Popular Culture Resources for Educators, Librarians, Parents, and Fans

Home , Free Cinema, Keiji (manga), Keiji Nakazawa, Pluto (manga), The Otaku Encyclopedia, Urotsukidoji

2nd Edition

By Elizabeth Vondran and Jazmine Martin

Edited by J. Holder Bennett

Suggested citation: Vondran, Elizabeth, and Jazmine Martin. Popular Culture Resources for

Educators, Librarians, Parents, and Fans. 2nd ed. Ed. J. Holder Bennett. Denton, TX:

Fandom and Neomedia Studies (FANS) Association, 2013.

The FANS Association takes no position on the accuracy or content of the individual documents

cited within this bibliography; accordingly, all views expressed therein should be

understood to be those of the individual authors.

This document is an open access publication free for all to use under the terms of Creative

Commons Attribution Non-Commercial 3.0 Unported License.

Fandom and Neomedia Studies Association

Phoenix Entertainment Group, LLC

PO Box 298

Denton, Texas 76202

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Contents

Foreword ...... 3

Books ……………………………………………………………………………………………..5

Book Chapters ...... 83

Articles ...... 88

Dissertations and Theses ...... 157

Court Decisions ...... 161

2 | P a g e

Foreword

Gentle Readers,

The pages below represent the ongoing efforts of the Fandom and Neomedia Studies

(FANS) Association to promote and assist studies in fandom and media fields. Fandom for us includes all aspects of being a fan, ranging from being a passive audience member to producing one‟s own parafictive or interfictive creations. Neomedia includes both new media as it is customarily defined as well as new ways of using and conceptualizing traditional media. Part of our mission statement is to assist and advocate for these studies. The first edition of this listing was merely our first publication effort in that direction and this compendium is an ongoing project in all respects. We think this new, second edition is even better.

Such an endeavor is presumptuous specifically because, by definition, it cannot ever be finished in any meaningful sense, not least because most of the entries are in English. We are not obligated to complete the work, but neither are we free to desist from it. Our position, both as fans and as FANS, gives us a distinct place in the academic community to make this type of study and compilation possible. It combines our own abilities as an organizing force with the ideas and energy of other fan-scholars and scholar-fans (indeed, the distinction between the two is itself the result of an ongoing theoretical dispute) in a way almost entirely without precedent.

Our intrepid interns, Elizabeth Vondran and Jazmine Martin, have made an excellent start on this project. This is an ongoing work and will be updated from time to time because these interrelated fields are vast, evolving, and always growing. If you have any suggestions for inclusion, improvement, or a correction, please send us a note. The initial imbalances of the first edition, with their focus on anime and manga cultures, have been largely corrected in this edition. Through the helpful suggestions sent in by readers of the first edition and our interns‟

3 | P a g e continued excellent work, we have expanded and vastly improved upon the original. Indeed, we had over a score of suggested additions within the first twenty-four hours of publication. Given that the first run was a proof of concept experiment, we are cautiously calling this project a success.

For the current edition, we have added not only new books and articles, but have expanded to include book chapters for your consideration. Sometimes an edited volume has only one or two chapters relevant to our topic field so we chose to include those rather than the book as a whole. In other instances, when the whole volume is relevant, we have sometimes included it in the books section with individual chapters given their own listing if they are representative of groundbreaking or seminal work. In either case, the intent is to be as inclusive and wide ranging as possible. We have also made a start on listing dissertations and theses on fandom and neomedia topics with a hope for still more items as we go forward.

This work is intended for educators, librarians, and scholars of fandom and media phenomena. Most importantly, this collection is intended for fans. Subsequent editions will range still further afield as we expand our listings and resource access. Because this is intended for everyone, we encourage sharing this out with anyone and everyone who might be interested.

So, ladies, gentlemen, and otherwise, welcome back to FANS.

– J. Holder Bennett

FANS Association Chairman

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Popular Culture Resources for Educators,

Librarians, Parents, and Fans

Books

Abel, Jessica, and Matt Madden. Drawing Words and Writing Pictures: Making Comics;

Manga, Graphic Novels, and Beyond. New York: First Second, 2008.

Abercrombie, Nicholas, and Brian Longhurst. Audiences: A Sociological Theory of Performance

and Imagination. London: Sage, 1998.

Abramson, Jeffrey B., F. Christopher Arterton, and Gary R. Orren. The Electronic

Commonwealth: The Impact of New Media Technologies on Democratic Politics. New

York: Basic Books, 1988.

Adam, Thomas R. The Museum and Popular Culture. New York: American Association for

Adult Education, 1939.

Adams, Bluford. E Pluribus Barnum: The Great Showman and the Making of U.S. Popular

Culture. Minneapolis: University of Minnesota Press, 1997.

Adams, Michael C. C. Echoes of War: A Thousand Years of Military History in Popular

Culture. Lexington: University Press of Kentucky, 2002.

Aden, Roger C. Popular Stories and Promised Lands: Fan Cultures and Symbolic Pilgrimages.

Tuscaloosa, AL: University of Alabama Press, 1999.

