Love Is in the Airwaves: Contesting Mass Incarceration with Prisoners' Radio

Total Page:16

File Type:pdf, Size:1020Kb

Love Is in the Airwaves: Contesting Mass Incarceration with Prisoners' Radio Tapestries: Interwoven voices of local and global identities Volume 7 Issue 1 Breaking the Shackles of Silence: Knowledge Production as Activism and Article 7 Resistance 2018 Love is in the Airwaves: Contesting Mass Incarceration with Prisoners' Radio Eleanor R. Benson Macalester College, [email protected] Keywords: prisoners' radio, community media, mass incarceration, criminal justice reform, radical love, community building, bell hooks Follow this and additional works at: https://digitalcommons.macalester.edu/tapestries Recommended Citation Benson, Eleanor R. (2018) "Love is in the Airwaves: Contesting Mass Incarceration with Prisoners' Radio," Tapestries: Interwoven voices of local and global identities: Vol. 7 : Iss. 1 , Article 7. Available at: https://digitalcommons.macalester.edu/tapestries/vol7/iss1/7 This Article is brought to you for free and open access by the American Studies Department at DigitalCommons@Macalester College. It has been accepted for inclusion in Tapestries: Interwoven voices of local and global identities by an authorized editor of DigitalCommons@Macalester College. For more information, please contact [email protected]. Love is in the Airwaves: Contesting Mass Incarceration with Prisoners’ Radio Eleanor R. Benson Everyone has their favorite nighttime ritual. broadcast every Friday night during The ​ Mine usually involves a cup of tea with a Prison Show, a Houston-based community ​ podcast or a Spotify playlist, but tonight I radio program made specifically for prisoners listen to something completely different. As I and their loved ones. As of 2012, the program plug in my earbuds and tune out the world reached one-sixth of the total incarcerated around me for a few hours, thousands of folks population in Texas, amounting to tens of a thousand miles south do the same. We all thousands of people behind bars.2 hear the same woman’s soft southern drawl: Several states away, another community radio station devotes their This message is going out for Jeremy. I’m just calling to check in with you. I’m Monday nights to prisoners across the doing good, I had a good week at work. I coalfields. Broadcasting from Whitesburg, Kentucky, WMMT-FM 88.7’s Calls From Home got a letter from you yesterday asking ​ about those shoes that come out on transmits loving messages to incarcerated Sunday…I’ll tell you what they look like. people in over a dozen prisons, jails, and They’re white with a top piece and the detention centers across Kentucky, Virginia, shoelaces [are] black. I don’t like them, and West Virginia.3 Calls From Home and but I’m sure you will. I’ll go ahead and ​ get them for you…I love you and I miss WMMT-FM’s broader media initiative, Restorative Radio, revolutionize how loved you and I’m counting down the days for ​ you to come home…Know that you’re ones interact in the destructive age of mass 1 always in my heart and on my mind. incarceration through video, radio, and media In many ways, this message feels mundane training tools.4 One particularly innovative project is Restorative Radio: Audio Postcards, and perhaps even familiar: an attentive ​ ​ mother looking out for her kid, anxiously which airs long-form radio pieces created by awaiting the day that he will be home for a prisoners’ families using professional audio visit. She just wants to make her son happy— equipment. These 10 to 45 minute pieces aim to “capture sounds, voices and music from even if she does not approve of his fashion ​ sense. From the warmness in her voice and 2 the earnestness in her closing words, there is Carrie Feibel, “'The Prison Show' Helps Texas Inmates Find Escape,” NPR, 16 Jan. 2012, ​ ​ no questioning the love she feels for her child. https://www.npr.org/2012/01/16/144970513/the-prison-sh ow-helps-texas-inmates-find-escape. But beyond the surface, this is no 3 Rose Hackman, “Calls From Home: The Radio Show That Connects Inmates and Their Loved Ones,” The Guardian, 23 typical mother-son relationship. Jeremy’s ​ ​ March 2016, message is one of dozens of shout-outs that https://www.theguardian.com/tv-and-radio/2016/mar/23 /calls-from-home-wmmt-kentucky-prison-inmates-family-f riends. 1 “The Prison Show,” 90.1 KPFT, accessed April 2018, 4 “About Restorative Radio,” Restorative Radio, accessed April ​ ​ ​ ​ http://kpft.org/programming/newstalk/prison-show/. 