ITALIAN JOURNEYS, Nzmo 1.50 SUBURBAN SKETCHES
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focusinterview. Photo by Toni Fuller. Wendy Matthews is one of Australia’s most recognised female artists. She is about to kickstart her North Coast tour to promote her latest album, The Welcome Fire. Nicci Seccombe caught up with Wendy and asked about her music, the North Coast and her no. 1 fan – her Border Collie, Bear... Every once in MATTHEWS “ a while I will hear something that I love. I am not a huge radio listener. It really is stuff through word ear the end of 2013 you Those over 30 and 40 want to go to live gigs mouth that I have of mouth that I have ued to do it. I am released your fi rst origi- and they want to hear music and they would grown to like. grown to like.” not sure if you are nals album in 12 years, buy the records if someone puts their heart What other artists, familiar with the Jetty called The Welcome Fire. and soul into their music, so all I can hope for Australian or interna- Theatre dressing rooms? Why so long between is that. tional, have you worked They are about two levels original albums? You have just announced The Welcome with, and what was that down from the stage, and It really is that life goes on. I have a pretty Fire NSW Mid North Coast tour. When like? she was downstairs in the dress- Nweird relationship with time, and it goes a was the last time you brought the full I learnt a lot in my days as a backing ing room while we were all on stage and lot quicker than I think it does. -
Balranald’S 5 Rivers Outback Festival – BALRANALD NSW
MEDIA RELEASE: WENDY MATTHEWS ANNOUNCES TOUR AND NEW ALBUM October 13: Balranald’s 5 Rivers Outback Festival – BALRANALD NSW WENDY MATTHEWS is thrilled to announce her brand new album The Welcome Fire will be released August 23. The Welcome Fire is Wendy’s first original album in 12 years. Wendy will perform songs from the album LIVE from September 1st. The Welcome Fire is released through Fanfare Records and is out August 23. Tickets for the LIVE shows are on sale now. Beautifully evocative and superbly crafted, The Welcome Fire is an album filled with personal, poignant lyrics and reflective melodies. The album is undoubtedly contemporary in sound, yet the voice is unmistakably that of Wendy Matthews. The Welcome Fire not only re-establishes Wendy as one of Australia’s most influential and iconic voices and artists but also marks a new chapter in her career. There are very few artists in Australia who can come close to Wendy Matthews and her stunning credentials; seven Arias, a massive 19 hit singles, and seven platinum-plus selling albums. Her career-defining album Lily sold over 500,000 albums and over 300,000 singles of her now signature song The Day You Went Away when released in the mid 1990’s. The Live shows will feature Wendy performing some of her biggest hits including Standing Strong, The Day You Went Away , If Only I Could , Token Angels , Fridays Child & I Don’t Want To Be With Nobody But You as well as tracks from the new album. Don’t miss Wendy Matthews LIVE with her band at one of the following venues. -
Gagen, Justin. 2019. Hybrids and Fragments: Music, Genre, Culture and Technology
Gagen, Justin. 2019. Hybrids and Fragments: Music, Genre, Culture and Technology. Doctoral thesis, Goldsmiths, University of London [Thesis] https://research.gold.ac.uk/id/eprint/28228/ The version presented here may differ from the published, performed or presented work. Please go to the persistent GRO record above for more information. If you believe that any material held in the repository infringes copyright law, please contact the Repository Team at Goldsmiths, University of London via the following email address: [email protected]. The item will be removed from the repository while any claim is being investigated. For more information, please contact the GRO team: [email protected] Hybrids and Fragments Music, Genre, Culture and Technology Author Supervisor Justin Mark GAGEN Dr. Christophe RHODES Thesis submitted for the degree of Doctor of Philosophy in Computer Science GOLDSMITHS,UNIVERSITY OF LONDON DEPARTMENT OF COMPUTING November 18, 2019 1 Declaration of Authorship I, Justin Mark Gagen, declare that the work presented in this thesis is entirely my own. Where I have consulted the work of others, this is clearly stated. Signed: Date: November 18, 2019 2 Acknowledgements I would like to thank my supervisors, Dr. Christophe Rhodes and Dr. Dhiraj Murthy. You have both been invaluable! Thanks are due to Prof. Tim Crawford for initiating the Transforming Musicology project, and providing advice at regular intervals. To my Transforming Musicology compatriots, Richard, David, Ben, Gabin, Daniel, Alan, Laurence, Mark, Kevin, Terhi, Carolin, Geraint, Nick, Ken and Frans: my thanks for all of the useful feedback and advice over the course of the project. -
