Table of Contents Letter from the Curator 4 1 Profile of the Division 9 1.1 Staffing ....................................................................................................................................................................... -
LGBTQ PERFORMING ARTS in NYC June 22, 1868 Singer Edwin Kelly and Female Impersonator Francis Role of Hedda Gabler to Start Her Broadway Acting Career
CURTAINS UP! New York City Council L G B T Q PERFORMING ARTS IN NYC 2020 CALENDAR Cover: Adina Verson and Katrina Lenk performing in Indecent, Original Broadway Company. Photograph by Carol Rosegg. t is my pleasure to introduce this calendar from the LaGuardia and Wagner Archives documenting the rich history of the local LGBTQ community’s role in the performing arts. This vibrant and welcoming community is one of the main reasons that I was drawn to New York City as a young gay man. I When one thinks of the magical allure of New York City throughout the nation and around the world, the performing arts immediately come to mind. These arts have shaped the city’s culture and, in turn, the nation’s. Performing arts typically include the dramas, comedies, and musicals of Broadway, Off- Broadway, and Off-Off Broadway theatre, as well as opera, cabaret, orchestral music, classical dance, and more. This calendar is truly unique in that it reaches beyond this standard definition by exploring the role of performing arts as political and cultural protest. From the Latinx L’Unicorns of Staten Island, to the Brooklyn-based Ballez, to the Bronx Academy of Arts and Dance (BAAD!), the calendar features performing arts from all five boroughs. Dancers from all five Queens-based CUNY schools are also depicted performing in the annual Queens Pride Parade in Jackson Heights over the last two years. Manhattan, of course, is represented by the dramas and musicals of Broadway and the queer cabaret performed downtown. Yet, the LGBTQ community’s history with New York’s performing arts also reveals a story of prejudice and outright prohibition. -
NOTICE of PUBLIC MEETING May 9, 2017 9:30 Am to 2:30 Pm Mingei
NOTICE OF PUBLIC MEETING May 9, 2017 9:30 a.m. to 2:30 p.m. Mingei International Museum 1439 El Prado San Diego, CA 92101 (619) 239-0003 1. 9:30 Call to Order D. Harris Welcome by Mingei International Museum R. Sidner 2. 9:40 Roll Call and Establishment of a Quorum M. Moscoso 3. 9:45 Approval of Minutes from February 2, 2017 and March 13, 2017 D. Harris (TAB A) 4. 9:5 5 Chair’s Report (TAB B) D. Harris 5. 10: 10 Interim Director’s Report (TAB C) A. Kiburi 6. 10: 20 Panel Recommendations 2016-2017—Voting Items L. Baza a. Introduction to Funding Scenarios (TAB D) P. Beasley b. Artists Activating Communities (TAB E) A. Kiburi c. Artists in Schools Exposure (TAB F) d. Artists in Schools Extension (TAB G) e. Creative California Communities (TAB H) 7. 12:00 Working lunch—Cultural Districts Update (TAB I) C. Fitzwater L. Baza 8. 12:30 Panel Recommendations 2016-2017 Continued—Voting Items S. Gilbride f. Local Impact (TAB J) g. Professional Development and Consulting (TAB K) h. Statewide Regional Networks (TAB L) i. Council Vote to Adopt Funding Scenario 9. 1:30 Honoring Craig Watson D. Harris N. Lindo A. Kiburi 2:00 10. Public Comment (may be limited to 2 minutes each) D. Harris 2:30 11. Adjournment D. Harris 3:00 12. Tour of Chicano Park J. Talamantez Notes: 1. All times indicated and the orders of business are approximate and subject to change. 2. Any item listed on the Agenda is subject to possible Council action. -
ARC DANCE COMPANY OPENS 19Th PERFORMANCE SEASON with SUMMER DANCE at the CENTER Leo K
MARIE CHONG, ARTISTIC DIRECTOR For Immediate Release: Media Contact: April 5, 2018 Michele Garcia Havard [email protected] Phone: 206 352-0798 ARC DANCE COMPANY OPENS 19th PERFORMANCE SEASON WITH SUMMER DANCE AT THE CENTER Leo K. Theatre at Seattle Center Thursday through Saturday, July 19 - 22 and 26 - 28, 2018 www.arcdance.org SEATTLE, WA: The ARC Dance Company will open its 19th Season at the Leo Kreielsheimer Theatre with its annual Summer Dance at the Center performances beginning Thursday, July 19 and running through Saturday July 28, 2018. Now in its 10th year, the Summer Dance at the Center series has firmly established its reputation as one of Seattle’s premiere dance events, with its blending of forms between modern dance and classical ballet