DOCSLIB.ORG

2019–2020 Season at a Glance Subscribe Now at 717-846-1111!

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
2019–2020 Season at a Glance Subscribe Now at 717-846-1111! 2019–2020 Season At A Glance Subscribe Now at 717-846-1111! 2019-20 CLASSICAL SERIES Opening NIGHT! TCHAIKOVSKY Swan Lake: Suite TCHAIKOVSKY & RACHMANINOFF GABRIELA LENA FRANK Three Latin- Saturday, October 12, 2019 American Dances for Orchestra RACHMANINOFF Symphonic Dances 7:30 PM • Appell Center for the Performing Arts: Strand Theatre Lawrence Golan, Conductor MADE IN AMERICA JOAN TOWER Made in America Saturday, November 9, 2019 COPLAND Billy the Kid: Suite 7:30 PM • Appell Center for the Performing Arts: DVOŘÁK Cello Concerto in B Minor Strand Theatre Lawrence Golan, Conductor • Mark Kosower, Cello Mark Kosower BOLERO! LILI BOULANGER One Spring Morning Saturday, January 25, 2020 DEBUSSY Prelude to the Afternoon of a Faun 7:30 PM • Appell Center for the Performing Arts: RAVEL Piano Concerto in G Major DEBUSSY La Mer Strand Theatre RAVEL Bolero Lawrence Golan, Conductor • Yekwon Sunwoo, Piano Yekwon Sunwoo RHAPSODY IN BLUE JENNIFER HIGDON Loco Saturday, February 15, 2020 GERSHWIN Rhapsody in Blue PROKOFIEV Symphony No. 5 7:30 PM • Appell Center for the Performing Arts: Strand Theatre Lawrence Golan, Conductor • Steven Mayer, Piano Steven Mayer STRING FEVER PETER BOYER Three Olympians Adagio for Strings Saturday, April 4, 2020 BARBER VAUGHAN WILLIAMS 7:30 PM • Appell Center for the Performing Arts: Fantasia on a Theme by Thomas Tallis Strand Theatre ANNA CLYNE Within Her Arms Lawrence Golan, Conductor TCHAIKOVSKY Serenade in C Major BEETHOVEN’S 9TH BEETHOVEN Symphony No. 9 Saturday, May 2, 2020 7:30 PM • Appell Center for the Performing Arts: Strand Theatre Lawrence Golan, Conductor • Kathleen Shannon, Chorusmaster Elizabeth de Trejo, Soprano • Katherine Pracht, Mezzo-soprano Elizabeth de Trejo Todd Wilander, Tenor • Hidenori Inoue, Bass • York Symphony Chorus Guest artist, time, date, location and program subject to change without notice. 2019-20 POPS SERIES i know THAT TUNE FRANKENSTEIN: HOLIDAY POPS I KNOW THAT TUNE: AN EVENING OF LIGHT THE ORIGINAL FILM SPECTACULAR CLASSICAL FAVORITES WITH LIVE ORCHESTRA Saturday, November 30, 2019 Saturday, October 19, 2019 2:00 PM & 7:30 PM Saturday, March 14, 2020 7:30 PM Appell Center for the Performing Arts: 7:30 PM Appell Center for the Performing Arts: Strand Theatre Appell Center for the Performing Arts: Strand Theatre Lawrence Golan, Conductor Strand Theatre Conductor Lawrence Golan, Conductor Kathleen Shannon, Chorusmaster Lawrence Golan, Chorusmaster York Symphony Chorus Kathleen Shannon, MICHAEL SHAPIRO Frankenstein York Symphony Chorus RENEWAL DEADLINE FOR THESE PRICES: SATURDAY, MAY 4 Subscribe Now at NEW RENEWAL PICK 5 FLEX PACKAGE PICK 5 FLEX PACKAGE Pick any 5 concerts Pick any 5 concerts 717-846-1111! ADULT STUDENT ADULT STUDENT Guest artist, time, date, location and program subject to change without notice. $160 $25 $180 $25 $140 $25 $160 $25 STAGE $70 $25 $80 $25 MAIN LEVEL COMPLETE SEASON: COMPLETE SEASON: ADULT STUDENT ADULT STUDENT Rows E-M $288 $45 $324 $45 Rows O $252 $45 $288 $45 Rows N-U Rows N-U $126 $45 $144 $45 Rows P-Y CLASSICAL SERIES: CLASSICAL SERIES: Rows V-AA Rows V-AA ADULT STUDENT ADULT STUDENT Rows Z-AA $192 $30 $216 $30 $168 $30 $192 $30 Left Box Right Box BALCONY $84 $30 $96 $30 Rows A-G POPS SERIES: POPS SERIES: ADULT STUDENT ADULT STUDENT $96 $15 $108 $15 All concerts held at Appell Center for the Performing Arts: $84 $15 $96 $15 Strand Theatre $42 $15 $48 $15.