Arts E-Bulletin October 2015
Townsville Arts e-bulletin October 2015 Community Information Centre Townsville Inc Was this email forwarded to you? If yes, send an e-mail with the word SUBSCRIBE in the subject line to [email protected] . If no, this e-mail is sent to you because you are a registered user. If you do not wish to receive further e-mails from us, please send an e-mail with the word UNSUBSCRIBE in the subject line to [email protected] In this issue Calendar Dance Exhibitions Festivals & Special Grants/Scholarships Events Film Competitions & Music Awards Radio Theatre Dance Companies Workshops/Training/ Conferences/School Galleries & Museums Holiday activities Music Groups Date Claimers Theatres & Theatre News & Sundries Groups Opportunities/ Clubs and Groups Expressions of Interest Townsville City Council is the Community Information Centre’s major sponsor. Editor: Margaret Robertson, Community Information Centre Townsville Inc Level 1 Northtown, Flinders St, Townsville, CBD PO Box 1314 Townsville 4810 Phone: 4771 4230 mailto:[email protected] http://www.townsville.qld.gov.au/townsville/infocentre 1 Disclaimer: While every effort is made to ensure accurate and up-to-date information is provided, the Community Information Centre (CIC) accepts no liability for any errors, omissions or other mistakes contained in this e-bulletin. The CIC relies on organisations and individuals to provide accurate information and no specific endorsement is denoted by inclusion in this e-bulletin. Events are subject to change without notice. Please check with the relevant organisations for further details. Calendar Dance Townsville Civic Theatre 41 Boundary St Townsville 4727 9797 TicketShop mailto:[email protected] http://www.townsville.qld.gov.au/facilities/theatres/civictheatre/Pages/default.aspx October 21st 8pm Kinship Rekindling the Aboriginal culture of Australia, internationally acclaimed Bangarra Dance Theatre presents an original and breathtaking theatrical experience: Kinship by award-winning choreographer Stephen Page. -
July 11Th-17Th
Summer Q&A 1 Week 6 July 11th-17th July 11 Chronicles returns us to the beginning of King David’s reign. 1 CHRONICLES Like the Books of Samuel and Kings, 1 and 2 Chronicles were originally one book. The Hebrew title means the chronological events of the period. The Greek version, which divided Chronicles into two books, entitled them “The Things Left Out” or “Omitted.” This title reflects the misunderstanding that Chronicles was written to supplement the events left out of Samuel and Kings. The English name is derived from the Latin Vulgate’s title, “The Chronicle of the Whole Sacred History.” The Books of Chronicles are not to be confused with the “annals of the kings of Judah” and “annals of the kings of Israel,” which were official royal accounts used in writing 1 and 2 Kings (for example, 1 Kgs 14:19; 15:7). The Greek and English traditions have the Books of Chronicles in the collection of historical books, with Chronicles followed by Ezra and Nehemiah. In the Hebrew collection, however, Chronicles is the last book in the canon. There it is grouped with the Writings and is preceded by Ezra-Nehemiah. The author is unknown. Tradition assigned the book to Ezra (compare 2 Chr 36:22–23 with Ezra 1:1–2). The author probably was a Levite or someone closely associated with the temple since Chronicles focuses on worship in Jerusalem. Many scholars believed that an individual or school, called the “Chronicler,” produced Chronicles and Ezra-Nehemiah as one continuous history. Others have rejected this idea of a “Chronicler’s History,” arguing that all ancient traditions separated the books and that they have a different viewpoint (see “The Historical Books” and “Ezra”). -
Press Release