Adorno, Theodor W., and J. M. Bernstein. The Culture Industry: Selected Essays on Mass

Culture. London: Routledge, 2001.

Aitchison, Jean, and Diana M. Lewis. New Media Language. London: Routledge, 2006.

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Albright, Brian. Regional Horror Films, 1958 – 1990: A State-by-State Guide with Interviews.

Jefferson, NC: McFarland Books, 2012.

Alburger, James R. The Art of Voice Acting: The Craft and Business of Performing for Voice-

Over. Amsterdam and Boston: Focal Press, 2007.

Alexander, Bryan. The New Digital Storytelling: Creating Narratives with New Media. Santa

Barbara, CA: Praeger, 2011.

Alia, Valerie. The New Media Nation: Indigenous Peoples and Global Communication. New

York: Berghahn Books, 2010.

Allen, Steve. Vulgarians at the Gate: Trash TV and Raunch Radio; Raising the Standards of

Popular Culture. Amherst, NY: Prometheus Books, 2001.

Allison, Anne. Millennial Monsters: Japanese Toys and the Global Imagination. Berkeley:

University of California Press, 2006.

---. Permitted and Prohibited Desires: Mothers, Comics, and Censorship in Japan. Boulder,

CO: Westview Press, 1996.

Altmann, Rick. Film/Genre. London: British Film Institute, 1999.

Amin, Camron Michael. The Making of the Modern Iranian Woman: Gender, State Policy, and

Popular Culture, 1865-1946. Gainesville: University Press of Florida, 2002.

Anderegg, David. Nerds: Who They Are and Why We Need More of Them. New York: Penguin,

2007.

Anderegg, Michael A. Orson Welles, Shakespeare, and Popular Culture. New York: Columbia

University Press, 1999.

Anderson, Benedict. Imagined Communities: Reflections on the Origin and Spread of

Nationalism. Rev. ed. New York: Verso, 1991.

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Anderson, Joseph L., and Donald Richie. The Japanese Film: Art and Industry. Princeton:

Princeton University Press, 1982.

Antler, Joyce. Talking Back: Images of Jewish Women in American Popular Culture. Hanover,

NH: Brandeis University Press Published by University Press of New England, 1998.

Anderson, Patricia. The Printed Image and the Transformation of Popular Culture: 1790-1860.

Oxford: Clarendon Press, 1994.

Appelbaum, Peter Michael. Popular Culture, Educational Discourse, and Mathematics.

Albany: State University of New York Press, 1995.

Armbrust, Walter. Mass Mediations: New Approaches to Popular Culture in the Middle East

and Beyond. Berkeley: University of California Press, 2000.

Ashby, LeRoy. With Amusement for All: A History of American Popular Culture since 1830.

Lexington: University Press of Kentucky, 2006.

Ashley, Leonard R. N. Elizabethan Popular Culture. Bowling Green, Ohio: Bowling Green

State University Popular Press, 1988.

Asma, Stephen T. On Monsters: An Unnatural History of Our Worst Fears. Oxford and New

York: Oxford University Press, 2009.

Astarita, Tommaso. Village Justice: Community, Family, and Popular Culture in Early Modern

Italy. Baltimore: Johns Hopkins University Press, 1999.

Aquila, Richard. Wanted Dead or Alive: The American West in Popular Culture. Urbana, IL:

University of Illinois Press, 1996.

Attfield, Judy. Wild Things: The Material Culture of Everyday Life. Oxford: Berg, 2000.

Auger, Emily E. Tech-Noir Film: A Theory of the Development of Popular Genres. Bristol, UK:

Intellect Press, 2011.

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Austin, Tricia, and Richard Doust. New Media Design. London: Laurence King Pub., 2007.

Avella, Natalie. Graphic Japan: From Woodblock and Zen to Manga and Kawaii. Mies,

Switzerland: RotoVision, 2004.

Avila, Eric. Popular Culture in the Age of White Flight: Fear and Fantasy in Suburban Los

Angeles. Berkeley: University of California Press, 2004.

Azuma, Eiichiro. Between Two Empires: Race, History, and Transnationalism in Japanese

America. Oxford and New York: Oxford University Press, 2005.

Azuma, Hiroki. Otaku: Japan's Database Animals. Trans. Jonathan E. Abel and Shion Kono.

Minneapolis: University of Minnesota Press, 2009.

Backer, Ron. Mystery Movie Series of 1930s Hollywood. Jefferson, NC: McFarland Books,

2012.

Badley, Linda. Film, Horror, and the Body Fantastic. Westport, CT: Greenwood Press, 1995.

Baetens, Jan, ed. The Graphic Novel. Leuven, Belgium: Leuven University Press, 2001.

Bagdikian, Ben H. The New Media Monopoly. Boston: Beacon Press, 2004.

Bailey, Peter. Popular Culture and Performance in the Victorian City. Cambridge: Cambridge

University Press, 1998.

Bailey, Steve. Media Audiences and Identity: Self-Construction in the Fan Experience. New

York: Palgrave MacMillan, 2005.