2018, http://www.restorativeradio.org/about/. Tapestries | Spring 2018 1 • LOVE IS IN THE AIRWAVES ​ELEANOR R. BENSON ​ home” to invite incarcerated people back into expressions allows prisoners and their 5 the lives of their loved ​ones. These one-sided advocates on the outside to actively challenge interactions are purely metaphysical and the dehumanization of prisoners. By bridging marked by the absence of the incarcerated a diverse and distant listening base— person, but they nonetheless strengthen prisoners and their loved ones, individuals loving relationships which are too often who stumble across the shows while scrolling devastated by prison. through the stations, and people from across From Southeast Texas to the heart of the country who tune in through the Appalachia, the preferred bedtime ritual for online live streams—prisoner-oriented radio thousands of incarcerated men and women programs rooted in an ethic of love play an involves tuning into The Prison Show and Calls essential role in building community that ​ ​ From Home using a Sony SRF-39FP, a personal traverses prison walls. ​ analog radio ubiquitous in American prisons. In this article, I explore the ​ The radio’s transparent body, meant to intersections of prison, radio, community, and discourage prisoners from smuggling love through an analysis of The Prison Show ​ contraband, displays a single AA battery which and Restorative Radio. I argue that prisoners ​ ​ boasts an impressive 40 listening hours. Even and their loved ones appropriate the radio to though newer digital models and MP3 players perform public and revolutionary acts of love, exist in some prison commissaries, the countering the oppressive forces of mass SRF-39FP costs significantly less than other incarceration in the United States. By audio devices (at under $30) and runs the unapologetically positioning their love for longest—awarding it the name “the iPod of incarcerated people front and center, prison.”6 ordinary Americans—mothers, fathers, Radio projects like The Prison Show and siblings, kids, spouses, and neighbors—subvert ​ Restorative Radio have significant impacts that racist and classist structures in our society resonate well beyond the family networks of which mark prisoners as incapable and the incarcerated. For members of the broader unworthy of love. By bearing witness to these community—particularly those of us without public pronouncements of love, those of us personal connections to the prison system— whose lives remain otherwise untouched by these shows grant the unique privilege mass incarceration have no choice but to of hearing public displays of fiercely accept the humanity of people behind bars. unapologetic love for incarcerated people. From a sense of shared humanity stems Love is an intrinsic marker of humanity, so the solidarity and positive change. deliberately public nature of these heartfelt Moving forward, I first address my own positionality7 and personal interest in 5 “Audio Postcards,” Restorative Radio, accessed April 2018, ​ ​ http://www.restorativeradio.org/audio-postcards-2/. 7 As Maher and Tetreault describe in “Frames of Positionality: ​ ​ ​ 6 Feibel, “'The Prison Show'”; Joshua Hunt, “The iPod of Constructing Meaningful Dialogue about Gender and Race,” Prison,” The New Yorker, 19 June, 2017, “positionality” refers to how “gender, race, class and other ​ ​ https://www.newyorker.com/tech/elements/the-ipod-of- aspects of our identities are markers of relational positions prison. rather than essential qualities. Knowledge is valid when it Tapestries | Spring 2018 2 • LOVE IS IN THE AIRWAVES ​ELEANOR R. BENSON ​ prisoners’ radio. Next, I unpack bell hooks’ our entire bodies—our bones, our conceptualization of love as a mode of innards vibrate, too, to sounds, and political resistance along with the ways that certainly to music—means that we are actually feeling similar sensations in our mass incarceration and mass media bodies at exactly the same time when undermine her vision of love. I then discuss we listen as a group. In part because of the potential of prisoners’ radio in bringing this physical response, listening often this vision to life. Finally, I delve into the inner imparts a sense of emotion stronger workings of The Prison Show and Restorative than that imparted by looking.8 ​ ​ Radio to explore how these programs foster This visceral reaction to radio listening almost love. ​ seems to transcend time and space. Hearing a Radio Love: A Personal Account familiar voice or song on the radio never fails to transport me to happy moments in my Growing up in a house where sound childhood, surrounded by love. was constantly emanating from my parents’ During a semester abroad in Peru, I had giant stereo in the living room, radio has the opportunity to investigate this connective always been an important part of my life. I was power of radio in an international context. familiar with A Prairie Home Companion ​ Through a community radio project called before I learned how to read or ride a bike. I Sisichakunaq Pukllaynin, I explored how could always count on waking up to Morning ​ ​ students at a predominantly indigenous Edition and coming home to All Things ​ ​ elementary school appropriate the radio to Considered after school. And between the talk affirm their personal, collective, and cultural shows, there was always music: classical, jazz, identities. Many of these children, some as folk, classic rock. In my family, radio listening young as five or six, immigrated to the city to was often a communal activity, something receive an education hours away from their shared at the dining table or in front of the families and home communities.
