Zero Hour Has Come and Gone : Allied Efforts to Alleviate the Ruhr Housing
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Revisiting Zero Hour 1945
REVISITING ZERO-HOUR 1945 THE EMERGENCE OF POSTWAR GERMAN CULTURE edited by STEPHEN BROCKMANN FRANK TROMMLER VOLUME 1 American Institute for Contemporary German Studies The Johns Hopkins University REVISITING ZERO-HOUR 1945 THE EMERGENCE OF POSTWAR GERMAN CULTURE edited by STEPHEN BROCKMANN FRANK TROMMLER HUMANITIES PROGRAM REPORT VOLUME 1 The views expressed in this publication are those of the author(s) alone. They do not necessarily reflect the views of the American Institute for Contemporary German Studies. ©1996 by the American Institute for Contemporary German Studies ISBN 0-941441-15-1 This Humanities Program Volume is made possible by the Harry & Helen Gray Humanities Program. Additional copies are available for $5.00 to cover postage and handling from the American Institute for Contemporary German Studies, Suite 420, 1400 16th Street, N.W., Washington, D.C. 20036-2217. Telephone 202/332-9312, Fax 202/265- 9531, E-mail: [email protected] Web: http://www.aicgs.org ii F O R E W O R D Since its inception, AICGS has incorporated the study of German literature and culture as a part of its mandate to help provide a comprehensive understanding of contemporary Germany. The nature of Germany’s past and present requires nothing less than an interdisciplinary approach to the analysis of German society and culture. Within its research and public affairs programs, the analysis of Germany’s intellectual and cultural traditions and debates has always been central to the Institute’s work. At the time the Berlin Wall was about to fall, the Institute was awarded a major grant from the National Endowment for the Humanities to help create an endowment for its humanities programs. -
The Failed Post-War Experiment: How Contemporary Scholars Address the Impact of Allied Denazification on Post-World War Ii Germany
John Carroll University Carroll Collected Masters Essays Master's Theses and Essays 2019 THE FAILED POST-WAR EXPERIMENT: HOW CONTEMPORARY SCHOLARS ADDRESS THE IMPACT OF ALLIED DENAZIFICATION ON POST-WORLD WAR II GERMANY Alicia Mayer Follow this and additional works at: https://collected.jcu.edu/mastersessays Part of the History Commons THE FAILED POST-WAR EXPERIMENT: HOW CONTEMPORARY SCHOLARS ADDRESS THE IMPACT OF ALLIED DENAZIFICATION ON POST-WORLD WAR II GERMANY An Essay Submitted to the Office of Graduate Studies College of Arts & Sciences of John Carroll University in Partial Fulfillment of the Requirements for the Degree of Master of Arts By Alicia Mayer 2020 As the tide changed during World War II in the European theater from favoring an Axis victory to an Allied one, the British, American, and Soviet governments created a plan to purge Germany of its Nazi ideology. Furthermore, the Allies agreed to reconstruct Germany so a regime like the Nazis could never come to power again. The Allied Powers met at three major summits at Teheran (November 28-December 1,1943), Yalta (February 4-11, 1945), and Potsdam (July 17-August 2, 1945) to discuss the occupation period and reconstruction of all aspects of German society. The policy of denazification was agreed upon by the Big Three, but due to their political differences, denazification took different forms in each occupation zone. Within all four Allied zones, there was a balancing act between denazification and the urgency to help a war-stricken population in Germany. This literature review focuses specifically on how scholars conceptualize the policy of denazification and its legacy on German society. -
Stunde Null: the End and the Beginning Fifty Years Ago." Their Contributions Are Presented in This Booklet
STUNDE NULL: The End and the Beginning Fifty Years Ago Occasional Paper No. 20 Edited by Geoffrey J. Giles GERMAN HISTORICAL INSTITUTE WASHINGTON, D.C. STUNDE NULL The End and the Beginning Fifty Years Ago Edited by Geoffrey J. Giles Occasional Paper No. 20 Series editors: Detlef Junker Petra Marquardt-Bigman Janine S. Micunek © 1997. All rights reserved. GERMAN HISTORICAL INSTITUTE 1607 New Hampshire Ave., NW Washington, DC 20009 Tel. (202) 387–3355 Contents Introduction 5 Geoffrey J. Giles 1945 and the Continuities of German History: 9 Reflections on Memory, Historiography, and Politics Konrad H. Jarausch Stunde Null in German Politics? 25 Confessional Culture, Realpolitik, and the Organization of Christian Democracy Maria D. Mitchell American Sociology and German 39 Re-education after World War II Uta Gerhardt German Literature, Year Zero: 59 Writers and Politics, 1945–1953 Stephen Brockmann Stunde Null der Frauen? 75 Renegotiating Women‘s Place in Postwar Germany Maria Höhn The New City: German Urban 89 Planning and the Zero Hour Jeffry M. Diefendorf Stunde Null at the Ground Level: 105 1945 as a Social and Political Ausgangspunkt in Three Cities in the U.S. Zone of Occupation Rebecca Boehling Introduction Half a century after the collapse of National Socialism, many historians are now taking stock of the difficult transition that faced Germans in 1945. The Friends of the German Historical Institute in Washington chose that momentous year as the focus of their 1995 annual symposium, assembling a number of scholars to discuss the topic "Stunde Null: The End and the Beginning Fifty Years Ago." Their contributions are presented in this booklet. -
