Mike Greenblatt
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Queen of the Blues © Photos AP/Wideworld 46 D INAHJ ULY 2001W EASHINGTONNGLISH T EACHING F ORUM 03-0105 ETF 46 56 2/13/03 2:15 PM Page 47
03-0105_ETF_46_56 2/13/03 2:15 PM Page 46 J Queen of the Blues © Photos AP/WideWorld 46 D INAHJ ULY 2001W EASHINGTONNGLISH T EACHING F ORUM 03-0105_ETF_46_56 2/13/03 2:15 PM Page 47 thethe by Kent S. Markle RedRed HotHot BluesBlues AZZ MUSIC HAS OFTEN BEEN CALLED THE ONLY ART FORM J to originate in the United States, yet blues music arose right beside jazz. In fact, the two styles have many parallels. Both were created by African- Americans in the southern United States in the latter part of the 19th century and spread from there in the early decades of the 20th century; both contain the sad sounding “blue note,” which is the bending of a particular note a quar- ter or half tone; and both feature syncopation and improvisation. Blues and jazz have had huge influences on American popular music. In fact, many key elements we hear in pop, soul, rhythm and blues, and rock and roll (opposite) Dinah Washington have their beginnings in blues music. A careful study of the blues can contribute © AP/WideWorld Photos to a greater understanding of these other musical genres. Though never the Born in 1924 as Ruth Lee Jones, she took the stage name Dinah Washington and was later known leader in music sales, blues music has retained a significant presence, not only in as the “Queen of the Blues.” She began with singing gospel music concerts and festivals throughout the United States but also in our daily lives. in Chicago and was later famous for her ability to sing any style Nowadays, we can hear the sound of the blues in unexpected places, from the music with a brilliant sense of tim- ing and drama and perfect enun- warm warble of an amplified harmonica on a television commercial to the sad ciation. -
BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected]
BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected] KÜNSTLER Chuck Berry TITEL Rock And Roll Music Any Old Way You Choose It Die Gitarrenkoffer-Edition LABEL Bear Family Productions KATALOG # BCD 17053 PREIS-CODE ZY EAN-CODE ÇxDTRBAMy170539z FORMAT Original-Gitarrenkoffer inkl. 16 CD-Box mit 2 gebundenen Büchern (356 Seiten), in leinengebundenem Schuber (28 x 28 x 6 cm) plus magnetischem Schlüsselhalter (12,5 x 20 cm) und signiertem Zertifikat Limitierte Edition: 88 Stück GENRE Rock ‘n’ Roll ANZAHL TITEL 396 SPIELDAUER 1271:04 "Sollten Sie nach einem anderen Namen für Rock And Roll suchen, so könnten Sie ihn auch 'Chuck Berry' nennen." (John Lennon) Seit der Gründung von BEAR FAMILY im Jahre 1975 wollten wir Chuck Berry und sein Lebenswerk würdigen. Chuck Berry-Zusam- menstellungen gab es zu jeder Zeit wie Sand am Meer, mehr als man wird jemals zählen können. Wir jedoch wollten Maßstäbe setzen mit unserer Edition. Zur Feier von Chuck Berrys 88. Geburtstag am 18. Oktober 2014 legen wir eine ultra-limitiere und numerierte Edition unserer Chuck Berry-Box von lediglich 88 Stück auf! Diese Rarität enthält zusätzlich ein signiertes Zertifikat. G Diese Deluxe-Edition kommt in einem exklusiven Gitarrenkoffer in Originalgröße (ES-Series). In solch einem Koffer lag die Gitarre, die Chuck Berry seit den 50er Jahren spielt. G Ebenfalls enthalten: ein magnetischer Schlüsselhalter mit einem seltenen Chuck Berry-Motiv. G Die auf 88 Stück limitierte und numerierte Chuck Berry-Geburtstagsausgabe enthält zusätzlich ein signiertes Zertifikat. G Diese Box enthält jede einzelne auf Single oder LP erschienene Aufnahme, beginnend mit der seltenen Single von Joe Alexander die entstand, bevor Chuck Berry zu CHESS ging. -
UNIVERSAL MUSIC • Aaron Pritchett – the Score • Thousand Foot