Recommended publications
  • Continuing the Dialogue on Canada's Federal Penitentiary System
    CONTINUING THE DIALOGUE ON CANADA’S FEDERAL PENITENTIARY SYSTEM A Little Less Conversation, A Lot More Action Jarrod Shook OPENING UP A CONVERSATION In our conclusion to Volume 26, Number 1&2 – Dialogue on Canada’s Federal Penitentiary System and the Need for Penal Reform – we at the Journal of Prisoners on Prisons (JPP) left off with the following hope: … that our readers, and in particular Prime Minister Justin Trudeau and his Minister of Justice and Attorney General of Canada Jody Wilson-Raybould who was mandated to review criminal justice, laws, policies and practices enacted during the 2006-2015 period under the previous government, will take seriously the voices of prisoners (Shook and McInnis, 2017, p. 300). To encourage this process, the 19 October 2017 launch of the JPP included a press release summarizing the recommendations for penitentiary reform made by those who participated in the dialogue. Copies of the journal (Shook et al., 2017a), the press release, along with an article summarising the project (Shook and McInnis, 2017), and information about where the journal can now be accessed online (see www.jpp.org) were also sent directly to Prime Minister Trudeau, Minister of Justice and Attorney General Jody Wilson Raybould, Minister of Public Safety Ralph Goodale, former CSC Commissioner Don Head, Members of Parliament on the Standing Committee on Public Safety & National Security, as well as the Standing Committee on Justice and Human Rights. These materials were also provided to members of the Senate Committee on Human Rights, the Offi ce of the Correctional Investigator, the research offi ces of CSC and Public Safety Canada’s, major media outlets, and a network of university colleagues whom we requested that they consider incorporating the special issue into their course content and required course reading lists.
    [Show full text]
  • PUNISHMENT, PRISON and the PUBLIC AUSTRALIA the Law Book Company Ltd
    THE HAMLYN LECTURES TWENTY-THIRD SERIES PUNISHMENT, PRISON AND THE PUBLIC AUSTRALIA The Law Book Company Ltd. Sydney : Melbourne : Brisbane CANADA AND U.S.A. The Carswell Company Ltd. Agincourt, Ontario INDIA N. M. Tripathi Private Ltd. Bombay ISRAEL Steimatzky's Agency Ltd. Jerusalem : Tel Aviv : Haifa MALAYSIA : SINGAPORE : BRUNEI Malayan Law Journal (Pte) Ltd. Singapore NEW ZEALAND Sweet & Maxwell (N.Z.) Ltd. Wellington PAKISTAN Pakistan Law House Karachi PUNISHMENT, PRISON AND THE PUBLIC An Assessment of Penal Reform in Twentieth Century England by an Armchair Penologist BY RUPERT CROSS, D.C.L., F.B.A. Vinerian Professor of English Law in the University of Oxford Published under the auspices of THE HAMLYN TRUST LONDON STEVENS & SONS Published in 1971 by Stevens & Sons Limited of 11 New Fetter Lane in the City of London and printed in Great Britain by The Eastern Press Ltd. of London and Reading SBN Hardback 420 43790 8 Paperback 420 43800 9 Professor Cross 1971 CONTENTS The Hamlyn Lectures ....... viii The Hamlyn Trust xi Preface xiii Introduction xv I. BACKGROUND AND DRAMATIS PERSONAE . 1 1. The Gladstone Report .... 1 2. Sir Edmund Du Cane 7 Convict Prisons ..... 7 Local Prisons ...... 9 Hard Labour 10 The Du Cane Regime . .11 Du Cane as a penologist and a person . 13 3. Sir Evelyn Ruggles-Brise . .16 Prison Conditions 17 The avoidance of imprisonment . 19 Individualisation of punishment and indeterminacy of sentence ... 22 Ruggles-Brise as a penologist and a person 27 4. Sir Alexander Paterson .... 29 Career and Personality .... 30 Paterson as a penologist.... 33 5. Sir Lionel Fox .....
