THE HIGH MORLAGGAN PROJECT the History and Excavation of A
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Disfigurement and Disability: Walter Scott's Bodies Fiona Robertson Were I Conscious of Any Thing Peculiar in My Own Moral
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by St Mary's University Open Research Archive Disfigurement and Disability: Walter Scott’s Bodies Fiona Robertson Were I conscious of any thing peculiar in my own moral character which could render such development [a moral lesson] necessary or useful, I would as readily consent to it as I would bequeath my body to dissection if the operation could tend to point out the nature and the means of curing any peculiar malady.1 This essay considers conflicts of corporeality in Walter Scott’s works, critical reception, and cultural status, drawing on recent scholarship on the physical in the Romantic Period and on considerations of disability in modern and contemporary poetics. Although Scott scholarship has said little about the significance of disability as something reconfigured – or ‘disfigured’ – in his writings, there is an increasing interest in the importance of the body in Scott’s work. This essay offers new directions in interpretation and scholarship by opening up several distinct, though interrelated, aspects of the corporeal in Scott. It seeks to demonstrate how many areas of Scott’s writing – in poetry and prose, and in autobiography – and of Scott’s critical and cultural standing, from Lockhart’s biography to the custodianship of his library at Abbotsford, bear testimony to a legacy of disfigurement and substitution. In the ‘Memoirs’ he began at Ashestiel in April 1808, Scott described himself as having been, in late adolescence, ‘rather disfigured than disabled’ by his lameness.2 Begun at his rented house near Galashiels when he was 36, in the year in which he published his recursive poem Marmion and extended his already considerable fame as a poet, the Ashestiel ‘Memoirs’ were continued in 1810-11 (that is, still before the move to Abbotsford), were revised and augmented in 1826, and ten years later were made public as the first chapter of John Gibson Lockhart’s Memoirs of the Life of Sir Walter Scott, Bart. -
Sir Walter Scott's Templar Construct
Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the permission of the Author. SIR WALTER SCOTT’S TEMPLAR CONSTRUCT – A STUDY OF CONTEMPORARY INFLUENCES ON HISTORICAL PERCEPTIONS. A THESIS PRESENTED IN FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN HISTORY AT MASSEY UNIVERSITY, EXTRAMURAL, NEW ZEALAND. JANE HELEN WOODGER 2017 1 ABSTRACT Sir Walter Scott was a writer of historical fiction, but how accurate are his portrayals? The novels Ivanhoe and Talisman both feature Templars as the antagonists. Scott’s works display he had a fundamental knowledge of the Order and their fall. However, the novels are fiction, and the accuracy of some of the author’s depictions are questionable. As a result, the novels are more representative of events and thinking of the early nineteenth century than any other period. The main theme in both novels is the importance of unity and illustrating the destructive nature of any division. The protagonists unify under the banner of King Richard and the Templars pursue a course of independence. Scott’s works also helped to formulate notions of Scottish identity, Freemasonry (and their alleged forbearers the Templars) and Victorian behaviours. However, Scott’s image is only one of a long history of Templars featuring in literature over the centuries. Like Scott, the previous renditions of the Templars are more illustrations of the contemporary than historical accounts. One matter for unease in the early 1800s was religion and Catholic Emancipation. -
2014: Once Upon a Place Read Edition
ONCE SCOTTISH UPON INTERNATIONAL STORYTELLING FESTIVAL 2014 A PLACE BOX OFFICE: 24 October – 0131 556 9579 WWW.TRACSCOTLAND.ORG/FESTIVALS 2 NOVEMBER Contents About the programme 04 Festival Exhibitions We’ve categorised our events to ensure your storytelling 06 Opening Weekend experience is exactly what you’re looking for – from evening 10 Festival Week Welcome 16 Festival Diary gatherings in jovial company to daytime events for the to the world’s finest feast whole family, or craft and workshop sessions to get creative. 18 Finale Weekend 21 Festival on Tour EDINBURGH Keep an eye out for Edinburgh Sessions – stories 26 About the Storytellers of traditional storytelling. SESSIONS inspired by the Edinburgh Museums collections. Once Upon a Place looks at the living environment around us, expressed through story. We bring Edinburgh to life as a city of story, and radiate How to book Become a Festival Supporter out with touring events across Scotland, providing the perfect experience Tickets for all events at the SISF Festival Supporter Pass 2014 in this Year of Homecoming 2014. We look into the past in town and Scottish Storytelling Centre, £25 country, and gaze into the future through the dreams, imaginings and Gladstone’s Land and charged There is no greater pleasure than the power of traditional storytelling visions of the poets and bards. And through the Open Hearth sessions events at the National Library of taking listeners on a journey of the imagination. we celebrate our common humanity with stories and songs that connect Scotland can be booked by phone, across the continents. online or in person through the Register now as a Festival > 1 free ticket to a Festival event Scottish Storytelling Centre Supporter to enjoy an array of of your choice at the Scottish The Festival combines storytelling ceilidhs with talks, landscape tours Box Office. -