Balmain, Colette. Introduction to Japanese Horror Film. Edinburgh: Edinburgh University

Press, 2009.

Barański, Zygmunt G., and Robert Lumley. Culture and Conflict in Postwar Italy: Essays on

Mass and Popular Culture. New York: St. Martin Press, 1990.

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Barber, Karin. Readings in African Popular Culture. Bloomington, IN: Indiana University

Press, 2007.

Barker, Adele Marie. Consuming Russia: Popular Culture, Sex, and Society since Gorbachev.

Durham, NC: Duke University Press, 1999.

Basu, Dipannita, and Sidney J. Lemelle. The Vinyl Ain’t Final: Hip Hop and the Globalization

of Black Popular Culture. London: Pluto, 2006.

Beal, Timothy K., and Tod Linafelt. Mel Gibson’s Bible: Religion, Popular Culture, and The

Passion of the Christ. Chicago: University of Chicago Press, 2006.

Beaty, Bart H., and Stephen Weiner, eds. Critical Survey of Graphic Novels: Heroes and

Superheroes. 2 vols. Ipswich, MA: Salem Press, 2012.

Beauroy, Jacques, Marc Bertrand, and Edward T. Gargan. Popular Culture in France: The Wolf

and the Lamb, from the Old Regime to the Twentieth Century. Saratoga, CA: Anma

Libri, 1977.

Beezley, William H., Cheryl English Martin, and William E. French. Rituals of Rule, Rituals of

Resistance: Public Celebrations and Popular Culture in Mexico. Wilmington, DE: SR

Books, 1994.

Beezley, William H., and Linda Ann Curcio. Latin American Popular Culture: An Introduction.

Wilmington, DE: SR Books, 2000.

Behen, Linda D. Using Pop Culture to Teach Information Literacy: Methods to Engage a New

Generation. Westport, CT: Libraries Unlimited, 2006.

Bell, Christopher E., ed. Hermione Granger Saves the World: Essays on the Feminist Hermione

of Hogwarts. Jefferson, NC: McFarland Books, 2012.

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Belson, Ken, and Brian Bremner. Hello Kitty: The Remarkable Story of Sanrio and the Billion

Dollar Feline Phenomenon. Singapore: Wiley, 2003.

Belton, John. Movies and Mass Culture. New Brunswick, NJ: Rutgers University Press, 1996.

Bendazzi, Giannalberto. Cartoons: One Hundred Years of Cinema Animation. Trans. Anna

Taraboletti-Segre. Bloomington, IN: Indiana University Press, 1994.

Bennett, Tony, Colin Mercer, and Janet Woollacott. Popular Culture and Social Relations.

Buckingham, UK: Open University Press, 1995.

Berger, Arthur Asa. Manufacturing Desire: Media, Popular Culture, and Everyday Life. New

Brunswick, NJ: Transaction Publishers, 1996.

---. Narratives in Popular Culture, Media, and Everyday Life. Thousand Oaks, CA: Sage

Publications, 1997.

---. Television As an Instrument of Terror: Essays on Media, Popular Culture, and Everyday

Life. New Brunswick, NJ: Transaction Books, 1980.

---. Video Games: A Popular Culture Phenomenon. New Brunswick, NJ: Transaction, 2002.

Berger, Harris M., and Giovanna Del Negro. Identity and Everyday Life: Essays in the Study of

Folklore, Music, and Popular Culture. Middletown, CT: Wesleyan University Press,

2004.

Berlatsky, Noah. Popular Culture. Detroit: Greenhaven Press, 2011.

Berrong, Richard M. Rabelais and Bakhtin: Popular Culture in Gargantua and Pantagruel.

Lincoln, NE: University of Nebraska Press, 1986.

Bertelsen, Lance. The Nonsense Club: Literature and Popular Culture, 1749-1764. Oxford:

Clarendon Press, 1986.

Best, Amy L. Prom Night: Youth, Schools, and Popular Culture. New York: Routledge, 2000.

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Best, Gary Dean. The Nickel and Dime Decade: American Popular Culture during the 1930s.

Westport, CT: Praeger, 1993.

Betts, Raymond F. A History of Popular Culture: More of Everything, Faster, and Brighter.

New York: Routledge, 2004.

Betz, Phyllis M. The Lesbian Fantastic: A Critical Study of Science Fiction, Fantasy,

Paranormal, and Gothic Writings. Jefferson, NC: McFarland Books, 2011.

Bhabha, Homi K. The Location of Culture. New York: Routledge, 1994.

Bielby, Denise D., and C. Lee Harrington. Global TV: Exporting Television and Culture in the

World Market. New York: New York University Press, 2008.

Bigsby, C. W. E. Superculture: American Popular Culture and Europe. London: Paul Elek,

1975.

Bird, S. Elizabeth. Dressing in Feathers: The Construction of the Indian in American Popular

Culture. Boulder, CO: Westview Press, 1996.

Bitz, Michael. Manga High: Literacy, Identity, and Coming of Age in an Urban High School.

Fwd. Francoise Mouly. Cambridge, MA: Harvard Education Press, 2009.