Load more

Recommended publications
  • Brass Chamber Music Library
    B12.2c - Two Trombones 1 Locke One Dozen Duets 2 Lassus Two Fantasias 3 Hidas Intro & Fughetta 4 Bach/Miller Brass Duet Notebook B12.2f - Mixed Duets 1 Bach Invention #3 101.00 2 Bach Invention #13 101.00 B12.3a - Trumpet Trios 1 James Six Fanfares 300.00 Editions Marc Reift 2 arr Lichmann Trumpet Sonatas 300.00 manu 3 Nehlybel Musica Festiva 300.00 manu 4 arr Stewart Intrada 300.00 manu 5 Britten Fanfare St Edmundsbury 3000.00 Everyone reads score. 6 Kaisershot Tableau Royale 3000.00 8th Note 7 Kaisershot Solemnis Elegiac 3000.00 8th Note 8 Kaisershot Three and three quarters 3000.00 8th Note 9 Kaisershot Triplet Trove 3000.00 8th Note B12.3b - Horn Trios 1 Schneider 18 Trios 030.00 International 2 Wurm 30 trios 030.00 King 3 Nehlybel Musica Festiva 030.00 Cim 4 Shaw Tripperies 030.00 Hornists Nest 5 Walshe Divertimento #2 030.00 Hornists Nest 6 Various 30 selected works 030.00 Belwinn Mills 7 Stich 20 horn trios 030.00 Edition KW 8 Shaw Bach Trios 030.00 Hornists Nest 9 Mozart 3 Mozart Trios 030.00 8th Note # Kaisershot Three and three quarters 030.00 8th Note ## Kaisershot Marche Heroique 030.00 8th Note B12.3c - 3 Trombones 1 Byrd/Horton Carman's Whistle 003.00 Cim 2 Nehlybel Musica Festiva 003.00 Cim 3 Shaw Tripperies 003.00 Hornists Nest 4 Solomon Three Tableaux 003.00 Southern 5 arr Sauer Music fm the Renaissance 003.00 WIM 6 Hidas Interludio 003.00 Edito Musica Budapest 7 arr Christiansen 3 Chorale Preludes 003.00 No Score 8 arr Ostrander Suite for 3 Tbns 003.00 Edition Musicus 9 Kaisershot Marche Heroique 003.00 8th Note 8/22/17
    [Show full text]
  • Teaching Music Through Performance in Band
    Teaching Music through Performance in Band A Comprehensive Listing of All Volumes by Grade, 2018 Band, volumes 1 (2nd ed.)–11 Beginning Band, volumes 1–2 Middle School Band Marches GIA Publications, Inc. Contents Core Components . 4 Through the Years with the Teaching Music Series . 5 Band, volumes 1 (2nd ed .)–11 . .. 6 Beginning Band, volumes 1–2 . 30 Middle School Band . 33 Marches . .. 36 Core Components The Books Part I presents essays by the leading lights of instrumental music education, written specifically for the Teaching Music series to instruct, inform, enlighten, inspire, and encourage music directors in their daily tasks . Part II presents Teacher Resource Guides that provide practical, detailed reference to the best-known and foundational band compositions, Grades 2–6,* and their composers . In addition to historical background and analysis, music directors will find insight and practical guidance for streamlining and energizing rehearsals . The Recordings North Texas Wind Symphony Internationally acknowledged as one of the premier ensembles of its kind, the North Texas Wind Symphony is selected from the most outstanding musicians attending the North Texas College of Music . The ensemble pursues the highest pro- fessional standards and is determined to bring its audiences exemplary repertoire from all musical periods, cultures, and styles . Eugene Migliaro Corporon Conductor of the Wind Symphony and Regents Professor of Music at the University of North Texas, Eugene Corporon also serves as the Director of Wind Studies, guiding all aspects of the program . His performances have drawn praise from colleagues, composers, and critics alike . His ensembles have performed for numerous conventions and clinics across the world, and have recorded over 600 works featured on over 100 recordings .
