I Was in Sarah Clark's Irish Dance Camp: CAMP RINCE PROVENCE
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Ceardlann Damhsa Le Breandán De Gallaí Agusjoanne Doyle
CEARDLANN DAMHSA 4 LÁ Aoine go Luan 7-10 Lúnasa 2015 Bí i gcuideachta príomhdhamhsóirí de chuid Riverdance ag Loinneag Lúnasa do 4 lá dúshlánach, lán craic agus cuideachta. FOUR+DAY DANCE WORKSHOP Join former lead dancers from Riverdance at Loinneag Lúnasa for a challenging and fun 4 -day weekend of Irish Dance. Ceardlann Damhsa le Breandán de Gallaí agus Joanne Doyle An Chrannóg; 074 95 32208; [email protected] • Rachaidh gach rannpháirtí • Each participant will take i mbun ranganna a fhóireann classes appropriate to their dá leibhéal cumais sa teicníc ability level in solo technique, aonair, léiriú ar ardán, céilí agus stage performance, céilí and stíl seó. show style. • Cuirfidh na ranganna fíorscoth • Classes will offer na hoiliúna agus na excellence in training and meantóireachta ar fáil. mentorship. • Díreofar sna seisiúin éagsúla • The various sessions will focus ar fheabhsú teicníce, aclaíochta on improving your technique, agus scileanna léiriúcháin. fitness and performance skills. Táille/Fee: €200 Fóirsteanach do gach leibhéal ó dhuine ag tosú ón fhíorthús go dtí ardleibhéal. Fáilte roimh gach aois. Suitable for all levels from absolute beginner to advanced. All ages are welcome. MÚINTEOIRÍ TEACHERS Breandán de Gallaí Breandán de Gallaí Léirigh Breandán de Gallaí róil an phríomhdhamhsóir fir le Breandán de Gallaí performed the principal male dancer Riverdance ar feadh seacht mbliana san Eoraip, san Áise, role with Riverdance for seven years in Europe, Asia, san Astráil agus sa Nua-Shéalainn. Bhain sé céim MA Australia and New Zealand. He graduated with an MA in amach san Eitneacóiré-eolaíocht ó Ollscoil Luimnigh in Ethnochoreology from the University of Limerick in 2009 2009 agus in 2013 bhain sé PhD amach i gCleachtas na and in 2013 received his PhD in Arts Practice. -
Ireland! Ireland Folk Dancing, Culture, Art, History, Adventure ! Broadens One!
Jim Gold International Folk Dance Tours Travel to Ireland! Ireland Folk Dancing, Culture, Art, History, Adventure ! broadens one! August 5-17, 2023 Led by Lee Friedman i Galway, Connemara, Aran islands, Dingle, Killarney, Kerry, Cork, Blarney, Dublin. i Kiss the Blarney stone in Blarney Castle. i Meet and dance with Irish folk dance groups. i Traditional Irish music and dance. i International folk dancing. i See picturesque villages, medieval castles, remote cottages, wild and rugged beauty, valleys, mountains, lakes and cliffs. i Hear spoken Gaelic language in all its glory. i Traditional Irish nights, Trinity College, Book of Kells, legends and history, drive the ring of Kerry, Irish traditional music at Dolan’s pub, dance a jig, ride in horse drawn carriage, Ceili dancing, step-dancing, whiskey, whimsy, ancient forts, and more. i Price includes hotels, private bus, guide, sightseeing, all breakfasts, most dinners. i Folk dance and tour videos at: www.jimgold.com Itinerary Day 1: Saturday, August 5: Depart for Ireland on airlines of your choice. Day 2: Sunday, August 6: Limerick Walking tour of Limerick city. Pass the local rowing clubs as you cross the Sarsfield Bridge. See the Curragower falls on the river and the boardwalk takes the path up to the Treaty Stone. The Treaty of Limerick was signed on this stone and is it remains a symbol for the city to this day. Across the bridge from the Treaty Stone you will see King John’s 12th century castle built by King John of England, it stands as a testament to 800 years of history. -
Stephanie Mccarron