King Robert the Bruce (1274-1329)
Études écossaises 10 | 2005 La Réputation King Robert the Bruce (1274-1329) Michael A. Penman Electronic version URL: http://journals.openedition.org/etudesecossaises/144 ISSN: 1969-6337 Publisher UGA Éditions/Université Grenoble Alpes Printed version Date of publication: 31 March 2005 Number of pages: 25-40 ISBN: 2-84310-061-5 ISSN: 1240-1439 Electronic reference Michael A. Penman, « King Robert the Bruce (1274-1329) », Études écossaises [Online], 10 | 2005, Online since 31 March 2005, connection on 07 September 2020. URL : http://journals.openedition.org/ etudesecossaises/144 © Études écossaises Michael A. Penman King Robert the Bruce (1274-1329) The initial concerns of this study were twofold. Firstly, that it would find that Robert Bruce only existed in the shadow of his predecessor in Scotland’s fight against England, the purer patriot William Wallace (d. 1305). Secondly, in working through works of the late eighteenth- and early nineteenth- centuries, that it would find that Bruce’s image had become fossilised as a result of the acceptance and perpetuation by writers like Sir Walter Scott (1771-1832) of Archdeacon John Barbour’s poem, The Bruce, of the 1370s. A glance at the struc- ture of most works on Bruce from the late fourteenth-century to the present seems to justify this fear. Barbour’s poem, some 14,000 lines long, takes over three-quarters of its length to follow Bruce from his seizure of the throne in 1306 through many struggles to his triumph in battle against England at Bannockburn in 1314: the remaining fifteen years of «Good King Robert’s» reign is then covered quickly by Barbour (Duncan, 1997). -
History of the Campbell Family
TAB LE OF CO NT ENTS Chapte r I — ’ Or i gi n of th e n am e of Ca mpb e ll D ia rmid o Du i bh n e — — —“ ’ The Cl an Ca mpbell Th e Fi er y Cross It s a F a r — h a Cry to L och A w e T e C mpb ell Country . Chapte r II — E a rly H istory of th e Ca mpb e lls of Argyll M a cChai llan or — o n a e F r t Ea r o r —Th e M e C li C mpb ll , i s l f A gyll ” L ordship of L o rn E a rl of Guil e an d L ord Forlorn — w Th e Argyll To e r . Chapte r III Th a e o B r ea a a ne L o o n an d a w or e C mpb lls f d lb , ud u , C d — — Oth e r B ra nch e s of th e Cl a n Th e Cla n M acI ver a n d h a n M A r h r —Th i h n t e Cl ac t u e Go b ean . Chapt er IV Nota e a n ot an r n 1 th n d bl C mp—bells i S c l d—du i g the 7 a 1 8th Ce nturi es H ighland M a ry The B rooch of L orn —“ The Campbe lls a r e Coming. -
Walter Scott and Short Fiction
PERFORMING ROBERT BURNS ‘This book is a reminder that experiencing Burns has always been as much a voice or an event as pages in a book. In our time, as in his own, Burns is encountered as recitation, on stage and screen, in speeches, preeminently as song, and in the drama and debates surrounding new discoveries and new editions. Contributors to this imaginative new interdisciplinary collection bridge the divide between performers and scholars, with readable but authoritative short essays that will spark interest in all Burnsians and open up new directions for Burns research.’ Patrick Scott, University of South Carolina Examines representations of Robert Burns and his work in a wide range of performance modes This book opens up fresh aspects of performance and performativity and their impact on our perception of Robert Burns and his work. Bringing together leading experts on music, song, drama, public ceremonial and literature, it studies Burns as a performed and performative construct. It explores ways in which he is encountered as a living author, setting the popularity of his poetry and songs in the context of his representation in popular and Gerard Carruthers Edited by Ian Brown culture. Ian Brown is Honorary Senior Research Fellow in Scottish Literature at Glasgow University and Professor Emeritus in Drama at Kingston University. WALTER SCOTT Gerard Carruthers FRSE is Francis Hutcheson Professor of Scottish Literature at the University of Glasgow. AND SHORT Cover image: www.iangeorgesonphotography.co.uk ISBN 978-1-4744-5714-9 Cover design: www.hayesdesign.co.uk FICTION edinburghuniversitypress.com Daniel Cook Walter Scott and Short Fiction ‘I begged to have a specimen of his talent as we went along.’ Walter Scott, Redgauntlet Walter Scott and Short Fiction Daniel Cook Edinburgh University Press is one of the leading university presses in the UK. -