Aaron Pritchett – The Score Thousand Foot Krutch - Exhale Jon Bellion – The Human Condition Check out new releases in our Vinyl Section! New Releases From Classics And Jazz Inside!!! And more… UNI16-25 UNIVERSAL MUSIC 2450 Victoria Park Ave., Suite 1, Willowdale, Ontario M2J 5H3 Phone: (416) 718.4000 *Artwork shown may not be final May 16th, 2016 Dear Customer, Effective on the dates outlined below, the Canadian distribution of the attached list of R.E.M. titles will change from Warner Music Canada and be handled by Universal Music Canada on behalf of Concord Music Group. In order to make this transition as easy as possible for all customers, please note the following steps. ORDERS: Effective, June 30, 2016 Warner Music Canada will cancel all back orders for the products listed below. Effective July 01, 2016 Universal Music Canada will begin processing and shipping orders on the attached product listing with corresponding UMC pricing. Please refer to the attached product list for updated catalogue and UPC numbers. RETURNS: Universal Music Canada will accept return requests for this product effective July 01, 2016. Credit will be issued per the Universal Music Canada Terms and Conditions of Sale. ADVERTISING: Universal Music Canada will be responsible for ad claims issued after July 01, 2016. We trust that these procedures will make the transition as smooth as possible and we thank you for your continued support. Please contact your local Universal Music Canada representative should you have any questions. Regards, Adam Abbasakoor Vice President, Commercial Affairs Vice President, Sales Universal Music Canada Warner Music Canada R.E.M. -
Performing Songwriter 70 July/August 2008
TOOLS OF THE TRADE KEYBOARD CHUCK LEAVELL Keyboard BY RUSSELL HALL Chuck Leavell “Th e most important thing is to do the song justice,” says Chuck Leavell. “It’s not about being fl ashy or trying to set the world on fi re. It’s about contributing to a piece of material CHUCK LEAVELL in the best way possible.” Live in Germany: Green Leaves & Blue Notes Tour 2007 [Evergreen Arts] Th at philosophy—with regards to Stones’ unoffi cial music director. When he’s keyboard playing—has served Leavell not on the road or in the studio, chances DISC 1 In the Wee Wee Hours well for four decades. Dating back to his are he’s busy working his tree farm in rural Route 66 earliest years with the Allman Brothers, the Georgia or rallying support for forestry and Living in a Dream King Grand 55-year-old Macon, Ga., native has graced conservation issues. Honky Tonk Women some of the most memorable recordings of Somehow, in the midst of these activities, Rip This Joint our times. His rollicking contribution to the Leavell has managed to record several Coming Home Down the Road a Piece Allmans’ “Jessica” is oft en cited as one of albums of his own. His latest—a two-CD Alberta, Alberta rock’s best piano solos. At the other extreme, set titled Live in Germany: Green Leaves & DISC 2 the subdued elegance he brought to Eric Blue Notes Tour 2007—employs all facets of Here Comes the Sun Clapton’s Unplugged album helped set the his keyboard skills. -
Chuck Berry's "Maybellene"
Maybellene An Article by Frank Daniels Chess Singles Label Styles Label 50 – June 1950 through September 1957 This label appears on 45 RPM and 78 RPM singles. “CHESS” appears at the top, with chess pieces to the side and through the logo. The 45 RPM singles have the colors swapped, with the white color replaced by silver. Label 57 – October 1957 through March 1961 Blue, black, or gold label with CHESS running vertically down the left side. Chess released singles at 78 RPM only for potential hits after 1958, with the latest known 78 being Chuck Berry’s “Let it Rock” in late January 1960. Some singles continued to use the blue label until March 1963. Label 61 – April 1961 through March 1963 Yellow, red, and black label with arrows pointing to CHESS. CHESS appears at the right side. Label 63 – March 1963 through October 1966 Black label with CHESS in front of a shield at the top. Label 66 – November 1966 through July 1971 Light blue label with CHESS in red, white, and blue at the top. In March 1969, Chess became part of General Recorded Tape (GRT), but the label style remained the same for two more years. One pressing plant kept this label into 1972. Label 71 – July 1971 through July 1975 Orange and turquoise label with rim print reading “A GRT Record Group Co., Div. of GRT Corp.” or “Manufactured by GRT Corporation.” While it seems as though one of the two wordings ought to have been “first” and the other “second,” both appear on singles from 1971 all the way through 1975. -