Stephanie McCarron Some fact´s at first… When and where were you born? 25 January 1982, born in Derry, North Ireland. Your height? 5 feet 4 inches What is your favourite food? Italian Food / Crisps Your favourite music? Pop Your favourite movie? „Annie“, „Wizard of Oz“ Your favourite city / place in the world, you have visited so far? China, Japan What’s the most treasured moment in your life, so far? When I danced with Michael on stage Feet of Flames. The day I stepped on stage as gypsy. About your family… Please tell us something about your parents - what do they do for their living? Do they dance as well? Yes, my Mum danced when she was younger. My mum is a loans officer and my dad is a baker. Do you have any brothers or sisters? How old are they? Do they dance, too? What do they do for their living? Yes, I have one older sister and 2 older brothers. My sister danced for a while when she was younger. My sister is a hair dresser and my 2 brothers are engineers. Is it hard for you, to be apart from your family for such a long time while touring? How often are you able to travel back home again? Yes, it does get hard some times, because we´re such a close family. We usually get home every few months for a few days or weeks. What do your family thinks of your job as a Show Dancer? Are they proud of you? How often do they visit you on tour and watch you dancing the Show? My family think my job as a show dancer is fantastic. -
Folklife Today September 2019: Chicago Ethnic Arts Project
Folklife Today September 2019: Chicago Ethnic Arts Project Announcer: From the Library of Congress in Washington DC John Fenn: Welcome to the Folklife Today podcast. I’m John Fenn, and I’m here with my colleague Stephen Winick. Steve Winick: Hello! John Fenn: We’re both folklorists at the American Folklife Center here at the Library of Congress. I’m the head of Research and Programs, and Steve is the Center’s writer and editor, as well as the creator of the Folklife Today blog. Steve Winick: And today, we’re joined by several guests from the AFC to talk about an online collection of ours, the Chicago Ethnic Arts Project collection. This was the first of AFC's historic field projects, and the collection was digitized and then made available on the Library of Congress’s website just about two years ago. And a lot has been going on with it since, so, we've asked some of our colleagues to help us talk about it. Our first guest is our coordinator of Processing, Ann Hoog. Hi Ann! Ann Hoog: Hello! John Fenn: Ann, you know the collection quite well since you were involved in getting it ready for public online access. Where do we start? Ann Hoog: Well, let me first say that I do know it fairly well, but it is such an immense resource that I am still learning new things about it! But a good place to start is with the type of collection that it is – meaning, how it came to be. As you can tell by its name, the Chicago Ethnic Arts Project collection, represents materials from a cultural research and documentation project, or survey, that was undertaken in 1977. -
Bernadette Flynn-O' Kane
Bernadette Flynn-O' Kane Some fact´s at first… When and where were you born? born 01.08.1979 in Dublin, Ireland. Your height? 5" 6' Your favourite music? Most chart music, anything with a beat. Your favourite movie? “Moulin Rouge” Your favourite city / place in the world, you have visited so far? So many - couldn’t pick one. Shanghai - China Cape Town - South Africa Japan What’s the most treasured moment in your life, so far? I think it will definitely be in a couple of months - 28th December. My wedding Day to Damien. My career has been treasured memories to date: Oscar’s, Point Dublin 1996, Rehearsals, Hyde Park, so so many. About your family… Please tell us something about your parents - what do they do for their living? Do they dance as well? Dad’s name is Andy Flynn. Mum’s name is Mary Flynn. My parents own a Pub and B+B in Tipperary. Neither dance but mum always loved it. Do you have any brothers or sisters? How old are they? Do they dance, too? What are their jobs? 1 Brother Andrew = Arts Director in Galway. (3 Sisters) Elaine eldest = Accountant’s partner in her Company. Twins Maria and Catriona aged 19 - Collage. They don’t dance, all my sisters have done a little down the years. Is it hard for you, to be apart from your family for such a long time while touring? How often are you able to travel back home again? It’s probably the hardest thing about touring. I have a very close Family relationship and miss it terribly when away. -