Black, Rebecca W. Adolescents and Online Fan Fiction. New York: Peter Lang, 2008.

Blaikie, Andrew. Ageing and Popular Culture. Cambridge: Cambridge University Press, 2005.

Bleiman, Barbara, and Jenny Grahame. The Beautiful Game: Non-Fiction, Language and Media

Units on Football. London: English and Media Centre, 2000.

Bliss, John. Art that Moves: Animation around the World. Chicago: Raintree, 2011.

Bobby, Susan Redington. Beyond His Dark Angels: Innocence and Experience in the Fiction of

Philip Pullman. Jefferson, NC: McFarland Books, 2012.

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Boddy, William. New Media and Popular Imagination: Launching Radio, Television, and

Digital Media in the United States. Oxford: Oxford University Press, 2004.

Boggs, Carl, and Tom Pollard. The Hollywood War Machine: U.S. Militarism and Popular

Culture. Boulder, CO: Paradigm Pub, 2007.

Bogstad, Janice M., and Philip E. Kaveny. Picturing Tolkein: Essays on Peter Jackson’s The

Lord of the Rings Trilogy. Jefferson, NC: McFarland Books, 2011.

Bolter, Jay David, and Richard Grusin. Remediation: Understanding New Media. Cambridge,

MA: MIT Press, 2003.

Bolton, Christopher, Istvan Csicsery-Ronay, and Takayuki Tatsumi, eds. Robot Ghosts and

Wired Dreams: Japanese Science Fiction from Origins to Anime. Minneapolis:

University of Minnesota, 2007.

Bondanella, Peter E. Umberto Eco and the Open Text: Semiotics, Fiction, Popular Culture.

Cambridge: Cambridge University Press, 1997.

Boon, Marcus. In Praise of Copying. Cambridge, MA: Harvard University Press, 2010.

Booth, Paul. Digital Fandom: New Media Studies. New York: Peter Lang, 2010.

---, ed. Fan Phenomena: Doctor Who. Bristol, UK: Intellect Press, 2013.

Bordwell, David. Making Meanings. Boston: Harvard University Press, 1989.

---. Narration in the Fiction Film. Madison: University of Wisconsin Press, 1985.

Bordwell, David, Janet Steiger, and Kristin Thompson, eds. The Classical Hollywood Cinema:

Film Style and Mode of Production to 1960. New York: Columbia University Press,

1985.

Bourdaghs, Michael K. Sayonara Amerika, Sayonara Nippon: A Geopolitical Prehistory of J-

pop. New York: Columbia University Press, 2012.

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Boyd, Todd. Am I Black Enough for You?: Popular Culture from the 'Hood and Beyond.

Bloomington, IN: Indiana University Press, 1997.

Boyle, Raymond, and Richard Haynes. Football in the New Media Age. London: Routledge,

2004.

---. Power Play: Sport, the Media, and Popular Culture. Harlow, UK Longman, 2000.

Bramlett, Frank, ed. Linguistics and the Study of Comics. New York: Palgrave MacMillan,

2012.

Brantlinger, Patrick. Bread and Circuses: Theories of Mass Culture As Social Decay. Ithaca:

Cornell University Press, 1983.

Braudy, Leo. Native Informant: Essays on Film, Fiction, and Popular Culture. New York:

Oxford University Press, 1991.

Brennan, Thomas Edward. Public Drinking and Popular Culture in Eighteenth-Century Paris.

Princeton, NJ: Princeton University Press, 1988.

Brenner, Robin E. Understanding Manga and Anime. Westport, CT: Libraries Unlimited, 2007.

Brody, E. W. Communication Tomorrow: New Audiences, New Technologies, New Media. New

York: Praeger, 1990.

Brooker, Will. Alice's Adventures: Lewis Carroll in Popular Culture. New York: Continuum,

2004.

---. Batman Unmasked: Analyzing a Cultural Icon. New York: Continuum, 2001.

---. Hunting the Dark Knight: Twenty-First Century Batman. London: I. B. Tauris, 2012.

---. Using the Force: Creativity, Community, and Star Wars Fans. New York: Continuum,

2002.

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Brookover, Sophie. Pop Goes the Library: Using Pop Culture to Connect with Your Whole

Community. Medford, NJ: Information Today, Inc., 2008.

Brophy, James M. Popular Culture and the Public Sphere in the Rhineland, 1800 – 1850.

Cambridge: Cambridge University Press, 2007.

Brophy, Philip. 100 Anime. London: BFI Publishing, 2005.

---, ed. Tezuka: The Marvel of Manga. Victoria, NSW, Australia: The National Gallery of

Victoria, 2006.

Brosman, Catharine Savage, and Tom Conley. French Culture, 1900 – 1975. Detroit: Gale

Research, 1995.

Brown, Jeffrey, A. Dangerous Curves: Action Heroines, Gender, Fetishism, and Popular

Culture. Jackson: University Press of Mississippi, 2001.

Brown, Kendall H., and Sharon Minichiello. Taisho Chic: Japanese Modernity, Nostalgia, and

Deco. Seattle, Wash: University of Washington Press, 2005.

Brown, Kendall H., and Takanami Machiko. Deco Japan: Shaping Art and Culture, 1920-1945.

Alexandria, VA: Art Services International, 2012.

Brown, Nathan Robert. The Mythology of Supernatural: The Signs and Symbols behind the

Popular TV Show. Berkeley: Berkeley Trade, 2011.

Brown, Stephen T., ed. Cinema Anime: Critical Engagements with Japanese Animation. New

York: Palgrave-MacMillan, 2006.

---. Tokyo Cyberpunk: Posthumanism in Japanese Visual Culture. New York: Palgrave

Macmillian, 2010.

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Browne, Ray B. Against Academia: The History of the Popular Culture Association/American

Culture Association and the Popular Culture Movement, 1967 - 1988. Bowling Green,

OH: Bowling Green University Popular Press, 1989.

---. Rituals and Ceremonies in Popular Culture. Bowling Green, OH: Bowling Green

University Popular Press, 1980.

---. Popular Culture and the Expanding Consciousness. New York: Wiley, 1973.

---. Popular Culture Studies across the Curriculum: Essays for Educators. Jefferson, NC:

McFarland, 2005.

Browne, Ray B., and David Madden. The Popular Culture Explosion. Dubuque, IA: W. C.

Brown Co., 1972.

Browne, Ray B., and Pat Browne. Digging into Popular Culture: Theories and Methodologies

in Archeology, Anthropology, and Other Fields. Bowling Green, OH: Bowling Green

State University Popular Press, 1991.

Bruce, Grenville, and Tim Johnson. KRAZY!: The Delirious World of Anime + Comics + Video

Games + Art. Berkeley: University of California Press, 2008.

Brummett, Barry. Rhetoric in Popular Culture. Thousand Oaks, CA: Sage Publications, 2006.

---. Rhetorical Dimensions of Popular Culture. Tuscaloosa: University of Alabama Press, 1991.

Brundage, W. Fitzhugh. Beyond Blackface: African Americans and the Creation of American

Popular Culture, 1890 – 1930. Chapel Hill: University of North Carolina Press, 2011.

Buchanan, Donna Anne. Balkan Popular Culture and the Ottoman Ecumene: Music, Image, and

Regional Political Discourse. Lanham, MD: Scarecrow Press, 2007.

Buckingham, David. Teaching Popular Culture: Beyond Radical Pedagogy. London: UCL

Press, 1998.

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Buehrer, Beverley Bare. Japanese Films: A Filmography and Commentary, 1921 – 1989.

Jefferson, NC: McFarland Books, 1990

Bueno, Eva Paulino, and Terry Caesar. Imagination Beyond Nation: Latin American Popular

Culture. Pittsburgh, PA: University of Pittsburgh Press, 1998.

Buhle, Paul. From the Lower East Side to Hollywood: Jews in American Popular Culture.

London: Verso, 2004.

Burger, Alissa. The Wizard of Oz as American Myth: A Critical Study of Six Versions of the

Story, 1900 – 2007. Jefferson, NC: McFarland Books, 2012.

Burgess, Jacquelin A., and John Robert Gold. Geography, the Media and Popular Culture.

New York: St. Martin's Press, 1985.

Burgess, Jean, Joshua Green, Henry Jenkins, and John Hartley. YouTube: Online Video and

Participatory Culture. Cambridge: Polity, 2009.

Burke, Liam, ed. Fan Phenomena: Batman. Bristol, UK: Intellect Press, 2013.

Burner, David, Robert D. Marcus, and Jorj Tilson. America through the Looking Glass: A

Historical Reader in Popular Culture. Englewood Cliffs, NJ: Prentice-Hall, 1974.

Burston, Paul, and Colin Richardson. A Queer Romance: Lesbians, Gay Men, and Popular

Culture. London: Routledge, 1995.

Burt, Richard. Shakespeares after Shakespeare: An Encyclopedia of the Bard in Mass Media

and Popular Culture. Westport, CT: Greenwood Press, 2007.

Bury, Rhiannon. Cyberspaces of Their Own: Female Fandoms Online. New York: Peter Lang,

2005.

Buszek, Maria Elena. Pin-Up Grrrls: Feminism, Sexuality, Popular Culture. Durham, NC:

Duke University Press, 2006.

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Butler, Jeremy G., ed. Star Texts: Image and Performance, Film and Television. Detroit:

Wayne State University Press, 1991.

Camp, Brian, and Julie Davis. Anime Classics Zettai!: 100 Must-See Japanese Animation

Masterpieces. Berkeley: Stone Bridge Press, 2007.

Campbell, Heidi. When Religion Meets New Media. London: Routledge, 2010.

Campbell, Josie P. Popular Culture in the Middle Ages. Bowling Green, OH: Bowling Green

State University Popular Press, 1986.

Cantor, Paul A. Gilligan Unbound: Popular Culture in the Age of Globalization. Lanham, MD:

Rowman and Littlefield, 2001.

Cappo, Joe. The Future of Advertising: New Media, New Clients, New Consumers in the Post-

Television Age. Chicago: McGraw-Hill, 2003.

Caputi, Jane. Goddesses and Monsters: Women, Myth, Power, and Popular Culture. Madison:

University of Wisconsin Press/Popular Press, 2004.

Carey, John, and M. C. J. Elton. When Media Are New: Understanding the Dynamics of New

Media Adoption and Use. Ann Arbor, MI: Digital Culture Books, 2010.

Carey, Peter. Wrong about Japan: A Father's Journey with His Son. New York: Vintage

International, 2005.

Carrington, Ben. 'Race', Representation, and the Sporting Body. London: Centre for Urban and

Community Research, Goldsmiths University of London, 2002.

Carter, James Bucky. Building Literacy Connections with Graphic Novels: Page by Page, Panel

by Panel. Urbana, IL: National Council of Teachers of English, 2007.

Cassell, Justine, and Henry Jenkins. From Barbie to Mortal Kombat: Gender and Computer

Games. Cambridge, MA: MIT Press, 2000.

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Cavallaro, Dani. Clamp in Context: A Critical Study of Manga and Anime. Jefferson, NC:

MacFarland, 2012.

---. Anime and Memory: Aesthetic, Culture, and Thematic Perspectives. Jefferson, NC:

McFarland and Co., 2009.

---. Anime and the Art of Adaptation: Eight Famous Works from Page to Screen. Jefferson, NC:

McFarland, 2010.

---. Anime and the Visual Novel: Narrative Structure, Design, and Play at the Crossroads of

Animation and Computer Games. Jefferson, NC: McFarland and Co., 2010.

---. The Cinema of Mamoru Oshii: Fantasy, Technology, and Politics. Jefferson, NC:

McFarland and Co., 2006.

---. The Fairy Tale and Anime: Traditional Themes, Images, and Symbols at Play on Screen.

Jefferson, NC: McFarland and Co., Inc., Publishers, 2011.

---. Kyoto Animation: A Critical Study and Filmography. Jefferson, NC: McFarland Books,

2012.

Cawelti, John G. Adventure, Mystery and Romance: Formula Stories as Art and Popular

Culture. Chicago, Ill: The University of Chicago Press, 1997.

Chalaby, Jean K. Transnational Television Worldwide. London: I. B. Tauris, 2005.

Chambers, Iain. Urban Rhythms: Pop Music and Popular Culture. London: Macmillan, 1990.

Chatrian, Carlo, and Grazia Paganelli. Manga Impact!: The World of Japanese Animation.

London and New York: Phaidon, 2010.

Chester, Jeff. Digital Destiny: New Media and the Future of Democracy. New York: New

Press, 2007.

18 | P a g e

Chidester, David. Authentic Fakes: Religion and American Popular Culture. Berkeley:

University of California Press, 2005.

Childs, Erica Chito. Fade to Black and White: Interracial Images in Popular Culture. Lanham,

MD: Rowman & Littlefield Publishers, 2009.

Choi, Jinhee, and Mitsuyo Wada-Marciano, eds. Horror to the Extreme: Changing Boundaries

in Asian Cinema. Hong Kong: Hong Kong University Press, 2009.

Chris, D. Outlaw Masters of Japanese Film. London: I.B. Tauris, 2005.

Christopher, David. British Culture: An Introduction. London: Routledge, 1999.

Chu, Godwin C., ed. Popular Media in China: Shaping New Cultural Patterns. Fwd. A. Doak

Barnett. Honolulu: University of Hawai‟i Press, 1978.

Chun, Wendy Hui Kyong, and Thomas Keenan. New Media, Old Media: A History and Theory

Reader. New York: Routledge, 2006.

Ciecko, Anne Tereska. Contemporary Asian Cinema: Popular Culture in a Global Frame.

Oxford: Berg, 2006.

Clements, Jonathan, and Helen McCarthy. The Anime Encyclopedia: A Guide to Japanese

Animation since 1917. Berkley, CA: Stone Bridge, 2006.

Cleveland, Les. Dark Laughter: War in Song and Popular Culture. Westport, CT: Praeger,

1994.

Cobb, Kelton. The Blackwell Guide to Theology and Popular Culture. Malden, MA: Blackwell

Pub., 2005.

Cogan, Brian, and Tony Kelso. Encyclopedia of Politics, the Media, and Popular Culture.

Santa Barbara, CA: Greenwood Press, 2009.

19 | P a g e

Cohen, Sara. Rock Culture in Liverpool: Popular Music in the Making. Oxford: Clarendon

Press, 1991.

Coiro, Julie. Handbook of Research on New Literacies. New York: Lawrence Erlbaum

Associates/Taylor and Francis Group, 2008.

Coleman, Loren. The Copycat Effect: How the Media and Popular Culture Trigger the Mayhem

in Tomorrow’s Headlines. New York: Paraview Pocket Books, 2004.

Collins, Jim. Bring on the Books for Everybody: How Literary Culture Became Popular

Culture. Durham, NC: Duke University Press, 2010.

---. High-Pop: Making Culture into Popular Entertainment. Malden, MA: Blackwell

Publishers, 2002.

---. Uncommon Cultures: Popular Culture and Post-Modernism. New York: Routledge, 1989.

Collins, Richard, and Cristina Murroni. New Media, New Policies: Media and Communications

Strategies for the Future. Cambridge, MA: Published by Polity Press in association with

Blackwell, 1996.

Combs, James E. Polpop: Politics and Popular Culture in America. Bowling Green, OH:

Bowling Green University Popular Press, 1984.

Comer, Todd A., and Joseph Michael Sommers, eds. Sexual Ideology in the Works of Alan

Moore: Critical Essays on the Graphic Novels. Jefferson, NC: McFarland Books, 2012.

Conboy, Martin. The Press and Popular Culture. London: SAGE, 2002.

Connell, Philip, and Nigel Leask. Romanticism and Popular Culture in Britain and Ireland.

Cambridge: Cambridge University Press, 2009.

Considine, David M., Gail E. Haley. Visual Messages: Integrating Imagery into Instruction.

Englewood, CO: Teacher Ideas Press, 1999.

20 | P a g e

Cooper, B. Lee, and Wayne S. Haney. Rock Music in American Popular Culture: Rock 'n' Roll

Resources. New York: Haworth Press, 1995.

Cooper, Carolyn. Noises in the Blood: Orality, Gender, and the “Vulgar” Body of Jamaican

Popular Culture. Durham, NC: Duke University Press, 1995.

Cotter, Robert Michael. Caroline Munro, First Lady of Fantasy: A Complete Annotated Record

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156 | P a g e

Dissertations and Theses

Annett, Sandra. “Animating Transcultural Communities: Animation Fandom in North America

and East Asia from 1906 – 2010.” PhD diss., University of Winnipeg, 2011.

Bach, Ulrich. “Englische Flugtexte im 17. Jahrhundert: Historisch-pragmatische

Untersuchungen zur frühen Massenkommunikation.” PhD diss., Universität Düsseldorf,

1990.

Bargmann, Monika. “Deutschspraghige Star Trek-Fan Fiction: Genre, Motiv, Kanäle.” MPhil,

Universität Wien, 2013.

Booth, Paul J. “Fandom Studies: Fan Studies Re-Written, Re-Read, Re-Produced.” PhD diss.,

Rensselaer Polytechnic Institute, 2009.

Burkett, Morgan Elizabeth. “Pop-Diplomacy: Anime and Manga as Vehicles of Cultural

Context, Identity Formation and Hybridity.” MA thesis, American University, 2010.

Clerc, Susan. “Who Owns Our Culture? The Battle over the Internet, Copyright, Media

Fandom, and Everyday Uses of the Cultural Commons.” PhD diss., Bowling Green State

University, 2002.

Cochran, Tanya R. “Toward a Rhetoric of Scholar-Fandom.” PhD diss., Georgia State

University, 2009.

Costello, Victor. “Interactivity and the „Cyber-Fan‟: An Exploration of Audience Involvement

within the Electronic Fan Culture of the Internet.” PhD diss., University of Tennessee,

1999.

Damian, Raeleen V. “Fanonymity: An Investigation of Motivations for Being Anonymous in

Online Fandom.” MA thesis, California State University at Fullerton, 2007.

157 | P a g e

Emery, Patrick. “The Potential of Fan Fiction as an Industry of Its Own.” Honors thesis,

Eastern Kentucky University, 2012.

Eng, Lawrence. “Otaku Engagements: Subcultural Appropriation of Science and Technology.”

PhD diss., Rensselaer Polytechnic Institute, July 2006.

Fleming, Katherine. “Participatory Fandom in American Culture: A Qualitative Case Study of

DragonCon Attendees.” MA thesis, University of South Florida, 2007.

Gibbs, Christie. “Breaking Binaries: Transgressing Sexualities in Japanese Animation.” PhD

thesis, University of Waikato, 2012.

Grindhammer, Lucille Wrubel. “Art and the Public: The Democratization of the Fine Arts in the

United States, 1830 – 1860.” MA Thesis, Case Western Reserve University, 1975.

Hansen, Marc. “Das Phänomen Densha Otoko: Das Bild der Otaku im Medienmix.” MA thesis,

Universität Trier, 2008.

Harris, Cheryl D. “Social Identity, Class, and Empowerment: Television Fandom and

Advocacy.” PhD diss., University of Massachusetts, 1992.

Haschemi Yekani, Elahe. “The Privilege of Crisis: Narratives of Masculinities in Colonial and

Postcolonial Literature, Photography, and Film.” PhD diss., Humboldt-Universität zu

Berlin, 2009.

Herzig, Melissa Jean. “The Internet World of Fan Fiction.” MA thesis, Virginia Commonwealth

University, 2005.

Hope, Donna P. “Inna di Dancehall: Popular Culture and the Politics of Identity in Jamaica.”

MPhil thesis, University of the West Indies, 2001.

Howell, Dana Prescott. “The Development of Soviet Folklorists.” PhD diss., University of

Pennsylvania, 1984.

158 | P a g e

Lane, Brigitte Marie. “Franco-American Folk Traditions and Popular Culture in a Former

Milltown: Aspects of Ethnic Urban Folklore and the Dynamics of Folklore Change in

Lowell, Massachusetts.” PhD diss., Harvard University, 1983.

Li, Y. “Japanese Boy-Love Manga and the Global Fandom: A Case Study of Chinese Female

Readers.” MA thesis, Indiana University, 2009.

Lotecki, Ashley. “Cosplay Culture: The Development of Interactive and Living Art through

Play.” MA thesis, Ryerson University, 2012.

Macor, Alison Grace. “The Visible Audience: Participation, Community, and Media Fandom.”

PhD diss., University of Texas at Austin, 2000.

Meier, Andreas. “Politischer Wertewandel und populäre Musik.” PhD diss., Westfälische

Wilhelms-Universität Munster, 2000.

Moffett, Joe. “The Search for Origins in the Twentieth-Century Long Poem: Sumerian,

Homeric, Anglo-Saxon.” PhD diss., West Virginia University, 2007.

Novik, Naomi. “Fandom: The Stolen Metatext.” MA thesis, Brown University, 1995.

Peters, Ian Michael. “Fanfilms, Fandom, and the Re-Appropriation of Re-Appropriated Texts.”

MA thesis, University of Texas at Austin, 2007.

Potkanski, Monika. “Das österreichische Manga- und Anime-Fandom: Analyse des Weiner

Animexx Stammtisches anhand des Gruppendiskussionsverfahrens.” MA thesis,

Universität Wien, 2009.

Quay, Daniel J. “The Effects of Fandom.” MA thesis, University of Oklahoma, 2011.

Samanci, Ozge. “Embodying Comics: Reinventing Comics and Animation for a Digital

Performance.” PhD diss., Georgia Institute of Technology, 2009.

159 | P a g e

Scott, Suzanne. “Revenge of the Fanboy: Convergence Culture and the Politics of

Incorporation.” PhD diss., University of Southern California, 2011.

Smith, Scott. “Fanatic Consumption? Reconsidering Fanaticism and Fandom in Consumer

Research.” PhD diss., University of Arkansas, 2004.

Springall, Dana. “Popular Music Meets Japanese Cartoons: A History of the Evolution of Anime

Music Videos.” MA thesis, Samford University, 2004.

Stilwell, Jessica. “Fans without Pity: Television, Online Communities, and Popular Criticism.”

MA thesis, Georgetown University, 2003.

Tan, Bee Kee. “Unauthorized Romances: Female Fans and Weiss Kreuz Internet Yaoi

Fanfiction.” MA thesis, National University of Singapore, 2008.

Wilkens, Christa. “Bildung und Freizeit für Arbeiter während des Kaiserreichs: Der

Bildungsverein für Arbeiter Lüneburg und seine bürgerlichen Förderer.” PhD diss.,

Universität Hamburg, 199.

Williams, Kara Lenore. “The Impact of Popular Culture Fandom on Perceptions of Japanese

Language and Culture Learning: The Case of Student Anime Fans.” PhD diss.,

University of Texas at Austin, 2006.

Wright, Susan. “The Discourse of Fan Fiction” PhD diss., University of Louisville, 2008.

160 | P a g e

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Quantity of Books v. Kansas, 378 US 205 (1964).

R. v. Butler, Canada, 1 SCR 452 (1992).

R. v. Jorgensen, Canada, 4 SCR 55 (1995).

Red Lion Broadcasting Co. v. Federal Communications Commission, 395 US 367 (1969).

Redrup v. New York, 386 US 767 (1967).

Reno v. American Civil Liberties Union, 521 US 844 (1997).

Renton v. Playtime Theatres, Inc., 475 US 41 (1986).

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Roth v. United States, 354 US 476 (1957).

Smith v. California, 361 US 147 (1959).

Sony Corp. of America v. Universal City Studios, Inc., 464 US 417 (1984).

Stanley v. Georgia, 394 US 557 (1969).

Stewart v. Abend, 495 US 207 (1990).

Sund v. City of Wichita Falls, Texas, 121 F. Supp. 2d 530 (N.D. Tex. 2000).

Superior Films v. Dept. of Education, 346 US 587 (1954).

Théberge v. Galerie d’Art du Petit Champlain, Inc., Canada, 2 SCR 336 (2002).

Turner Broadcasting v. Federal Communications Commission, 512 US 622 (1994). Turner I.

Turner Broadcasting v. Federal Communications Commission, 520 US 180 (1997). Turner II.

United States v. Playboy Entertainment Group, 529 US 803 (2000).

United States v. Thirty-Seven Photographs, 402 US 363 (1971).

United States v. Twelve 200-ft. Reels of Film, 413 US 123 (1973).

Wheaton v. Peters, 33 US 591 (1834).

White-Smith Music Publishing Company v. Apollo Company, 209 US 1 (1908).

Winters v. New York, 333 US 507 (1948).

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