Press Release 3BO and Sutton Grange Winery are thrilled to present Rock In the Vines! Featuring a line up of 10 Aussie Rock legends, this is the Australia Day weekend concert not to be missed! Performing your favourite superstar acts from the 70s, 80s, and 90s for one day only at Sutton Grange Winery on Friday 27th January, 2017. Tickets go on sale 27th October 2016 via Ticketmaster.com.au. We can now unveil the following acts…(drum roll please): Ross Wilson Now Listen! Mr Eagle Rock, ROSS WILSON, 2 time ARIA Hall of Fame Inductee, founder of Daddy Cool and Mondo Rock continues to have a Hell Of A Time while Living In The Land Of Oz. Always believing Ego Is Not A Dirty Word, the Skyhooks and Jo Jo Zep producer hasn't stagnated by Living In the 70's, but continued moving like The Fugitive Kind through the Summer of 81 into the 21st Century following his credo All I Wanna Do Is Rock. When the Chemistry is right to Come Back Again, he'll get up off his Bed Of Nails, bring A Touch of Paradise to your Cool World and examine your State of the Heart. With No Time to lose practicing Primitive Love Rites in Primal Park, Things Are Hotting Up with Wilson's song I Come In Peace being covered and becoming Joe Cocker’s last hit single. Come Said The Boy, to a Ross Wilson show in a venue near you, because we all know You've All Got To Go! Richard Clapton When he was 16 he inveigled his way into a Sydney hotel to hang out with the Rolling Stones. -
Proudly Brought to You by Laurieton United Services Club
PROUDLY BROUGHT TO YOU BY LAURIETON UNITED SERVICES CLUB Wendy Matthews As an artist Wendy Matthews has an expressive voice that never fails to move those who hear it. Her music is an unhurried journey of clean melodies, infectious energy and simple grace, in an age where uber-production techniques are thought to be hip and cynicism an attribute, Wendy has proven that commitment to beauty is still not only valid but applauded by the public ear. This is exemplified by the reality that Wendy’s music is now in more than 1 million homes in Australia and all her albums to date have multi-platinum status. Wendy has an immense talent and capacity to capture and define a diverse range of styles in her music. She takes songs from every genre and makes them her own; from jazz to blues, from rock to gospel, from soul to outright infectious pop and then, of course, there are the beautiful ballads. Wendy is adept at reaching both frenetic youth and mature audiences alike, if older ears are captured by her soul and unfazed class, a more cynical youth is convinced by her disarming ease of delivery, wooed by a voice of stunning emotive capacity yet void of sentimentality. Born in Montreal Canada, Wendy joined her first band and left home as a teenager, busking her way across the USA to Los Angeles where she met Glenn Shorrock who invited her to tour with him in Australia in 1982. Wendy immediately became an in-demand session singer, appearing on many commercial jingles and backing vocals for the likes of The Models Out Of Mind Out Of Sight and became a semi- permanent member of the band. -
Congressional Record United States Th of America PROCEEDINGS and DEBATES of the 109 CONGRESS, SECOND SESSION
E PL UR UM IB N U U S Congressional Record United States th of America PROCEEDINGS AND DEBATES OF THE 109 CONGRESS, SECOND SESSION Vol. 152 WASHINGTON, MONDAY, JULY 24, 2006 No. 98 House of Representatives The House met at 12:30 p.m. and was Consider, for example, that life ex- agriculture sector as well, including 600 called to order by the Speaker pro tem- pectancy is only 45 years; 71 percent of farmers in the Jalalabad region who pore (Mr. CONAWAY). Afghans over 15 cannot read or write; have received training in harvest han- f 91 percent of all rural women are illit- dling, packaging and marketing to im- erate. Three out of five girls do not go prove their business opportunities. DESIGNATION OF SPEAKER PRO to school, and most of the existing in- This program is developing a regional TEMPORE frastructure has been destroyed. Under market information system to develop The SPEAKER pro tempore laid be- those conditions, we realize that quality standards and retail marketing fore the House the following commu- progress still is able to proceed. measures for farmers and business peo- nication from the Speaker: Now, in testimony before the House ple. WASHINGTON, DC, Armed Services Committee, James Over 4,000 women in 13 districts have July 24, 2006. Kunder, the Assistant Administrator benefitted from the micro-enterprise I hereby appoint the Honorable K. MICHAEL for Asia and the Near East for USAID development projects that train them CONAWAY to act as Speaker pro tempore on said, ‘‘Historically, the vast majority and increase their income potential.