Copyright by Colleen Anne Hynes 2007
Copyright by Colleen Anne Hynes 2007 The Dissertation Committee for Colleen Anne Hynes certifies that this is the approved version of the following dissertation: “Strangers in the House”: Twentieth Century Revisions of Irish Literary and Cultural Identity Committee: Elizabeth Butler Cullingford, Supervisor Barbara Harlow, Co-Supervisor Kamran Ali Ann Cvetkovich Ian Hancock “Strangers in the House”: Twentieth Century Revisions of Irish Literary and Cultural Identity by Colleen Anne Hynes, B.S.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August 2007 Acknowledgements This dissertation project would not have been possible with the support, wisdom and intellectual generosity of my dissertation committee. My two supervisors, Elizabeth Butler Cullingford and Barbara Harlow, introduced me to much of the literature and many of the ideas that make up this project. Their direction throughout the process was invaluable: they have been, and continue to be, inspirational teachers, scholars and individuals. Kamran Ali brought both academic rigor and a sense of humor to the defense as he pushed the manuscript beyond its boundaries. Ann Cvetkovich translated her fresh perspective into comments on new directions for the project and Ian Hancock was constantly generous with his resources and unique knowledge of the Irish Traveller community. Thanks too to my graduate school colleagues, who provided constructive feedback and moral support at every step, and who introduced me to academic areas outside of my own, especially Miriam Murtuza, Miriam Schacht, Veronica House, George Waddington, Neelum Wadhwani, Lynn Makau, Jeanette Herman, Ellen Crowell and Lee Rumbarger. -
DOG MEASURE 070513Web
UP TO DATE 8th May 2013 Permanent 2nd 3rd Show Over 2 firstname lastname registered_name pet_name height 1 if not 0 measure Measure Measure Y/N Greg Derrett Jaycee Sproglett Jaycee 0 Greg Derrett Fern Sproglett Fern 0 Greg Derrett Gt Sproglett Gt 0 Laura Derrett FlyPuppy Fly 0 Jim Gregson Lipsmackin Gesviesha Twister Twister 0 Jo Rhodes Moravia Kelbie Kelbie 0 Jo Rhodes Moravia Ci Ci 470.00 1 Jo Rhodes Moravia Kaesie Kaesie 470.00 1 Derek Dragonetti Woodsorrel Jinja Jinja 0 Derek Dragonetti Woodsorrel Red Pepper Pepper 0 Derek Dragonetti Aligan The Wizard Aligan 0 Anne Alderman Wotta Lotta Tosh Tosh 0 Anne Alderman Trueline Waveney Breeze 0 Kathy Thompson Lunarlites Dizzy Mix Dizzy 488.00 1 Kathy Thompson Lunarlites Dark Gold Maddie 0 Kathy Thompson Lunarlites Blue Moon Braggi 0 Kathy Thompson Lunarlites Fire Cracker Jed 0 Kathy Thompson Myndoc Moon Spirit Tiggy 0 Lisa Thompson Wynmallen Indiscreet Indy 0 Lisa Thompson Caninarosa Laughters Here Jake 0 Sue Elliott Chakotay Turbo Tornado Megan 475.00 1 Cayley Turner Splash Of Colour Sammy 0 Jo Chalmers Raeannes True Blue Josh 0 Alison Cronin Fletcher Cronin Fletcher 0 Jo Chalmers Tommy Two Bellies Tom 0 Alison Cronin Zoro Dog Cronin Zoro Dog 507.00 1 Sarah Beighton Scoobie Doo Of Valgray Scoobie 506.00 1 Lois Harris Zero's Aysha At Tolnedra Toffee 0 Lois Harris Starazaz Todd At Tolnedra Toddy 0 Denise Welsh Jadedoren Paris Harlie 0 Cathy Brown Blue Dippy Do Lally Dippy 0 Cathy Brown Dippity Doodah Scooby 0 Soraya Porter Hartsfern In Earnest Ernest 336.00 1 Maureen Goodchild Crystalgorse -
Ireland Feels ‘The Force’ with the Dawning of 1916, a Boston Couple Had Already Risked All for an Irish ‘Rising’ by Peter F