NY Unofficial Archive V5.2 22062018 TW.Pdf
........................................................................................................................................................................................... THE UNOFFICIAL ARCHIVE: NEIL YOUNG’S “UNRELEASED” SONGS ©Robert Broadfoot 2018 • [email protected] Version 5.2 -YT: 22 June 2018 Page 1 of 98 CONTENTS CONTENTS ............................................................................................................................. 2 FOREWORD .......................................................................................................................... 3 A NOTE ON SOURCES ......................................................................................................... 5 KEY .......................................................................................................................................... 6 I. NEIL YOUNG SONGS NOT RELEASED ON OFFICIAL MEDIA PART ONE THE CANADIAN YEARS .............................................................................. 7 PART TWO THE AMERICAN YEARS ........................................................................... 16 PART THREE EARLY COVERS AND INFLUENCES ........................................................ 51 II. NEIL YOUNG PERFORMING ON THE RELEASED MEDIA AND AT CONCERT APPEARANCES, OF OTHER ARTISTS ..................................................... 63 III. UNRELEASED NEIL YOUNG ALBUM PROJECTS PART ONE DOCUMENTED ALBUM PROJECTS ....................................................... 83 PART TWO SPECULATION -
Popular Music Genres: the Past 70 Years to Now
California State University, Monterey Bay Digital Commons @ CSUMB Capstone Projects and Master's Theses Capstone Projects and Master's Theses 12-2020 Popular Music Genres: The Past 70 Years to Now Natasha Lugo California State University, Monterey Bay Follow this and additional works at: https://digitalcommons.csumb.edu/caps_thes_all Recommended Citation Lugo, Natasha, "Popular Music Genres: The Past 70 Years to Now" (2020). Capstone Projects and Master's Theses. 967. https://digitalcommons.csumb.edu/caps_thes_all/967 This Capstone Project (Open Access) is brought to you for free and open access by the Capstone Projects and Master's Theses at Digital Commons @ CSUMB. It has been accepted for inclusion in Capstone Projects and Master's Theses by an authorized administrator of Digital Commons @ CSUMB. For more information, please contact [email protected]. Lugo 1 Natasha Lugo MPA 475 Capstone Lanier Sammons 18 December, 2020 Popular Music Genres: The Past 70 Years to Now Each decade is connected to specific music genres that are remembered years later. Artists who imprint in listeners’ minds, album collections or playlists stand out within certain decades from when they were the most successful. Awards, charts, album sales and performances are some of the accomplishments that help the growth of their careers through the public. With pop and rap being the favored genres, proven in the charts from the last twenty years, what is today’s music genre? Using a few artists as reference along with collecting data, starting from the 1950s and ending with the 2010s, this paper will show the core of what was the most desired genre. -
Download Without the Beatles Here