    [Show full text]
  • Oboe Trios: an Annotated Bibliography
    Oboe Trios: An Annotated Bibliography by Melissa Sassaman A Research Paper Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts Approved November 2014 by the Graduate Supervisory Committee: Martin Schuring, Chair Elizabeth Buck Amy Holbrook Gary Hill ARIZONA STATE UNIVERSITY December 2014 ABSTRACT This project is a practical annotated bibliography of original works for oboe trio with the specific instrumentation of two oboes and English horn. Presenting descriptions of 116 readily available oboe trios, this project is intended to promote awareness, accessibility, and performance of compositions within this genre. The annotated bibliography focuses exclusively on original, published works for two oboes and English horn. Unpublished works, arrangements, works that are out of print and not available through interlibrary loan, or works that feature slightly altered instrumentation are not included. Entries in this annotated bibliography are listed alphabetically by the last name of the composer. Each entry includes the dates of the composer and a brief biography, followed by the title of the work, composition date, commission, and dedication of the piece. Also included are the names of publishers, the length of the entire piece in minutes and seconds, and an incipit of the first one to eight measures for each movement of the work. In addition to providing a comprehensive and detailed bibliography of oboe trios, this document traces the history of the oboe trio and includes biographical sketches of each composer cited, allowing readers to place the genre of oboe trios and each individual composition into its historical context. Four appendices at the end include a list of trios arranged alphabetically by composer’s last name, chronologically by the date of composition, and by country of origin and a list of publications of Ludwig van Beethoven's oboe trios from the 1940s and earlier.
    [Show full text]
  • Kimmo Hakola's Diamond Street and Loco: a Performance Guide
    UNLV Theses, Dissertations, Professional Papers, and Capstones May 2016 Kimmo Hakola's Diamond Street and Loco: A Performance Guide Erin Elizabeth Vander Wyst University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/thesesdissertations Part of the Fine Arts Commons, Music Commons, and the Theatre and Performance Studies Commons Repository Citation Vander Wyst, Erin Elizabeth, "Kimmo Hakola's Diamond Street and Loco: A Performance Guide" (2016). UNLV Theses, Dissertations, Professional Papers, and Capstones. 2754. http://dx.doi.org/10.34917/9112202 This Dissertation is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Dissertation has been accepted for inclusion in UNLV Theses, Dissertations, Professional Papers, and Capstones by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. KIMMO HAKOLA’S DIAMOND STREET AND LOCO: A PERFORMANCE GUIDE By Erin Elizabeth Vander Wyst Bachelor of Fine Arts University of Wisconsin-Milwaukee 2007 Master of Music in Performance University of Wisconsin-Milwaukee 2009
    [Show full text]
  • An Annotated Bibliography of Canadian Oboe Concertos
    An Annotated Bibliography of Canadian Oboe Concertos Document Presented in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Oboe in the Performance Studies Division of the University of Cincinnati College-Conservatory of Music January 11, 2016 by Elizabeth E. Eccleston M02515809 B.M., Wilfrid Laurier University, 2004 M.M., University of Cincinnati, 2007 D.M.A. Candidacy: April 5, 2012 256 Major Street Toronto, Ontario M5S 2L6 Canada [email protected] ____________________________ Dr. Mark Ostoich, Advisor ____________________________ Dr. Glenn Price, Reader ____________________________ Professor Lee Fiser, Reader Copyright by Elizabeth E. Eccleston 2016 i Abstract: Post-World War II in Canada was a time during which major organizations were born to foster the need for a sense of Canadian cultural identity. The Canada Council for the Arts, the Canadian Broadcasting Corporation and the Canadian Music Centre led the initiative for commissioning, producing, and disseminating this Canadian musical legacy. Yet despite the wealth of repertoire created since then, the contemporary music of Canada is largely unknown both within and outside its borders. This annotated bibliography serves as a concise summary and evaluative resource into the breadth of concertos and solo works written for oboe, oboe d’amore, and English horn, accompanied by an ensemble. The document examines selected pieces of significance from the mid-twentieth century to present day. Entries discuss style and difficulty using the modified rating system developed by oboist Dr. Sarah J. Hamilton. In addition, details of duration, instrumentation, premiere/performance history, including dedications, commissions, program notes, reviews, publisher information and recordings are included wherever possible.