January 2016 Boston’s hometown VOL. 27 #1 journal of Irish culture. $2.00 Worldwide at All contents copyright © 2016 Boston Neighborhood News, Inc. bostonirish.com In a galaxy not so far away REBELLION ON THE HORIZON … Ireland feels ‘The Force’ With the dawning of 1916, a Boston couple had already risked all for an Irish ‘rising’ By peteR F. StevenS BiR StaFF First in a series com- memorating the 100th anniversary of the 1916 Easter Rising in Ireland. A century ago, a defining moment – the defining mo- ment for many historians – helped set the stage for the future for Ireland. As January 1916 dawned, the inevitable collision Erskinie Childers and between Irish nationalists Molly Osgood Childers had crafted a daring and the British govern- gun-running scheme to ment was unfolding en aid the rebels in Ireland. route to the Easter Rising in April. The impact of the coming rebellion would resound not only up and down the island of Ireland but also in the Irish wards of Boston and all of Irish America. Fittingly, perhaps, a blow for the forces of the Rising had already been struck in Boston, but not from its Irish neighbor- hoods. An ex-British Army officer named Erskine The climatic scenes in the new blockbuster movie “Star Wars: The Force Awakens” were filmed in the Skellig Islands, eight miles off the coast of Portmagee in South West Kerry. Rising majestically from the Childers and his Brahmin socialite wife, Molly Osgood sea, Skellig Michael towers 714 feet (218 metres) above sea level. On the summit is a remarkably well- Childers, had crafted a daring gun-running scheme to preserved sixth century monastic settlement. -
2013-14 Emirates Spelling Bee No. Word Pronunciation POS Definition
Advanced Study list for - 2013-14 Emirates Spelling Bee Page 1 of 109 No. Word Pronunciation POS LOO Definition Sentence A The city council passed a law allowing periodic bans on the burning of wood, paving the way for further 1 abatement /ә'bātmәnt/ n L > F the act or process of reducing in degree or intensity. pollution abatement. deviation from the natural state or from a normal Jane’s outburst at the meeting was a shocking behavior 2 aberration /,abә'rāshәn/ n L type. aberration, for her manner is usually so reserved. L > F + [has homonym: obeyance] cessation or suspension Use of the swimming pool was put in abeyance until a 3 abeyance /ә'bāәn(t)s/ n Ecf (as of a customary practice). new lifeguard could be hired. In the 60s many young people abhorred the thought of 4 abhorred /әb'hŏ(ә)rd/ v L detested extremely : loathed. going to war. [has near homonym: adience] tendency to Claudia’s painfully shy brother gave a perfect illustration 5 abience /'abēәn(t)s/ n L withdraw from a stimulus object or situation. of abience at the school assembly. Evelyn is abstemious by nature and never orders 6 abstemious /abz'tēmēәs/ adj L sparing in eating and drinking. dessert. [Note: Could be confused with adjective acanthous.] any plant of a genus of prickly herbs of the Mediterranean region whose broad leaves are frequently represented in sculptured architectural The column’s capital featured ornamentation 7 acanthus /ә'kan(t)thәs/ n Gk ornaments. representing the leaves of an acanthus. of, relating to, caused by, or having the Acarian parasites have saclike bodies unbroken by 8 acarian /ә'ka(a)rēәn/ adj Gk > L characteristics of a mite or tick. -
Celtic Journey
Artists | Celtic Journey Ernest Richardson, conductor/co-creator Susanna Perry Gilmore, fiddle/co-creator William Coulter, guitar/leader/co-creator Tomáseen Foley, Irish storyteller Brian Bigley, Irish pipes and whistles Samantha Harvey, accordion/dancer Ross Hauck, singer Garrett Coleman, dancer Catlin Golding, dancer *Artists subject to change. Ernest Richardson, conductor Ernest Richardson is in high demand as conductor, composer, arranger, organizational leader and inspirational speaker. His versatility finds him within one season conducting Stravinsky's Firebird Suite or Broadway artists in the works of Leonard Bernstein, a live-to-movie production of Harry Potter, facilitating strategic decision- making for leading arts organizations, or training young musicians. He has been at the forefront of symphonic video/live music productions, conducting live-to-movie scores of Harry Potter with Cine Concerts, Indiana Jones, Jurassic