    [Show full text]
  • 1- in the United States District Court for the Middle
    IN THE UNITED STATES DISTRICT COURT FOR THE MIDDLE DISTRICT OF TENNESSEE AT NASHVILLE ROBERT CARMEN, § § Plaintiff, § § v. § Case No. 3:20-cv-01105 § CORECIVIC OF TENNESSEE, LLC, § JURY DEMANDED as owner and operator of TROUSDALE § TURNER CORRECTIONAL CENTER, § EMMANUEL AKINYELE, and § LORRIE HENSON. § § Defendants. § PLAINTIFF’S NOTICE OF FILING PLEASE TAKE NOTICE of the Plaintiff’s filing of the following twenty-nine (29) news articles regarding the Defendant CoreCivic of Tennessee, LLC, and the facility at issue in this lawsuit: 1. Attachment #1: Demetria Kalodimos, Woman says she paid off gangs to keep son safe in prison, WSMV (Oct. 5, 2017), https://www.wsmv.com/news/woman- says-she-paid-off-gangs-to-keep-son-safe-in-prison/article_a4e670ea-78be-5087-86e5- a65ecd485475.html; 2. Attachment #2: Joseph Wenzel, Over 1,200 staff, inmates test positive for COVID-19 at Trousdale Turner Correctional Center, WSMV (May 1, 2020), https://www.wsmv.com/news/over-1-200-staff-inmates-test-positive-for-covid-19-at- trousdale-turner-correctional-center/article_568c03d2-8bde-11ea-a447- 4b7eaabeb67b.html; -1- Case 3:20-cv-01105 Document 15 Filed 02/01/21 Page 1 of 7 PageID #: 568 3. Attachment #3: Adam Tamburin, Tennessee prison inmate dies after fight at Trousdale Turner, THE TENNESSEAN (Jan. 26, 2020), https://www.tennessean.com/story/news/2020/01/26/tennessee-prison-inmate-dies- after-fight-trousdale-turner-correctional-center/4581013002/; 4. Attachment #4: Dave Boucher, New Tennessee CCA prison stops taking inmates amid 'serious issues,' THE TENNESSEAN (May 24, 2016), https://www.tennessean.com/story/news/politics/2016/05/24/new-tennessee-private- prison-stops-taking-inmates/84867834/; 5.