German Transitions in the French Occupation Zone, 1945
Forgotten and Unfulfilled: German Transitions in the French Occupation Zone, 1945- 1949 A thesis presented to the faculty of the College of Arts and Sciences of Ohio University In partial fulfillment of the requirements for the degree Master of Arts Guy B. Aldridge May 2015 © 2015 Guy B. Aldridge. All Rights Reserved. 2 This thesis titled Forgotten and Unfulfilled: German Transitions in the French Occupation Zone, 1945- 1949 by GUY B. ALDRIDGE has been approved for the Department of History and the College of Arts and Sciences by Mirna Zakic Assistant Professor of History Robert Frank Dean, College of Arts and Sciences 3 Abstract ALDRIDGE, GUY B., M.A., May 2015, History Forgotten and Unfulfilled: German Transitions in the French Occupation Zone, 1945- 1949 Director of Thesis: Mirna Zakic This thesis examines how local newspapers in the French Occupation Zone of Germany between 1945 and 1949 reflected social change. The words of the press show that, starting in 1945, the Christian narrative was the lens through which ‘average’ Germans conceived of their past and present, understanding the Nazi era as well as war guilt in religious terms. These local newspapers indicate that their respective communities made an early attempt to ‘come to terms with the past.’ This phenomenon is explained by the destruction of World War II, varying Allied approaches to German reconstruction, and unique social conditions in the French Zone. The decline of ardent religiosity in German society between 1945 and 1949 was due mostly to increasing Cold War tensions as well as the return of stability and normality. -
American Experimental Music in West Germany from the Zero Hour To
Beal_Text 12/12/05 5:50 PM Page 8 one The American Occupation and Agents of Reeducation 1945-1950 henry cowell and the office of war information Between the end of World War I and the advent of the Third Reich, many American composers—George Antheil, Marc Blitzstein, Ruth Crawford, Conlon Nancarrow, Roger Sessions, Adolph Weiss, and others (most notably, Aaron Copland, Virgil Thomson, and Roy Harris, who studied with Nadia Boulanger in France)—contributed to American music’s pres- ence on the European continent. As one of the most adventurous com- posers of his generation, Henry Cowell (1897–1965) toured Europe several times before 1933. Traveling to the continent in early June 1923, Cowell played some of his own works in a concert on the ship, and visiting Germany that fall he performed his new piano works in Berlin, Leipzig, and Munich. His compositions, which pioneered the use of chromatic forearm and fist clusters and inside-the-piano (“string piano”) techniques, were “extremely well received and reviewed in Berlin,” a city that, according to the com- poser, “had heard a little more modern music than Leipzig,” where a hos- tile audience started a fistfight on stage.1 A Leipzig critic gave his review a futuristic slant, comparing Cowell’s music to the noisy grind of modern cities; another simply called it noise. Reporting on Cowell’s Berlin concert, Hugo Leichtentritt considered him “the only American representative of musical modernism.” Many writers praised Cowell’s keyboard talents while questioning the music’s quality.2 Such reviews established the tone 8 Beal_Text 12/12/05 5:50 PM Page 9 for the German reception of unconventional American music—usually performed by the composers themselves—that challenged definitions of western art music as well as stylistic conventions and aesthetic boundaries of taste and technique. -
At Zero Hour: the Government of Karl Dönitz, with Reflections As Seen in German Literature
AT ZERO HOUR: THE GOVERNMENT OF KARL DÖNITZ, WITH REFLECTIONS AS SEEN IN GERMAN LITERATURE Jonathan Edward Klein A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2006 Committee: Beth Griech-Polelle, Advisor, History Theodore Rippey, Advisor, German Douglas Forsyth Kristie Foell ii ABSTRACT Drs. Beth Griech-Polelle and Theodore Rippey, Advisors With the suicide of Adolf Hitler at the end of April 1945, leadership of the Third Reich was passed, as per Hitler’s Testament, to Karl Dönitz. Dönitz had, up to that point, served as head of the U-boat or submarine fleet, and then as Grand Admiral of the entire German Navy, or Kriegsmarine. Very little analysis has been offered in current literature regarding the impact of the Dönitz government. Indeed, history texts rarely mention it. This thesis set out to do just that, using both historically oriented works and insights as provided by German literature of the period such as Heimkehrerliteratur and Trümmerliteratur. By investigating the works of Dönitz himself and those of various other personalities associated with his government, primary documents of the period, and secondary works on the period as well as the aforementioned literature genres, several conclusions were reached. The activities of the Dönitz government can be broken up into pre-surrender and post- surrender activities. Pre-surrender activities included the negotiations of surrender itself, which insofar as it was conducted in several stages, was not unconditional, as is often claimed. The other major pre-surrender activity was the decision to continue the war in the East while seeking peace with the West to allow evacuation of Germans from East Prussia. -