The Bottle Corson Collection) Through to the ‘Magnum Opus’ Edition of the Waverley Novels
ISSN 1754-1514 Deans’ rose; the ‘Dandie Dinmont’ terrier). The ‘Biography’ section has illustrated pages on Scott’s family, childhood, educa- tion, legal career, marriage, and his most The important relationships. It traces his career from his debut as a translator of Goethe and Bürger (with images of rare editions in the Bottle Corson Collection) through to the ‘Magnum Opus’ edition of the Waverley Novels. It offers more detailed examinations of key moments Imp in Scott’s life, such as the financial crisis of 1825–26 which brought him to the edge of bankruptcy. There is space too for less well- Issue 16, November 2014 known episodes, such as Scott’s relations with The Walter Scott Digital Archive the deeply eccentric Gallowegian poet, painter, www.walterscott.lib.ed.ac.uk and landscape surveyor, John Morrison (1782– Paul Barnaby 1853), which resulted in one of the treasures of the Corson Collection: a manuscript map of he Walter Scott Digital Archive aims to the Abbotsford estate, with the names of fields be the go-to website for anyone seek- and plantations in Scott’s own hand (repro- Ting authoritative information on Scott’s duced on the website). life and work. It is designed around Edinburgh Besides providing reliable bio-bibliographical University Library’s Corson Collection, the information, the Digital Archive serves as a world’s largest self-standing collection of Scott newsletter for Scott events and publications. A materials. The Collection is the lifework of constantly updated ‘Forthcoming Events’ page James C. Corson (1905–88), Deputy Librarian lists conferences, exhibitions, papers, lectures, of Edinburgh University (1939–65) and and talks. -
Sir Walter Scott's Journal
Sir Walter Scott's Journal J. A. BRAMLEY IR WALTER SCOTT'S Journal has been described as one of the great books of the world, since in it he succeeded in giving S a convincing picture of his own greatness. It was not only his quiet and unobtrusive heroism that enabled him to do this but also the natural simplicity and dignity of his character. He started keeping his Gurnal, as he preferred to call it, on 20 Novem• ber 1825, during the last few years of his life and only three weeks before he was overtaken by the financial storm that ruined him. On the very day he got news of his bankruptcy the Journal records that he received a visit from a neighbour, one R. P. Gillies, an impecunious literary hack who was to pester Scott for help almost for the rest of his life. Some idea of the type of man Gillies was may be gathered from the fact that he had once asked Scott to put his name to a book he intended to write. It was characteristic of Scott that on this occasion he never even mentioned that only that day he had learned of his own bankruptcy. On 14 December the Journal begins to assume a very ominous note. The publishing house of Hurst and Robinson, as well as Constable, had failed, and it now appears certain 'that I must go with poor James Ballantyne for company'. He knew he had been rash and imprudent in embarking on publishing, and leaving the control of business matters largely to others ; he had never tried to absolve himself from the major share of the blame, yet the thought that he might lose Abbotsford made his heart bleed. -
Sir Walter Scott As Historian
; .., . Richard French :1 ·. • ; . -. I ! I . ·:. SIR WALTER SCOTT AS HISTORIAN ,I' . .;- I IN OBSERVING THE METHODS by which Sir Walter Scott used history m his creative writing, the reader is aware of this one general characteristic- variety. Just as he varied techniques, he changed his period of history. The date of his earliest story is 1098, Count Robert of Paris; the date of his latest-that of his only "contemporary"-novel, St. Roman's Well, is 1812. Much as he admired the Romans and knew Roman history, he never wrote about them, although he constantly talked about the Roman Wall in Britain. In composing his novels he set the first three in the eighteenth century, then Old Mortality in the seven teenth. Three more had the eighteenth again for setting. In his tenth novel Scott wrote about the twelfth century, an epoch he used further in The Talisman and two inferior tales. From British history, Scott chose the themes of nineteen novels, four narrative poems, and a drama. These include the periods of seventeen British monarchs, five rulers of Scotland, and the period of the Civil War and Cromwell. In addition to these twenty-four works treating strictly of themes of British history, Scott wrote six other novels and a narra tive poem which treat it incidentally. Besides Scotland and England, Scott wrote of Constantinople and Scutari of 1098; Wales of 1187; Syria of 1191; France and Flanders of 1468; Switzerland, Germany, and France of 1474; the Isle of Man of 1678; Holland of 1679; the Shetland and Orkney Islands of 1700; Flanders of 1702; Holland and India of 1765; the Isle of Wight and India of 1780. -