    [Show full text]
  • Keith Brown — Page 12
    WIND14029 Wycliffe Gordon Ad.qxp_Layout 1 3/13/19 9:40 AM Page 1 July 2019/ Volume 47, Number 3 / $11.00 Keith Brown — Page 12 INTERNATIONALINTERNATIONAL Wycliffe Gordon Depends on Yamaha. “I love Yamaha trombones because they play beautifully and are of the highest quality and craftsmanship. These standards have been established and maintained by Yamaha for many years.” ASSOCIATION JOURNAL THE QUARTERLY PUBLICATION OF THE ITA – Wycliffe Gordon International Jazz Trombonist, Composer and Educator INSIDE INTERNATIONAL TROMBONE ASSOCIATION JOURNAL The Quarterly Publication of the ITA News — Page 6 Volume 47, Number 3 / July 2019 The International Trombone Association is Dedicated to the Artistic Advancement of Trombone Teaching, Performance, and Literature. Contents Features Keith Brown: Renaissance Man ITA JOURNAL STAFF by Douglas Yeo .....................................................................12 Managing Editor Beethoven’s Funeral Music Diane Drexler by Andrew Glendening ..........................................................36 3834 Margaret Street, Madison, WI 53714 USA / [email protected] ITW Retrospective Associate Editor by Colleen Wheeler ......................................................... 38 Jazz – Antonio Garcia Nikolai Sergeievich Fedoseyev and the Piano Reduction Music Department, Virginia Commonwealth University, 922 Park Avenue, for Rimsky-Korsakov’s Concerto for Trombone P.O. Box 842004, Richmond, VA 23264-2004 USA / [email protected] by Timothy Hutchens ............................................................50
    [Show full text]
  • LIVING AMERICAN COMPOSERS: NEW MUSIC from BOWLING GREEN Broadcast Schedule – Winter 2018
    LIVING AMERICAN COMPOSERS: NEW MUSIC FROM BOWLING GREEN Broadcast Schedule – Winter 2018 PROGRAM #: MBG 18-01 RELEASE: December 28, 2017 TITLE: Close Up with Jennifer Higdon, Part I DESCRIPTION: Composer and Bowling Green State University Alumna Jennifer Higdon co-hosts this episode, which features her own works plus the first installment in her 6-part subseries “Living Women Composers.” J. Higdon: Flute Poetic Jan Vinci, flute Reiko Uchida, piano Troy1649 Du Yun: When a Tiger Meets a Rosa Rugosa Hilary Hahn, violin Cory Smythe, piano DG B0019103 J. Higdon: Viola Concerto Roberto Diaz, viola Nashville Symphony/Guerrero Naxos 8.559823 PROGRAM #: MBG 18-02 RELEASE: January 4, 2018 TITLE: Close Up with Jennifer Higdon, Part II DESCRIPTION: Composer and Bowling Green State University Alumna Jennifer Higdon co-hosts this episode, which features her own works plus the second installment in her 6-part subseries, “Living Women Composers” with composer Libby Larsen. J. Higdon: All Things Majestic Nashville Symphony/Guerrero Naxos 8.559823 Libby Larsen: Four on the Floor Kentucky Center Chamber Players New Dynamic J. Higdon: On the Death of the Righteous Mendelssohn Club of Philadelphia/Harler Chamber Orchestra of Philadelphia Innova 806 J. Higdon: Loco (excerpt) Fort Worth Symphony/Harth-Bedoya Fort Worth Symphony Orchestra PROGRAM #: MBG 18-03 RELEASE: January 11, 2018 TITLE: Festival 2016 DESCRIPTION: We hear concert performances from the 2016 New Music Festival at Bowling Green State University. Also, Jennifer Higdon profiles the music of Marilyn
    [Show full text]
  • A Performer's Guide to the Solo Trombone and Piano
    A PERFORMER’S GUIDE TO THE SOLO TROMBONE AND PIANO MUSIC OF ANTHONY PLOG BY DAVID THEODORE DAY THESIS Submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Music with a concentration in Performance and Literature in the Graduate College of the University of Illinois at Urbana-Champaign - 2015 Urbana, Illinois Doctoral Committee: Associate Professor Elliot Chasanov, Chair and Director of Research Associate Professor Gayle Sherwood Magee Associate Professor Linda R. Moorhouse Associate Professor Reynold Tharp ABSTRACT A PERFORMER’S GUIDE TO THE SOLO TROMBONE AND PIANO MUSIC OF ANTHONY PLOG By David Theodore Day March 2015 This paper examines the trombone and piano works of Anthony Plog, including 3 Miniatures (1994), 4 Themes on Paintings of Goya (2001), Divergent Roads (2014), Initiatives (2014) and Interplay (2014). In it, I provide an analytical overview of each of these five works as well as suggestions for effective performance. I also discuss how Plog’s writing has reached the trombone community, and how each of these pieces can serve on a trombone recital program. I pay particular attention to Interplay for Trombone and Piano, a work I commissioned as part of this doctoral research, which I hope will become a valuable new piece in the trombone repertoire. ii This thesis is dedicated: to Michael, who first made me want to play; to Kelly, who first made me see friends to play with; to Frank and Terry, who made it possible for me to play; and especially to Molly, who encouraged consistent play and, perhaps most importantly, reminded me that it’s good to play.