Richard Wagner's Legacy in Divided Germany
Composing Identity: Richard Wagner’s Legacy in Divided Germany Andrew Markoff A thesis submitted in partial fulfillment of the requirement for honors in International History. Mentor: Professor Anna von der Goltz Georgetown University Washington, DC Table of Contents Introduction ........................................................................................................................................... 1 I. Richard Wagner ................................................................................................................................. 8 II. Music and Identity ......................................................................................................................... 34 III. Nazi Culture and the Allied Response ...................................................................................... 45 IV. Reconceptualizing Wagner in the GDR ................................................................................... 65 V. “Zero Hour” at Bayreuth: Rehabilitating Wagner in the Federal Republic of Germany ... 82 Conclusion ......................................................................................................................................... 105 Bibliography ....................................................................................................................................... 109 Appendices ......................................................................................................................................... 117 I authorize the public release -
1 Postwar Berlin
INTERMEDIATE CHAPTER POSTWAR BERLIN: 1945-1949 In preparation for our simulated or real walk to locations of Berlin that have significance for the 1945—1949 period, we will turn to three films: Wolfgang Staudte’s Die Mörder sind unter uns (1946), Gerhard Lamprecht’s Irgendwo in Berlin (1946); and Roberto Rosselini’s Germania anno zero (1948). The war-ravaged city on the screen is barely recognizable as Berlin. Other than the panoramic view of the bombarded Reichstag at the beginning of Germania anno zero and later the brief shots of Black Market activities in its vicinity, the films include no Berlin landmarks. In each a landscape of equalizing rubble dominates. Given the American and British saturation bombings started in early 1943 and heightened in the spring of 1945 (the British bombed at night, the Americans during the day), it is a miracle that any buildings remained more or less intact. Why some were saved while others were destroyed seems inexplicable, just as inexplicable as the intact rooms jutting into the landscape on steel props from the sites of otherwise demolished buildings. There is little evidence of the “Hurrah! We’re still alive!” feeling that supposedly animated Germans in 1945. Avoiding comments on the rubble, people move around in it as if it had been their natural surrounding their entire lives. No one worries about hidden explosives or about dropping into one of the many holes in the asphalt which off and on caused Berliners to land in subway tunnels. Focused on the present, on making it through the next day or merely the next hour, people simply cope with their hardships as best they can. -
Chapter 4 'Now, Back to Our Virchow': German Medical and Political
21-4-2020 ‘Now, back to our Virchow’: German Medical and Political Traditions in Post-war Berlin - The Perils of Peace - NCBI Bookshelf NCBI Bookshelf. A service of the National Library of Medicine, National Institutes of Health. Reinisch J. The Perils of Peace: The Public Health Crisis in Occupied Germany. Oxford (UK): OUP Oxford; 2013 Jun 6. Chapter 4 ‘Now, back to our Virchow’:1 German Medical and Political Traditions in Post-war Berlin In these current dark times there are still some rays of light for the German people—in spite of all errors and crimes which have been perpetrated in their name—they are the rays of hope which arise from the unquenchable spring of their intellectual and spiritual past.2 As they arrived in Germany, the Allies were forced to rely on the cooperation of the German medical authorities. While Chapter 3 looked at German émigrés, this chapter focuses on those German doctors and health officers who never left the country, the large majority in the profession. How did they reflect on the events of the previous decade? How did they present their careers and relate to their émigré compatriots, some of whom were now returning to Germany, and the occupiers? This chapter focuses on Berlin, which became both the seat of the quadripartite Allied Control Council (ACC) and the capital of the Soviet zone. Most historians have now abandoned the once-popular idea of a ‘Zero Hour’ (Stunde Null) and a radical transformation of German society after the end of the war. This chapter, too, shows that the break after 1945 was not nearly as radical as many earlier studies claimed. -
Refuse to Go Quietly: Jewish Survival Tactics During the Holocaust John D