    [Show full text]
  • Prison Service Journal Is a Peer Reviewed Journal Published by HM Prison Service of England and Wales
    PPRISONRISON SSEERRVICEVICE JOURPRISON SERVICE NAL JOURNAALL November 2017 No 234 This edition includes: Suffering in Silence: The unmet needs of d/Deaf prisoners Dr Laura Kelly The illicit economy in prisons: A new measure of biddability (BIDSCALE) to predict involvement in prison illicit economy and its consequences Alan Hammill, Jane Ogden and Emily Glorney Military veteran-offenders: Making sense of developments in the debate to inform service delivery Dr Katherine Albertson, Dr James Banks and Dr Emma Murray Should the public be listening to prison radio programmes? An exploration of prison radio in Sweden and North America Siobhann Tighe and Dr Victoria Knight Inspecting Prisons Interview with Peter Clarke ­ Contents 2 Editorial Comment Purpose and editorial arrangements The Prison Service Journal is a peer reviewed journal published by HM Prison Service of England and Wales. Dr Laura Kelly is a Lecturer in 3 Suffering in Silence: The unmet needs of d/Deaf Criminology at the University of Its purpose is to promote discussion on issues related to the work of the Prison Service, the wider criminal justice Central Lancashire. prisoners Dr Laura Kelly system and associated fields. It aims to present reliable information and a range of views about these issues. The editor is responsible for the style and content of each edition, and for managing production and the Journal’s budget. The editor is supported by an editorial board — a body of volunteers all of whom have worked for the Prison Service in various capacities. The editorial board considers all articles submitted and decides the out - Alan Hammill and Jane Ogden 16 The illicit economy in prisons: A new measure of line and composition of each edition, although the editor retains an over-riding discretion in deciding which arti - are based at the School of Psychology, University of Surrey, and biddability (BIDSCALE) to predict involvement in Emily Glorney is based at the cles are published and their precise length and language.
    [Show full text]
  • Prison Radio Editorial Guidelines? Please Tick This Box to Confirm That You Understand This Document, and That the Programme Conforms to These Guidelines
    PRG V1.2 NOMS PRISON RADIO GUIDELINES Contents Introduction Part 1: NOMS Broadcast Requirements Responsibility Requirements Music Foreign Language Content Use of Slang or Colloquial Speech Criminal Activity Suitability for Public Broadcast Submitting Material to the National Prison Radio Service Control of Recording, Data Storage and Transmission Equipment Local Programming Prison Radio Association Part 2: Prisoner Contributions: Controls and Restrictions Allocation to Radio Production Course/ Employment in Local Production Facility Who Can Take Part Identification and Consent Introduction Contained within, guidelines for prison establishments and NOMS Headquarters groups for operation of local radio production facilities and interaction with the National Prison Radio Service. These guidelines set out the responsibilities of any establishment or individual producing content for broadcast on prison radio, whether it is for local broadcast (i.e. to one establishment) or for broadcast on the National Prison Radio Service. It seeks to balance the aims of prison radio to provide prisoners with education and information, and responsibilities, for example, to the security of the Prison Service, including staff, prisoners and anyone connected with them. This document is designed to help those who produce programmes for prisoners to ensure that all content is suitable for broadcast. 1 PRG V1.2 Part 1 – NOMS Broadcast Requirements Responsibility All output must be based on the values of respect, openness and fairness, and must be designed to support time in custody and aid offenders in their rehabilitation and resettlement. Governors and Controllers are responsible for ensuring that all radio content produced in establishments, whether for local or national broadcast is compliant with the NOMS broadcast requirements, and that any contributor has given their written consent to be recorded and broadcast.
    [Show full text]
  • Job Description – Pra Production Manager
    JOB DESCRIPTION JOB TITLE: Production Manager REPORTS TO: Director of Development SALARY: £30,000 per annum CONTRACT: 12 months LOCATION: Flexible – at least three days per week to be spent in HMP Brixton (London) or HMP Coldingley (Woking, Surrey) LEAVE: 24 days per annum HOURS: Full-time OVERALL PURPOSE OF THE PRISON RADIO ASSOCIATION: The Prison Radio Association (PRA) is an award-winning education charity that aims to reduce reoffending using the power of radio. It has developed and runs National Prison Radio (NPR) – the world’s first national radio station for prisoners The PRA also provides support, guidance and expertise to existing prison radio projects and advises prisons interested in setting up radio projects and radio training faciLities. NPR provides educationaL and resettLement programming excLusiveLy to prisoners 24 hours a day, seven days a week. NPR supports prisoner rehabiLitation and highLights the effects of crime and imprisonment on prisoners, families, the victims and society as a whole. The PRA aLso runs PRA Productions, an audio production business. We produce documentaries for BBC Radio and content for partner organisations working in the criminaL justice sphere and beyond. PRA Productions is growing rapidLy, and this roLe wiLL provide much-needed support to the Director of Development to deliver high-quality productions to our clients. www.prisonradioassociation.org 1 KEY AREAS OF RESPONSIBILITY: 1 To assist the Director of Development in developing costed creative briefs to pitch to clients and potential clients, including charities, statutory organisations, government departments, businesses and broadcasters. 2 To produce audio content to an extremely high technical and creative standard, following the creative brief as agreed between the Director of Development and the client, and in some cases to source and manage other producers in creating the content.