    [Show full text]
  • Corey Keating
    FLOWING EVER OUTWARD Corey Keating A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2013 Committee: Marilyn Shrude, Advisor Mikel Kuehn ii ABSTRACT Marilyn Shrude, Advisor Flowing Ever Outward is an eleven–minute work scored for a large chamber ensemble consisting of flute, oboe, clarinet, bassoon, horn, trumpet, trombone, piano, percussion (two players), two violins, viola, violoncello, and double bass. The harmonic and melodic material is derived from an [012347] hexachord (6-Z36) and its complement [012356] (6-Z3). These two normal sets are used primarily within the piano part, and sequential transpositions of each hexachord are generated and assigned to the various instruments of the ensemble. These pitch collections, to a certain extent, also determine the overall structure of the work–– which can be described as something of a ternary arch form (A-B-A’)––as well as its internal sectional construction and respective instrumentation. Overall, the work is highly episodic in nature, and contains fragmented melodic figurations which gradually propel the work forward. The interaction between the piano and the ensemble focuses mainly on timbre and gesture, and instruments are combined in such a way as to create more complex aggregate gestures, effectively making the ensemble one large meta– instrument. iii Instrumentation Flute Oboe Clarinet in B-flat Bassoon Horn in F Trumpet in B-flat Tenor Trombone Piano Percussion (2 players) Bass Drum Bell Tree Crotales (2 octaves) Glockenspiel Suspended Cymbal Tam-Tam Triangle Vibraphone Violin I Violin II Viola Cello Double Bass iv Performance Notes Score is non-transposed; all instruments are written at sounding pitch, excepting octave transpositions in the crotales, double-bass, and glockenspiel.
    [Show full text]
  • Notes on the Program by Erik Shinn, Concert Operations & Personnel Manager
    Notes on the Program by Erik Shinn, Concert Operations & Personnel Manager Swan Lake: Suite, Op. 20a [1954 version] Pyotr Tchaikovsky Tchaikovsky’s first iconic ballet began as By the Numbers a miniaturized version of itself that the composer had written to entertain his Born: May 7, 1840, in Votkinsky, Vyatka sister’s children while they were on Province, Russia holiday in the summer of 1871. When a commission for a full ballet from the Died: November 6, 1893, in St. Imperial Theatre came four years later, he Petersburg, Russia did what many composers had before and Work composed: ballet 1875-76; recycled fragments of already-written commissioned by the Russian Imperial works to create something new. In this Theatre; dedicated to Vladimir (“Bob”) case combining music from his juvenile Lvovich Davidov, the composer’s ballet to fragments of Undine and nephew; six-movement suite extracted Voyevoda, operas he had previously posthumously by the publisher in 1900; written but ultimately disowned. second expanded-version in 1954; third While Swan Lake stands today as one of version, expanded again, published in Tchaikovsky’s greatest scores, it did not 2006 achieve widespread acclaim during his World premiere: complete ballet, March lifetime. By all accounts the premiere was 4, 1877, at Moscow’s Bolshoi Theatre, riddled with issues including poor Stephan Ryabov conductor choreography, sets, costumes, and execution. Musicians in the orchestra York Symphony Orchestra premiere: complained that several numbers were complete ballet, October 30, 1956 with too difficult to play, and some were cut. Ballet Danielian, Robert Mandell Later performances saw additional cuts, conductor further diminishing Tchaikovsky’s score.