A possible history of pop ... DAVID JOHNSTON To musicians and music-lovers, everywhere, and forever. A possible history of pop… DAVID JOHNSTON Copyright © 2020 David Johnston. All rights reserved. First published in 2020. ISBN 978-1-64999-623-7 This format is available for free, single-use digital transmission. Multiple copy prints, or publication for profit not authorised. Interested publishers can contact the author: [email protected] Book and cover design, layout, typesetting and editing by the author. Body type set in Adobe Garamond 11/15; headers Futura Extra Bold, Bold and Book Cover inspired by the covers of the Beatles’ first and last recorded LPs, Please Please Me and Abbey Road. CONTENTS PROLOGUE 1 I BEFORE THE BEATLES 1 GALAXIES OF STARS 5 2 POP BEGINNINGS 7 3 THE BIRTH OF ROCK’N’ROLL 9 4 NOT ONLY ROCK’N’ROLL 13 5 THE DEATH OF ROCK’N’ROLL AND THE RISE OF THE TEENAGE IDOLS 18 6 SKIFFLE – AND THE BRITISH TEENAGE IDOLS 20 7 SOME MARK TIME, OTHERS MAKE THEIR MARK 26 II WITHOUT THE BEATLES A hypothetical 8 SCOUSER STARTERS 37 9 SCOUSER STAYERS 48 10 MANCUNIANS AND BRUMMIES 64 11 THAMESBEAT 76 12 BACK IN THE USA 86 13 BLACK IN THE USA 103 14 FOLK ON THE MOVE 113 15 BLUES FROM THE DEEP SOUTH OF ENGLAND (& OTHER PARTS) 130 III AFTER THE BEATLES 16 FROM POP STARS TO ROCK GODS: A NEW REALITY 159 17 DERIVATIVES AND ALTERNATIVES 163 18 EX-BEATLES 190 19 NEXT BEATLES 195 20 THE NEVER-ENDING END 201 APPENDIX 210 SOURCES 212 SONGS AND OTHER MUSIC 216 INDEX 221 “We were just a band who made it very, very big. -
In Early 1956, Johnnie Johnson and Chuck Berry Headed to Chicago For
sidemen .iqhnnie Johnson«, counterpoint to Berry’s souped-up guitar on on a fateful day in early the uptempo tunes, while on the slow blues, such as “Wee Wee HourfJ^Johnson laid 1956, Johnnie Johnson and down triplet-ridden, soulful responsorial fils and a solo that proved him the equal of any blues pianist then current on the Chica Chuck Berry headed to Chicago go scene. Had Johnson spent the rest of his career simply filling the function of letter- for their fourth recording ses perfect foil on Berry’s subsequent record ings, he would amply deserve to be inducted sion at Chess Records. Their into the Rock and Roll Hall of Fame. But be ginning with the duo’s fourth session, which first three efforts had produced produced “Roll Over Beethoven,” “Brown Eyed Handsome Man,” “Drifting Heart” and the blues-inflected stylings of “Too- Much Monkey Business,” Johnson did so much more. In fact, together with Berry, he “Wee Wee Hours,” “No Money created the archetypal rock & roll groove that would influence the sound of virtually every Down” and “Downbound rock musician for the next twenty years. While Berry wrote the lyrics and his guitar Train” and the cut-time coun solos, it was Johnson who took from earlier boogie-woogie piano players what he re try raveups “Maybellene,” “You ferred to as his “chopping bassy” playing chords in either a shuffle groove or straight Can’t Catch Me” and “Thirty eighths, every second, articulation shifting between the fifth and sixth degrees of the scale. When Berry adapted this to his guitar, Days.” The results had been the standard rhythm-guitar pattern of basic rock & roll came into existence. -
BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected]
BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected] ARTIST Chuck Berry TITLE Rock And Roll Music Any Old Way You Choose It The Guitar Case Edition LABEL Bear Family Productions CATALOG # BCD 17053 PRICE-CODE ZY EAN-CODE ÇxDTRBAMy170539z FORMAT Full-size guitar case incl. 16-CD Box-Set with 2 hardcover books (356 pages), in cloth- bound slipcase (28 x 28 x 6 cm) plus magnetic key holder (12,5 x 20 cm) and signed certificate • Limited Edition: 88 copies GENRE Rock ‘n’ Roll TRACKS 396 PLAYING TIME 1271:04 "If you tried to give rock and roll another name, you might call it 'Chuck Berry.'" (John Lennon) Since our launch in 1975, we at BEAR FAMILY have wanted to honor Chuck Berry. There have been endless Chuck Berry compilations before and