    [Show full text]
  • ISSUE #14 – SPRING 2019 Spring 2019 Women's Prison Network Issue #14
    WOMEN’S PRISON NETWORK ISSUE #14 – SPRING 2019 Spring 2019 Women's Prison Network Issue #14 Editor’s Note: Contents: Welcome to Issue #14 of Women’s Prison News …………………..………... 3-7, 10-12 Network, a magazine by and for women, Poems ……………......………….……… 8-9 trans and youth prisoners in Canada. Resources…………………….…...….. 13-16 This is a safe space to share art, poetry, Cover Artwork: news, thoughts, conversation, connections ... Arthur Tyler We send copies into all Women & Youth prisons in Canada. Artists: Cover Artists will receive a $25.00 donation. Send your art, poems, short stories, Thank you so much for your work! comments, articles, etc, to Women's Prison Let us know how & where you would like Network if you would like to be a part of the the donation sent to & where you would like next Issue. – Thanks! your art returned to. Please note: this magazine is for women, Women’s Prison Network trans and youth from all cultures, so please PO Box 39, Stn P do not send religious imagery. Toronto, ON, M5S 2S6 Thank you for your art! Writers: ‘Women's Prison Network' is produced One column is only 300 words, so do choose 4 times per year. your words carefully. It is sent out for free to Women, Trans & It must be short & to the point. Youth in Prisons in Canada. Poems that are tight & give space for others are the first in. If you are on the outside or part of an Thank you for your words! organization, please consider a donation!!! Donors for this Issue: Editor: aliyyah Publication: Women’s Prison Network Very special thanks to: Agnes & Elle A.! Publisher: PrisonFreePress.org PO Box 39, Stn P Ancestral Territorial Acknowledgment: Toronto, ON, M5S 2S6 Circulation: 350+ We respectfully acknowledge that the land on Recirculation: ?,??? which Prison Free Press operates is the Traditional Territory of the Wendat, the [email protected] Anishnaabeg, Haudenosaunee, and the Mississaugas of the New Credit First Nation.
    [Show full text]
  • The Story of the Prison Radio Association
    Making Waves Behind Bars: The Story of the Prison Radio Association Charlotte Bedford MA Media Enterprise – Birmingham City University BA Honours English & History – Brunel University Thesis submitted for the degree of Doctor of Philosophy Discipline of Media Faculty of Arts The University of Adelaide January 2015 THESIS DECLARATION I certify that this work contains no material which has been accepted for the award of any other degree or diploma in my name, in any university or other tertiary institution and, to the best of my knowledge and belief, contains no material previously published or written by another person, except where due reference has been made in the text. In addition, I certify that no part of this work will, in the future, be used in a submission in my name, for any other degree or diploma in any university or other tertiary institution without the prior approval of the University of Adelaide and where applicable, any partner institution responsible for the joint-award of this degree. I give consent to this copy of my thesis, when deposited in the University Library, being made available for loan and photocopying, subject to the provisions of the Copyright Act 1968. I also give permission for the digital version of my thesis to be made available on the web, via the University’s digital research repository, the Library Search and also through web search engines, unless permission has been granted by the University to restrict access for a period of time. Signature: Date: Charlotte Bedford ABSTRACT Prison radio is a particularly valuable contribution to the investigation of opportunities for social activism and the potential of radio for social change, able to support prisoners through their sentences and contribute to reducing re-offending.
    [Show full text]
  • Keeping Covid out of Prisons
    KEEPING COVID OUT OF PRISONS APPROACHES IN TEN COUNTRIES HELEN FAIR and JESSICA JACOBSON MAY 2021 Keeping COVID out of Prisons: Approaches in Ten Countries Institute for Crime & Justice Policy Research Birkbeck, University of London 42 Store Street London WC1E 7DB Email [email protected] ICPR website http://www.icpr.org.uk/ World Prison Brief http://www.prisonstudies.org/world-prison-brief Twitter @icprtweet and @ICPSLondon © 2021 Institute for Crime & Justice Policy Research and the authors The rights of Helen Fair and Jessica Jacobson to be identified as the authors of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988. This publication may be freely reviewed, abstracted or reproduced in part, but not for sale or for use in conjunction with any commercial purposes. Any changes to the text of this publication must be approved in writing by the Institute for Crime & Justice Policy Research. Due credit must be given to the Institute for Crime & Justice Policy Research and to this publication. Enquiries should be addressed to [email protected] This document was produced with financial assistance from the Open Society Foundations. Its contents are the sole responsibility of the Institute for Crime & Justice Policy Research and can under no circumstances be regarded as reflecting the position of the Open Society Foundations. The cover photograph was taken as part of the project ‘Strengthening the rule of law and restricting the use of the death penalty leading to abolition in Kenya’, funded by the European Commission under the EuroAid programme. This is a collaborative project between The Death Penalty Project (UK), The Katiba Institute, the Kenya National Commission on Human Rights, and the University of Reading (UK).
    [Show full text]
  • What Does Solitary Confinement Have to Do with Re
    Number 45 Spring 2015 Serving The Interests Of Prisoners And Their Loved Ones On The Outside For Over Twenty Years WOMEN IN NEW YORK STATE PRISONS FACE SOLITARY CONFINEMENT AND SHACKLING WHILE PREGNANT OR SICK By Victoria Law 8QWLO QR ZULWWHQ SROLF\ UHJXODWHG SUHJQDQF\ DQG VKHZDVPLVFDUU\LQJWKHEDE\ORRNHG¿QH+HWKHQWXUQHG KDWGRHVVROLWDU\FRQ¿QHPHQWKDYHWRGRZLWKUH- VROLWDU\ FRQ¿QHPHQW %XW DV SDUW RI WKH VHWWOHPHQW IRU WKH WKHUHFRUGHURQDQGVHQWHQFHGKHUWRGD\VLQ6+86KH SURGXFWLYHMXVWLFH"4XLWHDORWVD\VDQHZUHSRUW FODVVDFWLRQ ODZVXLW Peoples v Fischer '2&&6 LVVXHG D UHFHLYHGQRDGGLWLRQDOPHGLFDOFDUHRUH[WUDIRRG6KHZDV WDERXW UHSURGXFWLYH KHDOWK FDUH LQ 1HZ <RUN¶V PHPRHVWDEOLVKLQJD³SUHVXPSWLRQ´DJDLQVW6+8SODFHPHQW DEOHWRVKRZHUWKUHHWLPHVDZHHNDQGH[HUFLVHE\KHUVHOILQ ZRPHQ¶V SULVRQV 7KH &RUUHFWLRQDO $VVRFLDWLRQ RI 1HZ IRUSUHJQDQWZRPHQXQOHVVDZDWFKFRPPDQGHUEHOLHYHVVKH DVPDOORXWGRRUFDJH <RUNDFULPLQDOMXVWLFHSROLF\DQGDGYRFDF\RUJDQL]DWLRQ SRVHV³DQLPPHGLDWHDQGVXEVWDQWLDOULVN>WRKHUVHOIRURWK- %HFDXVH$OELRQKDVQRIDFLOLWLHVIRUSUHJQDQWZRPHQ(OOH UHOHDVHG5HSURGXFWLYH,QMXVWLFH7KH6WDWHRI5HSURGXFWLYH HUV@«RUDQLPPHGLDWHDQGVXEVWDQWLDOWKUHDWWRWKHVDIHW\DQG ZDVWUDQVIHUUHGWR%HGIRUG+LOOVWZRZHHNVODWHU6KHZDV +HDOWK&DUHIRU:RPHQLQ1HZ<RUN6WDWH3ULVRQV7KHUH- JRRGRUGHURIWKHIDFLOLW\´ZKLFKUHPDLQOHIWWRWKHGLVFUH- IXOO\VKDFNOHGLQFOXGLQJZDLVWFKDLQVIRUWKHHQWLUHWHQKRXU SRUWLVDFXOPLQDWLRQRIWKHRUJDQL]DWLRQ¶V¿YH\HDUVWXG\RI WLRQRISULVRQVWDIIDQGRI¿FLDOV7KHPHPRGRHVQRWUHVWULFW EXV ULGH:KHQ VKH DUULYHG DW %HGIRUG VKH ZDV SODFHG LQ WKHVWDWH¶VZRPHQ¶VSULVRQVLQFOXGLQJLQSHUVRQLQWHUYLHZV SUHJQDQWZRPHQIURPEHLQJSODFHGLQNHHSORFNLQVWHDGVXJ-
    [Show full text]
  • Making Waves Behind Bars: the Story of the Prison Radio Association
    Making Waves Behind Bars: The Story of the Prison Radio Association Charlotte Bedford MA Media Enterprise – Birmingham City University BA Honours English & History – Brunel University Thesis submitted for the degree of Doctor of Philosophy Discipline of Media Faculty of Arts The University of Adelaide January 2015 THESIS DECLARATION I certify that this work contains no material which has been accepted for the award of any other degree or diploma in my name, in any university or other tertiary institution and, to the best of my knowledge and belief, contains no material previously published or written by another person, except where due reference has been made in the text. In addition, I certify that no part of this work will, in the future, be used in a submission in my name, for any other degree or diploma in any university or other tertiary institution without the prior approval of the University of Adelaide and where applicable, any partner institution responsible for the joint-award of this degree. I give consent to this copy of my thesis, when deposited in the University Library, being made available for loan and photocopying, subject to the provisions of the Copyright Act 1968. I also give permission for the digital version of my thesis to be made available on the web, via the University’s digital research repository, the Library Search and also through web search engines, unless permission has been granted by the University to restrict access for a period of time. Signature: Date: Charlotte Bedford ABSTRACT Prison radio is a particularly valuable contribution to the investigation of opportunities for social activism and the potential of radio for social change, able to support prisoners through their sentences and contribute to reducing re-offending.
    [Show full text]
  • Prison Culture: Using Music As Data
    PRISON CULTURE: USING MUSIC AS DATA DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of the Ohio State University By Marianne Fisher-Gior1ando, B.A., M.A. * * * * * The Ohio State University 1987 Dissertation Committee: Approved by Simon Dinitz, Advisor Alfred C. Clarke Advisor Department of Socio10 Clyde W. Franklin II Copyright by Marianne Fisher-Gior1ando 1987 To My Parents, My Children, and My Granddaughter ii ACKNOWLEDGMENTS I express sincere appreciation to Dr. Simon Dinitz for his guidance and insight throughout this research. I am also grateful to Dr. Alfred Clarke and Dr. Clyde W. Franklin II, who served on my reading committee. Each of these professors have generously given me their time and support during my graduate studies here at The Ohio State university. During the time it took to conduct this study, many people helped me in various ways. First of all, I thank all the inmates who so generously contributed their musical creations to this project. Without their cooperation, this work could not have been completed. Anyone who has conducted research in prisons knows that the work cannot be accomplished without the help of many prison employees. -I thank them all, from the members of the Research Review Committee of the Ohio Department of Rehabilitation and Corrections, who approved this research project, to the many educational personnel and correctional officers of the Ohio and Tennessee Prison Systems. iii Hundreds of other people have also assisted me during the past three and a half years. I especially thank Jody Coe, Dr.
    [Show full text]