East Tennessee State University Digital Commons @ East Tennessee State University Electronic Theses and Dissertations Student Works 5-2016 Refuse to go Quietly: Jewish Survival Tactics During the Holocaust John D. Caraveo East Tennessee State Universtiy Follow this and additional works at: https://dc.etsu.edu/etd Part of the European History Commons, and the Military History Commons Recommended Citation Caraveo, John D., "Refuse to go Quietly: Jewish Survival Tactics During the Holocaust" (2016). Electronic Theses and Dissertations. Paper 3039. https://dc.etsu.edu/etd/3039 This Thesis - Open Access is brought to you for free and open access by the Student Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. Refuse to go Quietly: Jewish Survival Tactics During the Holocaust A thesis presented to the faculty of the Department of History East Tennessee State University In partial fulfillment of the requirements for the degree Master of Arts in History by John David Caraveo, May 2016 Dr. Stephen G. Fritz, Chair Dr. Henry J. Antkiewicz Dr. W. Doug Burgess Keywords: World War II, Warsaw Ghetto, Jewish Councils, Partisans, Treblinka, Sobibór, Auschwitz ABSTRACT Refuse to go Quietly: Jewish Survival Tactics During the Holocaust by John David Caraveo During World War Two, the European Jewish population was faced with this during Shoah (the Holocaust). From Kristallnacht in November 1938 to the collapse of the Nazi Regime in May 1945, they relied heavily on each other and their instincts to discover ways to survive while in the ghettos, labor camps, and partisan units, if they managed to escape and head for the forests. -
Tompkins on Beal, 'New Music, New Allies: American Experimental Music in West Germany from the Zero Hour to Reunification'
H-German Tompkins on Beal, 'New Music, New Allies: American Experimental Music in West Germany from the Zero Hour to Reunification' Review published on Sunday, April 1, 2007 Amy C. Beal. New Music, New Allies: American Experimental Music in West Germany from the Zero Hour to Reunification. Berkeley: University of California Press, 2006. xvi + 340 pp. $49.95 (cloth), ISBN 978-0-520-24755-0. Reviewed by David Tompkins (Department of History, Carleton College) Published on H-German (April, 2007) Experience and Experiments Abroad In this meticulously researched monograph, Amy Beal offers an exhaustively detailed picture of the West German reception of a segment of post-World War II American music from 1945 to 1989. She focuses on American "experimental music," which she defines as originating from Charles Ives and Edgard Varèse, who "provided later composers with alternatives to Stravinsky-influenced neoclassicism or Schoenbergian serialism" (p. 2). Its main figures after 1945 included John Cage, Morton Feldman, Conlon Nancarrow, Steve Reich, Frederic Rzewski, David Tudor, Christian Wolff, and La Monte Young. These unconventional men (Pauline Oliveros is the only female composer to appear occasionally) were generally neither academics nor connected to institutions. They sought to develop new sounds and their works often proved difficult to subject to traditional forms of musical analysis. Beal does not analyze these musical works or provide the reader with a sense of their sound, but rather focuses on the social and personal networks surrounding this music. West Germany's state-subsidized musical life provided significant opportunities for American composers, and included festivals, radio play, exchange programs, private recitals, and of course public concerts. -
The Death of Nazism? Investigating Perpetrator Remains and Survival Rumours
The Death of Nazism? Investigating Perpetrator Remains and Survival Rumours in Post-war Germany. Caroline Sharples "Becoming really dead”, argues Thomas Laqueur, “takes time”.1 It has been more than seventy years since Adolf Hitler's suicide in his Berlin bunker, yet the passage of time has done little to diminish public fascination with the Nazi leader, nor stem speculation surrounding the circumstances of his demise. Indeed, some have doubted whether Hitler died in Berlin at all; survival myths remain popular fodder for tabloid newspaper articles, sensationalist television documentaries and best-selling books.2 Fundamentally, the endurance of such legends is rooted in the chaos of the immediate post-war era and the Allies' failure to positively identify any human remains as those of the former Führer. In the absence of a body, what counts as irrefutable proof of death? In 1945, the Allies' answer was to establish a clear timeline of the events leading up to the suicide, piecing together witness testimonies from Hitler's staff and poring over key documents such as his last will and testament. The first history on this topic, produced by Hugh Trevor- Roper in 1947, reflected this approach, using information collected during the author's service with British Military Intelligence.3 Potential forensic evidence, gathered by the Soviets, was released only gradually. It was not until 1968 that Lev Bezymenski was able to publish his account based upon the autopsy reports on the alleged remains of Hitler and Eva Braun.4 Since the end of the Cold War, additional material from the former Soviet archives has revived scholarly interest in the case, spurring reassessments of the available medical evidence by the likes of Ada Petrova, Peter Watson and Daniela Marchetti.5 Yet, while we now have detailed - if varying - accounts of the mode of Hitler's demise, there has been little attempt to explain the origins and 1 persistence of survival myths, or to locate Hitler's end within the broader context of a National Socialist fixation with the dead.