Kleinsorge-MA-1933.Pdf (14.74Mb)
This Thesis approved hy V THL BACKGROUND of’ "THE LADY OF THE LAKE”' ■% » by C.PP.S, * A THESIS 4 Submitted to the Faculty of the Creighton University in Partial Fulfillment of the Requirements ' for the Degree of Master of Arts in the Department of English ii Omaha, 1933 Introduction............. .Page 1 Chapter I The Author. ...................... .Page 3 Sir Walter Scott................... Page 5 Chapter II Historical Background............ ..Page 8 Geographical Background......... .Page 11 Chapter III Subject Matter..................... Page 16 The Chase......... Page 16 The Island....................... Page 17 The Gathering..... ............. .Page 18 The Prophecy..................... Page 19 The Combat....................... Pag© 20 The Guard Room................ .Page 21 Chapter IV Time of the Action.......... .page 23 Bate of the Story..................Page 24 Place of the Story................. Page 25 Chapter ¥ Literary Analysis of the Poem..... Page 26 Style of Composition............. Page 26 Its Meter........................ Page 31 Its Plan........ Page 32 Its Source....................... Page 33 Its Literary Excellences......... Page 33 Chapter VI Character Study .......... Page 36 Ellen................... Page 36 Fitz-James....................... Page, 38 Roderick Bin?. .................... Page 39 Chapter VII Details of the Poem............... Page 41 Pictures..................... ..Page 41 Delineati1?«................ .Page 41 Nature Pictures................ Page 43 Sounds........... Page 44 Figures of Speech...... -
The Great Reviser; Or the Unknown Scott
The Great Reviser; or the Unknown Scott G. A. M. WOOD o CELEBRATE the completion of Abbotsford in late 1824, Scott held a large and festive house party there at the end T ofthat year. One of his guests was Basil Hall, naval captain, travel author and a man of a curious and inquiring mind. During the period from 29 December 1824 to 10 January 1825, Hall kept a Journal of his visit, in which he not only recorded many informative details concerning the Abbotsford festivities, but also gave vent to curiosity about his host. He wondered how such a public figure and genial host could contrive, if rumour were correct, to find time for the composition of such an infinity of words. Hall attempted to discover the answer by writing his own journal, unknown to the rest of the company, and only in private hours, during the night or before breakfast. To his satisfaction, Hall proved that his suspicions were right, and that, at the same rate of daily composition, he could have produced manuscript to the length of a Waverley novel within three months. I really bave no difficulty in supposing that a couple of hours every day before breakfast may be quite sufficient for all the MS. of Waverley novels produced in the busiest year since the commencement of the series.1 Only two assumptions were necessary: It is well known, or at least generally, and I have reason to believe truly admitted, that Sir Walter composes his works just as fast as he can write — that the manual labour is all that it costs him, for his thoughts flow spontaneously. -
[TG1-1, Tales of a Grandfather, Chap. 1, P. 1] (1-1)ENGLAND Is The
[TG1-1, Tales of a Grandfather, Chap. 1, p. 1] (1-1)ENGLAND is the Southern, and Scotland is the (1-1)northern part of the celebrated island called Great (1-1)Britain. England is greatly larger than Scotland, (1-1)and the land is much richer, and produces better (1-1)crops. There are also a great many more men in (1-1)England, and both the gentlemen and the country (1-1)people are more wealthy, and have better food and (1-1)clothing there than in Scotland. The towns, also, (1-1)are much more numerous, and more populous. (1-1)Scotland, on the contrary, is full of hills, and (1-1)huge moors and wildernesses, which bear no corn, (1-1)and afford but little food for flocks of sheep or (1-1)herds of cattle. But the level ground that lies (1-1)along the great rivers is more fertile, and produces (1-1)good crops. The natives of Scotland are accustomed [TG1-2, Tales of a Grandfather, Chap. 1, p. 2] (1-2)to live more hardily in general than those (1-2)of England. The cities and towns are fewer, (1-2)smaller, and less full of inhabitants than in England. (1-2)But as Scotland possesses great quarries of (1-2)stone, the houses are commonly built of that material, (1-2)which is more lasting, and has a grander effect (1-2)to the eye than the bricks used in England. (1-2)Now, as these two nations live in the different (1-2)ends of the same island, and are separated by large (1-2)and stormy seas from all other parts of the world, (1-2)it seems natural that they should have been friendly (1-2)to each other, and that they should have lived as (1-2)one people under the same government.