    [Show full text]
  • Brian Inglis
    Brian Inglis Concerto for Piano Solo (Homage to Alkan) for solo piano 20131 ce-bi1cfsp1-dl BRIAN INGLIS Concerto for piano solo (Homage to Alkan) for solo piano 2014 Dedicated to Gabriel Keen First performance: 3rd November 2013, St Mary’s Old Church Arts Centre, London N16 First performance of definitive score: 23rd November 2014, Sutton House, London E9 Recorded on Sargasso Records (www.sargasso.co.uk) SCD 28081 Note I first encountered the music of Alkan as a teenager. Having for a while frequented the public instrumental sounds at the keyboard is nothing new of course – it goes back to Mozart at least Music & Drama library in my home town, Reading, in search of new scores – mainly of piano – but as a concept it has been addressed directly in the literature on music surprisingly music – I was dimly aware of some archaic-looking tomes of his music lurking on the top shelf infrequently (especially from the point of view of practical pianism). One source where between Albeniz and ‘Light Modern Piano Pieces’, to which I paid scant attention. Only when I detailed recommendations can be found – in the context of Liszt’s transcriptions of orchestral happened upon Norman Demuth’s book French Piano Music was my interest sufficiently and operatic works – is Alfred brendel’s essay ‘Liszt’.3 I have been inspired by, and have aroused to reach for those buff-coloured volumes, alerted by the following passage: ‘Amongst drawn on, brendel’s imaginative solutions in my performance directions for this score, Alkan’s most interesting works are… “12 Etudes dans les tons majeurs” and another set in specifically the following suggestions (which can be used as an interpretative and technical aid “Les tons mineurs”.
    [Show full text]
  • WORLD PREMIERES All Performances from 1891 to 1904 Were Given at the Auditorium Theatre and Thereafter at Orchestra Hall, Unless Otherwise Noted
    WORLD PREMIERES All performances from 1891 to 1904 were given at the Auditorium Theatre and thereafter at Orchestra Hall, unless otherwise noted. Soloists, when known, also are indicated. 1891-99 │ 1900-09 │ 1910-19 │ 1920-29 │ 1930-39 │ 1940-49 │ 1950-59 1960-69 │ 1970-79 │ 1980-89 │ 1990-99 │ 2000-09 │ 2010-19 Date Composer Composition Conductor 1891-99 Columbus Ode, Ode for the Opening of the Chicago World’s Fair (World’s Columbian 21-Oct-1892 George Chadwick Theodore Thomas Exposition, Manufacturers and Liberal Arts Building) Columbus March and Hymn (World’s Columbian 21-Oct-1892 John Knowles Paine Exposition, Manufacturers and Liberal Arts Theodore Thomas Building) Festival Jubilate, Op. 17 (World’s Columbian 1-May-1893 Amy Beach Theodore Thomas Exposition, Women’s Building) Triumphal March (World’s Columbian Exposition, Woizech Iwanowich 7-Jun-1893 Alexander Glazunov Music Hall) Hlavac Overture, Witichis (World’s Columbian 29-Jul-1893 Margaret Lang Theodore Thomas Exposition, Festival Hall) Cello Concerto in G Minor, Op. 33 (Bruno 30-Nov-1894 Arthur Foote Theodore Thomas Steindel) Concerto No. 2 for Piano in D Minor (W. C. E. 25-Jan-1895 W. C. E. Seeboeck Theodore Thomas Seeboeck) 17-Apr-1896 Frederic Grant Gleason Symphonic Poem, Edris Theodore Thomas 22-Oct-1897 Hugo Kaun Festival March and Hymn to Liberty Theodore Thomas 3-Feb-1899 Hugo Kaun Overture, Der Maler von Antwerpen Theodore Thomas 29-Dec-1899 Henry Schoenefeld Impromptus for String Orchestra Henry Schoenefeld 1900-09 5-Jan-1900 Adolf Weidig Capriccio, Op. 13 Theodore
    [Show full text]