since then – more than anyone could possibly tabulate, but we wanted to do the ultimate Chuck Berry compilation. To commemorate Chuck Berry's 88th birthday on October 18, 2014, BEAR FAMILY offers an exclusive ultra-limited and numbered edition of only 88 copies! This special collector's item comes with a signed cer- tificate. G The guitar-case deluxe edition comes in an exclusive full-sized guitar-case (ES-series) just like the one that carried Chuck’s guitar to a gig near you in the ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘00s, and ‘10s. G Also includes a stylish magnetic key holder with a rare Chuck Berry image. G In addition to these features, the limited and numbered (88 copies) Chuck Berry Birthday Edition contains a signed certificate. -
Chuck Berry Trivia Quiz
CHUCK BERRY TRIVIA QUIZ ( www.TriviaChamp.com ) 1> In what year was rock and roll pioneer Chuck Berry born? a. 1936 b. 1931 c. 1926 d. 1921 2> What brand of electric guitar does Berry primarily play? a. Epiphone b. Ibanez c. Fender d. Gibson 3> Released in 1957, which of the following albums was Berry's debut? a. One Dozen Berrys b. Chuck Berry Is on Top c. Chuck Berry d. After School Session 4> Released in 1987, which documentary film chronicles two 1986 concerts celebrating Chuck Berry's 60th birthday? a. We Will Rock You b. Still Crazy c. Hail! Hail! Rock 'n' Roll d. Shut Up and Play the Hits 5> Which Chuck Berry song has the lyric - "I've got no kick against modern jazz unless they try to play it too darn fast..."? a. Johnny B. Goode b. Rock And Roll Music c. Let It Rock d. Roll Over Beethoven 6> As of 2016, how many number one hits has Chuck Berry had on the Billboard Hot 100 chart? a. 5 b. 1 c. 7 d. 3 7> Berry was one of the first stars to be inducted into the Rock and Roll Hall of Fame. In what year? a. 1986 b. 1996 c. 1966 d. 1976 8> How many children does Chuck Berry have? a. 9 b. 6 c. 0 d. 3 9> Which of the following songs was not recorded by Chuck Berry? a. Wee Wee Hours b. Little Queenie c. That'll Be the Day d. Roll Over Beethoven 10> Which of the following albums was not released by Chuck Berry? a. -
Chuck Berry's Chess / Mercury Discography
REVISED 5/11/2014 – in red THE CHUCK BERRY DISCOGRAPHY 1954 - 1979 by Fred Rothwell This discography is a chronological listing of Chuck Berry's recordings. The exact format is as follows: 1. date; 2. location; 3. personnel; 4. discography opus number; 5. original master number; 6. title; 7. 45/78RPM releases; 8. LP/CD releases; 9. composer/writer August 13, 1954; Premier Studio, 3033 Locust Street, St. Louis. Missouri Joe Alexander: vocal; Charles 'Chuck Berry' Berryn: guitar; Oscar 'Faith Douglas' Washington: guitar; Freddy Golden: bongos 1. M 5008 Oh Maria Ballad AA 1008 Mr. DJ 101, GTR CD 39508, (Oscar Washington, Joe Alexander) Spindle SPN 2001 Chrome Dreams CD3CD5073 BCD 17273-1/28 2. M 5009 I Hope These Words Will Find You Well Ballad AA 1008 GTR CD 39508, Chrome Dreams (Oscar Washington, Joe Alexander) Spindle SPN 2001 CD3CD5073, BCD 17273-1/29 May 21, 1955; Universal Studios, 111 East Ontario Street, Chicago, Illinois Chuck Berry & His Combo: Chuck Berry: vocal/guitar; Willie Dixon: double bass; Ebbie Hardy: drums; possibly Leonard Chess or Jerome Green: maracas -1; Johnnie Johnson: piano 3. U7844 Maybellene [Come Back Maybellene] -1 Chess 1604a Chess LP-1425, 1435, 1465 (Chuck Berry) 1480*, 1485, LP(S)-1514D CH2-8201, CH6-80001 Hip-O Select B0009473-02 BCD 17273-1/1 4. U7845 Wee Wee Hours [Wee Wee Hours Blues] Chess 1604b, EP-5118 Chess LP-1426 (8382) (Chuck Berry) LP(S)-1514D, CH6-80001 Hip-O Select B0009473-02 BCD 17273-1/2 Note: *LP-1480 [Maybellene] was overdubbed with audience noise. September 1955; Universal Studios, 111 East Ontario Street, Chicago, Illinois Chuck Berry & His Combo: Chuck Berry: vocal/guitar; Willie Dixon: double bass; Ebbie Hardy: drums; possibly Leonard Chess or Jerome Green: maracas -1; Johnnie Johnson: piano; band: chorus-2 5.