choreographed and performed by local, national, and international artists. This year’s program offers a groundbreaking five world premiere pieces by a diverse roster of choreographers and dancers including Bruce McCormick (Seattle, WA - Bavarian State Ballet, Les Grands Ballets Canadiens), Wen Wei Wang (Vancouver, B.C.), Jason Ohlberg (Saratoga Springs, NY - Hubbard Street Dance Chicago), Marika Brussel (San Francisco, CA -Moving Arts SF, SAFEhouse Arts), and Paul DeStooper (Victoria, B.C. – Ballet Victoria). Since 1999 ARC has presented mixed repertory work and specializes in producing a wide variety of dance programming by different choreographers. Marie Chong, Artistic Director, has offered accessible and evocative productions to Seattle audiences for the past 19 years. She has fostered collaborations with other artists, combined aerial dance with classical ballet, and merged various performing arts medias, making ARC Dance a prominent contributor to Seattle’s dance community. -
Abstracts and Biographies Friday May 20, 2016
Contemporary Ballet: Exchanges, Connections and Directions Welcome We are thrilled to welcome so many of you to this special topics conference on contemporary ballet. Based on the overwhelming response and enthusiasm to the call for papers, it is clear that there is a need for discourse and rigorous investigation into how this moment in ballet historiography is being shaped. We began to dialogue about ‘contemporary ballet’ two years ago, while conceptualizing what would become the 2015 issue of Conversations across the Field of Dance Studies: Network of Pointes. That effort to articulate complexities of the genre yielded many more questions and the idea to continue the “conversation” surrounding the efficacy of ballet, its history, locality, and relevancy at a conference exclusively devoted to the topic. We chose New York City for both practical and ideological purposes. It provided willing sponsors to whom we are eternally grateful. Furthermore, New York prompts a discourse about the city’s past and present relationship to ballet histories. In October 2015, we put forth a call for papers hoping to elicit practitioners, scholars, critics and those who work across those categories as well as in-between. Today we happily welcome over fifty presenters and ten invited speakers. The topics that surround contemporary ballet address gender, race, the choreographic form as tradition and innovation, as well as national practices and politics from the global north and south. Over the next two days, you will witness the range and breadth of scope that refreshingly confirms a new chapter is being written. The support from our two hosts in New York City has been truly invaluable. -
Five College Dance Department Newsletter 2012–2013
FIVE COLLEGE DANce DepARTMENT NEWSLetteR 2012–2013 Editor: Jim Coleman (FCDD Chair) Contributor: Joanna Faraby Walker (FCDD) “CONNECT TO THE MADNESS INSIDE YOU” —OHAD NAHARIN Designer: Robyn Rodman, Five Colleges, Incorporated THE OHAD NAHARIN PROJECT or a very long week late last August, 32 Five College dancers returned to campus early to “I don’t sleep much — it’s a known fact that sleep is engage in a grueling, revelatory dance experi- required more for the brain than the body because the ence, practicing Gaga technique and learning brain needs sleep to dream. But I dream all the time. I FOhad Naharin’s powerful, minimalist master-piece Echad dream when I’m awake, when I create work, with my College PAID Hampshire U.S. Postage Nonprofit Org Nonprofit Mi Yodea. eyes open. So who needs sleep?” The dancers began each day with Gaga, a wildly ex- — Ohad Naharin ploratory, image-based movement technique devel- oped by Naharin for his Israel-based Batsheva Dance ing my physical limits. The exercises also allowed me Company. “What today is very fundamental to Gaga is to find the pleasure in moving . It reminded me of the ability to articulate the scope of sensations and the why I dance.” small details, the small gestures, the attention to detail”, Afternoons involved learning the 13 short phrases — says Naharin. Each morning, Ariel Freedman (past com- all beginning from and returning to a seated position in a pany member and stager for this project) led the danc- chair—whose driving repetition gives the piece its mes- ers through a liberating, improvisational maze of move- merizing, incantatory power.