Park, Pirates of the Caribbean, Singing in the Rain, the Charlie Chaplin silent film The Gold Rush, to name a few, and most recently Star Wars: A New Hope. Richardson is presently the principal pops conductor and resident conductor of the Omaha Symphony. Since 1992, he has laid the groundwork for and led in the development of the Omaha Symphony’s successful Symphony Pops and the vaunted education and community engagement programs. He also holds the position of music director and principal conductor of the Steamboat Symphony Orchestra. Under his leadership the organization has grown from a community orchestra to a resident professional orchestra, attracting the area’s finest musicians. A recipient of the 2016 Nebraska Governor’s Arts Award for Excellence in Arts Education, Richardson has encouraged and supported countless young musicians. -
Cours De Préparation Aux Grades De Danse Irlandaise, Saison 2020-2021
Cours de préparation aux grades de danse Irlandaise, saison 2020-2021 Voici en quelques lignes le déroulement du passage des grades. Les cours ont lieu deux à trois fois par mois, le vendredi de 19h30 à 21h soit 21 cours Planning : 11 et 25 septembre 2020 8 et 22 janvier 2021 7, 14 et 21 mai 2021 2, 16 et 30 octobre 2020 5 et 19 février 2021 13 et 27 novembre 2020 5 et 12 mars 2021 4 et 18 décembre 2020 2, 9 et 16 avril 2021 Pas de cours en juin car passage des grades généralement en mai Extrait du document officiel de la commission de danse CLRG, traduit de l’anglais : Le but principal des passages de Grades est de donner aux danseurs un cadre structurel au sein duquel il est possible d’atteindre un but précis. Le programme a été conçu de telle sorte à donner une base solide de la danse irlandaise en développant la condition physique, l’endurance, l’expression et la musicalité du candidat et une appréciation et une connaissance de la culture et de la danse traditionnelle […]. L’examen de grades ne ressemble pas à la compétition car chaque candidat est jugé individuellement et reçoit les détails de sa prestation sur une feuille en fonction du grade passé. Ces examens sont ouverts pour les hommes comme pour les femmes de tous âges. Le schéma se compose d’un grade optionnel (Preliminary Grade) suivi de 12 grades, où chaque grade devient de plus en plus exigeant sur la façon de danser mais aussi sur les connaissances du danseur. -
This Is How We Dance: the Impact of Riverdance on Irish Step Dancing
THIS IS HOW WE DANCE: THE IMPACT OF RIVERDANCE ON IRISH STEP DANCING OLIVIA STEFFAN A Thesis Submitted to the Faculty of Drexel University by Olivia Steffan in partial fulfillment of the requirements for the degree of Master of Science in Arts Administration Fall 2014 © Copyright 2014 Olivia Steffan All Rights Reserved. ii ACKNOWLEDGEMENTS The completion of this thesis would not have been possible without help, guidance, support, and love. To everyone who has helped me, I want to give my most heartfelt thanks. I also want to recognize the following: To the Arts Administration faculty at Drexel for their continual support, guidance and advice. To my father, Grant Steffan, for his continual support of my dreams, and for making my trip to the Western Reserve Historical Society Archives in Cleveland possible. Finally, to Matthew Gomez, for proofreading my drafts, and bringing me an endless supply of coffee. iii TABLE OF CONTENTS LIST OF FIGURES……………………………………………………………………....iv ABSTRACT……………………………………………………………………………...v INTRODUCTION………………………………………………………………………..1 LITERATURE REVIEW………………………………………………………………...5 RESEARCH METHODS………………………………………………………………..18 CHAPTER 1: AN INCREASE IN THE TOTAL NUMBER OF IRISH DANCE PARTICIPANTS………………………………………………………………………...26 CHAPTER 2: AN INCREASE IN THE GLOBAL SPREAD AND GLOBAL PARTICIPATION IN IRISH DANCE…………………………………………………..32 NOTES AND LIMITATIONS…………………………………………………………..36 CONCLUSION…………………………………………………………………………..38 APPENDIX A: TRANSCRIPT OF INTERVIEW WITH KATHLEEN RYAN-NATTER………………………………………………….40 APPENDIX B: