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Suggestions for Top 100 Family Films
SUGGESTIONS FOR TOP 100 FAMILY FILMS Title Cert Released Director 101 Dalmatians U 1961 Wolfgang Reitherman; Hamilton Luske; Clyde Geronimi Bee Movie U 2008 Steve Hickner, Simon J. Smith A Bug’s Life U 1998 John Lasseter A Christmas Carol PG 2009 Robert Zemeckis Aladdin U 1993 Ron Clements, John Musker Alice in Wonderland PG 2010 Tim Burton Annie U 1981 John Huston The Aristocats U 1970 Wolfgang Reitherman Babe U 1995 Chris Noonan Baby’s Day Out PG 1994 Patrick Read Johnson Back to the Future PG 1985 Robert Zemeckis Bambi U 1942 James Algar, Samuel Armstrong Beauty and the Beast U 1991 Gary Trousdale, Kirk Wise Bedknobs and Broomsticks U 1971 Robert Stevenson Beethoven U 1992 Brian Levant Black Beauty U 1994 Caroline Thompson Bolt PG 2008 Byron Howard, Chris Williams The Borrowers U 1997 Peter Hewitt Cars PG 2006 John Lasseter, Joe Ranft Charlie and The Chocolate Factory PG 2005 Tim Burton Charlotte’s Web U 2006 Gary Winick Chicken Little U 2005 Mark Dindal Chicken Run U 2000 Peter Lord, Nick Park Chitty Chitty Bang Bang U 1968 Ken Hughes Chronicles of Narnia: The Lion, PG 2005 Adam Adamson the Witch and the Wardrobe Cinderella U 1950 Clyde Geronimi, Wilfred Jackson Despicable Me U 2010 Pierre Coffin, Chris Renaud Doctor Dolittle PG 1998 Betty Thomas Dumbo U 1941 Wilfred Jackson, Ben Sharpsteen, Norman Ferguson Edward Scissorhands PG 1990 Tim Burton Escape to Witch Mountain U 1974 John Hough ET: The Extra-Terrestrial U 1982 Steven Spielberg Activity Link: Handling Data/Collecting Data 1 ©2011 Film Education SUGGESTIONS FOR TOP 100 FAMILY FILMS CONT.. -
Tangled Study Notes Disney Studios Motion Pictures ©Walt
Tangled Study Notes Pictures Motion Studios Disney ©Walt Directed by: Nathan Greno and Byron Howard Certificate: PG (contains mild violence, threat and brief sight of blood) Running time: 108 mins Release date: 21 January 2011 Synopsis: Disney presents a new twist on one of the most hair-raising tales ever told. When the kingdom’s most wanted – and most charming – bandit Flynn Rider hides in a mysterious tower, the last thing he expects to find is Rapunzel, a spirited teen with an unlikely superpower – 70 feet of magical golden hair! Together, the unlikely duo sets off on a fantastic journey filled with surprising heroes, laughter and suspense. (Disney.go.com/disneypictures/tangled) The activities in these Study Notes address aspects of the curriculum for Literacy, Drama, Maths (24 hour clocks and timetabling, Year 5) and Art for pupils aged 5-11. 1 www.filmeducation.org www.nationalschoolsfilmweek.org ©Film Education July 2011. Film Education is not responsible for the content of external websites. Before seeing the film 1. The long-haired heroine of Tangled, Rapunzel, has grown up grounded. She lives in a tower in the middle of a forest. She dreams of being able to escape from her tower for just one day. If you were able to take her out for one day, what would you show her? Choose carefully, as you only have one day. Timetable your day, showing how you would structure your activities with Rapunzel. 2. The actors behind the animation in Tangled had the task of bringing the character to life using just their voices. -
An Analysis of Moral Values in Zootopia Movie
AN ANALYSIS OF MORAL VALUES IN ZOOTOPIA MOVIE THESIS Submitted by: MAULIDIA HUMAIRA Student of Department of English Language Education Faculty of Education and Teacher Training Reg. No: 231324225 FACULTY OF EDUCATION AND TEACHER TRAINING AR-RANIRY STATE ISLAMIC UNIVERSITY DARUSSALAM-BANDA ACEH 2018/1439 H ACKNOWLEDGEMENT Alhamdulillah, All praises be to Allah ‘azzawajalla, the most gracious, the most merciful, andthe most beneficent who has given me love and blessing that made me able to finish this research and writing this thesis. Peace and salutation be upon our beloved prophet Muhammad SAW, his family and companions has struggled whole heartedly to guide ummah to the right path. On this occasion with great humility, I would like to thank to all of those who help me and guidance, so that this thesis can be finished in time. Completion of writing this thesis, I would like to thanks Dr. Muhammad Nasir, M.Hum and Mr. T. Murdani, S.Ag, M.IntlDev as my supervisor forgiving the useful supervision, guidance and constructive ideas during the process of completing this thesis. Also I would like to express my gratitude and high appreciation to my beloved father Burhanuddin, and my lovely mother Rasunah for their wisdom, patience, love, attention, support and care. I also bestow my thankfulness to my beloved sisters Puspitasari and Safrida , my brothers Hafidh Kurniawan and Muhammad Irfan, and my cousins Putri Nabila Ulfa and Maulizahra, for their endless love who inspired and motivated me all along accomplishing this thesis. My special thanks to my academic advisor Mr. Dr.Syarwan, M.LIS, who has supervised me since I was first semester until now. -
An Analysis of the Character Animation in Disney's Tangled
This may be the author’s version of a work that was submitted/accepted for publication in the following source: Carter, Chris (2013) An analysis of the character animation in Disney’s Tangled. Senses of Cinema, 2013(67), pp. 1-16. This file was downloaded from: https://eprints.qut.edu.au/61227/ c Copyright 2013 Senses of Cinema Inc and the author As under the Copyright Act 1968 (Australia), no part of this journal may be reproduced by any process without the written permission of the editors except for the purposes of private study, research, criticism or review. These works may be read online, downloaded and copied for the above purposes but must not be copied for any other individuals or organisations. The work itself must not be published in either print or electronic form, be edited or otherwise altered or used as a teaching resource without the express permission of the author. Notice: Please note that this document may not be the Version of Record (i.e. published version) of the work. Author manuscript versions (as Sub- mitted for peer review or as Accepted for publication after peer review) can be identified by an absence of publisher branding and/or typeset appear- ance. If there is any doubt, please refer to the published source. http:// sensesofcinema.com/ 2013/ feature-articles/ an-analysis-of-the-character-animation-in-disneys-tangled/ An Analysis of the Character Animation in Disney’s Tangled Title: Tangled (Greno and Howard 2010) Studio: Walt Disney Animation Studios Release: BLU-RAY and DVD - Australia Type: Animated Feature Film Directors: Nathan Greno, Byron Howard Animation Supervisors: Glen Keane, John Kahrs, Clay Kaytis Introduction: In the short time since PIXAR Animation created the first 3D computer animated feature film, Toy Story (John Lasseter 1995), 3D computer graphics (CG) have replaced the classical 2D realist styling of Disney Animation to become the dominant aesthetic form of mainstream animation, (P. -
Masculinity in Children's Film
Masculinity in Children’s Film The Academy Award Winners Author: Natalie Kauklija Supervisor: Mariah Larsson Examiner: Tommy Gustafsson Spring 2018 Film Studies Bachelor Thesis Course Code 2FV30E Abstract This study analyzes the evolution of how the male gender is portrayed in five Academy Award winning animated films, starting in the year 2002 when the category was created. Because there have been seventeen award winning films in the animated film category, and there is a limitation regarding the scope for this paper, the winner from every fourth year have been analyzed; resulting in five films. These films are: Shrek (2001), Wallace and Gromit (2005), Up (2009), Frozen (2013) and Coco (2017). The films selected by the Academy of Motion Picture Arts and Sciences in the Animated Feature film category tend to be both critically and financially successful, and watched by children, young adults, and adults worldwide. How male heroes are portrayed are generally believed to affect not only young boys who are forming their identities (especially ages 6-14), but also views on gender behavioral expectations in girls. Key words Children’s Film, Masculinity Portrayals, Hegemonic Masculinity, Masculinity, Film Analysis, Gender, Men, Boys, Animated Film, Kids Film, Kids Movies, Cinema, Movies, Films, Oscars, Ceremony, Film Award, Awards. Table of Contents Introduction __________________________________________________________ 1 Problem Statements ____________________________________________________ 2 Method and Material ____________________________________________________ -
To Infinity and Back Again: Hand-Drawn Aesthetic and Affection for the Past in Pixar's Pioneering Animation
To Infinity and Back Again: Hand-drawn Aesthetic and Affection for the Past in Pixar's Pioneering Animation Haswell, H. (2015). To Infinity and Back Again: Hand-drawn Aesthetic and Affection for the Past in Pixar's Pioneering Animation. Alphaville: Journal of Film and Screen Media, 8, [2]. http://www.alphavillejournal.com/Issue8/HTML/ArticleHaswell.html Published in: Alphaville: Journal of Film and Screen Media Document Version: Publisher's PDF, also known as Version of record Queen's University Belfast - Research Portal: Link to publication record in Queen's University Belfast Research Portal Publisher rights © 2015 The Authors. This is an open access article published under a Creative Commons Attribution-NonCommercial-NoDerivs License (https://creativecommons.org/licenses/by-nc-nd/4.0/), which permits distribution and reproduction for non-commercial purposes, provided the author and source are cited. General rights Copyright for the publications made accessible via the Queen's University Belfast Research Portal is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The Research Portal is Queen's institutional repository that provides access to Queen's research output. Every effort has been made to ensure that content in the Research Portal does not infringe any person's rights, or applicable UK laws. If you discover content in the Research Portal that you believe breaches copyright or violates any law, please contact [email protected]. Download date:28. Sep. 2021 1 To Infinity and Back Again: Hand-drawn Aesthetic and Affection for the Past in Pixar’s Pioneering Animation Helen Haswell, Queen’s University Belfast Abstract: In 2011, Pixar Animation Studios released a short film that challenged the contemporary characteristics of digital animation. -
Disney's Zootopia to Be Released in Imax 3D
IMAX CORPORATION 2525 Speakman Drive Mississauga, Ontario, Canada L5K 1B1 Tel: (905) 403-6500 Fax: (905) 403-6450 www.imax.com DISNEY’S ZOOTOPIA TO BE RELEASED IN IMAX® 3D THEATRES DOMESTICALLY AND IN SELECT INTERNATIONAL MARKETS INCLUDING CHINA LOS ANGELES – Feb. 3, 2016 – IMAX Corporation (NYSE:IMAX) and The Walt Disney Studios, a division of The Walt Disney Company (NYSE: DIS), today announced that Zootopia, Walt Disney Animation Studios’ 55th feature-length animated film, will receive a special one-week domestic engagement in IMAX® 3D theatres beginning March 4. The film will also have an IMAX release in select international markets starting Feb. 12, including China on March 4. Zootopia, about an optimistic bunny, Officer Judy Hopps (voiced by Ginnifer Goodwin), who teams up with the fast-talking, scam-artist fox, Nick Wilde (Jason Bateman), to solve a mystery, is directed by Byron Howard (Tangled, Bolt) and Rich Moore (Wreck-It Ralph, The Simpsons) and co-directed and co- written (along with Phil Johnston, Wreck-It Ralph) by Jared Bush (Penn Zero: Part-Time Hero). Commenting on the announcement, Dave Hollis, Executive Vice President, Theatrical Distribution, The Walt Disney Studios, said, “Zootopia features some of the richest and most inventive environments ever created for an animated film, and we are thrilled that moviegoers around the world will have a chance to experience it in IMAX® 3D.” “We are excited to team with Disney and the talented filmmakers at Walt Disney Animation Studios on what is sure to be another animated Disney classic,” said Greg Foster, Senior Executive Vice President, IMAX Corp. -
David E. Fluhr, CAS Dialog/Music Re-Recording Mixer Manager: Michal Marks, President, a Muse Management 310-990-1777 ▪ [email protected]
David E. Fluhr, CAS Dialog/Music Re-Recording Mixer Manager: Michal Marks, President, A Muse Management 310-990-1777 ▪ [email protected] Selected Credits with Director/Picture Editor/Production Co. FULL CREDITS AND REFERENCES AVAILBLE ON REQUEST Big Hero 6 - Don Hall, Chris Williams/Disney Animation Get on Up - Tate Taylor/Michael McCusker/Imagine Entertainment Saving Mr. Banks - John Lee Hancock/Mark Livolsi/Walt Disney Pictures Frozen - Chris Buck, Jennifer Lee/Jeff Draheim/Disney Animation Planes - Klay Hall/Jeremy Milton/Disney Animation Paperman - John Kars/Lisa Linder/Disney Animation Wreck It Ralph - Rich Moore/Tim Mertens/Disney Animation Dorothy Of Oz - Dan St. Pierre/Summertime Entertainment The Odd Life Of Timothy Green - Peter Hedges/Andy Mondshein/Walt Disney Pic Glee Live 3D - Kevin Tancharoen/Fox The Vow - Michael Sucsy/Nancy Richardson/Spyglass 30 Minutes Or Less - Ruben Fleischer/Alan Baumgarden/Columbia Pictures Justin Bieber Never Say Never 3D - Jon Chu/Paramount Tangled - Nathan Greno & Byron Howard/Tim Mertens/ Disney Animation Step Up 3D - John Chu/Andrew Marcus/Walt Disney Pic The Princess and the Frog - Byron Howard & Nathan Greno/Tim Mertens/Disney Animation Surrogates - Jonathan Mostow/Kevin Stitt/Walt Disney Pic The Jonas Brothers 3D Concert - Bruce Hendricks/ Michael Tronick/Walt Disney Pic The Uninvited (Dialog predubs) - Charles & Thomas Guard/Jim Page/DreamWorks Bolt - Byron Howard & Chris Williams/Tim Mertens/ Walt Disney Pic Hannah Montana 3D Concert - Bruce Hendricks/Michael Tronick/Walt Disney Pic Enchanted (music re-recording mixer) - Kevin Lima/Gregory Perler/Walt Disney Pictures The Guardian - Andrew Davis/Dennis Virkler/Touchstone Pictures Black Snake Moan - Craig Brewer/Billy Fox/Paramount The Great Raid - John Dahl/Pietro Scalia/Miramax Hitchhikers Guide to the Galaxy - Garth Jennings/Niven Howie/Spyglass The Lookout - Scott Frank/Jill Savitt/Miramax, Spyglass The Greatest Game Ever Played - Bill Paxton/Elliot Graham/Walt Disney Pictures The Alamo - John Lee Hancock/Eric Beason/Imagine Ent. -
Michael Giacchino
MICHAEL GIACCHINO AWARDS & NOMINATIONS FILM: ASCAP COMPOSERS CHOICE JOJO RABBIT AWARDS NOMINATION (2020) ASCAP Film Score of the Year 73RD BRITISH ACADEMY FILM JOJO RABBIT AWARDS NOMINATION (2020) Best Original Score THE SOCIETY OF COMPOSERS AND JOJO RABBIT LYRICISTS NOMINATION (2019) Outstanding Original Score for a Studio Film HOLLYWOOD MUSIC IN MEDIA SPIDER-MAN: FAR FROM HOME AWARD (2019) Original Score – Sci-Fi Fantasy HOLLYWOOD MUSIC IN MEDIA JOJO RABBIT AWARD NOMINATION (2019) Original Score – Feature Film ANNIE AWARD (2019) THE INCREDIBLES 2 Outstanding Achievement in Music INTERNATIONAL FILM MUSIC THE INCREDIBLES 2 CRITICS AWARD NOMINATION (2019) Best Original Score for an Animated Film INTERNATIONAL FILM MUSIC JURASSIC WORLD: FALLEN CRITICS AWARD NOMINATION KINGDOM (2019) Best Original Score for a Fantasy/Science Fiction/Horror Film HOLLYWOOD MUSIC IN MEDIA THE INCREDIBLES 2 NOMINATION (2018) Best Original Score - Animated Film ASCAP FILM AND TELEVISION ZOOTOPIA AWARD (2017) Film Score of the Year ASCAP Composers’ Choice Award The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 MICHAEL GIACCHINO HOLLYWOOD MUSIC IN MEDIA COCO NOMINATION (2017) Original Score - Animated Film INTERNATIONAL FILM MUSIC CRITICS ASSOCIATION NOMINATION (2017) Composer of the Year INTERNATIONAL FILM MUSIC DOCTOR STRANGE CRITICS ASSOCIATION NOMINATION (2017) Best Original Score for a Fantasy/Science Fiction/Horror Film INTERNATIONAL FILM MUSIC ZOOTOPIA CRITICS ASSOCIATION NOMINATION (2017) Best Original Score for an Animated Film INTERNATIONAL FILM MUSIC -
Frozen and the Evolution of the Disney Heroine
It’s a Hollywood blockbuster animation that is set to become one of the most successful and beloved family films ever made. And unlike much of Disney’s past output, writes MICHELLE LAW, this film brings positive, progressive messages about gender and difference into the hearts and minds of children everywhere. SISTERS DOIN’ IT FOR THEMSELVES Frozen and the Evolution Screen Education of the Disney Heroine I No. 74 ©ATOM 16 www.screeneducation.com.au NEW & NOTABLE & NEW P MY SISTERS DOIN’ IT FOR THEMSELVES 74 No. I Screen Education 17 ince its US release in November 2013, Disney’s latest an- imated offering,Frozen (Chris Buck & Jennifer Lee), has met with critical acclaim and extraordinary box- office success. It won this year’s Academy Awards for Best Animated Feature Film and Best Original Song (for ‘Let It Go’), and despite being released less than six months Sago, it has already grossed over US$1 billion worldwide, making it the highest-earning Disney-animated film of all time. At the time of printing, the film’s soundtrack has also spent eleven non- consecutive weeks at number one on the US Billboard charts, the most held by a soundtrack since Titanic (James Cameron, 1997). Following the success of Frozen – and Tangled (Nathan Greno & Byron Howard, 2010), Disney’s adaptation of the Rapunzel story – many are antici- pating the dawn of the second Disney animation golden age. The first was what has come to be known as the Disney Renaissance, the period from the late 1980s to the late 1990s when iconic animated films such asThe Little Mermaid (Ron Clements & John Musker, 1989) and Aladdin (Ron Clements & John Musker, 1992) – films that adopted the structure and style of Broadway musicals – saved the company from financial ruin. -
To Infinity and Back Again: Hand-Drawn Aesthetic and Affection for the Past in Pixar's Pioneering Animation
To Infinity and Back Again: Hand-drawn Aesthetic and Affection for the Past in Pixar's Pioneering Animation Haswell, H. (2015). To Infinity and Back Again: Hand-drawn Aesthetic and Affection for the Past in Pixar's Pioneering Animation. Alphaville: Journal of Film and Screen Media, 8, [2]. http://www.alphavillejournal.com/Issue8/HTML/ArticleHaswell.html Published in: Alphaville: Journal of Film and Screen Media Document Version: Publisher's PDF, also known as Version of record Queen's University Belfast - Research Portal: Link to publication record in Queen's University Belfast Research Portal Publisher rights © 2015 The Authors. This is an open access article published under a Creative Commons Attribution-NonCommercial-NoDerivs License (https://creativecommons.org/licenses/by-nc-nd/4.0/), which permits distribution and reproduction for non-commercial purposes, provided the author and source are cited. General rights Copyright for the publications made accessible via the Queen's University Belfast Research Portal is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The Research Portal is Queen's institutional repository that provides access to Queen's research output. Every effort has been made to ensure that content in the Research Portal does not infringe any person's rights, or applicable UK laws. If you discover content in the Research Portal that you believe breaches copyright or violates any law, please contact [email protected]. Download date:28. Sep. 2021 1 To Infinity and Back Again: Hand-drawn Aesthetic and Affection for the Past in Pixar’s Pioneering Animation Helen Haswell, Queen’s University Belfast Abstract: In 2011, Pixar Animation Studios released a short film that challenged the contemporary characteristics of digital animation. -
Global Launch of Toys Related to the Latest Disney Movie, Zootopia
For Immediate Release Global Launch of Toys Related to the Latest Disney Movie, Zootopia Executive Producer John Lasseter’s Latest Production, Depicting a World of Unique Animal Characters Tokyo, Japan, February 12, 2016: The TOMY Group (TOMY Company, Ltd.; Head Office: Katsushika-ku, Tokyo/Representative Director, President & CEO: H.G. Meij) has acquired license for global toy merchandising in relation to the latest Disney movie, Zootopia (release dates: March 4, 2016 (U.S.) / April 23, 2016 (Japan)). The TOMY Group is selling toys depicting the world of Zootopia in over 30 countries and regions worldwide. This is the third Disney movie for which the TOMY Group has acquired a license for global toy merchandising. The previous two movies were Inside Out which was released worldwide last summer, and The Good Dinosaur, whose release schedule across the globe has been continuing since last year (date of Japanese release: March 12, 2016). The Zootopia toys are being launched in stages beginning early February 2016 in North America, Europe, Oceania and elsewhere, and from late March 2016 in Japan. (* Advance sales of the toys started at some retailers in North America in January.) Vehicle and Figures from TOMY’s Zootopia Toy Line ©Disney * Zootopia is a registered trademark of U-PLAN Co., Ltd. (No. 5572347). Zootopia is the latest movie by Walt Disney Animation Studios which also produced the worldwide hits Frozen and Big Hero 6. The fantasy-adventure movie is set in the high-tech world of Zootopia, populated by anthropomorphic animals full of charismatic individuality. The main characters are a rabbit named Judy who dreams of becoming a police officer and a con-artist fox named Nick.